6/03/2012

Mother Love (1989) Review

Mother Love (1989)
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Maybe I am romanticizing this Mystery (or was it Masterpiece Theatre) presentation, but a lot of other people still talk about it. IN FACT, a dear friend of mine was talking about Mother Love and remembering Diana Rigg's wonderfully chilling performance. I want a copy for me, but I really want to get him a copy. If you ever saw I Claudius and shuddered at Livila's knack for poisoning people's bodies, you will enjoy Mother Love. If you marveled at Nancy Marchand's noteworthy performance in the first season of the Sopranos at Toni's mother, you will enjoy Mother Love. What showers were to Psycho, marzipan is to Mother Love. It is an interesting thriller and psychological profile. The rest of the cast and the whole production is worthy of Rigg's main character. The world deserves to get goosebumps from watching this miniseries from BBC or Thames or whoever made this happen.

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6/02/2012

Celine Dion - CBS Special Review

Celine Dion - CBS Special
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If it is, Celine fans are in for a treat! The CBS special captures the Celine we know and love, performing many songs from "A New Day Has Come" while mixing in some fan favorites ("Beauty and the Beast" feat. Brian McKnight!)as well. She sang a movie medley of "Because you loved me", "My Heart Will Go On", and "Beauty and the Beast", and a few covers- "At Last" and "Nature Boy". Celine ended the special with a beautiful version of "Nature Boy"- which included photos of Rene-Charles, Celine and Rene together as a family. I was lucky enough to attend the taping of her CBS special, and I can't wait to see Celine on DVD... She's back and better than ever!

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Me and Orson Welles (2009) Review

Me and Orson Welles (2009)
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Orson Welles was a genius in many, many areas. He was an incredible actor, a brilliant director and a showman of the first order. He was also, from many accounts, a major jerk; obsessive and controlling, manipulative and unpleasant. Someone who at least as nasty to his friends as to his enemies. He was, to lift a quote from a certain movie, not a brutal man, but a man who did brutal things.
All these elements of his considerable personality are on display in Richard Linkletter's newest film, Me and Orson Welles. The movie tells the story of a seventeen-year-old boy named Richard (though he's mostly referred to as "Junior"). He's played by Zac Efron (looking sexier than ever), in his finest role to date, which isn't saying a lot.
Richard is a reasonably naive boy who winds up meeting Welles as the great man is preparing for his 1937 stage production of Julius Caesar, a ground-breaking presentation that moved the story into modern times, dressing the cast in fascist uniforms and casting an obvious Jew as the poet Cinna. Richard ends up in the play as a servant to Welles' Brutus, a role which requires him to learn to play the ukulele after claiming he already knew how.
Richard meets all the famous players of the Mercury Theatre, most notably Joseph Cotton, Norman Lloyd and George Coulouris. He also meets, and falls in love with, the beautiful Sonja Jones (Claire Danes). Like Richard, she's a fictional character, and also like Richard, she's far less interesting than the real characters around them.
The movie is completely stolen by Christian McKay's performance as Welles. It is as letter-perfect as any I've ever seen. He has the look, he has the voice and he has the attitude of Welles, playing him as a man who never bothered to merely speak when he could instead declaim. He simply is Welles, warts and all. Expect his performance to get a Best Supporting Actor nomination, and probable win, at the next Oscars.
This is probably the best movie I've seen this year, with Up in the Air as a very close second. The movie captures the spirit of the theatre and the character of Welles like no movie I've ever seen before. I cannot possibly praise it enough. It might be hard to find in your area (it's considered something of an art film), but if you can track it down, it's well worth seeing.

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Tenko: The Complete Classic Drama Series Review

Tenko: The Complete Classic Drama Series
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I was enthralled when the original series of Tenko came on PBS, I never missed an episode and had some on tape. I want them to make this series for playing on DVD's compatible with those in the U.S. and also at a price that is not outrageous, such as the prices that can be obtained for the Monty Python entire series and for the World at War. I would truly love to see this series again, why are they making it so difficult?

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6/01/2012

Thin Lizzy: Live & Dangerous Review

Thin Lizzy: Live and Dangerous
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If you have the cd (or vinyl of course!) of L&D, or if you saw them live on this tour in 1978 then do not buy this DVD under any circumstances. This has been not been approved by the band and you can see why. It is advertised as the "Live & Dangerous" DVD - but there is just one major flaw - it contains no music or footage from Live & Dangerous !!!! If you are expecting to see a film of a concert this is not it. It is a critical review (exactly the same rubbish as on the "Thin Lizzy - Inside" DVD)by a group of people who constantly interrupt every song (ONLY 1 MINUTE of each song shown - and only 6 songs reviewed !) featured while they talk about chord changes and whether all the singing/playing was 'live' which wears thin after a very short time. Shocking to think someone actually planned this whole thing and got paid to do it. An absolute insult to Phil's memory.


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All-Star Bluegrass Celebration Review

All-Star Bluegrass Celebration
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The high octane of bluegrass music in a live show has been captured in the "All Star Bluegrass Celebration" produced by legendary Austin City Limits architect Terry Lickona. Available on CD or DVD, the intensity of this genre is seized in this documentation of a show featuring some of the greatest performers in the business. The many moods of bluegrass range from the hard-core traditional to quick-paced contemporary, enchanting gospel to powerful mountain sounds.
Recorded on January 16, 2002 at Nashville's historic Ryman Auditorium for a PBS broadcast, the All-Star Bluegrass Celebration was a very popular fund-raising special. There is one primary tradeoff to the energy of a live show, and that is the audience applause which can be downright noisy and annoying, especially when it's rendered over a hot break or vocals.
The DVD version contains three bonus tracks. The show was hosted by Ricky Skaggs, and the CD begins with Kentucky Thunder's fiery rendition of the traditional "Shady Grove." A project like this always offers some interesting pairings that bring illustrious guests onto the bluegrass stage. More often associated with country music but clearly having strong bluegrass foundations, stars like Vince Gill , Travis Tritt, Patty Loveless,
and Bruce Hornsby also make appearances. Unfortunately, the set's flow has some problems. For example, following the Del McCoury Band's "Get Down on Your Knees and Pray" with a drum-heavy rendition of Earl Scruggs' "Foggy Mountain Breakdown" is like jumping from a warm bed into a freezing cold lake. While the crowd appreciates the sheer energy of the breakdown with electric guitar, electric bass, and drums, it seems rather odd to transition right back to Patty Loveless' more acoustic rendition of "Daniel Prayed." Later in the set, after Ralph Stanley and Ricky Skaggs play straight-ahead bluegrass, Bruce Hornsby builds his compelling case for bluegrass piano on "Darlin' Corey." Of course, Nickel Creek's "Seven Wonders" pushes the bluegrass envelope even further. The all star finale jam it up on Earl Scruggs' "Lonesome Reuben" and a fitting tribute to the father of bluegrass with Bill Monroe's "Rawhide."
There are no liner notes that try to define bluegrass. It's obvious that producer Terry Likona has chosen to let the music do that for us, and the sideboards are large. With its strongly mainstream commercial sound, the All-Star Bluegrass Celebration raised a great amount of funding for PBS. Projects like this also give us a broad sampling of bluegrass for all tastes. From the sounds of the noisy audience, they clearly loved it. (Joe Ross, staff writer, Bluegrass Now)


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Jewel: The Essential Live Songbook (2007) Review

Jewel: The Essential Live Songbook (2007)
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I have been a jewel fan from the beginning but still haven't been able to make any of her live shows. After watching this DVD, it makes me even more motivated to see her live. I love the acoustic performance and I think this is where Jewel really shines. It beats listening to her CDs hands down. She has such a great singing voice, she doesn't need all the background noise. Just her singing playing her guitar is what separates her from so many artists. Both DVD's were good but I enjoyed the Rialto Theater performance more, and when she sang Violet Eyes, it brought me to tears. That is the first time I have ever heard that song. I'm glad I bought this DVD and it will be one I plan to listen to regularly.

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5/31/2012

Christabel (1989) Review

Christabel (1989)
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While the edits in this DVD version of a 1989 miniseries aired on Masterpiece Theater in the US aren't blatant, to anyone familiar with the original version, they are striking by their absence. And the material that has been cut makes the plot much richer without detracting from the suspense of the plot.
The story hews closely to the biography of Christabel Bielenberg ( available as When I Was a German, 1934-1945: An Englishwoman in Nazi Germany or The Past is Myself, with a followup volume, The Road Ahead), an Englishwoman who marries a German lawyer and makes her home in Berlin in the early years of the Nazi regime. Her husband and their circle of friends deplore the Nazis (anti-Hitler conspirator Adam von Trott, later executed, is one of their circle) and the plot revolves around Christabel's growing recognition that it isn't possible to just live one's private life -- or leave -- when confronted with the kind of evil that the Nazis represent.
Even this edited version presents a kind of viewpoint that is rarely seen of 'ordinary' educated Germans facing the conundrum of how to react to evil and forces us to question how we would have fared in a similar situation. As Protestant pastor Martin Niemoller famously wrote, when the Nazis took away the communists, social democrats, trade unionists and Jews, people didn't speak up because they didn't fall into those categories. "Then," Niemoller wrote, "when they came for me, there was no one left to speak out." This film looks at a group of people who did speak out.
Dennis Potter's imaginative touches (such as the scene where Christabel imagines, in a nightmare, parachutists invading her home and bayoneting her elderly father) make this a rewarding movie to watch, while the recurring echoes of the song to which Christabel listens dressing for her wedding in the opening scenes recurs throughout, sometimes offering an odd or jarring commentary on the scene.
All in all, this is an excellent film of a little-known story. But it deserves to be seen in full, so for anyone who hasn't yet discarded their VHS player, I'd urge you to get the complete version.

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Waiting for Godot Review

Waiting for Godot
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"Nothing happens, nobody comes, nobody goes, it's awful!". That phrase, said by one of the main characters of "Waiting for Godot", somehow sums up the whole plot of this short tragicomedy in two acts. Strange??. You can bet on that!!!. So much that a well-known Irish critic said of it "nothing happens, twice".
The play starts with two men, Vladimir and Estragon, sitting on a lonely road. They are both waiting for Godot. They don't know why they are waiting for him, but they think that his arrival will change things for the better. The problem is that he doesn't come, although a kid does so and says Godot will eventually arrive. Pozzo and his servant Lucky, two other characters that pass by while our protagonists are waiting for Godot, add another bizarre touch to an already surreal story, in which nothing seems to happen and discussions between the characters don't make much sense.
However, maybe that is exactly the point that Samuel Beckett (1906-1989) wanted to make. He was one of the most accomplished exponents of the "Theatre of the Absurd", that wanted to highlight the lack of purpose and meaning in an universe without God. Does Godot, the person that Vladimir and Estragon endlessly wait, symbolize God?. According to an irascible Beckett, when hard-pressed to answer that question, "If I knew who Godot was, I would have said so in the play." So, we don't know. The result is a highly unusual play that poses many questions, but doesn't answer them.
Ripe with symbolism, "Waiting for Godot" is a play more or less open to different interpretations. Why more or less open?. Well, because in order to have an interpretation of your own, you have to finish the play, and that is something that not all readers can do. "Waiting for Godot" is neither too long nor too difficult, but it shows a lack of action and purpose in the characters that is likely to annoy many before they reach the final pages, leading them to abandon the book in a hurry. That is specially true if the reader is a student who thinks he is being barbarously tortured by a hateful teacher who told him to write a paper on "Waiting for Godot" :)
My advice, for what it is worth, is that you should persist in reading it. If it puts you to sleep, try reading it aloud with some friends, and discuss with them the implications of what happens with the characters. This play might not be thoroughly engaging, but it changed theatre and the possibilities opened before it forever. In a way, it provoked a blood-less revolution, and because of that it deserves at least a bit of our attention.
Belen Alcat


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Faerie Tale Theatre - Princess and the Pea (1984) Review

Faerie Tale Theatre - Princess and the Pea  (1984)
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THE PRINCESS AND THE PEA is one of the all-time great FAERIE TALE THEATRE episodes. Featuring a talented cast and brilliant costumes and sets, it's totally adorable.
Prince Richard (Tom Conti) leads a boring and eventless life under the thumb of his controlling mother Queen Veronica (Beatrice Straight). Until, one stormy night, in whirls the vivacious Princess Alecia (Liza Minnelli). But is she really a princess? Queen Veronica is skeptical, so employs a method to test her royalty: she places a tiny pea under 20 mattresses and quilts. If Alecia can feel the pea it will prove beyond any doubt her royal blood.
Will Alecia pass the test? And if she does, will she choose to marry Richard? You'll find out in THE PRINCESS AND THE PEA. Co-starring Jane Alden and Nancy Allen.

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5/30/2012

Faerie Tale Theatre - Aladdin and His Wonderful Lamp (1982) Review

Faerie Tale Theatre - Aladdin and His Wonderful Lamp  (1982)
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ALADDIN AND HIS WONDERFUL LAMP is one of the most enjoyable of episodes from the fabulous FAERIE TALE THEATRE series. Robert Carradine, Valerie Bertinelli, James Earl Jones and Leonard Nimoy lead the strong cast.
Aladdin is played by the appealing Robert Carradine, who offers a fine performance as the resourceful young hero who is thrown into a world of wonder, danger and romance after discovering a lamp which contains a Genie (James Earl Jones) who will grant his every wish. Unfortunately, a scheming magician (Leonard Nimoy) also knows about the magical lamp and will stop at nothing to get it...
Valerie Bertinelli is luminous as the beautiful Princess Sabrina who steals Aladdin's heart. She was nominated for several awards for her performance here. James Earl Jones is an amazing Genie; big and boistrous and very funny!
Directed by Tim Burton, ALADDIN comes to life with sparkling sets and vivid costumes. One of the best. Co-starring Rae Allen as Aladdin's mother and Ray Sharkey as the Grand Vizier.

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Girls Town (1959) Review

Girls Town  (1959)
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Was this bad-girls-in-reform-school flick made in an attempt to cash in on the Academy Award-winning "Boys' Town" or did the studio just happen to have a few dozen nun's habits in their wardrobe department? Tubby, dewlapped crooner Mel Torme frames busty bottle-blonde bombshell bad-girl Silver Morgan (Mamie Van Doren, the poor man's Jane Mansfield) for the over-a-cliff murder of her attempted rapist in this manipulative, cloying 1959 teen-sploitation flick. The cops don't have a thing on Silver but the dead punk's dad commands the usual White Male Reality political pull, sending her to a convent-slash-reform-school "Girls' Town" chock-full-o' tough-as-nails nuns, teen gangs played by 35-year old actors, an "Ave Maria"-singing Paul Anka, a no-hands drag race ending in the usual expected laughably "tragic" result, the Platters, badly-choreographed catfights consistently broken up by beefy security nuns, way too much embarrassingly fake teen slang, and Charlie Chaplin, Jr. (?) Watch out for Silver's creepy reform-school pal Seraphina, a spooky obsessive fan stalking a vaguely stupefied young Paul Anka; look carefully in the drive-in scene to spot the reflections of the director and camera crew in the windows of the cars. "The Sound of Music" this ain't. If you're like me, you saw this given the "Mystery Science Theater 3000" treatment, and were all the better for it...it's even funnier that way, and at least *intentionally* funny.

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Sybil Danning's Adventure Theatre: Seven (1979) Review

Sybil Danning's Adventure Theatre: Seven (1979)
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B-movie veteran William Smith ("Invasion of the Bee Girls", "Grave of the Vampire") stars in this fast moving adventure as the leader of a small team of specialists assigned to break up a notorious Hawaiian crime syndicate.Amazonian action star Sybil Danning introduces the movie.Also starring Barbara Leigh, Art Metrano, Martin Kove, Susan Kiger, Guich Koock, and Richard Le Pore.Directed by Andy Sidaris ("Stacey!", "Malibu Express"). Great movie, must see advanture.

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5/29/2012

Broken Glass: Masterpiece Theatre (1996) Review

Broken Glass: Masterpiece Theatre  (1996)
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This Mobil Masterpiece Theater production of an adapatation of Arthur Miller's play is a gripping look at both the dilemma of being Jewish in pre-war America, as well as a fascinating look at how fear can, literally, cripple a life.
The story revolves around a married Jewish couple, the Gellburgs, in Brooklyn in 1938. Mrs. Gellburg suddenly finds herself unable to move her legs, and becomes the patient of Dr. Hyman, played powerfully by Mandy Patinkin. Mr. Gellburg, in a way, also becomes the patient of Dr. Hyman as Mrs. Gellburg's diagnosis is revealed to be hysterical paralysis -- i.e., it's all in her head.
What Dr. Hyman is left to uncover about the Gellburgs, including both the extremely personal -- their marriage and their identity as Jews -- and the extremely impersonal -- the beginning of the torture and slaughter of Jews in Germany -- teaches great lessons about the choices we make in our lives; when to give in, when to stand up and say, "Enough." Fear can be either a force for change, or an excuse to avoid the inevitable pains of life.
I highly recommend this serious and thought-provoking drama; it provides much food for thought for people of any age or situation.

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Kiss Me Kate (Broadway Revival - PBS Great Performances) (2003) Review

Kiss Me Kate (Broadway Revival - PBS Great Performances)  (2003)
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`Kiss Me Kate', Winner of 5 Tony Awards, 6 Drama Desk Awards and 4 Outer Critics Awards including Best Musical Revival, is a wonderful production with breathtaking performances from a stellar cast including Brent Barrett and Rachel York. What I want to clear up is the criticism of the DVD. I have to disagree with everything negative said - the sound is fine and a pleasant balance of orchestra and vocal with a crisp clarity.
Secondly, the DVD is widescreen and captures a lot of the onstage `business'. Indeed the cameras do follow the main action, but never misses anything. It has been filmed by people who both appreciate the performance, the art and the intention of Michael Blakemore. Since he directed it and then adapted `Kiss Me Kate' for television, surely he of all people knows what needs to be filmed?
Always, the performance has an `on stage' feel and I urge you to ignore the exaggerated views of others here. Sound is good, video is good, DVD menu is good and I guarantee that you'll be as enthusiastic about the DVD as I was today after watching it. Maybe the others need to appreciate that this is a stage `adaptation' as stated on the DVD case.

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The first Broadway revival in nearly 50 years of the musical comedymasterpiece by composer Cole Porter and book writers Sam and Bella Spewack not onlyenchanted critics and delighted audiences, but went on to triumph as one of the biggestprize winners of the 2000 season. Taking its inspiration from Shakespeare, this hilarious romp recounts the backstage and on-stage antics of two feuding romances during an out-of-town tryout for a musical adaptation of The Taming of the Shrew. Sparkling with 18 classic Cole Porter songs including "Another Op'nin', Another Show," "Wunderbar," "So in Love," "Always True to You in My Fashion," "Too Darn Hot," and "Brush Up Your Shakespeare" this is Broadway musical comedy at its irresistible best. Directed by Michael Blakemore, this Tony winner for "Best Revival" stars Brent Barrett, Rachel York (Victor/Victoria), Nancy Anderson and Michael Berresse as the squabbling couples whose offstage disputes entangle them with a pair of song-and-dance gangsters and a pompous U.S. army general.

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Follow Your Dreams: The Bessie Coleman Story (The First African-American Female Pilot) Review

Follow Your Dreams: The Bessie Coleman Story (The First African-American Female Pilot)
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The presentation is very inspiring. The message is educational, positive, encouraging and inspirational message for all. The film tells the story, and it also inspires you to follow your dream no matter what obstacles appears to be in the way, persevere! I can't wait to share with others on how you can...do it. I plan to share this film with the youth group in my church. Thank you for such an inspiring message! I am waiting for the DVD! Great film for all!

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5/28/2012

Riot (1990) Review

Riot (1990)
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Without a doubt, this DVD contains an excellent playlist of Bad Religion songs. Unfortunately, the audio is disappointing. The vocals are often drowned out by the instruments. When I first watched it, I was slightly disgruntled; however, during my second viewing, I turned up the volume and found myself enjoying the experience.
The riot material is pathetic. The camera wasn't inside for the actual riot. You saw the tentative beginnings of one, then the camera footage immediately cut to outside the theater for the aftermath. I felt very misled by the promise of riot material.
I would only recommend this DVD to Bad Religion fans or someone who wants to build upon their collection of punk performances.
Undoubtedly, Bad Religion is an amazing band, but the audio quality on this DVD sells them short.

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