Showing posts with label operetta on dvd. Show all posts
Showing posts with label operetta on dvd. Show all posts

3/30/2012

Topsy-Turvy Review

Topsy-Turvy
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Topsy-Turvy is the story of the creation of the Gilbert & Sullivan operetta, "The Mikado." It contains not just the story of the musical's creation but many scenes from Mikado and other G&S musicals. Long-time "G&S" (Gilbert & Sullivan) fans probably found this movie a long time ago. I am one of them, so first I'll say that I found the performance of the G&S material in this movie absolutely superb. I've never seen a Mikado as genuinely funning and eccentric as Tim Sprall's, or a Yum-Yum as winsomely self-centered as Shirley Hendersen's Leonora Branham.
Viewers who find musicals simplistic or shallow or generally silly should make an exception in the case of Topsy-Turvy. It is none of those things. In true Mike Leigh fashion, the actors inhabit their characters like second skin. No one is simple or shallow. Nor does Leigh avoid the seamier side of London theatrical life. I particularly liked Jim Broadbent's bitterly comic and misanthropic Gilbert, Martin Savage as the opium-addicted George Grossmith (the 'patter baritone' who rips through Gilbert's rapidfire lyrics like a rap song), and Lucy Manville as Gilbert's long-suffering wife.
Finally, the film is visually beautiful and detailed; wonderful costumes, lighting, and sets that seem faultless in their historical detail.
One of the best, if not the best, bio-pic ever made.

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2/28/2012

Lehar - Das Land des Lachelns / Kollo, Pitsch-Sarata, Koller, Zednik, Liewehr, Ebert, Stuttgart Opera (1974) Review

Lehar - Das Land des Lachelns / Kollo, Pitsch-Sarata, Koller, Zednik, Liewehr, Ebert, Stuttgart Opera (1974)
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A fine performance of a good operetta. The singing of Rene Kollo is especialy good, and he looks great, even in fake oriental makeup. His rendition of "Dein ist mein Ganzes Herz", the hit tune from the show, is far better than the version recorded by Giuseppe di Stefano. Dagmar Koller as Princess Mi is delightfuly athlethic, with some amusing and faintly erotic dance numbers. The rest of the cast is OK. Birgit Pitsch-Sarata looks fabulously Viennese as Lisa, but is not quite the singer she ought to be as the female lead.
The camera work is not quite up to the standards of US musical films of the era and the direction by Authur Maria Rabenault is occasionally awkward, but the photography is crisp and colorful and the setting in a pseudo-Siamese country is visually appealing, if not authentic either to the operetta or the period.
Lehar's story of the clash between oriental and western culture may have resonated with audiences of post-WWI Vienna, but today, it seems a bit dated. Still, much of the music is wonderful, and if you like this sort of thing, it is worthwhile just to hear Rene Kollo at his youthful best.

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