Country Matters (1972) Review

Average Reviews:

(More customer reviews)Despite the term "heartwarming" in the descriptive copy on the back of the "Country Matters" DVD case, most of the episodes are reminiscent of Thomas Hardy. They are slow, brooding, and mostly focus on rural life as it really was for the poorer classes: Isolated locations; dark, dirty cottages; bare economic survival; few acquaintances; poor verbal communication; and extremely limited options in life. In most episodes, the central character is offered one chance at a better life, usually economic improvement and/or love and/or escape from a bad family. And usually, fails to get it due to either poor choices or bad luck, and then is made to realize how dreary things will be for the rest of his or her life. It's a good series, but don't watch more than one or two episodes in an evening if you want cheerful dreams.
The rural locations are beautiful, the costumes are pretty good, the acting is excellent, in short the production values of this series are high. Except--and it's a big except--for the music. British folk music would have accented the series extremely well. Instead, the music for every single episode consists of a little-varied, much-repeated, rinky-dinky, incongruously upbeat, rather electronic tune which, if memory serves, is also the theme for the BBC "Lovejoy" detective series. If BBC couldn't shell out enough for decent music at the time the series was filmed, they ought to have done it before issuing this DVD.


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One of the most widely acclaimed drama series television has ever produced, these adaptations of short stories by A.E. Coppard and H.E. Bates present provocative and heartwarming tales set against the vast English countryside during the post-World War I period. Featuring stunning locations and star-studded casts that include Ian McKellen, Peter Firth, Pauline Collins, Rosalind Ayres and Prunella Scales, these eight lavish dramas reveal the timeless and constant qualities of the British landscape and its people. 2 DVD set includes:Craven Arms - The Mill - The Sullens Sisters - The Watercress Girl The Little Farm - The Black Dog - The Higgler - The Ring of Truth

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An Awfully Big Adventure (1995) Review

Average Reviews:

(More customer reviews)This is an excellent film, moving, sad, even tragic. It is NOT a "warm hearted comedy," as it says on the back of the DVD. And it certainly is not "hilarious". The blurb on the cover is quite possibly the most misleading I have ever come across. Despite that, it is a lovely film. It is a solid, serious British drama, with an excellent all round cast. The humour where present is decidedly low key. Its predominant mood is one of sadness and loss, there is warmth to be sure, but certainly not what is projected on the cover or in the trailer. One wonders why the publicists chose to so misrepresent such a fine film. Was it because they were worried its serious and even dark nature would put off the popcorn munchers? Perhaps it would have been better if they had. Then we wouldn't have been saddled with so many negative reviews from viewers who naturally felt short-changed. Then again, this is not a movie that American audiences would readily take to.
Set in 1947, it tells the story of a 16 year old girl, Stella (Georgina Cates), abandoned at birth by a wayward mother and brought up by her aunt and uncle, who aspires to join the Theatre. Into this milieu she willingly plunges herself. She encounters sordid seedy characters. She takes on menial tasks without pay. She embraces all with a gushing eager naivete. She falls for the stage director (Hugh Grant) who in her young innocence she doesn't realise actually has a preference for boys. She then latches on to an aging Lothario (Alan Rickman) who does appreciate young girls. In this darkness in which she finds herself, past and present intersect. The absent mother she faithfully places a call to everyday, the same mother who gave her away years ago, becomes the silent confidant of her hopes and fears. The aging Rickman character constantly pines for his own past even as he happily deflowers the young girl. The stage director's sordid history of seducing and then spurning young men finally comes to a head. All combine to create an air of loss and decay. A nice touch was the use of a lone flute playing "The Last Rose Of Summer" whenever the Rickman character thinks back to his lost love. If you know the song, it perfectly encapsulates the mood of this movie. And yes there is a twist at the end, but if you have been paying attention, it won't come as too much of a shock. Although the prudes and the self-righteous will as usual recoil in moral outrage.
New Line Entertainment has given us a fine if bare-bones DVD. The film is transferred in it's original theatrical aspect ratio of 1.85:1 (enhanced for widescreen TV). Picure quality is good, clean and clear with natural warm colors. Black levels are just right. Audio includes the original stereo plus both DTS and Dolby 5.1 remixes. Excellent presentation. There are even optional English subtitles for people who can't get round the British accents. Thank goodness not everybody makes sanitized, Hollywood dross.

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Hugh Grant and Alan Rickman star in director Mike Newell's (Four Weddings And A Funeral) engaging comedy about a star-struck young girl lured into the grown-up world of the theater. From a crush on the company's heartless director to her first sexual encounter with the show's biggest star, young Stella Bradshaw quickly discovers what it takes to make it in the theater.
An intriguing blend of comedy and passion this provocative story is a hilarious look at what really goes on when the lights go down.

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