The Heritage Theatre - The Mysteries Review

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(More customer reviews)A friend from church told my wife and me "you MUST see this!" He was right. It brings old familiar Bible stories richly to life in a fresh and new way. Great casting, clever humor in places, and amazing music and dance from a country (South Africa) where they have a lot of great singers and dancers.


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Ipi Ntombi: An African Dance Celebration (1998) Review

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(More customer reviews)I have audio cassettes for Ntombi Marhumbhini. My friend gave them to me when I was in Malawi. When I came to the US, I wanted if I could find a VHS for the audio cassettes I have only to find Ipi Ntombi. I read the reviews, and I did not hesistate to buy it.
This movie is great. The way they sing and dance depicts African originality. Their voices are so sharp that I do not see it boring throughout. If you haven't watched this movie, please try to. You will not regret like I am not regretting having bought it. If you have watched Namu Lwanga from Uganda, it is almost at par. Namu Lwanga holds shows in colleges and universities all around United States.
Finally, I would advise to look for this movie and see for yourself.

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Originally created by mother/daughter team Bertha Egnos and Gail Laiker, IPI NTOMBI (pronounced Ippy-Intombee and meaning "where are the girls") opened in Johannesburg, South Africa, in 1974 and then played to standing ovations all over the world for the next six years. Now, more than 20 years later, this new, updated version sizzles with its return to the stage, blending the traditional rhythms of Africa with the modern heartbeat of its people. The company of 50, some of whom are direct descendants of the original cast members, dance the story of the Johannesburg mine worker, who sings of his love for the girl back home and his sense of separation from his tribal roots. The show has restyled the musical's most popular numbers and added some new ones, including the exhilarating "Four Important Porters from Potgietersrus."

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Master Harold & The Boys Review

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(More customer reviews)This 1984 filming of the most famous South African play preserves the most accomplished work of the adolescent Matthew Broderick and a heartbreaking performance by the great South African actor Zakes Mokae, who played Sam in the first production (at Yale in 1982).Although very, very talkie, and unabashedly a record of a stage work with three actors on a fairly simple set, the film is not visually static. There are many closeups, seemingly more often of reaction shots than of the speaker.
The play is set in 1950, two years after the enactment of apartheid restrictions in South Africa. The reduction of black adults to a status below that of a bratty, damaged white adolescent is central to the play.
One might wonder if the dismantling of apartheid makes this drama any less compelling. Seeing it both onstage and on video last week, I would answer: not at all. Though I knew what was coming, it still packed quite a punch. The situation of an economically privileged youth being parented by servants is not at all unique to South Africa of apartheid times. Indeed, the play could have been set in the American South of the same time with no change other than making the tea-shop a café. The emotional dynamics of the relationships do not even require racial differences between the boss's son and the workers, though some of the particular force of the last half hour rests on the racism institutionalized by apartheid.

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