8/17/2011

Tchaikovsky - Swan Lake / American Ballet Theatre, Murphy, Corella (2005) Review

Tchaikovsky - Swan Lake / American Ballet Theatre, Murphy, Corella (2005)
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American Ballet Theatre's Swan Lake, as presented on PBS' Dance in America series, is a must-have for any serious ballet lover. The settings & costumes are fresh and new. The age-old story of love, betrayal, and redemption is set to Tchaikovsky's lush score with some new music and a new scene. Of course the cornerstone of any ballet is the dancing. Gillian Murphy is absolutely remarkable as Odette/Odile, soft and vulnerable as the Swan Queen in acts 2 & 4 and hard, brilliant, dazzling as Odile in act 3. Angel Corella's Prince Siegfried is a perfect match for her. He is a brilliant dancer and a good actor, although I would have liked to have seen what Ethan Stiefel could have done with the part. The chemistry between Murphy & Corella is palpable. However, I have an old VHS of Swan Lake with Natalia Markova & Ivan Nagy, and I must say there has never in my opinion been a danseur noble to compare with Nagy. He was Siegfried incarnate.
Herman Cornejo also shines in the small role of Benno, Siegfried's friend, and he and the two female dancers (whose names I confess I don't know) make the first act trio a joy to watch. Georgina Parkinson is just right as the queen mother, stern yet loving. Victor Barbee is wasted in the small role of the master of ceremonies. In his younger days, he was an outstanding Rothbart.
One very unexpected pleasure in this ballet was Marcelo Gomes, who did such a fine job in Le Corsair as the villainous pirate, as the human Rothbart. He was wisely given a dance with the four princesses in which he is so handsome and seductive that they are putty in his hands--and he has an effect on the queen as well! I give him a standing ovation. Brilliant!
Rothbart's dance and a prologue in which we see him seduce the human Odette are two welcome additions, although I wish the prologue had been a little longer.
I have two minor complaints. First of all, the princesses were generically costumed. None of them had an of the flavor of their native countries in their dress. This is, however, not really important, just something I noticed.
Secondly, however, I saw no need to have another dancer as the demon Rothbart complete with green skin and huge, curving horns. One Rothbarth would have been perfect; two is a joke.
I strongly recommend this DVD to any lover of Swan Lake. It's one you'll treasure.

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