8/31/2011

La Repetition Review

La Repetition
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This is a great movie for Bussieres' fans out there. She delivered a superb performance and the movie is thoroughly engaging. You will want to watch it more than once!

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Robert Louis Stevensons's: Kidnapped (2005) Review

Robert Louis Stevensons's: Kidnapped (2005)
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The first adult novel I read was "Kidnapped," when I received it for my 9th birthday. I had a tough time with many of the words, but no one would help me; they would always say: "Look it up. That's how you learn."
Well, I did learn to love Stevenson's work and similar adventure tales; but, the reason I gave this adapted version of Stevenson's work four stars is the acting. I withhold one star for the deep changes to the original story that have already discussed here by other reviewers.
The entire cast did an excellent job, but the work of Iain Glen, and especially of James Anthony Pearson, is something to write home about.
Pearson's facial expressions alone are worth the price of admission, or, more accurately, the price of the DVD.
Take a look at the brief flash of realization on this young actors face, when he tells the weaver that he thought she was a witch, and then he realizes that it was the wrong thing to say.
Better still, watch Pearson/Davie's face in the background as Alan Breck and James-of-the-Glen have a heated discussion, which ends when James's daughter asks Pearson/Davie if he likes smelling like a goat.
This young Pearson, has that special acting talent which allows him to manipulate his face so that it speaks volumes, without a word being said. One is reminded of the remarkable eyebrows of Jack Nicholson and Christian Slater, among other great actors.


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South Pacific: In Concert From Carnegie Hall (2006) Review

South Pacific: In Concert From Carnegie Hall (2006)
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What superlatives are left to describe this concert? This is a truly exhilirating, incandescent performance filled with an all too rare quality, passion. The New York Times review described it best as "near complete rapture." For those who belittle the idea of Reba McEntire in a Broadway musical, take a look at this first before passing unjustified comments. It doesn't matter if she's a country singer, an opera singer or a rap singer, or if she is older than what Nellie Forbush should be. Anyone who can perform with this level of passion and conviction deserves unstinting praise. What a pity it was a one-night only performance. At least we have this DVD as a permanent keepsake. Brian Stokes Mitchell is in equally fine form as Emile de Becque, the French plantation owner, who deservedly brings the house down (and the concert itself to an almost minute-long standstill) with his moving rendition of "This Nearly Was Mine." It may only be a concert performance, without costumes or sets, but it puts many fully staged musicals to shame. All the supporting cast are equally commendable. My one tiny criticism is that the voice coach should have taught the children to sing "Dites Moi" with a more "neutral" accent. The children are supposed to be French Polynesian, children of "a cultured Frenchman." However, they sound more American than Nellie Forbush.
The picture quality on this DVD is absolutely gorgeous. When you consider that it was practically a last minute decision to film the concert at all, the camera crew, sound crew and all the technicians involved did a truly remarkable job. One of the finest live performance recordings I've had the pleasure to watch. The picture is presented in its original 1.78:1 widescreen (enhanced for widescreen TV) with razor sharp images, vibrant, natural colors & perfect black levels. Two soundtracks are provided, one in 2.0 Dolby Stereo and the other in 5.1 Dolby Surround. Rich, sumptuous sound throughout. This is a performace to treasure for years to come. Already I've watched it through thrice, two occasions back-to-back. It always has me singing and whistling along from start to finish. Guaranteed to raise a smile on even the dreariest day. A deliriously joyful DVD. There are no extras but I don't begrudge the lack one bit. This will be my favorite DVD for many months to come.

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Broadway, like everyone, loves Reba McEntire. The redheaded Oklahoma firebrand took on the one-night-only concert role of Nellie Forbush on June 9, 2005-the role Mary Martin immortalized in the 1949 Rodgers & Hammerstein classic South Pacific-and the rialto's toughest critics, led by The New York Times' Ben Brantley, instantly surrendered. "Open-voiced and open-faced, she was born to play Nellie," Brantley wrote of the Carnegie Hall benefit performance, adding that the entire production was performed "in a state of nearly unconditional rapture. It was one of those nights when cynicism didn't stand a chance." Happily that enchanted evening can be shared with fans everywhere when "SOUTH PACIFIC" IN CONCERT FROM CARNEGIE HALL comes to DVD. Completing the luxury casting are Broadway and Hollywood icons Brian Stokes Mitchell and Alec Baldwin, as, respectively, French planter Emile de Becque and wise guy sailor Luther Billis. The performance also aired on Thirteen/WNE! T New York's GREAT PERFORMANCES on PBS in April/May.

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8/30/2011

Noises Off... (1992) Review

Noises Off... (1992)
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Noises Off is a treasure of a movie buried in the comedy section of the video store. And after viewing it as a chance discovery, I would rank it as one of the funniest movies I've ever seen ' bar none! There is no message, no lingering camera work and precious little plot actually, but the sight gags and interaction of the characters make this movie an absolute laugh riot.
The premise of this film deals with the rehearsals and pre-Broadway tour of a play that aspires to be a classic British sex farce. Michael Caine plays the beleaguered director, with Julie Hagerty as his stage manager, trying to corral a collection of stage and movie actors on both sides of the career loop. Carol Burnett, John Ritter, Christopher Reeve, Denholm Elliott, Marilu Henner and Nicolette Sheridan make up the onstage ensemble, with the able support of Mark Linn-Baker. Throughout early rehearsals and performances the cast conspires with and against each other in matters of romance, revenge and profession expression ' all to hilarious effect.
It all culminates in a fateful performance that we view/hear primarily from backstage as conflicts of love and stage presence boil over in mid-show. It just might be the funniest thing ever filmed that didn't involve the genius of Mel Brooks.

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Masterpiece Classic: Any Human Heart Review

Masterpiece Classic: Any Human Heart
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As every review on Amazon for the PBS Masterpiece Classic presentation of "Any Human Heart" wants to challenge the editing of the film--I feel compelled to leap into the fray with the definitive answer. There is no denying that the show was broadcast for American audiences to fit the current format and timeslot of the network which resulted in unfortunate editing. However, what that has to do with the DVD release is absolutely nothing. Condemn PBS Broadcasting, if you must, for the televised end product--but any amount of investigation will confirm that the DVD offered for sale is absolutely intact with the full United Kingdom version. First, all you have to do is click on the DVD image above to read the bold print "Original UK Edition" and I have further confirmed the details through the PBS website. So, by all means, can we please just judge the full program and refrain from insinuating that this is a nefariously tampered with version?
Complete DVD specs:
Disc#1 - Episode 1 (RT: 1:17), and Episode (RT: 1:06)
Disc#2 - Episode 3 (RT: 1:10), and Episode 4 (RT: 1:07)
Bonus Content (approximately 48 minutes) includes)
(Interviews with actors, producers, directors, writer - all subtitled)
- In Oxford with Sam Clafin
- Matthew MacFayden on location in Spain
- Interview with Jim Broadbent
- Kim Cattral on "Gloria"
- Gillian Anderson and Tom Hollander on playing the Duke and Duchess of Windsor
- Hayley Atwell on "Freya"
- On the Set of "Any Human Heart"
- From Paper to Screen - William Boyd Discusses "Any Human Heart"
- Deleted Scenes (about 7 minutes of 11 clips - not subtitled)
This DVD is the original and unedited UK version
The following program contains mature content. Viewer discretion is advised.
This DVD features subtitles in English (SDH)Masterpiece Classic has certainly been serving up some sophisticated entertainment of late. This production headlined by an impressive international cast including Jim Broadbent, Matthew Macfadyen, Gillian Anderson, Tom Hollander, Kim Cattrall, Richard Schiff and Hayley Atwell seems, on the surface, to be one of its most promising entries. Following the recollections of author Logan Mountstuart as he tries to assimilate the pieces of his life, this biographical journey traverses approximately six decades with four actors of varying range portraying the novelist. It's an exciting idea and a fascinating trip with tales of success, stories of romance, bits of intrigue, and moments of struggle. This sometimes melancholy look at the vignettes that make up a life story is held together by Broadbent (as the eldest Mountstuart) while sorting through the memorabilia of the passing years.
While a child Mountstuart is featured in fantasy sequences, the tale really begins with the college aged version (Sam Claflin). Claflin is an appealing and engaging actor, and the youthful Mountstuart is depicted with energy and much humor. The bulk of the story is handled by the middle aged Mountstuart (MacFadyen)--this includes two marriages, infidelity, children, a foray into espionage, literary success, and waning literary success. And the late-in-life Mountstuart (Broadbent) is left to adapt to the ever changing world. MacFadyen, as I mentioned, carries much of the narrative and Mountstuart rubs elbows with everyone from Hemingway to Ian Fleming to the Duke and Duchess of Windsor (terrifically played by Hollander and Anderson). The film veers from slapstick to maudlin with little warning and its tone tends to be all over the place!
In truth, I didn't love "Any Human Heart" in the way I expected. I admired its effort, production values, and performances--but the film lacks a bit of heart. Mountstuart is never a particularly likable creation and, at various stages, he is displayed with a chilly emotional detachment. He all but abandons his first wife and child to start a family he dotes on--and never once does the screenplay challenge him to feel regret. Through infidelities, deception, and selfishness, the film never confronts the darker aspects of its own storytelling. I didn't mind the negative qualities that made Mountstuart whole--I just never felt there was a desire to portray him in totality. We're meant to like him at any cost. The end result was that I felt like I never got to know him very well--and since I spent a lifetime with him, that was a bit of an issue for me. Definitely recommended but it is one Masterpiece Classic I probably won't choose to revisit with frequency. KGHarris, 3/11.


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Dv8: Physical Theater (Sub) (1995) Review

Dv8: Physical Theater (Sub) (1995)
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Hands down one of the finest of all dance/film collections--for me its only competition is THE COST OF LIVING by the same group.
Powerful, sexy, intellectually stimulating, these imaginative works are stunningly filmed, using a dazzling array of camera techniques.
MONOCHROME MEN feels choreographed for the camera--a study of a serial killer who preys on gay victims, it also explores the on-again, off-again angst of bar hopping and casual sex, mixed up with fears and panics of male bonding. The creepy lighting and camera moves are a revelation, and the dancers and movement some of the best you'll find on film.
STRANGE FISH introduces color, and an atmosphere that echoes neo-realism.
The couplings, comings and goings of a group of young people is book ended by a bombed out building and a singing female Christ figure. The mixture of humor and longing, angst and poetry is unprecedented. The always brilliant imagery is complimented by dancers who can actually act.
ENTER ACHILLES is less successful as a film, but it hardly matters, as it so vividly describes a certain macho mindset--the frightening exhibitions of supressed rage, homoerotic panic, preening and posturing so familiar in films like THE FIGHT CLUB, THE WRESTLER or most exploding car movies. The entrance of a gay outsider into this hermetically sealed bar scene is both disarming and hilarious. He brings some magic to the good old boys, and they face their inner demons. Dance as thrilling entertainment. As good as it gets.


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8/29/2011

Othello (Shakespeare's Globe Theatre Production) Review

Othello (Shakespeare's Globe Theatre Production)
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Theater in Shakespeare's time was popular entertainment for the masses and not highbrow art. The Globe Theatre in London continues that tradition with this production of Othello. In contrast to productions of Othello in which the actors are self-consciously striving to be "deep", the actors here are playing for the crowd.
By no means does this make the quality of the performance suffer. Eamonn Walker brings a brooding physical presence to the stage as Othello. Zoe Tapper is amazing as Desdemona - beautiful and with a clear voice that makes her lines easy to follow. It is Tim McInnerny as Iago who rules the stage, though - the audience is alternately laughing at him as he manipulates the hapless Rodrigo, and then is horrified as he manipulates Othello.
Add to this the reconstructed Globe Theatre in London, and you have a winning combination. You need not be a Shakespeare scholar to enjoy this production - just a human being.

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Performed for the first time at Shakespeare s Globe Theatre, with its racing concentrated plot and intense dramatic detail, Othello is one of Shakespeare's most exciting, atmospheric and heartbreaking plays. This is a tale of uncontrollable jealousy, deception and murder driven by one of theatre's greatest villains. "Full of pace and energy... Eamonn Walker brings to Othello dignity, grace and a fine sense of the contradiction that leads Othello to lament the pity of it even as he prepares to murder Desdemona" THE GUARDIAN "Walker cuts a charismatic and brooding figure. He charts the hero's descent into murderous jealousy with a vivid physicality... Zoë Tapper (Desdemona) is enchanting". THE INDEPENDENT The seriously disturbed side of Tim McInnerny's lago is riveting, with his pushiness morphing, in soliloquies, into a manic fury." THE INDEPENDENT ON SUNDAY "The play suits the Globe better than any I've seen." TIME OUT "Desdemona is perfection, the best I have ever seen. Tim McInnerny has been brilliantly cast as lago." OBSERVERCASTBianca: Zawe AshtonCassio: Nick BarberAemelia: Lorraine BurroughsRodorgio: Sam CraneMontano: Nigel HastingsClown: Paul LloydLago: Tim McInnernyDuke of Venice: Jonathan NewthGratiano: Michael TaibiDesdemona: Zoë TapperLodovico: Dickon TyrellSenator / Soldier: Che WalkerOthello: Eamonn WalkerDirector: Wilson MilamDesigner: Dick BirdComposer: Stephen Warbeck This production of OTHELLO was first performed at Shakespeare"s Globe Theatre, London on 4th May 2007. Recorded live.

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The Diary of Anne Frank (As Seen on PBS) Review

The Diary of Anne Frank (As Seen on PBS)
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This latest adaptation of "The Diary of Anne Frank" is by the BBC (released in 2008, total running time is 150 mins). The screenplay is by Deborah Moggach, and is directed by Jon Jones. This adaptation is the most faithful to Anne's "Diary of a Young Girl", reflecting the maturing of a young girl under harrowing circumstances, and exploring all her feelings and emotions in a credible manner.
The film stars Ellie Kendrick as Anna Frank, a feisty 13-year-old Jewish girl who finds her world turned upside down when the Nazis invade Holland in 1942. When her older sister, 16-year-old Margot (Felicity Jones) receives a summons from the Nazis to report for deportation, the Frank family, including father Otto (Iain Glen) and mother Edith (Tamsin Grieg) go into hiding in a Secret Annex above Otto's office. They are helped by a group of loyal Gentile friends, namely Miep Gies (Kate Ashfield), Mr Kleiman (Roger Frost), Mr Kugler (Tim Dantay), and Bep Voskuijl (Mariah Gale). The Franks are later joined by the Van Daans, comprising father Hermann (Ron Cook), mother Petronella (Lesley Sharp), and son Peter (Geoff Breton), and soon after by dentist Albert Dussell (Nicholas Farrell).
Living under such constraints puts a lot of stress on the occupants of the Secret Annex, and the story unfolds through Anne's observations (told partly through voiceovers) as the real Anne Frank had made these observations about her life in hiding in her beloved diary. Anne's chafing under the restrictions of living in hiding is credibly portrayed here(especially the conflicts with Mrs Van Daan and Dussell), as is her adolescent angst which comes across most clearly in her tense relationship with her mother, whom Anne felt did not truly understand her, in contrast to her beloved Pim/Dad whom Anne was very close to. The budding romance between Anne and Peter Van Daan is also explored with a great degree of sensitivity, and it is amazing to see these adolescents manage to connect on an intimate level, despite the harrowing circumstances they find themselves in. Anne's heartfelt conversation with her father is one of the most poignant scenes here and Anne's reflections on her parent's marriage is very insightful, especially from one so young. Ellie Kendrick delivers a finely nuanced performance as the adolescent Anne who harbors so many desires and ambitions, hopes for an unfettered and normal life, and the yearnings of a teenage girl. Her intimate observations regarding her body's cycle and all that it signifies are altogether poignant and heartrending to watch.
The sense of fear and danger is palpable from the first moments, and pervades the show. But there are also light-hearted moments to offset the bleak atmosphere, as when Mrs Van Daan refuses to eat cabbage because it gives her gas, and the comical teeth-pulling scene involving a certain fuss-pot and the dentist. But, knowing their final fate (as anyone who is familiar with Anne Frank's story will know) makes this a heartrending watch indeed. This series ends with Anne, her family, the Van Daans and Dussell being led away by the authorities after their hiding place was discovered (they were betrayed, and the identity of the person/s who betrayed them has never been confirmed till today, though there are many books written on the subject and speculations on the identity of the person/s concerned). The fates of all eight Jews in hiding is also revealed.
I would highly recommend this latest adaptation of "The Diary of Anne Frank" to anyone who has an interest in the Holocaust, who has read and loved Anne Frank's "Diary of a Young Girl", and also to teachers of History, may we never forget. There is also a bonus feature which is an interview with Anne Frank's cousin, Buddy Elias.
Note:
I have watched two previous screen adaptations of "The Diary of Anne Frank". The 1959 B&W movie (total running time:180 mins) starring Millie Perkins as Anne Frank and Joseph Schildkraut as Anne's father, Otto. Though this movie was well-acted and credibly portrayed the fears and frustrations of people in hiding, I felt the movie was wanting in terms of being faithful to the original source, i.e. Anne's diary. This movie is not an altogether historically accurate representation of actual events. The Franks had gone into hiding before the Van Daans, but this is portrayed otherwise in the movie. Peter Van Daan [Van Pels] was extremely shy in real life, but his demeanor is portrayed differently here, and his romance with Anne is overly exaggerated in typical Hollywood style. This movie ends with the capture of the Franks' and their friends in hiding.
The second version I watched was "Anne Frank - The Whole Story" (Walt Disney Studio Release 2001 -total running time 189 mins) and is a well-acted and beautifully filmed movie based on Melissa Muller's biography of Anne Frank. The movie was beautifully filmed with great attention to period details and the excellent casting choices made this an engaging viewing experience. Ben Kingsley played the role of Otto Frank and Hannah Taylor-Gordon plays Anne Frank. Her resemblance to the real-life Anne is quite uncanny. Her portrayal of Anne is simply amazing - strong-willed, impetuous, candid, ambitious, and yet, underlying all that fierceness of spirit is a young girl on the brink of womanhood who yearns to be thought of as a woman and not a girl, and longs for freedom and love. This adaptation ends not with the capture of hidden Jews in the Secret Annex, but with the sisters in the Bergen-Belsen camp, and with their deaths.


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The new Diary of Anne Frank production aired on PBS Masterpiece Theater on April 11, 2010 and is the first true and authentic account of life in hiding under Nazi terror during World War II from the unique perspective of a teenage Jewish girl.The Diary of Anne Frank is a modern, timeless classic of literature and a extraordinary social document that has endured the world over. The story is both an important piece of recent history and universal family tale that is understood worldwide. Full of tension but at times funny and ultimately tragic, Anne Frank's diary manages to create a truthful and timeless picture of domestic life in all its pettiness and normality while never letting us forget the extraordinary threat of death that await the characters if discovered.The BBC worked directly with the Anne Frank-Fonds estate to ensure complete authenticity for the film. Dramatizations of her diary are far and few between as the Anne Frank Fonds (estate) tends not to grant the rights to adapt her memoirs, so this drama series is a very rare event. The detailed reconstructions of the house, together with the strong award winning performances from the cast, combine to create a landmark piece of drama.

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Mr. Bill's Disasterpiece Theater Definitive Collection (Classics/Does Vegas/Christmas Special) Review

Mr. Bill's Disasterpiece Theater Definitive Collection (Classics/Does Vegas/Christmas Special)
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Calling this set 'The Definitive Collection' couldn't have been more accurate.
Disc 1 (Mr. Bill Classics), holds all the original shorts seen on SNL, remastered and looking better than ever before. There's the occasional film grain from the original super-8 prints from the 70's, but this looks alot better than the current VHS version. As far as bonus features, there's two games, which when beaten allow you to access two different shorts created by Walter Williams. There's also a photo album, yearbook feature, commentary, and G-rated prints (cutting out all 'gore' and 'animal harming' from the shorts.
Disc 2 (Mr. Bill Does Vegas) contains the Mr. Bill Does Vegas special (currently on DVD, but remastered). There's also Mr. Bill Goes Hollywood, which features all of the Mr. Bill shorts featured on the Fox Family channel. No extras on this one.
Disc 3 (Mr. Bill Christmas Special) contains the Christmas special, and Mr. Bill's 20th Anniversary Special (both currently on VHS). The bonus features contain an interview with Walter Williams, SNL promos, bloopers, unseen shorts, scrapbook, and more I haven't even begun to watch!
The only thing not contained in this set (to the best of my knowledge) is the video Mr. Bill Looks Back. This set nonetheless is the definitive collection, taking 30 years of Mr. Bill, and putting them on 3 small discs. A must buy for fans of SNL and Mr. Bill alike!

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8/28/2011

RiffTrax: Plays with Their Shorts- from the stars of Mystery Science Theater 3000 Review

RiffTrax: Plays with Their Shorts- from the stars of Mystery Science Theater 3000
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Mike Nelson, Kevin Murphy, & Bill Corbett riff their way over nine historic and hysteric shorts in the appropriately named collection "Rifftrax Plays with Their Shorts". While the subjects are wide ranging, a "patriotic" theme rears it's head in three of the shorts.
We begin with a collection of stock footage of American cities and landmarks tied together with confusion narration in the really lame and confusing "What it Means to Be an American". A mousey teen must listen to her creepy Mom in "Going Steady?", while her so-called boyfriend is hitting up on other mousey teens.
"Understanding Your Ideals" can get confused with "Highway Mania" as they both deal with cars...in a way. "A Circus Wakes Up" is exactly that, unfortunately. A big highlight is "Teenagers on Trial" as pre-teen angst challenges Al Capone as America's biggest criminal threat. Although some of the footage is priceless as a teen girl downs a highball and has an expected reaction...mind if we ask a few questions?
A condecending narrator overwelms America's female contribution to the war effort in "Women in Blue". Farm animals are humiliated in "Wing, Claw, & Fang" and we end with the Zsa Zsa Gabor of the 1930's Constance Barrett, who doles out make-up tips in "Constance Barrett's Daily Beauty Rituals".
Like "Shorts-A-Poppin", the Rifftrax crew is at the top of their game with some great riffing in all the shorts. The sole extra is an "alternate riff" of the first five minutes of "What it Means to Be an American". Funny stuff for sure and well worth it for your collection.


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Poldark 1 (6 VHS Boxed Set) (1977) Review

Poldark 1 (6 VHS Boxed Set) (1977)
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My sister has always raved about the Poldark series that was shown on Masterpiece Theatre in the mid nineteen seventies. When it first became available on video, though it was expensive, she promptly bought the first set of six tapes and has yet to tire of watching them. Knowing how much I love period pieces, she urged me to watch it, telling me that she was sure that I, too, would love it. Well, she was right.
This is a first rate period piece, set in late eighteenth century Cornwall. It focuses on Ross Poldark, scion of a well known Cornish family. He is a member of the established gentry and a gentleman. Having been gone from Cornwall for a time to fight against the colonists, he returns battle scarred only to find that his father has died and left the family estate in ruins and in debt. He also finds that the love of his life, Elizabeth, believing that Ross had been killed in battle, has become engaged to his first cousin, Francis Poldark. He also discovers to his dismay that the upstart but wealthy Warleggan family, for whom Poldark has no love, is trying to buy the Poldark family mine. This mightily upsets Ross, as the Poldarks represent old money and the established gentry, while the Warleggans represent new money and are social upstarts.
As Ross Poldark tries to rebuild his estate and family fortune, he takes in a red headed, feisty, young street urchin who turns out to be a hoyden with the unlikely name of Demelza. Firmly ensconcing herself on the Poldark estate, she helps Poldark rebuild his estate, scrubbing. cleaning, all while falling in love with the brooding Ross, as he moons for Elizabeth and fends off the Warleggans who appear to conspire to ruin Poldark at every turn. A night of passion, however, finally finds Poldark looking at Demelza with new eyes, and his sense of honor compels him to marry her, little knowing that he would be getting the bargain of his life in doing so.
This is the story of Ross Poldark and Demelza, their families and friends, their loves and enemies. It is a story of sweeping proportions and a fine dynastic saga. It is also a story of the intense rivalry between the Poldarks and the Warleggans, a rivalry that would pit the scions of each of these families, Ross Poldark and George Warleggan, in a life long personal battle that nearly destroys them both. Based upon a series of books by Winston Graham, the Poldark series does honor to the author's work.
Robin Ellis is outstanding as the honorable, though brooding, Ross Poldark. When the viewer first sees him, the viewer wonders what on earth all the fuss is about. Within minutes, however, the viewer finds oneself half falling in love with his character. Angharad Rees is delightful as the feisty, impish little red head and is guaranteed to win the heart of every viewer. Robert Bates gives an affecting performance as Poldark's enemy, George Warleggan, a despicable yet, at the same time, curiously touching, individual. Jill Townsend is appropriately cool and aloof as the ever unattainable Elizabeth of Ross' dreams. Richard Morant gives a stellar performance as the kind and compassionate Dr. Enys, a close friend of Ross Poldark. The rest of the supporting cast is also quite strong and contributes to the success of this tale of romance and adventure in the Cornish countryside.
This is a video set well worth having in one's personal collection. Bravo!

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Starlite Drive-In Theater: Van Nuys Blvd./Little Laura & Big John Review

Starlite Drive-In Theater: Van Nuys Blvd./Little Laura and Big John
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Van Nuys Blvd is classic Crown International. The basic plot, Bobby gets bored with his life in a small town. Sure he's got a cute girlfriend and a mobile home. He wants more. He sees a news report about kids cruising Van Nuys Blvd. He gets in his van and heads out to LA for fun. He shows up at a drive in burger joint with his beat up van and still gets lucky with the ladies. It's amazing. And so plotless that it's like watching a documentary about SoCal culture in the 70s. I can't get enough of this film.
The same can't be said about Little Laura. it has a great cast and yet is very annoying. it wants to be an artsy version of Bonnie and Clyde. But the crimes are mostly against viewers. Such is the fate of a double feature. Get worked up watching Van Nuys and get it on with your date during Little Laura.

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8/27/2011

Mystery Science Theater 3000 - Manos: Hands of Fate (1988) Review

Mystery Science Theater 3000 -  Manos: Hands of Fate  (1988)
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The current wisdom among bad movie buffs is that Ed Wood's "Plan 9 From Outer Space" is the worst movie ever made. Believe me, it's not. And if you don't believe me, then just watch this one. Try it without the MST gang and see if you think "Plan 9" is worse.
"Manos," according to film critic Michael Weldon, was written, produced, directed by its 'star' Hal B. Warren, a fertilizer salesman from El Paso, Texas. The plot, as such, concerns Warren and his family, who become lost while on vacation. They stop at a strange house to ask directions and are met by the weird servant Torgo, who takes them prisoner and helps to make the next 90 minutes only seem like 8 hours.
Even the MST gang had trouble with this one, as most of the good lines and ripostes are in the first half. One can actually feel this movie sucking the life out of the crew. At the end even Dr. Forrester believes he may have went too far. But one redeeming thing came out of this -- the addition of Torgo the pizza delivery man (played by Mike Nelson) to the list of characters that inhabit Deep 13.
The only other caveat I can add is that this movie is for those seasoned MSTies only. If you are new to the MST experience, I would recommend "The Beginning of the End," or "I Accuse My Parents" to get you up to speed before tackling this one.

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Faerie Tale Theatre - The Pied Piper Of Hamelin (1982) Review

Faerie Tale Theatre - The Pied Piper Of Hamelin (1982)
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In the early to mid eighties, Shelly Duvall produced a cable show for the then flagship HBO network called Faerie Tale Theatre. The intent was to bring classic childhood stories to an audience of young and old alike through big name stars, directors, and hip, irreverent writing. Without this series, there would not have been a "Princess Bride". Although many of these were excellent examples of the best television could offer, the finest hour (for me) was director Nicholas Meyer's interpretation of Robert Browning's "Pied Piper of Hamelin". Both faithful to the original poem and liberal in its creative embellishments, Meyer perfectly captured the eerieness of the story. The show starred Eric Idle and he makes a perfect Piper. Tall, pale, with piercing eyes and a hawklike nose, Idle looke every bit the character: part mystic, part mercenary. And his final march out of Hamelin with the children is truly the stuff of innocent nightmares. Without sentimentality, without any concession to cuteness, this episode proved that within all great children's stories lurked something magical and sinister...Just like adulthood.

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Great Performances: Macbeth Review

Great Performances: Macbeth
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I just finished watching Rupert Goold's film of Macbeth, starring Patrick Stewart and Kate Fleetwood. As mentioned in the last post, I saw this production on Broadway and was eagerly awaiting the film version. Now I've seen a lot of great film Macbeths, including the Ian McKellen/Judi Dench version, the RSC film with Antony Sher, and Roman Polanski's. This film is the best Macbeth that you will ever see. In fact, scenes that I didn't find very effective on stage (Lady Macbeth's mad scene and and the long scene between Malcolm and Macduff) were very powerful in the movie. Patrick Stewart's performance is definitive. You can see every thought that passes through his mind. Kate Fleetwood's Lady Macbeth charted her fall into insanity with such clarity that when Macbeth is told that she has died, it's no surprise to him or the audience. You see that there was no other end to her story. The Weird Sisters, here played as Nurses who have gone over to the dark side, are truly frightening. There is no weak link in this cast, the directing is thrillingly original, and the production design is stunning. It easily could have been shown in movie theaters. This Macbeth is set during the Cold War of the 1950's, and doesn't shy away from the shocking violence of a dictatorship. Characters are brutally executed, and the murder of Lady Macduff and her children is greatly disturbing, even though you see almost nothing happen. And to top it all off, Rupert Goold has the film end with the camera panning from location to location throughout the castle (the dining room, the kitchen, the Weird Sisters' morgue) and then closes with a shot of Macbeth and his Lady in the elevator, hand in hand. So we end with the idea that Macbeth's castle isn't just drenched in blood. Now it's haunted.

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8/26/2011

Scooby-Doo The Mystery Begins (2009) Review

Scooby-Doo The Mystery Begins (2009)
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First, I want everyone to know that I love the first two Scooby-Doo live action films. I thought the casting was done well, the stories were fine, and they looked good. I thought the second one was a little cooler because it had a lot of the "monsters" from the original Scooby-Doo, Where Are You? series coming to life.
With that being said, I was a little concerned with this third entry in the series. Usually a movie with this many red flags spells absolute disaster and almost guarantees a turd of a film. Let's spell out the red flags: its direct-to-DVD, it's a prequel, it's totally recast, and it's got a new director. Wow. That's a lot to have going against a movie. Interestingly enough, it didn't prove to be true for this flick.
Scooby-Doo: The Mystery Begins somehow rises up above the crowded direct-to-DVD sequel / prequel cesspool and actually is successful at being entertaining and not completely cheap-looking. You can tell that director Brian Levant really wanted to escape the stereotype that these types of movies get and show that he was serious about the subject matter and franchise. Warner definitely played it smart with Levant, being that he is responsible for bringing to the big screen some very successful family movies and iconic animated TV shows like Beethoven, The Flintstones feature films, Jingle All The Way, and Are We There Yet?
The casting was done pretty well. All the actors fit the parts, although not without a few minor problems. Robbie Arnell would have completely been convincing in the part of Fred, except that for some reason he wasn't made to bleach his hair blond for the film. What was the reasoning behind that? I mean, he did take the part of an iconic blond character. The least he could have done is bleach his hair out to put the finishing touches on the role. My only other problem was with Nick Palatas' performance as Shaggy. He was really good and definitely looked the part. It just seemed like he was going a little overboard with the cracking squeaky voice sometimes. It seemed a little forced at times. I thought it was cool that they kept Frank Welker as the voice of Scooby-Doo, as he has been doing the character for the past seven years in different series and movies.
Even the special effects were done well. The ghosts all looked just as good as any of the ones in the two movies they released in the theaters. I have to say, though, that there were scenes of the Scooby gang that were missing Scooby-Doo that felt kind of awkward. It almost seemed like they cut him out of the scenes to save money on their CGI budget. There were some parts with Scooby that looked a little less than stellar and where it looked like the actor in the shot with him was having trouble interacting with an invisible dog. They were all minor problems, though. It shouldn't take away from your viewing pleasure.
Overall, I have to say that I was pretty impressed with this movie. It was kind of fun to see the gang paint The Mystery Machine, meet each other, and solve their first crime together. If you're a Scooby-Doo fan, I'm pretty sure this movie will live up to your standards.

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What brings best friends together? For Daphne, Velma, Fred, Shaggy and Shaggy's spunky pup Scooby-Doo, it's a mystery! The feature-length live-action Scooby-Doo! The Mystery Begins original movie takes you back to when four teenage sleuths (plus one dog detective) first met. Unjustly accused of staging a spooky practical joke complete with ghosts, the kids are suspended from Coolsville High. To clear their names, they team to solve the supernatural mystery... and head straight into nonstop laughs and adventure. Special fun, special friends and extra-special effects make this "how-it-all-began" story--from boy-meets-dog to the first trip in the Mystery Machine and more--a doggone great time!

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Sleepers (1991) Review

Sleepers (1991)
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I've waited for years to see this thriller again. It's an example of what BBC was once able to do: create the nearly perfect drama. Everything about this classic is right. The casting is perfect; in a just world, Clarke would have been given many awards. There is much humor. And the spy story keeps your interest from beginning to end. How delightful to see this available. Don't miss it.

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The Cold War is over but all the players are still ready for a rumble As seen on Masterpiece Theatre Soviet agents Sergei Rublev and Vladimir Zelenski so successfully infiltrated the culture they were sent to spy on in 1965 that they have become more English than the English. Now living as financier Jeremy Coward and brewery worker Albert Robinson, the "sleeping" spies are horrified to learn that, after 25 years, the KGB is looking for them. The hunt also awakens the bumbling bureaucrats of MI5 and their ultra-paranoid CIA counterparts, who work themselves into a lather trying to figure out what the KGB is up to. The poignancy of the sleepers' predicament plays out amid a hilarious cross-cultural send-up of the secret agent game. Nigel Havers (Manchild, A Perfect Hero) and Warren Clarke (Dalziel and Pascoe, The Onedin Line) star in this touching human comedy, remembered as one of the best British exports of the 1990s. DVD SPECIAL FEATURES INCLUDE cast filmographies and scene selection. Note: due to music rights, this program has been modified for home video presentation.

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