4/13/2012

The Golden Bowl (1972) (3pc) (1973) Review

The Golden Bowl (1972) (3pc)  (1973)
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Henry James' last novel, "The Golden Bowl," is a long work in which very little overt action occurs. The plot is basically as follows. After a long and intense love affair is over between a penniless Prince Amerigo and the beautiful Charlotte, they meet again just as he is ready to marry the American millionairess Maggie Verver. Maggie and her father Adam are very close knit; and as marriage will not seem to separate them for long, Charlotte gets Adam to propose. And so begins one of the most interesting menage a quatre in fiction.Published in 1904, the theme of adultery had to be handled with kid gloves; and this is where James is a master. When in 1972 it was dramatized and taped for the BBC (and then over here as a "Masterpiece Theater" presentation), the subtlety and ambiguity of the original had to be retained. So now that it has been made available by Acorn Media as a boxed set, we do not get to see as much as bare leg, let alone what some of the recent film versions would have offered by way of nudity. Indeed by never showing any of the amorous goings on between Amerigo and Charlotte, one can even begin to wonder if Maggie's suspicions--so long in being aroused--are actually justified.To replace the omniscient narrator of the novel, this adaptation gives us the urbane Bob Assingham (Cyril Cusack) who starts and ends each episode looking into the camera and telling us the story as he knows it. But what he knows is only what his wife Fanny (Kathleen Byron) tells him has happened. Of course, one might wonder, then, how he could know every word of dialogue that took place in Fanny's absence--but let us not quibble over technicalities.As the narrator tells us right off, this is a story not of what was said but of what was not said. At no time in the 6 episodes that make up this taped version does any character say what is really important until Maggie (Jill Townsend) finally confronts her husband and winds up simply stalemated. "No one must know" is the motto of the times and of the class of people with whom we are dealing.The acting is superb. Barry Morse (whom you might remember was the remorseless policeman pursuing The Fugitive many years ago on television) is a sympathetic Mr. Verver, too good to suspect the truth or to show he knows it when he finally does. Daniel Massey's Prince shows just the right balance between continental mores and those of the uptight upperclasses of England and America. Jill Townsend looks just fragile enough while she suffers immensely without batting an eyelash except for two moments of release during the 270 minutes of this dramatization.Gayle Hunnicut gives us a Charlotte who is not evil, who suffers ultimately more than any of the others, but who is simply in love and will not compromise. Kathleen Byron's Fanny never is reduced to caricature. Feeling responsible for introducing Maggie to the Prince, she tries to make amends by interfering and then lying about what she thinks. I am sure many of us can relate to her motivation and she emerges as a more sympathetic character, in a way, than do any of the others. And Cyril Cusack is just a joy, both as narrator and as something of a Richard Bucket to his socially motivated wife. I have to leave to my betters to find how closely this follows the original novel; but on its own terms this Acorn Media release is compelling drama and quite a treat for those who would appreciate some intelligent "adult treatment of adult themes" without the adolescent soft porn which that phrase usually implies. The three tapes hold two episodes each and are neatly boxed. Just the sort of thing you will want to see once a year to clear the mind and perhaps see yourself more objectively afterward.

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In his last great novel, Henry James crafted perhaps his richest study of manners and morals.A wealthy American collector and his daughter innocently marry a pair of former lovers who are disposed to continue their intrigue.The fate of the four turns on a beautiful but flawed object-the golden bowl. This classic BBC adaptation takes viewers into the great dwellings of turn-of-the-century England and the lives of Henry James' richly drawn characters.Cyril Cusack (My Left Foot) performs the role of narrator to droll perfection.Also starring Daniel Massey (In the Name of the Father), Gayle Hunnicutt (A Woman of Substance), and Jill Townsend (Poldark).

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