Average Reviews:
(More customer reviews)I am a big FAN of ballet, but not a CRITIC; thus, I'm not qualified to analyze this performance down to every minute detail as some of the other very erudite reviewers have done. Dance--especially ballet--is far and away my favorite form of performance art, and I loved ABT's "Le Corsaire" for overall presentation, great artistry, lively dancing, and excellent editing.
The Dancing. "Le Corsaire" is a full-length ballet story that centers on a beautiful slave (Medora, danced by Julie Kent) who becomes the object of desire of more than a couple of pirates (principal characters danced by Ethan Stiefel, Angel Corella, Joaquin De Luz and Vladimir Malakhov). It's a theme we're all familiar with (I dare say, perhaps in real life also), so the inbuilt intrigue is enough to keep viewers interested throughout the story. The dancing in this performance (staged in Southern California in 1999) is absolutely awesome from a technical standpoint, and there are many moments that caused me to marvel. Principal dancers Corella, Paloma Herrera and Malakhov put on truly amazing displays of athleticism, balance and fluidity. Same with Julie Kent, who still looks like my ideal ballerina in terms of beauty and grace. Even the corps shines, especially in Act III. I must admit [picky comment] I was a tad underwhelmed by Ethan Stiefel, not because of his dancing, but because he seemed to be miscast: his slight build and boyish looks just didn't convey what I expected from a pirate. This little "flaw" was not enough to detract from the performance.
The Interludes. Prior to each act there is commentary by Artistic Director Kevin McKenzie and interviews (more like sound bites) with dancers and backstage personnel that are supposed to provide insight into what is portrayed as a confusing (I'm not certain why) storyline. Although it's a mildly interesting added dimension to hear the characters speak behind the scenes, much of the cast comes across as a little goofy and/or tongue-tied. I watched the first time; in the future I'll likely skip these parts.
The Visuals. I have to say that this ballet DVD showcases some of the best camera work and editing I've ever experienced for a dance performance. Edits betwen full stage and individual character views are timely and allocated perfectly. Thankfully, the common mistake (seen so often on television these days) of zooming in on a performer's face--while missing the body's attitude and movement--virtually never surfaces on this disc. There are a couple of distracting instances where the conductor's baton flicks into the bottom of the picture, and where some standing audience members obscure the dancers at curtain call time. Still, 99% of the time the camera is looking exactly where my eyes want to go, and that scores big points in watching a great performance like this.
Click Here to see more reviews about: Petipa - Le Corsaire / Ethan Stiefel, Angel Corella, Vladimir Malakhov, American Ballet Theater (1999)
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