Showing posts with label andrew davies. Show all posts
Showing posts with label andrew davies. Show all posts

3/20/2012

Bleak House (2005) Review

Bleak House (2005)
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For once, I am happy to find a remake of a fine old Masterpiece Theatre offering that is as good as the original. "Bleak House" is currently available on an DVD with Diana Rigg as the most familiar name; and except for some incomprehensible line readings by a young character named Joe, it is a very good account of the Dickens novel. Having already appeared on Public Television, the remake has Gillian Anderson (yes, the one from "X-Files") as Lady Dedlock, and a cast of 80 speaking roles, many of which are played by actors that will send you searching the cast listings that go by too quickly at the end of each episode.The eight parts will be shown so that the first and last will run two hours and the four in between an hour each. I found the complex plot actually easier to follow in this version than I did in the earlier one. And while I prefer Rigg to Anderson, I think I can easily recommend this new adaptation over the other.The story--lawyers will hate it--involves the infamous Court of Chancery in which disputes over estates can be buried for years until the lawyers' fees make further legalizing unnecessary. Against this background, the case of Jarndyce vs. Jarndyce being a major part of it, we have the story of John Jarndyce (Denis Lawson), his ward Ada (Carey Mulligan), her companion Esther (Anna Maxwell Martin), and Ada's beloved Richard (Patrick Kennedy).The latter becomes obsessed with the case, while Esther becomes involved in the mysterious past of Lady Dedlock, who happens to recognize the handwriting on some legal documents delivered by the utterly immoral family solicitor Tulkinghorn (Charles Dance). I will not reveal any more of the plot, lest it spoil your enjoyment. You will wind up guessing much of it, but it is a lot of fun--unless you are a lawyer.Peripheral to the plot are the usual cast of Dickens "characters": Krook the junkman (Johnny Vegas) who finds some incriminating letters (and dies the strangest death in all fiction), Smallweed the moneylender (Phil Davis) who cannot walk by himself and must be "shaken up" by his weird niece every few minutes and who gets the letters, and Miss Flite ( Pauline Collins) who looks forward to "judgment day" when her case will finally be settled and she can set her birds free.Most interesting of all is the policeman Bucket (Alun Armstong), the first real detective in English fiction. Although he looks like a toady for the rich, he does his job and does it well, solving a murder case and being considerate to a certain lady who would suffer if her connection with the case should come out.Of course, the arm of coincidence in Dickens is a long one; and while a good deal of the plot does strain credulity, the acting and period ambience are of the highest level. The only thing that annoyed me was the director segmenting his "establishing shots" (exterior views of buildings to let us know where we are) into two or three rapid cuts with some electronic "whoosh" for each one. Pretentious and irritating after the first dozen or so.


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An all-star cast comes together to bring to life some of Dickens?s most famous creations. There is the icily beautiful Lady Dedlock (Gillian Anderson), who faces the revelation of her dark past once Mr. Tulkinghorn, her husband?s sinister lawyer, catches wind of it. Then there?s Esther, whose own background, shrouded in mystery, begins to come to light after the murder of a strange man. Adopted by the kindly John Jarndyce, Esther acts as chaperone to wards Ada and Richard. But will the passionate young love of Ada and Richard survive Richard?s obsession with Jarndyce and an obscure legal case which seems to have no resolution in sight and threatens to destroy all who become entangled in it?

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8/05/2011

Doctor Zhivago (TV Miniseries) (2003) Review

Doctor Zhivago (TV Miniseries) (2003)
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It may be somewhat sacrilegious to admit this, but I actually prefer this production to the David Lean classic. That is an admission however that I do not take lightly, the Lean version having left an indelible impression on my younger life and the beautiful Lara's Theme having haunted me since I first saw the original version on television back in the 1980s.
No, when I sat down to watch this 2002 adaptation of the Boris Pasternak epic I was all prepared to be both disappointed and resistant to a newer version of the Omar Sharif/Julie Christie favorite - so what happened? Why am I now sitting here so impressed and involved in what should by all accounts be a poorer step child to the colorful, star-filled 1960s movie.
Simply put this movie has the advantage of time. A whole hour longer than the other movie that extra time gives the production of filling in some of the blanks that inhabited the original and more fully exploring the human relationships and interaction between characters. Matheson may not have the acting ability of Sharif but what he does have is the opportunity to more fully realize the character of Zhivago. In this sense this movie is more faithful to the source material and all the better for it.
Matheson plays the part of Zhivago, a man brought up in the shadow of tragedy who feels the pull of loyalty to his wife (and childhood friend) Tonya and a deep infatuation for Lara. With the violence of World War I and the Russian Revolution as a backdrop, Zhivago travels through life torn by conflict.
Less colorful than the original this mini-series compensates with a strong, well defined script and some star turning peformances by Sam Neill and one-time Bond girl Maryam D'Abo (as Lara's mother). Many have also dismissed Keira Knightley in her role as Lara, but I found her both competent and powerful in the role. I found myself both involved in her story and convinced by her portrayal - she was certainly a different Lara than the one depicted by Christie some four decades ago, but one no less realized or compelling. In fact, I would go as far as to say that Knightley's Lara is a more rounded character than Christie's, no doubt due to Knightley's impressive screen presence, but also the longer screentime afforded to her character.
One device I found both clever and interesting was real archive footage from the period that is woven into the story in a fascinating manner.
Included on this DVD is a text biography of author Boris Pasternak as well as over an hour of interviews with the cast. Prepared to be surprised by this DVD and be prepared to fall in love with a whole new version of the DOCTOR ZHIVAGO story.

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DOCTOR ZHIVAGO A man torn between two women amid the chaos and brutality of the Russian Revolution One of the world's most famous love stories and half a century of Russian history come to life in this adaptation of Pasternak's masterpiece by celebrated screenwriter Andrew Davies (Bridget Jones's Diary, Pride and Prejudice). War and revolution bring poet and physician Yury Zhivago (Hans Matheson) together with the beautiful Lara (Keira Knightley), his muse and all-consuming passion. But both are haunted--Yury by guilt over his betrayal of Tonya, his beloved wife, and Lara by fear of Komarovsky (Sam Neill), the powerful man who means to have her any way he can. DVD SPECIAL FEATURES INCLUDE 70 minutes of cast and crew interviews, photo gallery, filmographies, Boris Pasternak biography, English subtitles. Complete UK broadcast edition RECOMMENDED FOR MATURE AUDIENCES

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7/01/2011

Little Dorrit (2009) Review

Little Dorrit (2009)
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I will always be a tremendous fan of the two part film version with Derek Jacobi and Sir Alec Guiness, now generally only found on used video tape. This wonderful new miniseries does however acquit itself very nicely. Shown earlier in the UK, the acting by Matthew Macfadyn (of Pride and Prejudice fame) captures the well-intentioned and kind hearted Arthur Clennam perfectly. Equally impressive is Claire Foy as the courageous and decent Little (Amy) Dorrit. Still the best may be the character portrayed by Tom Courtenay, William Dorrit, "the father of the Marshalsea" the famous debtors' prison. The series is full of very strong supporting performances, it would take far too long to list the many wonderful actors and actresses who are found in every scene.
The show follows a very typical Dickens plot of slowly developing mysteries and strangely interwoven relationships. Little Dorrit was born inside a debtors' prison and has lived her entire life working unendingly and without complaint to make her father's decades long imprisonment there more bearable. She is the first child born there; this fact and his former stature as a gentleman gives him an informal social superiority inside that he enjoys and uses as possible to his personal benefit. The arrival in London of Arthur Clennam from China to share with his mother the news of his father's death, pushes an already moving story into many surprising turns. Rich and poor, good and bad, people of all social circles find themselves pulled into confronting their changing fortunes. Some who find themselves well-off deal with their new situation far less well than those dealing with adversity.
Dickens is telling a story far too near to his own with the theme of these families forced to see many generations live behind prison walls for the want of a few pounds. The story is one of his strongest and this series tells it honestly and with an incredible strength of cast and script.

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Acclaimed screenwriter Andrew Davies (Pride and Prejudice, Bleak House) brings to DVD an all new Dickens adaptation starring Academy Award Nominee Tom Courtenay (The Golden Compass), Matthew Macfadyen (MI-5, Pride and Prejudice) and newcomer Claire Foy (Being Human). This gripping new series brings to life Dickens's powerful story of struggle and hardship in 1820s London. When Arthur Clennam (Macfadyen) returns to England after many years abroad, his curiosity is piqued by the presence in his mother's house of a young seamstress, Amy Dorrit (Foy). His quest to discover the truth about "Little Dorrit" takes him to the Marshalsea Debtors Prison, where he discovers that the dark shadows of debt stretch far and wide. Filled with humorous yet tragic characters, Little Dorrit is a stirring rags to riches to rags story, exposing the underbelly of nineteenth century British society as only Charles Dickens can.

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