Nicholas Nickleby (2002) Review

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(More customer reviews)Charles Dickens- love him or hate him, you must admit that there was never anyone like him. His books are full of social critiques, melodramatic romances, characters so eccentric that they border on crazy and of course jaw dropping coincidences. The books are also wildly entertaining.
There has been a revival of Dickens lately in the form of TV mini-series and Nicholas Nickleby is the latest. The title character has just lost his father in death and now, in his late teens, he must find a way to support and protect his sweet sister Kate and somewhat silly mother. Their only relative is their uncle, the greedy and cold Ralph Nickleby.
Ralph gets Nicholas a job as a teacher in Yorkshire and Kate a job assisting a dressmaker. Here is where the main problems of the story come into play. Both Kate and Nicholas have the same problems, they are too good looking and talented. That may seem like no problem but they have no money and their equals in station are jealous of them. Also, they have to fend off unwelcome advances at every turn. The young actors playing Kate and Nicholas manage to make their characters good without being saccarine, a challenge to say the least.
The Yorkshire school where Nicholas is sent is a horror, the boys are abused particularly the silent waif Smike. Nicholas befriends Smike and then protects him from a beating. Forced to escape with Smike, Nicholas is disowned by his uncle for being ungrateful. He is told that if he sees his sister and mother again, Ralph will throw them into the street. Nicholas agrees to leave but swears vengeance if Kate or his mother suffer in any way at Ralph's hands.
This is pretty much how the movie goes, more and more problems come up and the characters escape by the skin of their teeth. The rivalry between Nicholas and Ralph is very well acted and one of the highlights of this miniseries.
Dickens purists will doubtlessly complain about the many cuts that had to be made due to time constraints but they were needed for the film to run smoothly. All in all, this is a very good adaptation that does not modernize the tale too much. (This has been a problem in far too many adaptions of the classics, over-modernization)
There are abductions, rescues, duels, chases, forced marriages, and one BIG suprise ending. (no Dickens novel is complete without a murder/attempted murder, a suicide and a suprise ending)
If you are looking for an old fashioned soaper, this is it. I could not reccommend it for children since some of the abuses at the school are rather disturbing. However, this is how things were in the worse schools in Dickens's time and it is rather an eye-opener. I would say in American ratings, this movie ranges from a PG to a PG-13 so parents will have to make their decisions accordingly.

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A commence, brutal and passionate take of greed and love in Victorian England. A top-notch cast of veteran actors and rising young newcomers shines in a lavish new British production of the Charles Dickens classic. The hero, a penniless young gentleman, struggles to make his way in the world and protect his mother and sister, meeting up with the worst and best of humanity along the way. Charles Dance (The Jewel in the Crown) stars as Ralph Nickleby, with James D'Arcy (Rebel Heart) as Nicholas and Sophia Myles (Mansfield Park) as his beautiful sister, Kate. Other standouts include Lee Ingleby (Ever After) as Smike, Nicholas' faithful companion, and Dominic West (28 Days) as the lecherous Sir Mulberry Hawk.

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The Life and Adventures of Nicholas Nickleby (1983) Review

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(More customer reviews)One of the finest theatrical productions of all time, no question. Beautifully staged and brilliantly performed; 39 of the world's best actors play more than 150 roles.
The DVD set should be better than this. (The play gets 5 stars; the DVD gets 1.)
It is improperly cut and sloppily transferred. A&E has released it (after much anticipation) not in its original four 2-hour acts but in the nine 1-hour episodes that they cut for broadcast on television, with intros and credits every hour. All they've done is transfer their 9-cassette VHS release, with intros, opening and closing credits and a "previously seen" commentary (meant for the TV audience watching it over a period of nine days) onto four DVDs, frustratingly marring the flow of the production. Not only does the play get interrupted every hour, but at one point you have to change discs mid-scene. In addition (and inexplicably) this DVD version is missing a scene that's on the VHS.
If A&E gets their act together, they'll rerelease this set and return this incredible play back to its original structure, without the cuts and interruptions. Isn't that the point of DVD? Bear in mind also that many of the glowing reviews on this site refer to the VHS set (and the play itself) and don't address the inept job of transferring the VHS onto DVD. (Amazon's reviewer even credits Jim Goddard as the director, when all he did was arrange cameras and make adjustments for taping; the actual directors of the play, Trevor Nunn and John Napier, go unmentioned.)
As you may have read in other reviews, the original stage production was four 2-hour acts in two parts (the running time of the play is actually 8 hours without the intermissions, not 9, as is stated in Amazon's review), and Parts I and II could be seen all in one day or over two consecutive nights. The designers of this set could have devoted one disc per part, without interruption, with one more disc for any extras (there aren't many). A four-disc set is excessive and inappropriate; it allows them to up their price while it weakens the experience of the play. (Peter Brook's 9-hour stage production of "The Mahabharata" is on two DVDs, in fine quality and half the price.)
I saw the play on Broadway in 1981 and, like most in that theater, fell in love with it. I've had the VHS version all this time and hoped that eventually it would be on DVD, carefully restored.
I would avoid buying this set and wait until they release one that's complete, uncut and faithful to the play. It's one of the greatest stage productions of all time. It features the Royal Shakespeare Company in its prime. It deserves better than this. The movies "Pearl Harbor" and "Dogma" got better DVD treatments. That's pretty sad.

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The Golden Bowl (1972) (3pc) (1973) Review

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(More customer reviews)Henry James' last novel, "The Golden Bowl," is a long work in which very little overt action occurs. The plot is basically as follows. After a long and intense love affair is over between a penniless Prince Amerigo and the beautiful Charlotte, they meet again just as he is ready to marry the American millionairess Maggie Verver. Maggie and her father Adam are very close knit; and as marriage will not seem to separate them for long, Charlotte gets Adam to propose. And so begins one of the most interesting menage a quatre in fiction.Published in 1904, the theme of adultery had to be handled with kid gloves; and this is where James is a master. When in 1972 it was dramatized and taped for the BBC (and then over here as a "Masterpiece Theater" presentation), the subtlety and ambiguity of the original had to be retained. So now that it has been made available by Acorn Media as a boxed set, we do not get to see as much as bare leg, let alone what some of the recent film versions would have offered by way of nudity. Indeed by never showing any of the amorous goings on between Amerigo and Charlotte, one can even begin to wonder if Maggie's suspicions--so long in being aroused--are actually justified.To replace the omniscient narrator of the novel, this adaptation gives us the urbane Bob Assingham (Cyril Cusack) who starts and ends each episode looking into the camera and telling us the story as he knows it. But what he knows is only what his wife Fanny (Kathleen Byron) tells him has happened. Of course, one might wonder, then, how he could know every word of dialogue that took place in Fanny's absence--but let us not quibble over technicalities.As the narrator tells us right off, this is a story not of what was said but of what was not said. At no time in the 6 episodes that make up this taped version does any character say what is really important until Maggie (Jill Townsend) finally confronts her husband and winds up simply stalemated. "No one must know" is the motto of the times and of the class of people with whom we are dealing.The acting is superb. Barry Morse (whom you might remember was the remorseless policeman pursuing The Fugitive many years ago on television) is a sympathetic Mr. Verver, too good to suspect the truth or to show he knows it when he finally does. Daniel Massey's Prince shows just the right balance between continental mores and those of the uptight upperclasses of England and America. Jill Townsend looks just fragile enough while she suffers immensely without batting an eyelash except for two moments of release during the 270 minutes of this dramatization.Gayle Hunnicut gives us a Charlotte who is not evil, who suffers ultimately more than any of the others, but who is simply in love and will not compromise. Kathleen Byron's Fanny never is reduced to caricature. Feeling responsible for introducing Maggie to the Prince, she tries to make amends by interfering and then lying about what she thinks. I am sure many of us can relate to her motivation and she emerges as a more sympathetic character, in a way, than do any of the others. And Cyril Cusack is just a joy, both as narrator and as something of a Richard Bucket to his socially motivated wife. I have to leave to my betters to find how closely this follows the original novel; but on its own terms this Acorn Media release is compelling drama and quite a treat for those who would appreciate some intelligent "adult treatment of adult themes" without the adolescent soft porn which that phrase usually implies. The three tapes hold two episodes each and are neatly boxed. Just the sort of thing you will want to see once a year to clear the mind and perhaps see yourself more objectively afterward.

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In his last great novel, Henry James crafted perhaps his richest study of manners and morals.A wealthy American collector and his daughter innocently marry a pair of former lovers who are disposed to continue their intrigue.The fate of the four turns on a beautiful but flawed object-the golden bowl. This classic BBC adaptation takes viewers into the great dwellings of turn-of-the-century England and the lives of Henry James' richly drawn characters.Cyril Cusack (My Left Foot) performs the role of narrator to droll perfection.Also starring Daniel Massey (In the Name of the Father), Gayle Hunnicutt (A Woman of Substance), and Jill Townsend (Poldark).

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The Charles Dickens Collection, Vol. 1 (Oliver Twist / Martin Chuzzlewit / Bleak House / Hard Times / Great Expectations / Our Mutual Friend) (1999) Review

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(More customer reviews)This DVD set is a great entertainment value. Unfortunately, the set advertises closed captions but my new JVC television with closed caption ability shows no closed captions for any of the titles. The BBC productions really need subtitles for the hearing impaired. For some reason they don't have a policy of adding this enhancement to their DVDs'.

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In these six acclaimed adaptations of his classics we enter Dickens's vibrant Victorian London encountering the outsized comic characters social commentary epic love stories and dark murder mysteries that have made these stories so timeless.System Requirements:Length: 1920 minsFormat: DVD MOVIE Genre:DRAMA UPC:794051234421

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Nicholas Nickleby (2006) Review

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(More customer reviews)I have viewed four versions of this Dickens classic and find the BBC set starring Havers to be the most consistantly satisfying. The oldest version is processed from a print too damaged to produce a satisfactory result from the audio or visual standpoint. The stage version by the Royal Shakespeare group has many wonderful things about it but I miss the visual images of the architecure and countryside which are so much a part of the author's world. The recent version staring Dallimore is short on Dickensian humor and the heavy handed music score does too much to sink the performance.
Unlike another reviewer, I do not find Havers too old for the role of Nicholas. He is supposed to be 19 and many 19 year olds look much older than Nigel does. The best things about this BBC version are the wonderful views of the countryside and the look of the houses and towns.
The music is minimal but with Dicken's contant scene shifts I don't find that I miss it. The actors are true to the reputation of British television actors. Mostly trained on the stage, they are dependably wonderful. One might choose other actors in other versions as being one's favorites for this or that role, but overall this seems to be the choice for a good basic rendering of this classic.

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Bleak House (2005) Review

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(More customer reviews)For once, I am happy to find a remake of a fine old Masterpiece Theatre offering that is as good as the original. "Bleak House" is currently available on an DVD with Diana Rigg as the most familiar name; and except for some incomprehensible line readings by a young character named Joe, it is a very good account of the Dickens novel. Having already appeared on Public Television, the remake has Gillian Anderson (yes, the one from "X-Files") as Lady Dedlock, and a cast of 80 speaking roles, many of which are played by actors that will send you searching the cast listings that go by too quickly at the end of each episode.The eight parts will be shown so that the first and last will run two hours and the four in between an hour each. I found the complex plot actually easier to follow in this version than I did in the earlier one. And while I prefer Rigg to Anderson, I think I can easily recommend this new adaptation over the other.The story--lawyers will hate it--involves the infamous Court of Chancery in which disputes over estates can be buried for years until the lawyers' fees make further legalizing unnecessary. Against this background, the case of Jarndyce vs. Jarndyce being a major part of it, we have the story of John Jarndyce (Denis Lawson), his ward Ada (Carey Mulligan), her companion Esther (Anna Maxwell Martin), and Ada's beloved Richard (Patrick Kennedy).The latter becomes obsessed with the case, while Esther becomes involved in the mysterious past of Lady Dedlock, who happens to recognize the handwriting on some legal documents delivered by the utterly immoral family solicitor Tulkinghorn (Charles Dance). I will not reveal any more of the plot, lest it spoil your enjoyment. You will wind up guessing much of it, but it is a lot of fun--unless you are a lawyer.Peripheral to the plot are the usual cast of Dickens "characters": Krook the junkman (Johnny Vegas) who finds some incriminating letters (and dies the strangest death in all fiction), Smallweed the moneylender (Phil Davis) who cannot walk by himself and must be "shaken up" by his weird niece every few minutes and who gets the letters, and Miss Flite ( Pauline Collins) who looks forward to "judgment day" when her case will finally be settled and she can set her birds free.Most interesting of all is the policeman Bucket (Alun Armstong), the first real detective in English fiction. Although he looks like a toady for the rich, he does his job and does it well, solving a murder case and being considerate to a certain lady who would suffer if her connection with the case should come out.Of course, the arm of coincidence in Dickens is a long one; and while a good deal of the plot does strain credulity, the acting and period ambience are of the highest level. The only thing that annoyed me was the director segmenting his "establishing shots" (exterior views of buildings to let us know where we are) into two or three rapid cuts with some electronic "whoosh" for each one. Pretentious and irritating after the first dozen or so.


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An all-star cast comes together to bring to life some of Dickens?s most famous creations. There is the icily beautiful Lady Dedlock (Gillian Anderson), who faces the revelation of her dark past once Mr. Tulkinghorn, her husband?s sinister lawyer, catches wind of it. Then there?s Esther, whose own background, shrouded in mystery, begins to come to light after the murder of a strange man. Adopted by the kindly John Jarndyce, Esther acts as chaperone to wards Ada and Richard. But will the passionate young love of Ada and Richard survive Richard?s obsession with Jarndyce and an obscure legal case which seems to have no resolution in sight and threatens to destroy all who become entangled in it?

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David Copperfield (2000) Review

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(More customer reviews)A sumptuous, wonderful adaptation; unexpectedly and disarmingly excellent.
I was a little hesitant going into this: having read the novel a couple of times and declared it my own, I had long fondly imagined the scenes and characters without any need for assistance, thank you very much.
Consequently, I felt the way many Tolkien fans must have felt before those three recent movies came out: leery that my coveted imaginings would be sullied by what might prove to be a jarrring and irreversible contamination.
These fears were misplaced, however. The full vitality of Dickens's bittersweet classic -- all the heaping joys and sorrows of life -- comes through quite powerfully in this handsome BBC version. After about 25 minutes I was literally on the edge of my seat.
Oh, and speaking of this version: they spent some money on it, you'll be happy to know. It's not one of those innumerable stuffy BBC dramas that take place (for budget considerations if nothing else) in an intolerable series of drawing rooms and antechambers. No, they did this one right: the blokes went outside and built some proper sets, and it shows.
Yes, though fully prepared to dislike it, I find myself here with little ammunition for complaint. I wish Traddles hadn't suffered deletion; he is one character I have difficulty picturing and could have used some help. Also, the actress who played Dora was not exactly my conception of her . . . but this is nitpicking.

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The classic David Copperfield was not just Charles Dickens' favorite work. It has been the most popular of his books since it was first published 150 years ago. Micawber, Peggotty, Betsey Trotwood, Uriah Heep, Mr. Creakle, Mrs. Crupp, and Mr. Dick... never were so many of Dickens' famous and vest-loved characters gathered together in just one of his works.They are all brought to life by a world-class cast including Daniel Radcliffe (Harry Potter and the Sorcerer's Stone), Oscar-winner Maggie Smith (The Prime of Miss Jean Brodie), Bob Hoskins (Hook), Nicholas Lyndhurst (Bullshot) and Pauline Quirke (The Elephant Man) in this sparkling adaptation.The most autobiographical of Dickens' work, David Copperfield often echoes the writer's own life. It tells a moving story of David's journey from birth to maturity, a journey which inextricably links his life with some of Dickens' most colorful and extraordinary families.Special DVD features include: Cast list; Masterpiece Theatre poster gallery; access to David Copperfield Web site featuring production notes, interviews with the cast and crew, a Dickens timeline, a guide to the featured characters, and more; scene selection; English audiotrack; and closed captions.One one DVD9 disc.Region coding: All regions.Audio: Dolby stereo.Screen format: Widescreen (Anamorphic)

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Masterpiece Theater: Oliver Twist (2000) Review

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(More customer reviews)The poor reviews this movie has received (in both the DVD and VHS formats) I feel are totally unwarranted. This is my favorite put-to-film Dickens novel (except for the various "A Christmas Carol's" out there), and I am ecstatic that this version is finally available on DVD.
Now, in this adaption, I believe the prequel works very well. I think it makes this a much more comprehensive movie and gives the characters involved (especially Monks) much more depth. And, because of the length of this version that I am reviewing, it allows the viewer to get to know each character much deeper than the other filmed versions available. We get to know Oliver's parents and Aunt Rose up close, although it is done through liberties taken by the producer and not necessarily Dickens himself. I do feel, however, the great novelist would not particularly mind in this case.
The acting is as good, if not better, than pretty much most period epics I have seen. The actors play off of each other well - they match their roles perfectly. The costumes and sets are excellent. They have captured the early Victorian period so well - both the good and the bad - it's almost as if the viewer is peering through a looking glass into the past.
As for the story following Dickens' original novel...well, I have yet to see any movie follow a novel to a "T." It just doesn't happen, unfortunately, with virtually any put-to-film novel. But this follows the original, as a whole, much much closer than the other versions I have seen - definitely more than "Oliver," and infinitely more than the Disney version with Richard Dreyfuss, which was made into a totally different story than what Dickens had intended.
Don't let the nearly 6 hour length scare you off - there is no time during this whole version where one is bored (unless they are a child - definitely not a children's movie!). Being a fan of epic period movies, I found this to be as enticing as any other epic novels put to the screen.
Bravo to all involved!

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Nicholas Nickleby (2002) Review

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(More customer reviews)I can honestly say that "Nicholas Nickleby" is my favorite of Dickens' works. His sinister villain, his earnest, upright, innocent hero, and the beautiful Kate and their plight for financial independence from their evil uncle Ralph have the foundation of a classic. I've seen several adaptations, including the more faithful Bravo version, but I like this one the best. I believe Douglas McGrath, who tastefully brought "Emma" to the silver screen, has taken an already impressive work and improved on it. The movie moves at a nice pace without becoming drenched in melodrama or lingering over the "darker" side of the story; but neither does it shy away from the meaner aspects of Dickens' characters. Uncle Ralph, if possible, is even more wicked than Dickens wrote him. It does this in a perfectly tasteful and intelligent manner and also incorporates much if the sardonic humor found in the books, something I've found the Bravo adaptation lacks.
In case you're unfamiliar with the story, the film revolves around the life of young Nicholas Nickleby and his sister Kate. Their father has died, leaving them in the hands of his older and much more financially-minded brother Ralph. Desiring to be rid of Nicholas, Ralph seeks him employment with Wackford Squeers, the owner of a boys' school in the north country. The institution puts on a good public face but is in reality a squalor where the boys are mistreated and abused while Squeers and his wife pocket what little income they can provide. While attempting to teach at this "school," Nicholas meets the crippled Smike, an orphan whom the Squeers keep on out of "the goodness of their hearts." Eventually his friendship with Smike will have a vast impact on not only his life, but that of his uncle Ralph as well.
The casting for this film is nothing short of exquisite. Douglas McGrath isn't afraid to cast British actor but American-unknown Charlie Hunnam in the lead. The young actor has a fluid intelligence in his performance and looks ideal in a period setting. Anne Hathaway ("The Princess Diaries") plays his love interest, and "Daniel Deronda's" Romola Garai is a beautiful and sweet Kate Nickleby. Throw in Christopher Plummer (whose snarling Uncle Ralph should have won an Oscar), Nicholas Rowe, Edward Fox, Jamie Bell, Nathan Lane, and Alan Cumming, and you have a well-rounded, top-notch cast. The roles are all performed with intelligence and insight, the costuming is lovely, and the script never lags.
From a family -- and indeed a Christian perspective -- I'm happy to report that McGrath's screenplay maintains the height of decency. Even when dealing with tedious and "offensive" elements, such as Sir Mulberry Hawke's pursuit of Kate, the film does its best to present the scenario in a way which won't offend mainstream audiences. There are some intense scenes at the Squeers' school, where children are flogged, but these scenes are kept to a minimum and never overly graphic. I particularly enjoyed seeing Nicholas defend the honor of Smike, Madeline, and his sister Kate. For those who haven't read the novel, the story ends with a surprising twist with little clues planted along the way to point you toward the truth. For those who do know the ending, it's handled beautifully and has great screen impact.
I was fortunate enough to see this on the big screen in a little theatre in the heart of the city while others were flocking to much bigger and less enthusiastic releases. I've looked forward to owning the DVD for a long time.

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I love Nicholas Nickleby! exclaims Roger Ebert of this vibrant tale of intrigue, passion and revenge. And what's not to love?Brisk, sparkling(Entertainment Weekly),marvelously acted(Time) and featuringas terrific an ensemble as we ve seen(The San Francisco Examiner), this Golden Globe-nominated* adaptation of Dickensmasterpiece is a timeless romantic adventure you'll treasure for years!When the Nickleby family is betrayed in their hour of need, young Nicholas (Charlie Hunnam) must save the day. Join him on a remarkable journey that critics unanimously praise as a joy to watch(Leonard Maltin)!

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Oliver Twist (2009) Review

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(More customer reviews)This version of Oliver twist was not a bad film, in fact it was quite good. It should not be compared to Polanski's film or the 1968 film. It should be compared to David Lean's excellent film with Sir Alec Guinness. Many previous films including the 1968 film and polanski's omit an important character in Oliver's half brother "Monks" or Edward as he is called here. Yes in the book Monks was a major villain who employed Fagin to corrupt Oliver, And in this film Monks is a well portrayed villain who threatens everyone he meets and tried to seduce his cousin. True, in the book he does not seduce his cousin but he does everything else. Timothy Spall's Fagin is quite good and shows that poverty has corrupted his soul. To show him as a proper jew honors the true nature of a very complex character of which Dickens only shows one side to Fagan. No this production is not a word for word literal telling of Oliver Twist but it opens up old characters and shows that evil has many faces. It is not a perfect film and sometimes the soundtrack was annoying but it was overall a good production and worth watching.

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This gripping tale of Charles Dickens's classic remains faithful to the spirit of the novel while delivering a modern, thrilling, tragic and occasionally comic edge. Oliver is born into poverty and misfortune - the son of an unmarried mother, who dies shortly after his birth. He is soon delivered to the workhouse, where the cruel Mr. Bumble oversees children tormented by starvation and suffering. When Oliver dares to ask for more gruel, he finds himself cast out and forced to make his own way in the world. Running away to London, Oliver meets the Artful Dodger and his gang, as well as the beautiful Nancy, and gets the first warm welcome of his life - but he is soon to discover that this kindness requires its own type of payment. As Oliver is drawn deeper into the dark and murky underworld, he remains unaware that the kind Mr. Brownlow is searching for him, while others - the brutal criminal Bill Sykes, the manipulative Fagin and the mysterious Mr. Monks - are vying to ruin and destroy his life.

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A Tale of Two Cities (Masterpiece Theatre, 1989) (2001) Review

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(More customer reviews)This film version of A Tale of Two Cities is a masterpiece -- it faithful adapts Dickens' classic novel while holding out as a worthwhile movie in its own right through incredible performances from its lead actors. The plot of the novel has not been touched -- in filming Dickens' most tightly-plotted novel, a good decision. The acting is uncommonly good. Sydney Carton is fabulously done; James Wilby is to be commended for a wonderful and nuanced performance. I also found Madame Defarge particularly well-done; the actress playing her is SCARY! Considering Mme. Defarge's character in the book, I think her almost insane bitterness and sharp purpose is well-portrayed.
A couple of unique things about this film include its use of French actors to play French characters and British actors to play British characters. No contrived accents, and people actually look their nationality -- both important in such a highly political story. I also strongly support the decision to have Carton and Darnay played by different people; yes, they're supposed to look alike, but not identical. And having different actors play them facilitates the portrayal of their very contrasted characters.
I am admittedly coming from the perspective of one who read and loved the book years before seeing the movie; I can't judge what this film would be like to someone who has never read the novel. But I found it an accurate and sensitive adaptation of the book I know and love, and I imagine that the beauty of the story would appeal just as easily to someone experiencing the story for the first time.

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TALE OF TWO CITIES - DVD Movie

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Great Expectations (Masterpiece Theatre, 1999) (1999) Review

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(More customer reviews)This movie is excellent. I stumbled onto it on the Net accidentally because of the leading actor (Ioan Gruffudd) and his earlier portrayal of another classic character--Hornblower. Great Expectations is by far my favorite of Dickens and of all other classic literature, and this movie portrays the book wonderfully! Every scene--nearly every WORD can be found in some form in the book, from the younger Pip's nervous recital of Old Clem, to Orlick's reappearance and attempted revenge. As with all adaptations, there are a few drawbacks (and for this reason I would HIGHLY reccomend reading the book itself!). But I've seen very few movies adapted as accurately as this. Very very fine!

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Ioan Gruffudd, Justine Waddell and Charlotte Rampling star in this adaptation of Charles Dickens' enduring classic Great Expectations, the story of a young orphan named Pip who lives with his sister and her blacksmith husband, Joe.One day Pip is sent to play at the residence of Miss Havisham, a frightening, elderly woman who seems locked in the past. She wears ancient bridal attire and never moves from the dusty upper rooms of her home. Miss Havisham's beautiful but contemptuous ward, Estella, makes Pip feel appallingly inferior, creating in him a desire to better himself-changing his life forever. But despite his efforts to improve himself, the frustrated Pip seems destined to remain Joe's apprentice. Until one day a lawyer calls to inform Pip that he has "great expectations:" Pip is to be released form his apprenticeship and educated in London as a gentleman! The benefactor who has made this life transformation possible, however, wishes to remain anonymous.

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Little Dorrit (2009) Review

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(More customer reviews)I will always be a tremendous fan of the two part film version with Derek Jacobi and Sir Alec Guiness, now generally only found on used video tape. This wonderful new miniseries does however acquit itself very nicely. Shown earlier in the UK, the acting by Matthew Macfadyn (of Pride and Prejudice fame) captures the well-intentioned and kind hearted Arthur Clennam perfectly. Equally impressive is Claire Foy as the courageous and decent Little (Amy) Dorrit. Still the best may be the character portrayed by Tom Courtenay, William Dorrit, "the father of the Marshalsea" the famous debtors' prison. The series is full of very strong supporting performances, it would take far too long to list the many wonderful actors and actresses who are found in every scene.
The show follows a very typical Dickens plot of slowly developing mysteries and strangely interwoven relationships. Little Dorrit was born inside a debtors' prison and has lived her entire life working unendingly and without complaint to make her father's decades long imprisonment there more bearable. She is the first child born there; this fact and his former stature as a gentleman gives him an informal social superiority inside that he enjoys and uses as possible to his personal benefit. The arrival in London of Arthur Clennam from China to share with his mother the news of his father's death, pushes an already moving story into many surprising turns. Rich and poor, good and bad, people of all social circles find themselves pulled into confronting their changing fortunes. Some who find themselves well-off deal with their new situation far less well than those dealing with adversity.
Dickens is telling a story far too near to his own with the theme of these families forced to see many generations live behind prison walls for the want of a few pounds. The story is one of his strongest and this series tells it honestly and with an incredible strength of cast and script.

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Acclaimed screenwriter Andrew Davies (Pride and Prejudice, Bleak House) brings to DVD an all new Dickens adaptation starring Academy Award Nominee Tom Courtenay (The Golden Compass), Matthew Macfadyen (MI-5, Pride and Prejudice) and newcomer Claire Foy (Being Human). This gripping new series brings to life Dickens's powerful story of struggle and hardship in 1820s London. When Arthur Clennam (Macfadyen) returns to England after many years abroad, his curiosity is piqued by the presence in his mother's house of a young seamstress, Amy Dorrit (Foy). His quest to discover the truth about "Little Dorrit" takes him to the Marshalsea Debtors Prison, where he discovers that the dark shadows of debt stretch far and wide. Filled with humorous yet tragic characters, Little Dorrit is a stirring rags to riches to rags story, exposing the underbelly of nineteenth century British society as only Charles Dickens can.

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