The Trojan Women (1971) Review

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(More customer reviews)Ancient Greek plays with all their dramatic devices and often an emphasis on static speeches by the actors and the chorus often do not translate well to the screen. Euripides' "The Trojan Women," however, is an exception to the rule. What makes this production work is the fine acting by most of the performers as well as the beautiful language, though in translation, of Euripides.
The plot is simple and straight forward. Queen Hecuba (Katharine Hepburn), her now crazed daughter Cassandra (Genevieve Bujold), her daughter-in-law Andromache (Vanessa Redgrave) and a host of other Trojan women are now at the mercy of the Greek victors. The play builds as one catastrophe after another befalls these women. Cassanda will be the wife of Agammemnon, Andromache will go with the son of Achilles, and Hecuba will become the slave of Odysseus-- or as Hecuba so aptly puts it, "Anguish heaped upon anguish."
The Greek chorus-- or in this instance I suppose we must call them the "Trojan Chorus" works well. Irene Papas plays a different sort of Helen than we see through other writers' eyes. Here she is unbowed, even as she awaits her fate from the hands of her wronged husband Menelaus. In a quite wonderful scene, after Helen has made her pitch to him to spare her life, Hecuba delivers the great lines: "Kill her, Menelaus." Ms. Hepburn has a lot of such passages. I remember from having seen the movie when it was released in 1971 her lines: "Kindness unwanted is unkindness."
The theme is obvious. Wars always hurt the women and children most-- Andromache's son almost steals the movie, by the way-- and while the weaponry and locales may change, war in 2005 is not that much different than it ever was, a sad, sobering thought.

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Elizabeth R (1972) Review

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(More customer reviews)This is a superb BBC miniseries, or "cycle of six plays", with extraordinary acting and most of all, a script that is a marvel, which uses original documents and the writings of Queen Elizabeth I as its source, making the story, so full of intrigue and drama, for the most part very accurate.
My favorites are the monologues, spoken with such power by Glenda Jackson, whose performance is a treasure. The cast that surrounds her is also wonderful, and often having a physical similarity to the historical character (with kudos to the make-up department).
There are so many reasons to buy this fantastic DVD package, which may seem expensive but is actually an excellent value. For historians this is a must, and anyone who appreciates great English theater will be delighted. The quality of the film is also exceptional, with an exceedingly clear picture and audio.
I bought it to prepare for a portrait of Queen Bess, and was enthralled by the detail of the costuming; what amazed me was how the fashion changed during the queen's forty-four year reign. It was a time rich with culture and style, with the emergence of Shakespeare and other great writers, and the queen loved clothes and jewelry, and surely set the trends.
The music by David Munro also adds to the atmosphere, and the sets have an authentic feel.
This is a brilliant production, and total running time is 540 minutes.
The DVD "extras" are terrific, are the entire content of the 4th disc, and should perhaps be viewed before the film, for full appreciation of the history. The "extras" are:
1: A lengthy interview with Glenda Jackson
2: An interview with historian Alison Weir
3: "Elizabeth I", an A&E documentary with commentary by various authors and historians, and marvelous imagery to illustrate it.
4, A: Glenda Jackson reads documents. B: Portrait Gallery (there is an error here, where the portrait of Robert Dudley is actually one of Sir Francis Drake). C: Historical Sites, including the queen's tomb, palaces, etc.
5: Behind the scenes, with a Who's Who of the cast.


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Episodes: "The Lion's Cub," "The Marriage Game," "Shadow of the Sun," "Horrible Conspiracies," "The Enterprise of England," "Sweet England's Pride." This magnificent 6-volume collection recounts the epic life and times of the remarkable Elizabeth I in a cycle of 6 plays. Won multiple Emmy Awards.

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Masterpiece Theatre: Elizabeth I - The Virgin Queen (2005) Review

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(More customer reviews)This is a very interesting programme, produced in Britain and originally shown on the PBS series, Masterpiece Theatre.
This miniseries was directed by Coky Giedroyc, a veteran of television productions in Britain, including another royal-themed miniseries, 'William and Mary', in 2003. Giedroyc brings an interesting modern twist to the series - rather than filming things in majestic, sweeping camera pans with classical music as a background, and rather than having the dialogue (and acting) be in a stilted, falsely formal style, Giedroyc incorporates modern music with medieval and Celtic flavouring to it (both of which have experienced a renaissance of sorts in the past decade), and the situations are decidedly modern without being out of place in their own times.
This presents the life of Elizabeth from her young adulthood under Queen Mary, as a supposed participant in intrigues against the Catholic Queen, through to her death after serving decades on the throne of England as the Virgin Queen, the queen who never married. In fact, the miniseries plays a tantalising game with Elizabeth's virginity, showing her desires (as well as those around her) without ever giving up the game of 'was she or wasn't she?' Anne-Marie Duff plays the part of Elizabeth, and does a remarkably able job for such a complex figure. Duff won the Irish Television award and was nominated for the BAFTA award for best actress in a television drama in another series, 'Shameless', last year.
Duff is joined by Tom Hardy, who plays the role of Robert Dudley, the favourite of Queen Elizabeth. Dudley is also an extraordinarily complex role, as he played several sides in the political struggles during Elizabeth's early reign, and was part of a family well experienced in regal intrigue - Robert Dudley's family had tried to manage the reign of Elizabeth's brother Edward, engineer the accession of Lady Jane Grey (placing Guildford Dudley on the throne with her), and is sometimes referred to as 'the uncrowned kings of England'. In fact, perhaps the most stunning single scene in this miniseries is after Elizabeth has elevated Robert Dudley to the earldom of Leicester, and during her illness, he sits upon the throne as the protector of the realm. Hardy is well suited to this role, and plays it with skill.
The sets are appropriate to their time period, neither too ornate nor too medieval; the costumes also have a touch of modernity to them, but are still primarily of the period. The situations presented give good insight into the overall pattern of Elizabeth's reign and some of the principal concerns during that time period, although to compress such a long reign into such a short time frame as a four-hour miniseries by necessity means that the history has had to be selectively chosen. Elizabeth faced problems from without and within, many of which were far more complex and pressing than her marriage issue. In the end, Elizabeth made the right decision for the time, if not for the future.
This is a great production for television, and holds up well against other major productions featuring the Virgin Queen Elizabeth of a few years ago.

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