Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

5/31/2012

Waiting for Godot Review

Waiting for Godot
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"Nothing happens, nobody comes, nobody goes, it's awful!". That phrase, said by one of the main characters of "Waiting for Godot", somehow sums up the whole plot of this short tragicomedy in two acts. Strange??. You can bet on that!!!. So much that a well-known Irish critic said of it "nothing happens, twice".
The play starts with two men, Vladimir and Estragon, sitting on a lonely road. They are both waiting for Godot. They don't know why they are waiting for him, but they think that his arrival will change things for the better. The problem is that he doesn't come, although a kid does so and says Godot will eventually arrive. Pozzo and his servant Lucky, two other characters that pass by while our protagonists are waiting for Godot, add another bizarre touch to an already surreal story, in which nothing seems to happen and discussions between the characters don't make much sense.
However, maybe that is exactly the point that Samuel Beckett (1906-1989) wanted to make. He was one of the most accomplished exponents of the "Theatre of the Absurd", that wanted to highlight the lack of purpose and meaning in an universe without God. Does Godot, the person that Vladimir and Estragon endlessly wait, symbolize God?. According to an irascible Beckett, when hard-pressed to answer that question, "If I knew who Godot was, I would have said so in the play." So, we don't know. The result is a highly unusual play that poses many questions, but doesn't answer them.
Ripe with symbolism, "Waiting for Godot" is a play more or less open to different interpretations. Why more or less open?. Well, because in order to have an interpretation of your own, you have to finish the play, and that is something that not all readers can do. "Waiting for Godot" is neither too long nor too difficult, but it shows a lack of action and purpose in the characters that is likely to annoy many before they reach the final pages, leading them to abandon the book in a hurry. That is specially true if the reader is a student who thinks he is being barbarously tortured by a hateful teacher who told him to write a paper on "Waiting for Godot" :)
My advice, for what it is worth, is that you should persist in reading it. If it puts you to sleep, try reading it aloud with some friends, and discuss with them the implications of what happens with the characters. This play might not be thoroughly engaging, but it changed theatre and the possibilities opened before it forever. In a way, it provoked a blood-less revolution, and because of that it deserves at least a bit of our attention.
Belen Alcat


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5/24/2012

Reckless (1998) Review

Reckless  (1998)
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I recently purchased this DVD set on a whim and was absolutely captivated by it. It was funny, romantic, touching, sad, suspenseful. All the actors were magnificent, especially the 3 leads. I tried to drag it out 3 nights but found I just couldn't. I finally gave in - it was like devouring a guilty pleasure in one sitting. Surfed the web and found Reckless, the Sequel, and ordered it sent 2-day priority mail. Get them both at the same time - the sequel is just as wonderful. This series reminded me what a joy good entertainment can be.

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An infatuated young surgeon lays siege to a glamorous older woman. At first she spurns his advances. Then love seems to be winning when an unexpected complication arises. She is, surprise!,the wife of his tyrannical and vindictive boss. But romance stays on track through trysts, treachery and more trouble than the young doctor ever bargained for.

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Richard III (1956) Review

Richard III  (1956)
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Those who criticize Laurence Olivier and Alan Dent -- co-authors of the screenplay -- for taking certain liberties with Shakespeare's play should also criticize Shakespeare for taking certain liberties with the historical material on which he often relied so heavily. In this instance, Holinshed's Chronicles of England, Scotland and Ireland, Vol. 6, and various Tudor Historians. In my opinion, such quibbling is a fool's errand. This much we do know about the historical Richard III. He was born in 1452 in Fotheringay Castle, Northamptonshire, the youngest son of Richard, Duke of York. He was created Duke of Gloucester by his brother, Edward IV, in 1461, accompanied him into exile (1470), and played a key role in his restoration (1471). Rewarded with part of the Neville inheritance, he exercised vice regal powers, and in 1482 re-captured Berwick-upon-Tweed from the Scots. When Edward died (1483) and was succeeded by his under-age son, Edward V, Richard acted first as protector, but within three months, he had overthrown the Woodvilles (relations of Edward IV's queen), arranged for the execution of Lord Hastings (c.1430-83), and had himself proclaimed and crowned as the rightful king. Young Edward and his brother were probably murdered in the Tower on Richard's orders, although not all historians agree. He tried to stabilize his position but failed to win broad-based support. His rival Henry Tudor (later Henry VII), confronted him in battle at Bosworth Field (August 22, 1485), when Richard died fighting bravely against heavy odds. Though ruthless, he was not the absolute monster Tudor historians portrayed him to be, nor is there proof he was a hunchback.
Cleverly, this film begins with the final scene of Henry IV, Part III, the coronation of Edward IV (Cedric Hardwicke). Locating himself at a strategic distance from the throne, the Duke of Gloucester (Olivier) carefully observes those around him. He shares with those who see this film or read the play his most private thoughts and feelings, many of which are as deformed as his body. Gloucester's "winter of discontent" will soon end. With a systematic tenacity unsurpassed by any other of Shakespeare's villains, Gloucester's coronation as Richard III (his own "glorious summer") will be the fulfillment of his royal ambition. The acting throughout the cast is outstanding. I do not recall another film in which Olivier, John Gielgud (George. Duke of Clarence), and Ralph Richardson (Henry Stafford, Duke of Buckingham) all appeared together, joined by Claire Bloom (Lady Anne Neville) and Stanley Baker (Henry Tudor). Special note should also be made of Otto Heller's cinematography which is integrated seamlessly with their performances. It is a pleasure to have this film now available in a DVD format, one which offers much sharper images and much clearer sound. Other special features of this DVD version include high-definition digital transfer; newly discovered footage; a commentary by playwright and stage director Russell Lees and John Wilder, former Governor of the Royal Shakespeare Company; 1966 BBC interview with Olivier hosted by Kenneth Tynan; a 12-minute television trailer; a theatrical trailer; and an essay by film historian Bruce Eder.

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Widely acclaimed as his crowning Shakespearean film performance, Laurence Olivier's Richard III is the notorious tale of Richard of Gloucester.This deformed king connives, backstabs, and woos his way to the top of the royal heap, but his treachery eventually lands him on the fields of Bosworth, dying and screaming "A horse! a horse! my kingdom for a horse!" Olivier, who loved the role for "its bloodcurdling spurts of malevolence" and "smoldering sexuality," gives a performance that will define Richard III for years to come.A cast replete with Britain's acting royalty give a command performance of the highest order.Restored to its original widescreen version, the film blazes with vivid color, while William Walton's musical score stirs and rouses the emotions.

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5/23/2012

Far From the Madding Crowd: Masterpiece Theatre (1998) Review

Far From the Madding Crowd: Masterpiece Theatre  (1998)
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This latest dramatization of Far From the Madding Crowd (my favorite Thomas Hardy novel) is true to the novel's characters and to its romantic countryside mood. Nathaniel Parker as Gabriel is an example of perfect casting - expressive, gentle and stalwart; and the others are wonderful too. Paloma Baeza seems at first a bit too thoughtful to resemble impetuous Bathsheba but she really acts and looks like a 19th century woman. Jonathan Firth's dashing Troy is the picture of reckless disregard. This version, in my opinion, is MUCH better than the 1960s Julie Christie version, which resembles more a 1960s translation of Hardy than Hardy himself. (And Christie looked nothing like Hardy's dark-haired independent heroine; she was wrong, wrong.) This PBS version is very right, very authentic. A classy, romantic production; I'm glad they filmed it again.

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5/15/2012

The Last Place on Earth (1994) Review

The Last Place on Earth (1994)
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This dramatization is based on the book, Scott and Amundsen by Roland Huntford. It is a detailed study, centered around the 1910-1912 Great Race for the South Pole by two brave explorers; the Norwegian Capt. Amundsen and the British Capt. Scott. The legend of Capt. Scott had long been considered sacred. Afterall, Capt. Scott and his five-man party died on the return journey from the Pole after having reached it a month after Capt. Amundsen. Roald Amundsen, conversely, has largely been overlooked and even slandered for his achievement of safely reaching the Pole first. Mr. Huntford's research had uncovered so much information about Capt. Scott and Capt. Amundsen that it created a public scandal - a public outcry that even came to condemn the author. After all, a long-cherished British legend was being questioned to its very sanctity. So great was this outcry, that when the book was reissued in 1985 as The Last Place on Earth, it inspired this excellent PBS dramatization.True to Huntford's book, this dramatization plumbs every subtlety of the author's historical revelation. Depicted is the Great Race for the South Pole that pitted the British explorer, Capt. Robert F. Scott against the Norwegian, Capt. Roald Amundsen. Amundsen claimed the Pole in 1911. Captain Scott and his five-man party died of starvation and exposure on their return. This fine production captures the European nationalistic mood of the 1910's and beautifully enshrines the respectful eloquence of an era long past. Every aspect of this dramatization has been meticulously represented, from the period clothing to the detailed manifestation of each expedition's supply stores on the southward journey.Roland Huntford never set out to exploit the incompetence of a British legend. He sought merely to compare and contrast these two explorers in their 1911 quest for the South Pole. For the first time in his book, Amundsen, who had long been characterized as a broody and sour man, is considered an equal to Scott; and is revealed to be extremely charismatic, respectful of men and reverent of nature. On the other hand, the long revered hero Captain Scott, is exposed through extensive research to be insecure, paranoid, petty, careless and vindictive in his leadership. Scott made too many critically foolish decisions - one cannot help to at least question his fitness as a leader. This dramatization reflects the book well in contrasting the differences between the two leaders; in style, in personality, in each party's morale and loyalty, and even the difference between the ageing empire of Britain and the fledgling country of Norway, which at the time had just attained independence from Sweden.I viewed this presentation of "The Last Place on Earth" when it originally aired on PBS's Masterpiece Theater in 1985. This historical tale, and understanding the lengths to what ALL these brave men were willing to subject themselves to, is truly inspiring. I have been deeply interested in this epic story ever since. Being a mountain climber myself, I know what it takes to be prepared in case of the unexpected. And although the footage is extraordinary, one cannot truly understand how these brave men felt as they traveled hundreds of miles across a barren, inhospitable landscape, where losing one's bearings is easier than freezing to death. As excellent as this dramatization is, anyone who views it must read Huntford's book The Last Place on Earth, revised for 1999 whereby Huntford has since found much more background information to support his account.

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Item Name: The Last Place on Earth; Studio:Bfs Entertainment

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5/13/2012

The Trojan Women (1971) Review

The Trojan Women  (1971)
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Ancient Greek plays with all their dramatic devices and often an emphasis on static speeches by the actors and the chorus often do not translate well to the screen. Euripides' "The Trojan Women," however, is an exception to the rule. What makes this production work is the fine acting by most of the performers as well as the beautiful language, though in translation, of Euripides.
The plot is simple and straight forward. Queen Hecuba (Katharine Hepburn), her now crazed daughter Cassandra (Genevieve Bujold), her daughter-in-law Andromache (Vanessa Redgrave) and a host of other Trojan women are now at the mercy of the Greek victors. The play builds as one catastrophe after another befalls these women. Cassanda will be the wife of Agammemnon, Andromache will go with the son of Achilles, and Hecuba will become the slave of Odysseus-- or as Hecuba so aptly puts it, "Anguish heaped upon anguish."
The Greek chorus-- or in this instance I suppose we must call them the "Trojan Chorus" works well. Irene Papas plays a different sort of Helen than we see through other writers' eyes. Here she is unbowed, even as she awaits her fate from the hands of her wronged husband Menelaus. In a quite wonderful scene, after Helen has made her pitch to him to spare her life, Hecuba delivers the great lines: "Kill her, Menelaus." Ms. Hepburn has a lot of such passages. I remember from having seen the movie when it was released in 1971 her lines: "Kindness unwanted is unkindness."
The theme is obvious. Wars always hurt the women and children most-- Andromache's son almost steals the movie, by the way-- and while the weaponry and locales may change, war in 2005 is not that much different than it ever was, a sad, sobering thought.

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5/07/2012

Upstairs Downstairs - The Complete First Season (1974) Review

Upstairs Downstairs - The Complete First Season (1974)
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This British series is in a "class" by itself. It's characters are unforgettable, the acting inspired and the backdrop evocative - Edwardian England from 1904 into the 1930s. The story evolves around the aristocractic Bellamy family "Upstairs" and their servants "Downstairs," but it is not a soap opera. It is as genuine, real and honest as any period production, or for that matter, any production, that I have ever seen. The characters grapple with the same struggles that we continue to confront in mordern-day America: love, loss, coming of age, morality, prejudice, death, economics, social responsibility, freedom and the search for life's ultimate meaning - concluding with the horrendous effects of a World War and its devastating aftermath. This unflinching look at history as well as a truly timeless, engaging saga is not to be missed. I genuinely rejoice that such a remarkable treasure is finally available on DVD. Originally broadcast on PBS's Masterpiece Theatre.

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Follow the "upstairs" dwellers, the Bellamys, and their "downstairs" servants through one of television's most loved and lauded series of all time. This collector's set includes the entire first season, all 13 episodes, of the multi-award winning series. Catch a first glimpse of 165 Eaton Place and be enchanted with the saga that captures the essence of life and love in Edwardian England.

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5/04/2012

The Milton Berle Collection Review

The Milton Berle Collection
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I was disappointed in this set of 5 DVDs. Most descriptions on the Internet of this DVD set state "Here's Uncle Miltie at the top of his form on the classic Texaco Star Theatre!" The Texaco Star Theater aired from 1948 to 1953. This DVD set does NOT contain any of The Texaco Star Theater shows. Instead, this set of DVDs is actually five shows from The Milton Berle Buick Show which aired from 1953 to 1955. Like many people, I think a little Milton Berle goes a long way. But, The Texaco Star Theater shows were historic television and worth viewing. Those early shows are what earned Milton Berle the nickname "Mr. Television," with his trademark entrance to each show and the vaudeville-like format of the show-including impressive guest star appearances, in many cases by stars making their debut television appearances. And, it was these early shows that were responsible for the rapid increase in television sales. By 1953, the year of the shows featured on this DVD set, television variety shows had matured, Milton Berle's writing staff had changed, and the format of his show was very different. I would recommend waiting for DVDs to be released (hopefully) that feature the early Texaco Star Theater shows.

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4/28/2012

The Grand - Series One: 2 Volume Gift Boxed Set Review

The Grand - Series One: 2 Volume Gift Boxed Set
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"The Grand," a former Masterpiece Theatere presentation, is a classic costume drama in the tradition of fine British fare such as, "Upstairs, Downstairs" and "The Pallisers," but I personally feel "The Grand," which I'd never heard of but stumbled upon recently via DVD, is better than either of those BBC classics.
The scene is post-World World 1 Britian, and the family-run "Grand Hotel" has recently been restored to its former glory and is celebrating it's grand reopening on New Year's Eve. Unbeknownst to the Bannerman family, their business manager has lost the family money in speculation and, to embarassed to tell his friend and client, does away with himself during the party. (This all happens in the first three minutes of the movie, so I'm not giving anything away.)
From there "The Grand" takes off as the owner, John Bannerman, is forced to allow his sinister brother, who has a passion for the John's wife, Sarah, as well as ladies of questionable reput, to invest in the Grand to save her. But "The Grand" follows far more than that one family story. There is the new chambermaid whose dreams of living "above stairs" turns into a nightmare and John's misguided son, whose life has been forever altered by his involvement in the war. As has the existence of the stalwart and oh-so-proper hotel manager/head butler, who lost his son, under rather mysterious cicrumstances, in the war. Then there's the mysterious guest whose profession shocks the sensabilites of the Victorian owners and a host of other guests and staff members who populate "The Grand's" enchanting landscape.
This engrossing series even held my husband's attention, who usually rolls his eyes when I utter the words "British costume drama." Though he was reluctant to begin watching, after the first episode he was like, 'Is that it? This is great!' We actually watched the entire 8-hour mini-series in two evenings and he was as eager to find out "what happens next" as I was.

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4/27/2012

Masterpiece Theatre: Carrie's War (2006) Review

Masterpiece Theatre: Carrie's War (2006)
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I came across this movie on a BBC channel late one night and was instantly intrigued. The characters are enchanting and the storyline always keeps you interested. I stayed up way too late watching it through to the end, but it was worth it, and now I'm buying it on DVD to share with my kids and looking for the book. It's great!!!!!!

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Item Name: Masterpiece Theatre: Carrie's War; Studio:WGBH Boston

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4/26/2012

Eugene O'Neill's The Iceman Cometh (Broadway Theatre Archive) (1960) Review

Eugene O'Neill's The Iceman Cometh (Broadway Theatre Archive) (1960)
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The chance to see Jason Robards portray his signature role as "Hickey" makes this video well worth the price. This performance of the complete "Iceman Cometh" was originally aired on CBS in 1962, as a live two-part performance, and the video and audio quality suffer from the transferral, but what remains is an extremely well-directed version of this play, which preserves Robards in the role that first brought him acclaim. The supporting cast in generaly excellent, with standout performances from James Broderick and a very young Robert Redford. This version of the play makes an interesting contrast to the 1973 film version, directed by John Frankenheimer, which features a decent, though limted, Lee Marvin as Hickey, but which also displays two incredible actors, Robert Ryan as Larry, and Frederick March as Harry Hope, who are so wonderful in their final screen roles that they overshadow the rest of the characters, Hickey included. One can only lament the director's choice not to cast Robards, thus missing the opportunity to unite three of the greatest O'Neill interpreters in these three splendid roles. Oh well.......

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ICEMAN COMETH - DVD Movie

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4/24/2012

Anna Karenina (1977) - The Complete Miniseries (1978) Review

Anna Karenina (1977) - The Complete Miniseries (1978)
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I hadn't seen this series for many years when the DVD from Amazon arrived a few days ago. The series was done in 1978 and stars Nicola Pagett of Upstairs Downstairs fame. Seeing it again I am amazed at the accuracy of the presentation and the acting. If you are lucky enough to have this DVD series you will be seeing the best depiction of Russia in the last years of the reign of Alexander II. The interiors, the mode of life and even the way the actors speak is as close as anything has come to the times. The uniforms are incredible because they had a special consultant who made sure they were right; when Vronsky appears wearing the uniform of the Preobrajensky Regiment he has the right one - even down to one appropriate to the time of day and season. I have to say that Stuart Wilson does an amazing job as Vronsky - no one has come within a hundred miles of his presentation of the role. Nicola Pagett is Anna reincarnated, her suicidal descent into darkness and death is almost unbearable to watch. This is a must have DVD for anyone who loves Tolstoy's book and Imperial Russia, get it today. This is a 100%+ review on a great series. Thank you to Time Life Video for bring it back. Let's hope "By The Sword Divided" is next....

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4/11/2012

Paradise Postponed/Titmuss Regained Review

Paradise Postponed/Titmuss Regained
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This was the best "Masterpiece Theatre" series in the 1980s - I can't wait to see it again. Following John Mortimer's novel closely, the plot revolves around a purplexing mystery: why has a saintly and steadfastly liberal vicar left his sizeable fortune to villainous Thatcherite cabinet minister Leslie Titmuss? All is revealed in as the series travels back several decades examining the tangled relationships between the middle class families of the Rapstone Valley and the working classes of Skurfield. The central mystery ultimately serves to illuminate how Britain has changed from the post-war period to the 1980s England of Margaret Thatcher.
The sequel "Titmuss Regained" is less sweeping but also bitterly amusing as cabinet minister Titmuss takes a bizarre detour from his political ambitions to attempt personal happiness and romantic love. Titmuss is an astounding fictional creation - Mortimer wrote a third "Titmuss" novel, "The Sound of Trumpets" - maybe someday the BBC will dramatize the last chapter in the life of this somehow loveable villain.

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4/10/2012

Heat of the Sun Boxed Set (Private Lives / Hide in Plain Sight / The Sport of Kings) (1999) Review

Heat of the Sun Boxed Set (Private Lives / Hide in Plain Sight / The Sport of Kings) (1999)
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I first saw this on PBS's Mystery series a couple of years ago and loved it. I was able to tape two of the episodes on a repeat, but I'm holding out hope (most likely in vain) for a DVD release. And Diana Rigg's introductions on the Mystery version add lots of background and period information about some of the real people some of the characters resemble. I assume that this comentary is not included on the VHS release (?).
Police Superintendent Albert Tyburn has left England and Scotland Yard for the East African colony of Kenya. He left under a cloud and rumours about why have followed him all the way to Nairobi. He's to head up the newly created Criminal Investigations unit that pompous snob and windbag Police Commissioner Burkitt feels is entirely unnecessary. For Tyburn, "crime is crime" and people are people and his determination to treat the natives with respect along with his refusal to show his "betters" proper deference is a continual irritant to his often lofty suspects. He's also constantly irritating his superior, Burkitt who loathes Tyburn and tells him "you're not one of us and you never will be" - for which Tyburn is eternally grateful! Trevor Eve is fantastic as Tyburn - smart, sexy, wry and sardonic he has no qualms about being unpopular as long as the criminals pay.
Then there's aviatrix Emma Fitzgerald (played by the terrific Susannah Harker) an independent woman on the fringe of "polite society" who pilots her own plane for safaris and supply runs. She and Tyburn meet when her sister is murdered in episode one. Their mutual respect and friendship evolves into one of the most understated (but sweet) romances I've ever seen!
Great, tight stories, an authentic period atmosphere and wonderful supporting characters in Dr Mueller, Inspector Valentine, Corporal Karendi, Governor Rex Willoughby, decadent party-boy Chico DeVille and the sleazy and villainous Max Van der Vuerst all add up to intelligent and enjoyable viewing. Highly recommended!

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A tangled web of blackmail, murder, passion, and more awaits former Scotland Yard detective Albert Tyburn (Trevor Eve from The Politician's Wife) when he arrives in Nairobi. He has been sent to head up a new criminal investigation unit under the command of pompous local police commissioner Ronald Burkitt (Michael Byrne). In these three mysteries: Private Lives, Hide in Plain Sight and The Sport of Kings, Tyburn uses his cunning, courage and headstrong policing style to battle arson, drug-dealing, murder and the creeping colonialism of Kenya's hedonistic expatriate community. Special DVD features include: link to the Mystery! Web site; scene selections; and closed captions.On three DVD5 discs.Region coding: All regions.Audio: Dolby stereo.Screen format: Letterboxed.

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4/07/2012

Seeing Red: Masterpiece Theatre (1999) Review

Seeing Red: Masterpiece Theatre  (1999)
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I defy anyone to watch this drama, based on the life of a British TV actress who became a leading child care crusader, and firstly not cry, secondly not feel compelled to help as Coral Atkins did. Lancashire is perfect as the ballsy, party Girl who will stop at nothing to do right by her charges.
Inspirational and beautiful.

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4/01/2012

A Touch of Frost - Season 1 Review

A Touch of Frost - Season 1
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A Touch of Frost is an outstanding British mystery series, and it is high time it was released on DVD. This set contains the entire first series--three 100-minute episodes entitled "Care and Protection", "Not with Kindness", and "Conclusions." At the time of writing, series two is also available (for preordering), and I only hope that the video company will see fit to release the entire series.

David Jason (Only Fools and Horses, The Darling Buds of May, Open All Hours, Micawber), who personally is one of my favourite British actors, stars as Jack Frost, a dedicated, single-minded detective inspector with a nose for ferretting out criminals. Frost is a bit like a dog with a bone when he sets his mind on something, and he doesn't worry too much about letting little things like rules, procedures, tactfulness, or even legality get in the way of finding out the truth--if he can get away with it, that is. This is a man whose loathing for the criminal element--for those who hurt or destroy the lives of others--verges on the personal. At the very least, his dedication to duty is more than just a job for him, it's his whole life--his raison d'etre. Certainly, his personal life suffers greatly from his dedication--indeed obsession--with his work.
The series opens with Frost's wife on her deathbed. Even in such a situation (perhaps, indeed, because of it--for Frost does not handle personal tragedy well), he is unable to spend the time at his wife's side that is expected. While this may sound rather morbid and depressing, I must emphasize that overall the series is not. Certainly, the crimes that are committed are serious and tragic, but like the Inspector Morse series (a series with which this one compares well), the episodes are punctuated by quite a healthy dose of humour, and like Morse it is primarily character humour. In other words, it arises out of the idiosyncrasies in the inspector's character, which become more apparent as we become more familiar with the character. In Frost's case, apart from his questionable tactics, he's extremely disorderly, and his dedication to his work is matched only by his loathing for paperwork--a trait which often has him at odds with his punctilious boss, Superintendent Mullett. Indeed, Frost is perennially ducking into doorways or skipping out of the office in attempts to avoid the unwelcome confrontations. One thing Frost does not have, unlike Inspector Morse, is a regular "Sergeant Lewis" in tow; rather, he has a different sergeant assigned to him for almost every episode.
One aspect which, in my opinion, makes A Touch of Frost such a good series is the powerful punch of irony that usually occurs at the end of each episode. Often one can really sympathise with the killer or at the very least understand his or her motivation. Sometimes we find that it's one trifling incident--someone in the wrong place at the wrong time--or a petty misunderstanding that sets the wheels in motion for a tragic outcome. Often it seems that the bringing of the criminal to justice is the greatest injustice.
In conclusion, this is a well-acted and an extremely well-written mystery series--one with quite hard-hitting stories, thus making the comic relief all the more welcome. It is a series which I recommend very highly to fans of British mysteries in particular--if you enjoy shows like Inspector Morse, for example, or have enjoyed PBS's erstwhile Mystery! series, I'm sure you'll enjoy this one. I would, however, go so far as to recommend this series to anyone looking for a superior quality mystery series, British or otherwise. Personally, I've always wondered why it was never made a part of PBS's Mystery! series, for it was certainly worthy of inclusion.

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3/31/2012

Being Julia Review

Being Julia
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"Being Julia" is a homage to the legendary hammy and self-absorbed actors of yesteryear. Set in 1930's London, the movie stars Annette Bening as Julia Lambert, a forty-five year old actress who suddenly realizes that her best years may be behind her. She is exhausted, depressed, and bored with her life. Her marriage to her business manager, played with his usual aplomb by Jeremy Irons, is for the most part, platonic. What better way to perk things up then to embark on a foolhardy affair with a man half her age? Julia takes as her lover a fawning American, played stiffly by the plastic and conventionally handsome Shaun Evans. Julia throws caution to the winds. She falls hard for the impoverished boy and plies him with expensive trinkets and cash gifts. Meanwhile, a young blonde actress, Avice Crichton, comes along to challenge Julia and the ambitious upstart threatens to upstage the older woman both on and off the stage.
"Being Julia" has a nice look, with its vintage cars, period furniture, and authentic costumes. The musical background, which includes such ditties as "Life is Just a Bowl of Cherries," sets the appropriate mood. However, the plot of this film is as trifling and paper thin as its shallow characters. The main reason to see "Being Julia" is to enjoy Annette Bening's amusing and effervescent performance as the ultimate diva. Julia is a talented and vivacious prima donna who appears to be vain and supremely self-confident. Bening shows the fear and the loneliness beneath Julia's haughty demeanor. Julia senses that sooner or later, her star will lose its luster. She knows in her heart that her ultimate enemy is old age; it is the one foe that she can never vanquish.


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