Showing posts with label psychological thriller. Show all posts
Showing posts with label psychological thriller. Show all posts

9/15/2011

Shattered Review

Shattered
Average Reviews:

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Please keep in mind that I am one of a handful of people that saw this film ON THE BIG SCREEN IN A MOVIE THEATER instead of just on TNT, butchered for television, with commercial interruptions. It is much better the way it was intended to be seen. After seeing the film twice ON THE BIG SCREEN during its limited release, these are my comments:
Imagine a Yuppie Gerard Butler. Great looking. Confident. Successful. Gorgeous wife. Beautiful sweet daughter. The perfect life in upscale suburban Chicago. Enter mysterious menacing stalking stranger and their worst nightmare begins. He threatens the life of their daughter as insurance for their obedience to his demands.
Sound like the typical 'kidnapped kid' flick? It's not.
It's taut, suspenseful, edge of your seat storytelling combined with good solid performances by all, especially Bello and Brosnan. Butler is very good, but I've seen him better. I believe he filmed this on the heels of the grueling demands of 300 and it shows a bit. He may not be at the very top of his game here, but he still performs well.
Brosnan upped his credibility as an actor for me in this film. He played the menacing stranger perfectly. Just the right tone of voice and facial expressions, joined with his eyes and body language, spoke in unison to perfection in every scene. I'd really like to see more from him, he is a very good dramatic actor. I like him better as an older, mature man. More gritty, less suave.
Maria Bello is perfect as the mother held hostage by mother love and the need to protect her child at all costs.
I loved the score. Where you might expect a really intense, gritty score, this one opts for a quieter one with a hint of bluesy undertones and it works. It intensifies at the right moments, but never takes a front seat as often happens in thrillers. It melds with the action and helps makes each scene into an audiovisual, emotional emulsion.
In fact, the whole film is just quieter than one would expect, given what is usually served up with films of this genre. There are no car chases, no last minute rescues, no heroes. It never goes over the top. It has its feet on the ground and its eyes on what's human and real.
This film is no dud. Even though it had a very limited release, it is not the fault of the filmmakers or the actors. It is good movie-making. You may not think it's one of the best films you've ever seen, but there's a good chance you'll be satisfied that you got your money's worth. I give it a definite thumbs up.
Scale of 1-10? I give this an 8.
Warning: DON'T read much about this film. DON'T watch the trailer over and over. The less you know going in, the better your experience of it will be. Because of one seemingly innocuous remark made by someone who'd seen it, I guessed the ending about halfway through. I wasn't even trying. But things we hear stick in our minds whether we like it or not. I sincerely wish I had not guessed correctly. The rest of the film lost it's suspense for me.
Hint: This is a two timer. It's even better the second time.


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8/21/2011

Apartment Zero Review

Apartment Zero
Average Reviews:

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What makes this film so good is how dangerous it is. It teeters on the edge of homosexuality and true friendship and at the same time casts Colin Firth as almost a damsel on the edge of madness to Hart Bochners rogue character. This movie is set in Buenos Aires and and creates a political climate, a delicate madness and an under current of so many divergent sexualities that fuel the film and keep pulling the rope taunter and taunter.
What makes this film so good is how eventually Firth's character expresses his love for a man who is a ne'erdowell and always will be. He goes to the brink of madness and violence but never of sexuality which is what twists this fikm in upon itself. Eventually it seems as if the relationship between the two becomes too fraught with peril for sex but all of there actions for each other are sexualized.
What I find interesting about this movie is that it in no way compromises its sexuality to be politically correct and instead challenges the watcher to stick with it thru a byzantine plot of identity that switches the nerd for the rogue and then the rogue for the nerd. Both men ultimately have no identity. firth's character by harsh abuse racked upon him by his family and currently dementia trapped mother and Bochner thru the way he must live for his terrorist lifestyle.
In the end Firth learns to absorb Bochner's character to have an identity and Bochner hesitates and theefore loses his own. The best movies are about things that are intangibly exchanged thru the physical world of actions representing so much more.

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