1/19/2012

Oscar Wilde's Salome / Steven Berkoff Review

Oscar Wilde's Salome / Steven Berkoff
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You have to accept Steven Berkoff's premise at the start, namely to sweep Oscar Wilde's prescribed Victoriana off the stage and let his opulent prose stand on its own. It's not the ONLY way to do Salome, but it is an enthralling one, and the job is carried off to near perfection. The use of piano music (by Roger Doyle) is inspired, thickening the pantomimic stage action with extra dimension, and creating a genre somewhere between cinema and opera. And Myriam Cyr is simply the SEXIEST Salome ever acted -- another positive fallout of a spare abstract stage: her sexuality flashes out sharp as a laser. By an irony of ironies, however, the biggest acting disappointment is Steven Berkoff himself, the directorial genius behind the production, who plays Herod. He speaks his lines with a cutesy-wootseyness that attempts to spotlight Herod's effeteness, but in doing so he lurches instead, and annoyingly, into high-school slapstick. Far from titillating, these Herodic histrionics are the dullest, draggiest moments of the production. Everything Berkoff says in his Special Features interview about his rationale for the face paint, the spare staging, the absence of props, the "Kabuki look," rings true and is eloquently borne out in action -- save for his own jokey-baroquey performance as Herod, which runs afoul of his own canons of spareness. But a bigger caveat is that THIS DVD SHOULD HAVE COME WITH AN ENGLISH SUBTITLE TRACK. Wilde's intricate script, the boomy miking (no clip-on mikes), a big echoey stage, and several mushy choral passages all make for moments of blurred text. English subtitles would have given clarity at a click. Shame on Kultur, the otherwise excellent production company which brought out this DVD, for shirking this small extra expense.

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