Sense and Sensibility (2009) Review

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(More customer reviews)This 1971 production is the first of the BBC's 3 adaptations of Sense & Sensibilty and as far as I am aware is presented here on DVD for the first time. It's a passable effort, the casting could be better and it has a somewhat stagey feel, but overall is alright but not outstanding. It runs for about 3 hours, the video and sound quality are excellent and it has subtitles. It's presentation on DVD is marred by advertising and the failure to edit out the inter-episode credits. Probably only for Jane Austen die-hards. Now, what about the 1967 version of Pride & Prejudice (with Celia Bannerman and Lewis Fiander)?

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Jane Austen's Pride and Prejudice (6 Piece Collector's Box Set) (1996) Review

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(More customer reviews)I cannot say enough good things about this film. As a movie buff and English teacher I can honestly say that this is the finest film adaptation of any classic novel ever made. The screenplay is remarkably faithful, the costuming and settings are breathtaking, and the casting presents the strongest and most consistent ensemble I have ever witnessed. All this coming from someone who has never seen a good film version of any novel to the extent that I no longer thought it possible. Ladies beware, Colin Firth as the definitive Darcy will make you swoon. Jennifer Ehle, as Lizzy, has stolen my heart. Please don't tell my wife but I have never been so deeply in love with any actress. Her inspired interpretation of Elizabeth Bennet does Austen's brilliant satire great credit. No one has ever rendered Austen's sardonic character studies more vividly than Simon Langton's production. Persuasion was wonderful, Sense and Sensibility was remarkable, but this rendition of Austen is absolutely sublime. Without a doubt one of the best things I have ever seen on the silver screen. An absolute MUST for all Jane Austen fans.

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Hailed as "the best Austen of all" by The New York Times and deemed"one of the best things ever done for television anywhere" by Sneak Previews, thisbrilliant adaptation of Jane Austen's classic novel is A&E's most popular title ever. Jennifer Ehle and Colin Firth (Shakespeare in Love) star in this Emmy-winningproduction.

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Wuthering Heights (2009) Review

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(More customer reviews)Director Coky Giedroyc provides the newly thrice-spliced Masterpiece Theatre with a two and a half-hour remake of Emily Bronte's Gothic classic, "Wuthering Heights (Signet Classics)" that adequately depicts the passionate love/hate relationship made famous by Catherine Earnshaw and Heathcliff for readers since 1847.
I have not had the pleasure of rereading the novel for a few years, but this adaptation seems remarkably true to the overall spirit of the story. It includes the two generations of Earnshaws and Lintons most noticeably removed from the 1939 film version starring Lawrence Olivier as Heathcliff and Merle Oberon as Catherine (Wuthering Heights 1939 Classic Black and White with Original Theatrical Trailer (Import, All-Region)). The non-linear time sequencing of the film's plot mirrors the timeline of the novel; the only real difference here is the absence of the novel's first person narrators, Mr. Lockwood (Heathcliff's tenant) and Nellie (housekeeper of both Wuthering Heights and Thrushcross Grange). Giedroyc's version employs a third person technique in both the flashback and present day storyline to retell the Earnshaw/Linton history rather than rely on the biased comments of Bronte's storytellers.
Lockwood's absence also means the sequence of events revolving around the apparition of Catherine's ghost does not move the plotline. Instead the opening scene treats us to a vengeful Heathcliff, manipulating his sickly son Linton's marriage to the second generation Catherine, daughter of Edgar and his love. In fact, the entire aspect of the supernatural is not touched upon in the film as intensely as in the novel. Heathcliff yearns for his dead companion, and participates in a ghoulish digging up of Catherine's corpse. In a fantastic feat of cinematography the audience is privy to two vantage points: Heathcliff's vision of her--young and fully fleshed as if alive--and then the gruesome reality seen from behind Heathcliff's back--Catherine's decomposing skull. This film emphasizes the real and the gritty rather than the ethereal.
Similarly, it includes some passionate and psychologically intense moments that add carnality to the overall telling of the story that fits well with and enhances the wild emotions portrayed by Bronte. Heathcliff and his Catherine consummate their love on the moors; Edgar desperately makes love to Catherine in their marriage bed and Heathcliff commands that his wife not look at him as he takes her after their impromptu elopement. Somehow these moments add drama and needed adult content and motivation to what the other adaptations skirted around. When Heathcliff realizes that his woman has slept with Edgar, his anger boils over with helpless indignation. He wants revenge and after witnessing his closeness to Catherine, the audience sees him more as a jilted second choice despite his accomplishment; the face of the gypsy orphan still stares back at him.
Not that actor Tom Hardy resembles a gypsy in any way. His incontrollable mop of dark brown hair flops annoyingly onto his face; it definitely could use a trim or a ribbon holding it away. Nevertheless, he does the character of Heathcliff and the Byronic hero justice; he most decidedly reigns supreme in the scenes in which he participates. His passion seems almost Pilate-controlled from a steel core that is both practical and functional within the constraints of his world. However, like the novel's character, he loses himself frequently with a cynic's paranoia that lashes out with the intent to destroy whatever is in its path.
Cathy, on the other hand, as portrayed by Charlotte Riley has a feral beauty that aptly suggests the novel's heroine. However, Riley's Catherine has been "de-bratted"; the novel depicts Cathy with a nasty selfish streak while this Masterpiece Presentation shows us a confused child/woman that indeed does what she chooses but then seems at odds with the results.
Isolation plays a big part in Bronte's novel. However, this film fills the screen with an assemblage of others that makes the entire presentation more real. Rather than just the dire foursome and their progeny, villagers, church-goers, barroom card players and fighting children add authenticity to the period and in comparison more starkness to the actual footage shot on the moors.
Bottom Line? The 2009 presentation of "Wuthering Heights" created for Masterpiece Theatre Classics smolders with a raw sexuality and practical strength that will probably not please most purists. Nevertheless, the film's team put together a good adaptation that brings the feel of the novel to life without imitating other film presentations of the past. Recommended.
Diana Faillace Von Behren
"reneofc"


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Pride and Prejudice (BBC, 1980) (1980) Review

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(More customer reviews)I've lost count of how many times I've read Pride and Prejudice by Jane Austen - it's one of my very favorite books. Comparing the two miniseries adaptations of it -- the more recent one by A&E/BBC (Pride and Prejudice - The Special Edition (A&E, 1996)) and this one done in the 80s by BBC -- there are definite advantages to each. The one you choose depends on what you want. If you want a really good and fun modern romantic comedy, watch the A&E version. But if you want what is closest to Austen's novel (which I prefer), watch the older BBC version.
POSITIVES OF THE A&E VERSION:
1) It is a visual feast: The costumes, sets and scenery are exquisite and make this version worth watching for that reason alone. They obviously had a larger budget than the 80s version, which is done in the old BBC 'stage play' style.
2) Since this version is 75 minutes longer than the BBC version, you get to enjoy that much more of Austen's incomparable dialogue - the best ever written in the English language besides Shakespeare, in my opinion!
3) In the interplays between Elizabeth and Mr. Darcy, their emotions are much more pronounced and open than in the BBC version... which makes their relationship more openly romantic even than in the novel. This is developed further by some scenes of them individually that weren't in the novel. In the 80s version and the novel, many of the subtleties of their relationship and feelings are left to the imagination. The A&E version is more in the unsubtle style of a typical modern romantic movie, which gives a wonderful new dimension to the story. The "unexpected proposal" scene is absolutely perfect; I think Austen would have loved it!
4) Casting Colin Firth as Mr. Darcy. Although not as strikingly handsome as David Rintoul's Darcy in the 80s version (in the book, Darcy is far handsomer than Bingley), Firth adds the right amount of visible emotion to the character which David R. did not, while also maintaining a very aristocratic, refined air about him.
POSITIVES OF THE 80s BBC VERSION:
1) It is much more faithful to the historical setting of the novel. It captures much more accurately the slow-moving, thoughtful, refined, restrained, purist, obsessed-with-manners (but still quite amusing) aristocratic society of 18th century England. This to me gives not only a needed believability to, but also a much deeper understanding of, the characters and story. Austen's novels were very realistic and true to their time and place, so if you want the genuine Austen feel rather than the 'in-your-face' Hollywood style, see the 80s version (or just stick to the book). The A&E version comes across as being 20th century American, just cloaked in 18th century England costumes and sets. Some people have praised this aspect of it, saying that the 80s version is boring by comparison. But I believe that Austen's intent was that the interest in her novels would lie with her detailed character studies and intricate relational plots. That's what made her books so interesting, without all the action-packed gallivanting around and crassness which Hollywood seems to think is a necessity to entertainment. The 80s version recognizes this and retains a historical elegance and dignity; the A&E version does not. (In the A&E version, Bingley's two supposedly high class sisters slouch around, make faces and giggle audibly behind people's backs. Everyone seems to be constantly running, skipping or galloping somewhere. The less-than-savory characters, like Mary, Lydia, Kitty, and Mr. Wickham, look and act like they are from a much lower social class, in ways that go below what would have been acceptable in their class. A visitor to the Bennett home accidentally sees one of the sisters in her undergarments. When E. visits Pemberley, she sees Mr. D. coming from a dip in a pond with a wet undershirt on, rather than just having arrived in a carriage as in the book.)
2) The casting is better in the BBC version and each actor is completely natural and believable in his or her role. In the A&E version, much of the casting does not seem to fit the characters: Elizabeth comes across as being about twenty years older than she is (with a constantly knowing look as if she's already married with children), Mrs. Bennett seems too intelligent to be so silly, Charlotte seems snobby rather than humble, Miss Bingley seems cold and sharp rather than sweetly slimy, Mr. Collins is like a cartoon and not a believable person, and the five Bennett sisters don't look at all like they could be related to each other. The actors seemed quite competent, just not cast in the right roles, and maybe directed to overplay them.
3) The 80s BBC version gives the same attention to each character that Austen's novel does. In the A&E version, only the principal characters are focused on, with the result that many of the characters who we should have gotten to know better seemed to just be cardboard props, and their relationships with each other don't come across as being as intimate and familiar as they really are in the novel. For example, Elizabeth had a much deeper relationship with both her father and with her Aunt Gardiner than the A&E version portrayed, because it left out some key scenes between those characters. The only ones I could perceive as being really close in the A&E version were Elizabeth and Jane - and in the last half, Elizabeth and Mr. Darcy. This is a great loss, because Austen's novels are all about the relationships between people, and each of their interesting personality quirks. They are character studies -- not just of the main characters, but of ALL the characters.
Sorry for the length, but P&P is a special book and I wanted to share my full views on these adaptations for anyone trying to decide between them!
BUT AS ALWAYS, it's a good idea to 1) read the negative reviews as well as the positive, since they are wildly different from each other, and 2) RENT before you buy!

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Sense & Sensibility (with Miss Austen Regrets) (BBC TV 2008) Review

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(More customer reviews)Jane Austen fans have reason to rejoice. After a mixed repertoire of new Austen adaptations, BBC has done it again with a pleasurable, charming and faithful adaptation to "Sense & Sensibility."
No doubt this version of `Sense & Sensibility' will be compared to the popular and well-loved 1995 film version starring Emma Thompson and Kate Winslet. And it certainly has big shoes to fill. After all, the 1995 version was nominated for a Best Picture Oscar, won Emma Thompson a Best Adapted Screenplay award and catapulted then-unknown Kate Winslet to stardom. And while that version sets the bar for all other versions that follow, even its most faithful fans would certainly admit that it did have its flaws. For one, at a 2-hour or so running time, the audience was treated to a few excised characters, the absence of some key scenes from the book and some actors who were noticeably too old for their roles.
Nevertheless, I approached this new S&S with some trepidation. I felt that there was no way for this version to top (or even equal) the one from 1995. Imagine my surprise when I found myself totally captivated by the end of this miniseries. While it started slowly, it became more and more enchanting as it went along and I found myself falling in love with most of the characters.
Among its successes are as follows (WARNING - SPOILERS GALORE!!):
1 - A strong screenplay by Andrew Davies. After penning the screenplay to such period drama favorites as the 1995 "Pride & Prejudice" (yes, the one with Colin Firth), "Wives & Daughters," "Middlemarch," "Daniel Deronda" and the new delightful "Northanger Abbey," Andrew Davies is well-known among period drama fans. This strong screenplay manages to stay true to the spirit and tone of the book and Davies successfully brings the novel to life.

2 - Brilliant casting overall. While there are a couple of lukewarm choices, this version has some of the best actors ever cast for S&S roles. Hattie Morahan, Dan Stevens and David Morrissey shine as Elinor, Edward Ferrars and Col. Brandon. Jean Marsh is aptly haughty as Mrs. Ferrars; Daisy Haggard as Anne Steele is funny and very vulgar; Margaret is bright and delightful; and Janet McTeer lends a certain elegance to Mrs. Dashwood. Unlike the 1995 version, the actors here are closer in age to their book counterparts. While Emma Thompson was 36 when she played 20-year old Elinor, Hattie Morahan is 28 (and could pass for 22). Hattie Morahan's intelligent, warm and brilliant turn as Elinor makes her the heart and soul of this story. And I would be very surprised if the ladies in the audience do not fall in love with either Dan Stevens or David Morrissey (or even Dominic Cooper) by the time the credits roll.
3 - Perhaps the most faithful version of the book to date. This version includes all the major and minor characters from the novel, including Lady Middleton, Mrs. Ferrars, Anne Steele and even Col. Brandon's unfortunate ward Eliza (who were all absent in the 1995 version). The actors chosen also closely resemble their characters in age and appearance. And at a 3-hour running time, there is enough time to cover scenes that were missing from the 1995 version as well as develop the characters and their relationships with each other. Some vital scenes that were omitted from the earlier version are also here, including the meeting with the imperious Mrs. Ferrars, the wonderfully awkward scene where Edward is confronted by his mother regarding his secret engagement (which was only talked about in previous versions) and Willoughby's visit to the Palmer's estate in Cleveland. We are shown Allenham (the estate of Willoughby's aunt) and Col. Brandon's estate, Delaford. The plot closely follows what is in the book and some minor added scenes like the duel between Col. Brandon and Willoughby do not take away from the spirit of the book (some might argue that it evens adds a new dimension to the characters. Besides, who wouldn't want a chance to see more of David Morrissey's Brandon?).
4 - Beautiful scenery and locations. The mansions are aptly grand and stately - namely Norland, Barton Park, Cleveland, Delaford and Allenham - and the Dashwood's cottage is humble and small but situated in a spectacular and romantic location amidst hills and crashing waves.
5 - Overall excellent production values. While the recent slew of ITV Jane Austen adaptations had lower budgets, this has the high production values one would expect from the company that gave us the 1995 "Pride & Prejudice", "North & South," "Wives & Daughters" and the upcoming treasure trove of British acting greats - "Cranford" (based on Elizabeth Gaskell's novel. Watch for it in April 2008, US period drama fans!!). The score, for one, is lovely and I applaud the location managers for finding such wonderful and appropriate locations and settings. (It is truly a shame that "Northanger Abbey," "Persuasion" and "Mansfield Park" did not get quite the same treatment. Only think of how much better these would have been at higher budgets and a 3 or 4-hour running time).

I can count very few shortcomings because I feel that the production team and cast really hit the nail in the head with this one. Some people may not like the fact that this version is more dramatic and not as funny and lighthearted as the 1995 version but I feel that the tone of this version is appropriate. The only things I can find fault with are the casting of Dominic Cooper as Willoughby and Charity Wakefield as Marianne. I have a great fondness for Greg Wise from the 1995 version. He is exactly what I would picture Willoughby to be - tall, handsome, charming and dashing - so Dominic just falls short of this (he would have made a perfect Henry Crawford ("Mansfield Park") though). And while I eventually warmed to Charity Wakefield's portrayal of Marianne, it does not quite compare to Kate Winslet's luminous and memorable performance.
So Jane Austen and period drama fans have reason to be hopeful. Those who were disappointed with the recent versions of "Persuasion" and "Mansfield Park" have something to look forward to. "Sense and Sensibility" is at least as good as (if not better than) the 1995 version and I believe that this will delight Janeites and British drama fans of all ages. This will definitely hold a special place in my British drama dvd collection.
So how does this compare to the other new adaptations? To me, this almost ties (or is a close second to) "Northanger Abbey" and is much better than "Persuasion" and "Mansfield Park." And if you enjoyed PBS Masterpiece's `Complete Jane Austen,' be on the lookout for "Cranford" (starring acting greats Judi Dench, Michael Gambon, Eileen Atkins, Francesca Annis, Imelda Staunton and Leslie Manville - and former Austen drama alumni Simon Woods, Greg Wise and Julia Sawalha) coming in May on PBS.

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From acclaimed writer Andrew Davies (BBC's Pride and Prejudice starring Colin Firth) comes this enchanting new adaptation of Jane Austen's classic novel about love and marriage. Marianne Dashwood wears her heart on her sleeve when she falls in love with the charming but unsuitable John Willoughby, ignoring her sister Elinor's warning that her impulsive behavior leaves her open to gossip and innuendo. Elinor, sensitive to social convention, struggles to conceal her own romantic disappointment, even from those closest to her. Will the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love?DVD Features:Audio CommentaryInterviewsOuttakesPhoto gallery

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Masterpiece Theatre: Mansfield Park (2007) Review

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(More customer reviews)It is a truth universally acknowledged that Jane Austen fans have yet to find an adaptation of "Mansfield Park" that truly does justice to the novel. "Pride & Prejudice" and "Persuasion" have their share of successes, with the 1995 versions and the recent versions having (for the most part) become instant classics and fan favorites. But not so for poor "Mansfield Park."
I wanted so badly to love this version, especially with all the press hoopla surrounding the casting of Billie Piper (Dr. Who). The 1980s version starring Sylvestra Le Touzel remains the most faithful adaptation of the book, but has become outdated, is slow moving and tends to drag in places. The 1990s version starring Frances O'Connor is an anathema to Austen purists. This is Mansfield Park in name only, and is a slap on the face for true fans of the book. In short, Janeites were ready for a new and improved adaptation of "Mansfield Park."
Sadly though, this new version falls short of expectations. If you have not read the book, then you will probably like it. If you have - and especially if you count yourself as an Austen purist - then there are many aspects of this version that you may find irritating (or worse..).
I dislike starting my reviews on a negative note, but I was disappointed with this one. Among the shortcomings are as follows (warning - SPOILERS):
- Casting of Billie Piper and Maggie O'Neill. Personally, I find Billie's blonde hair and dark eyebrows very distracting and far too modern for a period piece. Ladies in the Regency era tied their hair back in a bun but the filmmakers totally disregarded this and left Billie to run around like a wild child instead of a proper Regency lady. I also took issue to Maggie O'Neill who was not quite the right age and was a tad too "fine looking" as the widow Mrs. Norris.
- Very choppy beginning. It almost feels like the first half hour is filmed in hand-held camera. It is annoying and gave me a headache.
- Too many scenes were altered or omitted entirely. Many characters do not even make an appearance. There is no visit to the Price family home in Portsmouth; no visit to the Rushworth home; Maria and Julia Bertram disappear in the second act, when Maria and Rushworth marry; Maria and Julia Bertram and Mr. Yates are mere cyphers and don't have much to do; other than William Price, all the other Prices (including Susan) are absent in this story...and the list goes on.
- Scenes jump around and there is little coherence to the screenplay. Novices to the story will be confused (especially in the beginning) as new characters come and go, there is little character development and no fluidity as the scenes move from one to another. Everything in the first act is rushed and you feel like the filmmakers are trying to cram hundreds of pages of storyline into the first half hour.
There is, however, a light at the end of the tunnel. The story does improve as you go along and the last half hour provides some memorable highlights. Blake Ritson's Edmund proves to be swoon-worthy in some key (romantic) scenes from the book. The 'thunderbolt' scene (you will know what I mean when you see it) up until the end is certainly worth seeing. Jemma Redgrave's Lady Bertram also does some scene stealing of her own.
Most of the cast are perfect for their roles. Blake Ritson is quite dashing (in a solemn, Byronic way) and handsome as Edmund Bertram and Joe Beattie makes for a charming and attractive Henry Crawford. Jemma Redgrave, Douglas Hodge (Sir Thomas Bertram), Hayley Atwell (Mary Crawford), Michelle Ryan (Maria Bertram) and others are well cast. Hayley Atwell shines as the scheming, manipulative and lovely Mary Crawford. Jemma Redgrave's portrayal of Lady Bertram is a change from the book, but I actually liked it. She gave an otherwise bland character added dimension and some warmth. Douglas Hodge (a veteran of British period dramas) is excellent as always.
All in all, this version has a bumpy beginning but a much improved second act, overall good casting, mediocre screenplay and what appears to be a relatively low budget (all of the scenes were filmed in one location - yes, no kidding). If you want a more faithful adaptation of Mansfield Park, look to the 1980s version starring Sylvestra Le Touzel and Nicholas Farrell (who, incidently, play Mrs. Allen and Mr. Musgrove in the new versions of "Northanger Abbey" and "Persuasion", respectively).
Of the 3 recent Austen tv adaptations, this is my least favorite. For my choices in the recent Masterpiece Theater dramas, my vote goes to "Northanger Abbey" with "Persuasion" a distant second. I have yet to see the new version of "Sense & Sensibility" so I will reserve judgement until then. This "Mansfield Park" is certainly worth a viewing, just make sure to keep your expectations in check.

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Masterpiece Theatre - Secret Life of Mrs. Beeton (2007) Review

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(More customer reviews)It's odd, when you first move away from home, and suddenly, you're faced with running a household. Meals prepared, a home to keep clean and tidy and stocked, emergencies that happen and you're not sure if the professionals need to be called in, or can you handle it by yourself. There's a thousand questions that need to be answered, and if you were lucky (or smart) as a kid, you learned them when you were growing up. Even in this age of marvels, these answers can be elusive, and I wonder how much more so it must have been in our grandmothers and great-grandmothers times.
Welcome to the time of Mrs. Beeton, when England was firmly entrenched in the Victorian period of the nineteenth century, and the Industrial Revolution was creating a new middle class. Only thing was, many of these women who were the daughters and wives of these new households were suddenly full of questions about how to manage servants, what was expected socially, how to dress and everything that could possibly be imagined. And in a class conscious world, women were already expected to know how to do all this.
The film opens with an elegantly dressed woman observing a funeral. She has something about her that immediately catches our attention, perhaps it's the ready smile, or the clever look in her eyes. This, she annouces, is the funeral of a nobody, indeed, it's her own. And who is she? Why none other than Mrs. Beeton herself...
We first meet Isabella Mayson (Anna Madeley) as a young woman just returned from schooling in Germany. Eldest of an enormous brood of children and stepchildren, Bella's not quite so skilled in the gracious arts of a middle class girl, but she has a quick and clever mind, and when she meets the son of a family friend, it's love at first sight for them both.
But Sam Beeton (JJ Feild) isn't quite the match that her parents have hoped for. He's a struggling publisher, dabbling about in magazines, and they want to make sure that their Bella will be comfortable and happy. No marriage, it seems for Sam and Bella, unless Sam can keep her in a home and garden of her own. Soon enough, it seems that Sam has indeed fulfilled his promise, for Bella is wed and blissfully happy, in a cozy home in the London suburbs, and even a devoted maid, Ann (Siobhan Hayes) to help her set up housekeeping.
Bella isn't quite so certain of her skills, and she struggles with both cooking -- something she can't quite do, and being a helpmeet and wife for her Sam. One day she heads for his office in London, and discovers that he's out, and sets herself down and translates an article for his magazine, despite the protests of his assistant, Fred (Joseph Mawle). When Sam finally returns, he begins to realize what a real treasure he has in his Bella, and soon enough, she's become a writer for his magazine, The Englishwoman's Domestic Magazine, one of the first publications that was geared towards women, and the ancestor of all those lifestyle magazines so popular today.
But if their professional life was improving, there was a tragic secret at the heart of Sam and Bella's marriage, one that is destroying their family, and eventually will take all of their dreams.
The humour in this one is of the subtle sort -- watch for a riotous scene involving a turtle that Ann has brought from the market to be turned into soup. And Bella's own comments on what was expected of a good wife, and the reality of it, make for a good chuckle or two. Interspersed with this are tragedies of the worst sort, which Anna Madeley truly brings to life with convincing grief and sorrow. It's this blend of the happy and sad that makes this movie work so well.
One of the high points in this, besides Anna Madeley's acting, are the details in costuming and set design. I felt like I had actually stepped back in time, and while we do get to see the more sordid, grimy side of life, there's some truly beautiful sequences in here, and Jon Jones' direction is light enough to let the story speak for itself.
Those who are curious about Isabella Beeton should try to find a copy of Kathryn Hughes' biography, The Short Life and Long Times of Mrs. Beeton, which goes into more detail about the middle class women of Victorian England. Finally, if anyone is curious, Mrs. Beeton's Book of Household Management is still in print today, and there's been several modernized spin-offs that take some of her recipes and updated them for the modern cook.
While it is rather specialized in the subject matter, it's a thoughtful and evocative look at the past, and it's one that I happily recommend. There isn't a rating, but given some of the serious subject matter, I would suggest a PG-13, and leave it up to the parent's to decide if they want to let their children see it. Some sex is hinted at, and glimpses of London's underworld of prostitution and disease are present, but nothing is vulgar or vivid, either.
The DVD release is scheduled for mid-June 2007 and I will update this review if there is any need to do so once I have my own copy. And yes, that's the highest recommendation that I can give to this film, that I enjoyed it enough to want to add a copy to my own collection.
Happily recommended. Four and half stars, rounded up to five.

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Persuasion (2007) Review

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(More customer reviews)"Persuasion" is tied with "Pride & Prejudice" as my top favorite Jane Austen novel. I was looking forward to this version, after being a little disappointed with the 1995 adaptation (actors were a bit too old for their roles, I thought, but that's another review).
While "Northanger Abbey" is a story of young love, "Persuasion" is a story of love lost. Anne Eliott was once engaged to Frederick Wentworth but has had to give up the engagement due to the persuasion of her friend Lady Russell. Anne is the daughter of a baronet and Frederick is a young lieutenant with little prospects and was deemed by her friends and family as not worthy enough to marry Anne. Fast forward to 7 or so years later, and Anne's family is in dire circumstances. Her family has to move from their large country estate to Bath in an effort to retrench and avoid further debt. Frederick returns to England as a wealthy and highly eligible naval captain and his and Anne's paths meet again. Frederick is pursued by 2 of Anne's younger sisters-in-law while Anne is left to wonder what might have been. After a stressful visit to Lyme, Frederick and Anne's paths briefly separate. Anne moves to Bath where she is pursued by her cousin William Eliott and she crosses paths with Frederick again. Will love triumph the second time around?
Whether you agree or disagree with my assessment of the 1995 version starring Amanda Root and Ciaran Hinds, I think you will find that Rupert Penry-Jones and Sally Hawkins are wonderful in their roles as Frederick Wentworth and Anne Eliott. Sally Hawkins - unknown to me until now - gives a soul-stirring and endearing performance as Jane Austen's long suffering heroine. Rupert Penry-Jones is aptly dashing and handsome, though perhaps a little bland, as Frederick (I'd take him over Ciaran Hinds any day). The supporting cast is solid - with a few exceptions - and the screenplay, up until the last 10 minutes, stays true to the tone and spirit of the book. The production values, costumes and locations are excellent. This scores points for actually filming in Bath and Lyme (actual locations from the book). Another high note is Martin Phipps (who also composed the amazing score of BBC's "North & South) who delivers yet another stirring score.
The reasons for the 4 stars are as follows (warning, spoilers!):
a) Casting - I absolutely detest Amanda Hale as Mary Musgrove. She is annoying and stands out in a bad way from the rest of the cast. Julia Davis is also off as Elizabeth Eliott and looks more like Anne's wicked stepmom than her older (by 2 years) sister. Elizabeth is supposed to be beautiful and elegant, and Julia Davis is nowhere near this. Surely there are more than enough talented British actresses who could have played these roles.
b) Changes - Some long-time fans will be a little irritated with the changes made to famous scenes from the book. This is where the 1995 version triumphs over this version. While the Amanda Root version remained faithful to the book, this version strayed in some of the vital scenes such as the dialogue between Captain Harville and Anne on woman's constancy; and the scene where Frederick writes a letter to Anne.
c) The last 10 minutes - where Anne runs around Bath like a headless turkey - almost completely ruined it for me. Whoever thought of sending a docile, elegant, poised, upper-class lady like Anne to run around town like a servant girl is beyond me. The adaptation would have been outstanding except for this miscalculation. I am not a purist, but there is just so much a long-time Jane Austen fan can take and this one crossed the line for me.
All in all, however, I give it 4 stars for Sally, Rupert, most of the supporting cast, Bath, the score and the first 80 minutes. It goes along swimmingly up until the climax, at which point I have to fast forward to skip the part I detest. A good and solid adaptation, but "Northanger Abbey" starring JJ Feild and Felicity Jones gets my vote as my favorite of the recent Jane Austen adaptations.

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Jane Austen’s romantic masterpiece comes to DVD in a thrilling new production from the BBC and Masterpiece Theatre. Anne Elliot fell deeply in love with the handsome young naval officer Frederick Wentworth at the age of nineteen. But with neither fortune nor rank to recommend him, Anne was persuaded to break off her engagement. Eight years later, Anne has lived to regret her decision. She never stopped loving Wentworth, and when he returns from sea with a fortune and rank, she can only watch as every eligible young woman in the district falls at his feet.

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Emma (2009) (2010) Review

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(More customer reviews)Being an avid Jane Austen fan, I have watched every single adaptation of Emma (as well as Austen's other works). The older 1972 BBC adaptation, Emma (BBC, 1972) was quite tepid and the lead actress was not very inspiring in her role, lacking the upbeat, and sunny disposition that one associates with Austen's character. Then there was the A&E version starring Kate Beckinsale in the title role, in Emma (A&E, 1997) which though much better than the 1972 version (which also suffered from inferior production qualities), was still not the best adaptation. Finally, there was the movie version of "Emma" starring Gwyneth Paltrow, and until this current adaptation, this was actually my personal favorite (even though I personally found Paltrow's accent rather stilted)- it was a gorgeous movie with beautiful cinematography and the chemistry between Emma (Paltrow) and Mr. Knightley (Jeremy Northam) was simply wonderful and altogether credible.
This is truly a stellar production in terms of casting, and production qualities. The title role of Emma is credibly portrayed by Romola Garai, who has also been in other notable productions such as I Capture the Castle,and Daniel Deronda. She is perfectly cast - luminously beautiful, snooty, a busybody matchmaker wannabe who feels self-justified in her quest to pair off couples regardless of their own wishes, and yet possessing of a warm and sunny disposition. Romola Garai convincingly portrays all of Emma's characteristics - both her lovable and annoying qualities, her immaturity and impetuousness, and also shows her ability to transform from a self-centered immature young girl into a mature woman who realizes her flaws.
The other lead is of course Mr. Knightley, and he is also convincingly portrayed by Johnny Lee Miller, who had portrayed Edmund Bertram in the 1999 movie adaptation of "Mansfield Park"Mansfield Park (1999) which was rather reviled by critics and purists alike for its liberal adaptation of Austen's classic. Miller was also excellent as Lord Byron in Byron.I was quite concerned initially because I had always thought Jeremy Northam's portrayal of Knightley to be the best thus far, but Miller comes close, and in fact brings a new interpretation to the character that I really appreciated. There is this one scene in the series where Emma invites Knightley to dance, and as they dance...viewers get the sense that these are two individuals who are gradually realizing their real chemistry, not just as childhood friends and relatives-in-law, but as true soulmates. It is definitely one of the most romantic parts of the series and a highlight!
The other characters are also generally well-cast - Mr. Woodhouse is played to delightful effect by Michael Gambon (aka Dumbledore in the Harry Potter movie franchise); Harriet Smith is portrayed by Louise Dylan (though I still prefer Toni Collette's portrayal of Harriet in the movie version); the talented Jodhi May plays Emma's governess turned Mrs Weston (Jodhi May is a veteran of BBC productions and Henry James' The Turn of the Screw, The Other Boleyn Girl (2003 BBC Version), as well as others, including the coincidence that she was also in Daniel Deronda cast as the Jewess Mirah Lapidoth who attracts the attentions of Daniel Deronda, showcase her diverse acting talent); Frank Churchill is portrayed by Rupert Evans and I must say this particular adaptation portrays Frank Churchill in a thoroughly unflattering light - the man is simply infuriating, and gives Mr. Elton a run for his money! Mr. Elton is played by Blake Ritson who recently portrayed Edmund Bertram in Masterpiece Theatre: Mansfield Park.
The cinematography is excellent, capturing the beauty of the lush English countryside through the seasons, and the score is memorable (I still cannot get the music from the Emma-Knightley dance out of my mind!). The costumes are gorgeous - simple in their beauty, yet detailed and period-accurate, and the other production qualities are impeccable (the English manor houses picked for the various residences such as Hartfield etc are well-chosen).
Austen purists might take issue with some of the liberties taken here - the way the characters are portrayed, missing dialogue, the sequencing of certain story arcs, etc - but I still loved this adaptation - it is sunny, and bright, and all that I love in an Austen adaptation, and it is certainly my favorite adaptation of "Emma" thus far!
DVD features
Contains the scenes deleted from the PBS airing, and in addition:
Emma's Locations - this nine-minute featurette focuses on the locations used during Emma's filming, and why these places were chosen. I just loved the places they used (as is the case with most BBC period dramas) and found this illuminating.
Emma's costumes - this twelve-minute featurette explores the details behind costuming decisions for this period drama, including the choice of fabrics, color, etc. It's really a wonderful opportunity to see what goes on in the costume department, and these folks certainly take their jobs seriously, to wondrous effect!
Emma's music - this ten-minute featurette explores the music behind Emma with a brief description of how one goes about creating a score that matches the mood of the drama (I'd say they did a great job, especially on that Emma-Knightley dance!), and how important this is as the score should complement and not detract from the show itself.
Emma's Mr. Woodhouse - fans of Michael Gambon (aka Dumbledore) will rejoice in this thirteen-minute featurette. This veteran actor is truly a great talent, and this interview covers his career from his early beginnings in the craft until today. It's more of a special focus on Gambon, not so much on his role in Emma, but it is a nice touch nevertheless.
I did wish they had a director's commentary (I guess we'll have to wait for a special edition release for that, and spend more money!), and other cast interviews, sigh...but I'm happy to have the drama itself on DVD so that I can enjoy repeat viewings, and have an Emma adaptations marathon (the 1972 BBC adaptation, Kate Beckinsale's A&E adaptation, and of course, Paltrow and Jeremy Northam's pairing in the movie version). Enjoy!

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Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a story which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.

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Masterpiece Theatre: Northanger Abbey (2007) Review

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(More customer reviews)Of the 3 adaptations produced by ITV in 2007, Northanger Abbey was the best (or the least bad to be honest). I have received the DVD now and I notice to my disappointment, anger and outrage that PBS is cheating its public by selling a cut version of the adaptation. PBS had acknowleged it was going to broadcast a cut version, but it had also promised that the full and complete version would be in the DVD, and that is NOT true. They are selling the cut version only. So beware, do not order this DVD unless you want only an incomplete version. Furthermore, it is advertised as close-captioned, and that is not true, there are no subtitles nor close caption in this DVD

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Item Name: Masterpiece Theatre: Northanger Abbey; Studio:WGBH Boston

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Sense & Sensibility Collector's Set (Sense & Sensibility 2008 / Miss Austen Regrets / Persuasion 2007) Review

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(More customer reviews)This three DVD set captures the latest and very adequate BBC versions of "Sense and Sensibility" (adapted by veteran Austen screenwriter Andrew Davies) and "Persuasion". It includes "Miss Austen Regrets", only just aired in February 2008, a nicely done biopic of romance writer Jane Austen.
Jane Austen left very little behind for her future biographers. Her family destroyed much of her correspondence at her death. This film is faithful to the known details of her life, and fills in some of the gaps with cautious but respectful speculation.
In "Miss Austen Regrets", a 40-ish but still feisty and flirtatious Jane Austen (in a sympathetic performance by Olivia Williams) is called upon to advise her young niece on a possible marriage. Jane enjoys a quiet notoriety for her romantic novels, which are a guilty pleasure of Regency England. She lives with an aging mother and loving older sister (nicely played by Greta Sacchi) in a rural cottage. Writing novels was not quite a respectable occupation in that day; Jane writes because she must and because she needs the money.
The conundrum for Jane's niece, as we discover was once true for a younger Jane, is whether to marry for love or money and safety. In Jane's fiction, her patient heroines all eventually managed to marry for both. In her own life, we learn that a younger Jane Austen was deterred by her parents from one agreeable but penniless suitor, then turned down a wealthier one whom she did not love.
The movie is studiously ambiguous about the impact of Jane's choices on her life. The straitened financial circumstances of her family are clearly a burden for her. A rather shocking fit of jealousy over a handsome doctor who favors her niece, and her mixed feelings upon meeting an old suitor, indicate she has not lost her interest in men. However, the movie takes pains to show that Jane values the life she has made for herself, and suggests that Jane understood that had she married in the conventional way, she might never have found the inspiration or freedom to write her novels.
"Miss Austen Regrets" is a very nicely done and sympathetic portrayal that places Jane in the context of her time without overrunning the limited biographical material available. It is an excellent addition to this DVD collection that Jane Austen fans are likely to enjoy.

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1) Sense and Sensibility From acclaimed writer Andrew Davies (BBCs Pride and Prejudice starring Colin Firth) comes this enchanting new adaptation of Jane Austen's classic novel about love and marriage. Marianne Dashwood wears her heart on her sleeve when she falls in love with the charming but unsuitable John Willoughby, ignoring her sister Elinor's warning that her impulsive behavior leaves her open to gossip and innuendo. Elinor, sensitive to social convention, struggles to conceal her own romantic disappointment, even from those closest to her. Will the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love? 2) Miss Austen Regrets A biopic unraveling the secrets of the elusive author based on Jane Austen's actual letters and diaries. 3) Persuasion Anne Elliot fell deeply in love with the handsome young naval officer Frederick Wentworth at the age of nineteen. But with neither fortune nor rank to recommend him, Anne was persuaded to break off her engagement. Eight years later, Anne has lived to regret her decision. She never stopped loving Wentworth, and when he returns from sea with fortune and rank, she can only watch as every eligible young woman in the district falls at his feet.

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