Waiting for the Moon Review

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(More customer reviews)Though this film has been criticized for some historical inaccuracies, overall it gives a very good feeling for the period and the relationships between some of the most famous writers and artists of the 20th century. Linda Hunt's portrayal of Alice B. Toklas is flawless, as are some of the scenes between her and Stein. It is almost as if you are "a fly on the wall", ease-dropping on two icons of "the lost generation."
The settings are superb and the opening scene of Stein and Toklas proof-reading one of Stein's books is amazing!
A must for anyone interested in the literature and art of the 1920s and 1930s.
Also the interview with the director on the DVD version provides some fascinating insights into how the script was developed as well as how the movie was cast and made.
A must-have for anyone interested in this literary period!

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Into the Blue (Masterpiece Theatre) (1997) Review

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(More customer reviews)For those who know John Thaw as the prickly Inspector Morse, you will enjoy this mystery almost as much as an episode of Morse. British mysteries do tend to be more involved than others and it is probably not a good idea to try and watch this one while you are catching up on your Spanish homework. All in all a enjoyable viewing. I only wish it was available on DVD.

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We'll Meet Again Review

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(More customer reviews)Compelling war drama about a USA Air Base in England. Struggling B-17 crews find solace among British ladies. The Yank's money is appreciated but not always their ways with alcohol and women. This is a story of the small village of Market Wetherby and it's war-weary locals, and how they cope with the new arrivals, American bomber soldiers who freshly join the war, and expect to win overnight.
The British TV has always been excellent in period television series, war dramatizations, and this is no exception. War nostalgia. It is surpurb, with added interest of half a cast of Americans joining British actors. Brits have the preserved buildings to pull off a period series. They use that to advantage. Beautiful 1943 scenery, costumes, props. This show was actually filmed in the 80s but because of the historical setting, it is a timeless DVD set; classic. Perfect for those with war interest, awesome for those interested in what it was like living in a country waiting to be invaded by Hitler's army. It is something of a cousin series to the more recent homeland war drama of "Foyles War" (a must for all British Drama fans) and "Enemy at the Door" (also good).
WE'LL MEET AGAIN cleverly mixes in actual bomber air strip and bombing raid footage. But much of the action takes place in the village homes and the local pub. Dr. Helen Dereham (by Susannah York) and Maj. Jim Kiley (Michael Shannon) are only two that show the extraordinary work that war leaders had to complete, as well as the struggles romantically of working so closely in life/death living. There's is not the only romance. Plenty of hardship and lives lost. Very believable, although I'm too young to know first-hand, being a Baby Boomer.
The series ends well; but with a potential for another season, which, alas, never came. This set has no subtitles or CC. It's box warning of partial nudity refers to one breast exposed for 3 seconds.
My wife and I both enjoyed this, both sorry there were no additional episodes after the 13 provided in this set.
Episode details (each about 53 min.):
1 ALL DAY AND EVERY DAY-Market Wetherby, Suffolk, April 1943. American Air Force arrives in England ungraciously.
2 HANDS ACROSS THE SEA-Cocky American crews fail to perform well in the air & on the local ground.
3 THE MILK RUN-Letty's Uncle Sid arrives with contraband booze while she falls for a Yank on a 'milk run'-safe mission.
4 ONE STEP FORWARD,TWO STEPS BACK-Some romance buds but overall relations remain tense.
5 THE BIG ONE-Market Wetherby & the American Base find some agreeable relationships. 'The Big One' mission heads over Germany.
6 UP THE SMOKE-Some Yanks get London R&R while Dr. Dereham ponders her feelings between her injured husband & US Maj Kylie.
7 FIGHTING MEN-2 men in English woman's lives seems to become a minor epidemic, plus secrets are found out.
8 A WING AND A PRAYER-Yank marries a local just prior to a dangerous raid.
9 YOU'LL NEVER KNOW-2 Brit wives contemplate continued relations with Yanks. 3 sec. of female nudity.
10 OLD ENOUGH TO FIGHT-Maj Kiley halts his romantic relationship causing poor results at work.
11 ONE DAY AT A TIME-Maj Kiley gets more active in the air & personally as death touches others lives.
12 EXCEPTIONAL CIRCUMSTANCES-Dr. Dereham adds more bedside time to her manner dealing with Maj Kiley's injuries.
13 THE END OF THE BEGINNING-It's love & war and time to choose permanent sides on romance issues.

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The Road from Coorain (2003) Review

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(More customer reviews)I think this is a wonderful adaptation of a wonderful novel. The acting is superb. The cinematography exquisite. Juliet Stevenson and Tim Guinee are extraordinary. It is well worth your time.

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Lost for Words: Masterpiece Theatre (1999) Review

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(More customer reviews)There are very few films which I would call exceptional, but this 1999 British gem is without a doubt one of them. It is based on author Deric Longden's story of his relationship with his independent, determined, spunky mother and of his coming to terms with her increasing disability after she suffers a stroke, and it stars two wonderful British actors. Pete Postlethwaite (Sharpe's Obediah, Brassed Off) puts in a first-rate performance as Deric, a caring son trying to do his best by his mum. Mrs. Longden is a real treasure (she's such a character!), and she's portrayed splendidly by the late Dame Thora Hird (Summer Wine's Edie Pegden, In Loving Memory), who tragically passed away in 2003 a few days after suffering a stroke herself. She was 91.
This may sound like the basis for a melodramatic, weepy film (as indeed I feared it was going to be before I saw it). Certainly, the subject is one which could so easily have been maudlin and depressing (as most Hollywood renditions would have been), but it is actually anything but. The Brits are wonderfully adept at handling touchy subjects (like death and disability) and are not afraid to infuse them with humour. The result is an endearing, heart-warming, upbeat film which, despite its subject matter (or perhaps because of it), celebrates a life. You will be wiping away the odd tear, certainly, but that spark of humour manages to be maintained--right to the end. Indeed, it's the juxtaposition of such monumentally serious issues with subtly comical (or at the very least endearing) moments that make those moments all the more humorous (not to mention welcome).
The film is only 75 minutes or so in length, but there is more quality packed into that short time span than most films could even hope to achieve in 2 or 3 hours. Personally, I found it to be so immensely satisfying that, having watched it on television, I immediately sought it out on video. It really is that good a film and one which I recommend extremely highly--indeed unconditionally--to anyone looking for a thoroughly enjoyable, clean film of exceptional quality that is consummately acted. Indeed, what more can one ask!

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World War II: The Home Front (Monsignor Renard / Total War) Review

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(More customer reviews)This dvd gives the impression that its a two disk set of John Thaw in a world war two movie. He is shown in a priest's habit next to a German soldier. In fact its two different dvd's one is Monsignor Renaud and the other is wartime black and white newsreels. Nowhere in the description does it mention Monsignor Renard. I already own this dvd and now I have two. Amazon says if you blow up the front of the box you will see in small print Monsignor Renard is mentioned. I don't know anyone who blows up the front of a dvd before buying.

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The Grand - Series One: 2 Volume Gift Boxed Set Review

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(More customer reviews)"The Grand," a former Masterpiece Theatere presentation, is a classic costume drama in the tradition of fine British fare such as, "Upstairs, Downstairs" and "The Pallisers," but I personally feel "The Grand," which I'd never heard of but stumbled upon recently via DVD, is better than either of those BBC classics.
The scene is post-World World 1 Britian, and the family-run "Grand Hotel" has recently been restored to its former glory and is celebrating it's grand reopening on New Year's Eve. Unbeknownst to the Bannerman family, their business manager has lost the family money in speculation and, to embarassed to tell his friend and client, does away with himself during the party. (This all happens in the first three minutes of the movie, so I'm not giving anything away.)
From there "The Grand" takes off as the owner, John Bannerman, is forced to allow his sinister brother, who has a passion for the John's wife, Sarah, as well as ladies of questionable reput, to invest in the Grand to save her. But "The Grand" follows far more than that one family story. There is the new chambermaid whose dreams of living "above stairs" turns into a nightmare and John's misguided son, whose life has been forever altered by his involvement in the war. As has the existence of the stalwart and oh-so-proper hotel manager/head butler, who lost his son, under rather mysterious cicrumstances, in the war. Then there's the mysterious guest whose profession shocks the sensabilites of the Victorian owners and a host of other guests and staff members who populate "The Grand's" enchanting landscape.
This engrossing series even held my husband's attention, who usually rolls his eyes when I utter the words "British costume drama." Though he was reluctant to begin watching, after the first episode he was like, 'Is that it? This is great!' We actually watched the entire 8-hour mini-series in two evenings and he was as eager to find out "what happens next" as I was.

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The Golden Bowl (1972) (3pc) (1973) Review

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(More customer reviews)Henry James' last novel, "The Golden Bowl," is a long work in which very little overt action occurs. The plot is basically as follows. After a long and intense love affair is over between a penniless Prince Amerigo and the beautiful Charlotte, they meet again just as he is ready to marry the American millionairess Maggie Verver. Maggie and her father Adam are very close knit; and as marriage will not seem to separate them for long, Charlotte gets Adam to propose. And so begins one of the most interesting menage a quatre in fiction.Published in 1904, the theme of adultery had to be handled with kid gloves; and this is where James is a master. When in 1972 it was dramatized and taped for the BBC (and then over here as a "Masterpiece Theater" presentation), the subtlety and ambiguity of the original had to be retained. So now that it has been made available by Acorn Media as a boxed set, we do not get to see as much as bare leg, let alone what some of the recent film versions would have offered by way of nudity. Indeed by never showing any of the amorous goings on between Amerigo and Charlotte, one can even begin to wonder if Maggie's suspicions--so long in being aroused--are actually justified.To replace the omniscient narrator of the novel, this adaptation gives us the urbane Bob Assingham (Cyril Cusack) who starts and ends each episode looking into the camera and telling us the story as he knows it. But what he knows is only what his wife Fanny (Kathleen Byron) tells him has happened. Of course, one might wonder, then, how he could know every word of dialogue that took place in Fanny's absence--but let us not quibble over technicalities.As the narrator tells us right off, this is a story not of what was said but of what was not said. At no time in the 6 episodes that make up this taped version does any character say what is really important until Maggie (Jill Townsend) finally confronts her husband and winds up simply stalemated. "No one must know" is the motto of the times and of the class of people with whom we are dealing.The acting is superb. Barry Morse (whom you might remember was the remorseless policeman pursuing The Fugitive many years ago on television) is a sympathetic Mr. Verver, too good to suspect the truth or to show he knows it when he finally does. Daniel Massey's Prince shows just the right balance between continental mores and those of the uptight upperclasses of England and America. Jill Townsend looks just fragile enough while she suffers immensely without batting an eyelash except for two moments of release during the 270 minutes of this dramatization.Gayle Hunnicut gives us a Charlotte who is not evil, who suffers ultimately more than any of the others, but who is simply in love and will not compromise. Kathleen Byron's Fanny never is reduced to caricature. Feeling responsible for introducing Maggie to the Prince, she tries to make amends by interfering and then lying about what she thinks. I am sure many of us can relate to her motivation and she emerges as a more sympathetic character, in a way, than do any of the others. And Cyril Cusack is just a joy, both as narrator and as something of a Richard Bucket to his socially motivated wife. I have to leave to my betters to find how closely this follows the original novel; but on its own terms this Acorn Media release is compelling drama and quite a treat for those who would appreciate some intelligent "adult treatment of adult themes" without the adolescent soft porn which that phrase usually implies. The three tapes hold two episodes each and are neatly boxed. Just the sort of thing you will want to see once a year to clear the mind and perhaps see yourself more objectively afterward.

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In his last great novel, Henry James crafted perhaps his richest study of manners and morals.A wealthy American collector and his daughter innocently marry a pair of former lovers who are disposed to continue their intrigue.The fate of the four turns on a beautiful but flawed object-the golden bowl. This classic BBC adaptation takes viewers into the great dwellings of turn-of-the-century England and the lives of Henry James' richly drawn characters.Cyril Cusack (My Left Foot) performs the role of narrator to droll perfection.Also starring Daniel Massey (In the Name of the Father), Gayle Hunnicutt (A Woman of Substance), and Jill Townsend (Poldark).

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The Charmer Review

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(More customer reviews)"Not too tight, old boy," says Ralph Gorse at the end of The Charmer. We've spent nearly 312 minutes leading up to this point. They are 312 well spent minutes.
Gorse (Nigel Havers) is a charming English con man in the early Thirties. He lives by his amoral wits, seducing, enticing and working the side deals. He wants everything he isn't and everything he hasn't. Eventually he works his way up to murder. The Charmer, a wonderful Masterpiece Theater presentation now twenty years old, maintains every bit of its queasy allure, thanks in large part to Havers, to Rosemary Leach and to Bernard Hepton. Leach plays Joan Plumleigh-Bruce, a somewhat frumpy upper-middle class, snobbish Englishwoman, a widow who attracts Gorse's attention because of her property and her income. Hepton plays Donald Stimpson, a man who wears round, thick eyeglasses, has a rather silly mustache and is a property broker. He is a long-time friend and wooer of Joan, and he also fancies a marriage to her, to her income and to her property. The idea of a regular bit of the old bed springs is attractive to Stimpson, too. When Gorse meets Donald and, through him, Joan, the main pieces in this sly, malicious and self-serving game come into play.
In the course of this six-part series we will watch Gorse woo and manipulate, empty bank accounts, impregnate, cause a fire with fatal results, seduce, and murder. Following his trail like a middle-aged, self-serving angel of retribution is Donald. And Donald pulls along in his wake Joan, a woman who knows she was had and scorned, who still loves her Rafe but has Donald whispering to her that Rafe must be held accountable. Donald, of course, would like nothing better than to see Gorse brought down, partly because he detests Gorse and partly because he is sure that will be the path back to Joan's heart, bed and finances.
Is there anyone likable in this drama? Not really, and that's so satisfying. It is the ability of Gorse, Joan and Donald to ignore their real motives and fail to hide their real moral characters from us that gives us so much pleasure. By the end of the drama, Gorse, Joan and Donald each in their own way find a comeuppance that allows us to think our own upright moral characters might even be real.
Nigel Havers has a particularly tough job giving us the picture of Ralph Gorse. Havers must show us what a heel the man is, yet he also must make us see Gorse's charm. We know when Gorse is thinking up some disreputable betrayal for his own benefit. We can see how he is justifying a death. Havers also is able to show us how seductive, how pleasant, how companionable Gorse can be when he wants to. Rosemary Leach gives us a wonderful portrayal of a singularly unlikable, self-deluding woman who wants to be loved, who flutters at Gorse's attentions, who rather likes Donald's insistent courting and who thinks nothing of giving her young Irish maid condescending disdain. And last, we have Bernard Hepton, in my view one of the best of Britain's skilled character actors. With those thick glasses and that mustache, Hepton turns Donald Stimpson into a figure of slightly pompous amusement for us; that is, until we begin to realize just how resentful Stimpson is becoming, and how relentless he is in the pursuit of bringing down Gorse. Hepton turns Stimpson into a little man dangerous to underestimate, who simply won't let go.
The Charmer is murderous black comedy that is a great deal of fun, and features three outstanding performances. The DVD transfer is not as crisp as we've come to expect, but is still very easy to watch.

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Prime Suspect: Series 1 (1991) Review

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(More customer reviews)Helen Mirren stars as Chief Inspector Jane Tennison in this dramatic BBC miniseries.
A serial killer is at large, and Tennison inherits the mantle of investigating the lead suspect. While certain elements of the story are largely predictable, there is also an unexpected element of surprise with the way the tale unfolds. Mirren adds a definitive credibility to the vulnerable character of Tennison, struggling for any reasonable work/life balance, and she proves to be the most interesting sleuth to come out of England since Sherlock Holmes.
Time Magazine voted this, in its initial airing, the second most important television event of the year ... right behind Johnny Carson's farewell show. A must viewing for serious fans of mystery genre.

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Oscar® Winner Helen Mirren is Detective Jane Tennison, "perhaps the greatest role and performance of a female police detective, ever" (San Francisco Chronicle), in a series that won more than 20 major international awards and raised the bar for police dramas.
In the opening series, DCI Tennison seizes the opportunity to head a murder investigation -- something she should have done long ago, had she not been passed over by her male superiors time and again. With a suspect already identified and her own team openly hostile, she uncovers errors and conflicting facts that point to a cover-up within the force. Is this a single murder or the latest act of a serial killer? Tennison refuses to back off the investigation.
Guest stars include Tom Wilkinson (Michael Clayton, In the Bedroom, Ralph Fiennes (The English Patient, Schindler's List), and Zoë Wanamaker (Poirot).

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Danger UXB Box Set (Volumes 1-5) (1981) Review

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(More customer reviews)The setting is England, 1940. A young, newly-commissioned officer arrives at his headquarters. Whatever he may be expecting, it is not to find out that his first appointment is heading up a bomb disposal unit. It is an assignment in which the life expectancy is ten weeks, and the disposal men die at a rate of one per day. When Lieutenant Brian Ash (played superbly by Anthony Andrews (Brideshead Revisited)) realizes that there has been no mistake and that, with no previous knowledge, training or understanding of bombs or bomb defusal, he is to take charge of one of the units, the look on his face is worth a thousand words. I for one certainly felt a shiver go down my spine. You see, as the officer in charge, it will be Ash's duty to physically disable the bombs. The rest of the unit--the sappers, as they're called--are there to do the digging and wood-framing around the bombs so that the officer in charge can access them and so that they can be lifted out and carted away for detonation once they're disarmed.
Produced and written (for the most part) by John Hawkesworth, who is most famous for having brought us both Upstairs Downstairs and The Duchess of Duke Street, Danger UXB is a 1979 production and is an absolutely superb period drama--every bit as good as his two better-known offerings and sure to be enjoyed by those who've enjoyed either of those series. This series, which consists of thirteen 50-minute episodes, revolves around Ash and his unit as they fight the neverending battle of getting rid of unexploded bombs. The Germans actually used to drop bombs that were designed to remain intact upon impact, often until such time as they were tampered with or until a certain amount of time had passed. The British were initially unprepared for such a tactic, and with no instruction manuals, they had little choice but to learn about the types of bombs and how best to defuse them through observation and experimentation and with the aid of a lot of luck. To make matters worse, the Germans kept redesigning the bombs in order to thwart the efforts of the defusers. As a point of interest, over 20,000 UXBs were moved by disposal units during the war.
DVD extras: A 45-minute "History Channel" documentary (an American production) about modern-day bomb disposal units which includes interviews with the men who do the job wherein they share their experiences and reasons for choosing such a high-risk occupation. One nice thing about this DVD set is that the four discs come in extra-skinny cases (half as thick as the usual cases), which makes it much more compact for storage!
In conclusion, this is an intelligently written, superbly acted British suspense-drama (indeed, the suspense is almost unbearable at times!), and the information about the types of bombs and how they work is accurate and informative--so informative that when the series was broadcast in England, a viewer apparently realized that one of his child's toys was in fact a butterfly bomb! This is a series which will of course be of immense interest to fans of the war genre, but the appeal is broad enough that I would highly recommend it to fans of period productions in general or to anyone looking for a good suspense drama. Personally, I debated getting it, as I don't really care for war shows, but I'm glad I took a chance on it, as it's as much about relationships and individuals as it is about the dramatic and suspenseful war-time jobs the men do. With a little of something for everyone, this was a show that both the men and the women in our family thoroughly enjoyed.
Extremely highly recommended!


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Flambards Collection Set Review

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(More customer reviews)Have you ever encountered a TV series which, from the first episode on, became an irreplaceable part of your identity, moving you in ways impossible to describe but felt profoundly? FLAMBARDS was that beautiful a series. Set in the years surrounding the First World War, the story depicts how Christina, a young orphan sent to live with her cousins and uncle at a decaying country estate, Flambards, comes of age amid the conflicts, passions, loyalties, and tragedies which follow from her new life. Her uncle Russell, wheelchair-bound for life due to a fox-hunting accident, compounds his misfortune through heavy drinking by the fireplace, and takes his sole pleasure in life from the vicarious adventures in the hunting field which his rugged son Mark shares with him. They are callous to their servants, and cannot understand anyone who does not share their absorption in the world of hunting, hounds, and endless leisure. Mark's brother William could not be more different. Gentle, sympathetic to the servants and the plight of their class, and passionately devoted to the design, building and flying of planes, he too is injured while engaging in the one sport he hates - fox-hunting - and must now walk with a limp. Christina, in her late teens like William, prefers his gentle company, yet thrills to the excitement of the fox-hunt. And she soon learns that her ample inheritance, due when she is twenty-one, has been earmarked for the restoration of Flambards - and that she is to marry Mark, who, among other brutalities, has provoked the firing of Violet, the kitchen maid, after making her pregnant!The rest of the series portrays the growing attraction of Christina and William, their escape from Flambards into the world of the early aviators, and the disruptions in their new life resulting from the epic slaughter of the First World War. Everything in this series is just right: the casting of Christine McKenna and Alan Parna by as Christina and William, the stirring footage of restored early airplanes in glorious flight (set to the haunting background music of David Fanshawe, itself worth the eleven-and-a-half hours you'll spend loving this series), the tenderness of the scenes where William and Christina discover their love for each other, the portrayal of a bygone age of English social life help make FLAMBARDS a series with something for everybody. But what lifts this series into the realm of the extraordinary for me is its unaffected embodiment of human goodness and innocence, of nobility and the heroic, and of how these qualities can move us still, in a time when we need them more than ever.I've seen dozens of TV shows since I first caught episode 6, "Cold Light of Day," on PBS during a collegiate summer vacation almost twenty years ago. None have found their way as close to my heart as FLAMBARDS. I hope you agree. And I wish you the very best. END

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Masterpiece Theatre: Painted Lady (1998) Review

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(More customer reviews)if you like helen mirren you will love this movie, since it was expressly written for her by allan cubitt. there are art forgeries and theft, there is great music, gay characters and situations, and a good sampling of gangsters and the chaos they bring upon a group of people who are attempting for the first time to live an "ordinary, quiet life". And there is murder and deep personal loss. it shows that in even well meaning situations the price for breathing is very high indeed. this is what every mystery writer should aspire to, and again our british cousins show us how it is done.

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Clarissa (1991) Review

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Samuel Richardson's 18th century novel of vice and virtue, revenge and manipulation begins with famously virginal CLARISSA (Acorn) Harlowe inheriting her grandfather's huge estate. But she has no interest in wealth and passes it to her father, ignoring her siblings James and Bella.
Clarissa also claims no interest in marriage but notices her sister's current beau, the notorious lady's man Robert Lovelace. Angry and jealous at being passed over, and with their parents approval, James and Bella try to force Clarissa into marrying the repulsive Solmes, a man of "material advantage." That only pushes a desperate Clarissa into Lovelace's arms, a man she does not trust but who quickly becomes obsessed with her, even though all his tried and true seduction tricks fail.
So begins the great BBC production from the early 90s. Anyone who has seen it will surely remember the exciting twists and shocks of this magnificent miniseries now on DVD for the first time.
If it all sounds stodgy, don't be deceived, this is the granddaddy of all the dangerous liaisons copycats (including "Dangerous Liaisons").
Everything about this fast moving show is top notch: acting, screenplay, production values, and direction. I can't think of a better description of this absolutely riveting drama than the original press release: "Vice was his weapon, virtue hers. Love would destroy them both."
Even if British drama is not your cup of tea, sip this delicious brew.


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The Duchess of Duke Street - Series 2 (1979) Review

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(More customer reviews)Excellent chance to watch again a programme that truley shows the 2 tier system of victorian england.It is remarkable the indifference shown to those consisdered to be in the poorer classes and how they were manipluted,but with Louisa Trotter there was a difference,she plays the game to her on benefit,but never dening her past.Inter woven in these video's is a remarkable love story that if it were to happen to day,the ending would have been very different.Louisa Trotter is an example of what makes a hotel/cafe/restaurant a sucess,it is not just the product,but the charactor behind it that makes the difference. I have watched this several times and the attention to detail is excellent,even down to the cooking style that is true Victorian. Enjoy,perfect for a rainy afternoon.

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Mrs. Trotter, born Louisa Leyton, has already proven that she can take whatever life dishes out and remain in a class all her own. Having made her reputation as the best cook in London and proprietress of the city's most elegant and discreet hotel, Louisa now faces even bigger challenges. When World War I breaks out, she opens the Bentinck's doors to soldiers but never cashes their checks. Driven almost to ruin and facing unbearable loss, she survives to usher in the giddy post-war age. Based on the true story of Rosa Lewis, a culinary genius and owner of London's venerable Cavendish Hotel, this acclaimed BBC series dramatizes the life of an indomitable woman in stories full of humor and heart. Created by John Hawkesworth (Upstairs, Downstairs) and starring Gemma Jones (Bridget Jones's Diary, Sense and Sensibility) as Louisa, and Christopher Cazenove (A Knight's Tale, TV's Dynasty) as Charlie, the dashing love of her life. As seen on Masterpiece Theatre.

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The House of Eliott - Complete Collection Review

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(More customer reviews)I absolutely loved the entire series of The House of Elliot. I'm an all American who really enjoyed this British BBC series. Anyone who loves the 1920's, it's history, will be sure to like the two sister characters trying to succeed in the fashion world of high couture. Their small but lovely gem of a business is really quite inspiring. I loved how smart, how strong, yet vulnerable at times these two women are. Every episode is like looking through a glossy Vogue magazine, but with a good story. You can't help but become fond of the working class cloth beaders, seamstresses, and cutter who all work for The House of Elliot. There is something here for everyone. There is no vulgarity here, not to say that everyone is behaving well. Yes, there are hints and gossip of risque behavior. We watch the occasional love story develop and unfold within some of the characters. I'd be totally comfortable having my 11 year old daughter watching this with me. Why can't they make more of this great stuff!

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In stylish 1920s London, two beautiful sisters struggle to the top of the fashion world From the creators of Upstairs, Downstairs (Jean Marsh, Eileen Atkins) comes an addictive drama series set in the era of flappers and suffragettes. Louise Lombard (Hidalgo, CSI) and Stella Gonet (Nicholas Nickleby) star as Evangeline and Beatrice Eliott, sisters born into wealth and privilege who must support themselves after their profligate father dies and leaves them penniless. They have no education or training, just a passion for fashion design. As suitors try to woo them and scoundrels try to trip them up, they make independent, exciting lives for themselves and the women they employ in their house of haute couture. Seen on A&E, PBS, and BBC America. Winner of top awards for costume design, including an Emmy® and a BAFTA. DVD SPECIAL FEATURES INCLUDE an exclusive interview with Louise Lombard, production notes, 1920s fashion background, photo gallery, and cast filmographies.

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Lark Rise to Candleford: Season Four Review

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(More customer reviews)English country life could never have been as poetic, pictorial, and enchanting as this dramatization of the lives of those living in and around the two 1880's towns of Lark Rise and Candleford. Even the DVD's music puts a sanguine sugarcoating on the period. All of this is to the delight of the viewer of this masterfully done TV series sure to endear any North American who has a tender video heart toward Victorian Britain. Perhaps, consider it a British mutation of "Little House on the Prairie" or "The Waltons." A more earthy twist to "Upstairs Downstairs," another Brit historical period series not to be missed.
This set has 6 episodes of the commoner Lark Rise village and the more sophisticated Candleford. The short 8-mile separation allows for much intermingling, bigotry, conflict, forbidden love, political and economic interaction. It is not a family saga, not a nobility bloodline dramatization, but a saga of struggles and lifestyles of different kinds of personalities, each caught in their own born-into world, and interacting with another different, and not always understood, class of folk.
Darling Laura Timmins (Olivia Hallinan), Lark Rise born, was sent to Candleford to learn the trade of postmistress. She is the spark caught between the two towns (sometimes world's different.) Her mentor is Dorcas (Julia Sawalha.) Plenty of past characters returning to make it a continuation in cast and story from the previous season.
The cast is an assortment of either the die-hard, disheveled, working class or the Candleford higher class, shy of nobility range. Cast individuals make this memorable.
One episode travels into the next with carryover from earlier material. If you have the time, watch all 6 back to back. TV viewers must have waited impatiently for the next installment. Episodes has multiple plots so it is hard to break down the 6 episodes into short summaries. And with carryover from one episode to another, it's more like moving to Lark Rise or Candleford and living with the good people (and the bad). A delightful scenic experience even Disney has never matched.
Ah, Queenie (Linda Bassett), an old bee keeper, a favorite of mine, will make you laugh and cry, perhaps in the same scene. She can only be upstaged by her hubby, Twister (Karl Johnson.) Love that pair. Ruby (Victoria Hamilton) is back without her man, oops. Thomas (Mark Heap) is a postal delivery man who yet helps keep Christianity alive and aloud. Laura's ma, Emma (Claudie Blakley) is here, but pa, Robert is off working elsewhere. Well, the list could go on.
Locations and sets to dream of as a vacation spot. Costumes to dazzle, delight, and disgust, depending upon the event. Every emotion you have ever felt in your past will be repeated sometime throughout this English town saga. The adapted books by Flora Thompson have never been read by this reviewer, but I can't imagine them being as fine as this TV series (and I'm a book lover). A superb British cast has perfected this story.
Subtitles? Yes!
Downside? Only 6 episodes, you'll want more.
Recommendation? BUY NOW! It's that good.
If you have not seen Series 1, 2, & 3, get those first. Watch them in order. It's worth every wee farthing.


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The residents of Lark Rise and Candleford return for a fourth season of this warm-hearted, award-winning adaptation of Flora Thompson's novels. Set at the end of the 19th century, this visually stunning hit BBC/PBS drama sees newcomer Gabriel Cochrane arrive in Candleford with a vendetta against the evil banker Steerforth, who he feels has tricked him into losing his business. Elsewhere, Dorcas makes an ill-judged intervention, Minnie becomes worried that Alfie might fall out of love with her and Emma is left in a precarious financial position.

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