Showing posts with label historical romance. Show all posts
Showing posts with label historical romance. Show all posts

5/29/2012

Broken Glass: Masterpiece Theatre (1996) Review

Broken Glass: Masterpiece Theatre  (1996)
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This Mobil Masterpiece Theater production of an adapatation of Arthur Miller's play is a gripping look at both the dilemma of being Jewish in pre-war America, as well as a fascinating look at how fear can, literally, cripple a life.
The story revolves around a married Jewish couple, the Gellburgs, in Brooklyn in 1938. Mrs. Gellburg suddenly finds herself unable to move her legs, and becomes the patient of Dr. Hyman, played powerfully by Mandy Patinkin. Mr. Gellburg, in a way, also becomes the patient of Dr. Hyman as Mrs. Gellburg's diagnosis is revealed to be hysterical paralysis -- i.e., it's all in her head.
What Dr. Hyman is left to uncover about the Gellburgs, including both the extremely personal -- their marriage and their identity as Jews -- and the extremely impersonal -- the beginning of the torture and slaughter of Jews in Germany -- teaches great lessons about the choices we make in our lives; when to give in, when to stand up and say, "Enough." Fear can be either a force for change, or an excuse to avoid the inevitable pains of life.
I highly recommend this serious and thought-provoking drama; it provides much food for thought for people of any age or situation.

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2/07/2012

Sharpe's Rifles (1971) Review

Sharpe's Rifles (1971)
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I had not read any of Sharpe's books before watching the series. However, I love British TV drama and novel adaptations, and I love the period in which Sharpe's adventures are set, so after reading the reviews in Amazon.co.uk, I decided to give it a try. And now I'm hopelessly hooked! All the actors' performances are wonderful, but Sean Bean's is simply stunning. The story is very respectful to the people who lived in Spain in those times, both those who were for and against the French (I'm Spanish. I know), and it is even respectful to the French enemy. The plot is a mixture of adventure and spy story, with quite a bit of criticism of the British class system thrown in.This is as good as a historical novel can be (and I've read quite a few)especially because of the feeling you get that the characters belong to the period in the way they think and the way they act. In fact, it would answer the question What were all those handsome officers from Jane Austen's novels doing when they were not dancing with her heroines?. This is the other side of the same story, without contradicting it. The hero,Sharpe, belongs to the "dregs" of society, he is "scum", although he is more human and braver than the petty officers who have purchased their comissions and who are, otherwise, so elegant and so good at dancing with Austen's heorines. I am also beginning to read all the Sharpe's novels and I love them. Bravo Sharpe! Stand and Fight!

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12/23/2011

Scarlet Pimpernel: Literary Masterpieces (1982) Review

Scarlet Pimpernel: Literary Masterpieces  (1982)
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My sister has raved about this film for as long as I can remember. When I failed to find it in our local video store, she told me not to worry, as she had recently bought it and would lend it to me. Well, having now seen the film, I can understand why she raved about it. It is a vastly entertaining film, filled with a smattering of history, swashbuckling action, political intrigue, romance, and droll humor. Couple all this with some very good acting and direction, and one has a must-see period piece. It is historical fiction brought to life.
Based loosely upon the novels of Baroness Orczy, the Scarlet Pimpernel is the hero of beleaguered eighteenth century French aristocrats. The Scarlet Pimpernel dedicates himself to rescuing aristocrats that, in the Republic of the post-revolution era, are destined to lose their heads in the feeding frenzy engendered by the minions of Robespierre. Just who the Scarlet Pimpernel is, the French have not a clue, other than he is believed to be an Englishman. The viewer, however, is on the secret of his identity from the very beginning.
Anthony Andrews plays the extremely foppish dandy, Sir Percy Blakeney, who is about as blue blooded as one can be and live. He is also the wealthiest man in all of England. Given to amusing his fellow aristocrats with bons mots, he also devises entertaining rhyming couplets about the Scarlet Pimpernel. Speaking in a highly affected voice and sporting the latest in fashionable attire, Sir Percy is a seemingly unlikely action hero. Yet, it is he who rescues those who are destined to lose their heads to the dreaded guillotine. It is he who is the Scarlet Pimpernel.
Since the Scarlet Pimpernel is putting a crimp into the post-revolution blood bath, the feared Chauvelin (Ian McKellen), an ardent revolutionist and hatchet man for Robespierre, seeks to capture him. Chauvelin has a soft side, however, as he is profoundly in love with Marguerite St. Just (Jane Seymour), the premier actress of France and one of its most celebrated beauties. Unfortunately for him, however, Sir Percy has just met Marguerite and been smitten. When Sir Percy romantically woos and wins the heart of Marguerite, she consents to marry him, not knowing that he is the Scarlet Pimpernel. When she marries Sir Percy, Chauvelin stops at nothing to exact his revenge, and his actions eventually cause a rift in the marriage.
What happens to Sir Percy, Marguerite, and Chauvelin is well worth seeing. Anthony Andrews is utterly charming, romantic, and drolly funny in his dual role as the dandified fop/dashing action hero who is in love with the prettiest girl in town. Jane Seymour is perfect as the beautiful thespian who captures the heart of a wealthy aristocrat, only to find, in the end, that she has married a romantic hero. Ian McKellen is effective as the angst ridden Chauvelin, who has had his heart pierced by Cupid's arrow.
This is a wonderful film. Now, having seen it on video, I am eagerly awaiting its release on DVD, so as to add it to my personal collection. It is a film that one can enjoy watching again and again.

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11/01/2011

Rebecca (1997) Review

Rebecca  (1997)
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While I will always like the Hitchcock film better, this adaptation is a great example of how a book should be turned into a movie. This will always be a classic love story between a young woman and an older mysterious widower that changes and matures with tragedy and the revelation of secrets. As with the originial film, this movie is suspenseful, romantic, and tragic. This faithful adapation from the book expands on issues that were skimmed over in the orginial movie but should have been filmed in black and white. In the new adaptation, the feelings between Maxim and the new Mrs. de Winter are underscored with some blatant scenes where they are still laying in bed and with more dubtle touches, such as holding hands when they walk or when Maxin touches Mrs. de W's face while in conversation. However, Lawrence Olivier somehow portrayed a more tragic and angry Maxim than is seen in this version.

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10/21/2011

Masterpiece Theater: Blackheath Poisonings (1993) Review

Masterpiece Theater: Blackheath Poisonings  (1993)
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The BLACKHEATH POISONINGS is a great film. Originally, a BBC/Masterpiece presentation on the Corporation for Public Broadcasting network, the film features a cast of familiar British faces such as Judy Parfitt (JEWEL IN THE CROWN, PRIDE AND PREJUDICE), Patrick Malahide (MIDDLEMARCH, THE SINGING DECTECTIVE); Zoe Wanamaker (MORSE) and dozens of other actors you've seen in various Mystery Theater presentations.
The transfer of the film is reasonably good. The plot is very complex. The cast of characters excepting the doctors who treat the poisoned and the police who investigate what turns out to be murder, are all members of the same family). The family business is toy manufacturing, and a number of curious 19th century toys are featured in various scenes. The action takes place in a fabulous Victorian house (red and green and filled with nicknacks), a 19th century factory, a brothel, a train station, a cemetery, and a park. Think Sherlock Holmes crossed with Gilbert and Sullivan.

Parfitt plays the domineering, stingy, and uptight matriarch "she who must be obeyed" to a family comprised of resentful adult children - sons, sons-in-law, daughters, nephews, stepchildren. The seven deadly sins are represented by the various family members - anger, lust, greed, avarice, lust - did I say lust? Sex and money are at the root of their problems - often the case in repressed Victorian society.
This mystery is SO good my 74-year old husband who usually falls asleep at 8:00 p.m. in front of the tv stayed awake until 11:20 p.m. When I asked him 2/3 of the way through the three hour showing if he wanted to continue, he said, "Bring her on."

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8/04/2011

The 39 Steps (2008) Review

The 39 Steps (2008)
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Diplomat, intelligence officer, and adventure writer John Buchan's superb 1915 thriller "The 39 Steps" has been recreated several times on the big and small screens, most famously in Alfred Hitchcock's 1935 movie. The 2008 BBC production is now available on DVD. It stars Rupert Penry-Jones, familiar to PBS fans as Captain Wentworth in 2007's "Persuasion", as Richard Hannay, a resourceful Scottish mining engineer just returned from South Africa to the United Kingdom in 1914, as tensions rise with an aggressive Imperial Germany.
At loose ends, Hannay encounters a British Secret Service agent on the run, who imparts a notebook full of coded messages before being murdered in Hannay's London apartment. Sought by the police and the mysterious men who framed him, Hannay flees to Scotland. There, he manages to decode enough of the notebook to realize a deadly foreign conspiracy is afoot against Britain, and sets out to expose the conspirators and clear himself.
The story features a complicated espionage plot, some terrific location shooting in Scotland, an exciting action sequence involving a biplane (reminiscent of "North By Northwest"), and an unlikely but charming romance with a fiesty suffragette named Victoria Sinclair (Lydia Leonard).
This version of "The 39 Steps" is loosely based on the John Buchan original, as re-imagined by screenwriter Lizzie Mickery. It includes some new story elements, such as a two-part ending and Hannay's relationship with Victoria Sinclair. Viewer opinions may well depend on their attachment to earlier versions. This reviewer suggests enjoying "The 39 Steps" on its own terms for best results.

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BBC's new adaptation of John Buchan's thriller is the best ever! Richard Hannay (Rupert Penry-Jones) finds himself framed for a murder he didn't commit. Now he has to break a ruthless German espionage network to prove his innocence and, more importantly and patriotically, warn the admiralty that its plans have fallen to the enemy. Full of excitement, danger, fun and romance, The 39 Steps is a remarkable tale of an ordinary man who puts his country's interests before his own safety.

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6/27/2011

Emma (2009) (2010) Review

Emma (2009) (2010)
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Being an avid Jane Austen fan, I have watched every single adaptation of Emma (as well as Austen's other works). The older 1972 BBC adaptation, Emma (BBC, 1972) was quite tepid and the lead actress was not very inspiring in her role, lacking the upbeat, and sunny disposition that one associates with Austen's character. Then there was the A&E version starring Kate Beckinsale in the title role, in Emma (A&E, 1997) which though much better than the 1972 version (which also suffered from inferior production qualities), was still not the best adaptation. Finally, there was the movie version of "Emma" starring Gwyneth Paltrow, and until this current adaptation, this was actually my personal favorite (even though I personally found Paltrow's accent rather stilted)- it was a gorgeous movie with beautiful cinematography and the chemistry between Emma (Paltrow) and Mr. Knightley (Jeremy Northam) was simply wonderful and altogether credible.
This is truly a stellar production in terms of casting, and production qualities. The title role of Emma is credibly portrayed by Romola Garai, who has also been in other notable productions such as I Capture the Castle,and Daniel Deronda. She is perfectly cast - luminously beautiful, snooty, a busybody matchmaker wannabe who feels self-justified in her quest to pair off couples regardless of their own wishes, and yet possessing of a warm and sunny disposition. Romola Garai convincingly portrays all of Emma's characteristics - both her lovable and annoying qualities, her immaturity and impetuousness, and also shows her ability to transform from a self-centered immature young girl into a mature woman who realizes her flaws.
The other lead is of course Mr. Knightley, and he is also convincingly portrayed by Johnny Lee Miller, who had portrayed Edmund Bertram in the 1999 movie adaptation of "Mansfield Park"Mansfield Park (1999) which was rather reviled by critics and purists alike for its liberal adaptation of Austen's classic. Miller was also excellent as Lord Byron in Byron.I was quite concerned initially because I had always thought Jeremy Northam's portrayal of Knightley to be the best thus far, but Miller comes close, and in fact brings a new interpretation to the character that I really appreciated. There is this one scene in the series where Emma invites Knightley to dance, and as they dance...viewers get the sense that these are two individuals who are gradually realizing their real chemistry, not just as childhood friends and relatives-in-law, but as true soulmates. It is definitely one of the most romantic parts of the series and a highlight!
The other characters are also generally well-cast - Mr. Woodhouse is played to delightful effect by Michael Gambon (aka Dumbledore in the Harry Potter movie franchise); Harriet Smith is portrayed by Louise Dylan (though I still prefer Toni Collette's portrayal of Harriet in the movie version); the talented Jodhi May plays Emma's governess turned Mrs Weston (Jodhi May is a veteran of BBC productions and Henry James' The Turn of the Screw, The Other Boleyn Girl (2003 BBC Version), as well as others, including the coincidence that she was also in Daniel Deronda cast as the Jewess Mirah Lapidoth who attracts the attentions of Daniel Deronda, showcase her diverse acting talent); Frank Churchill is portrayed by Rupert Evans and I must say this particular adaptation portrays Frank Churchill in a thoroughly unflattering light - the man is simply infuriating, and gives Mr. Elton a run for his money! Mr. Elton is played by Blake Ritson who recently portrayed Edmund Bertram in Masterpiece Theatre: Mansfield Park.
The cinematography is excellent, capturing the beauty of the lush English countryside through the seasons, and the score is memorable (I still cannot get the music from the Emma-Knightley dance out of my mind!). The costumes are gorgeous - simple in their beauty, yet detailed and period-accurate, and the other production qualities are impeccable (the English manor houses picked for the various residences such as Hartfield etc are well-chosen).
Austen purists might take issue with some of the liberties taken here - the way the characters are portrayed, missing dialogue, the sequencing of certain story arcs, etc - but I still loved this adaptation - it is sunny, and bright, and all that I love in an Austen adaptation, and it is certainly my favorite adaptation of "Emma" thus far!
DVD features
Contains the scenes deleted from the PBS airing, and in addition:
Emma's Locations - this nine-minute featurette focuses on the locations used during Emma's filming, and why these places were chosen. I just loved the places they used (as is the case with most BBC period dramas) and found this illuminating.
Emma's costumes - this twelve-minute featurette explores the details behind costuming decisions for this period drama, including the choice of fabrics, color, etc. It's really a wonderful opportunity to see what goes on in the costume department, and these folks certainly take their jobs seriously, to wondrous effect!
Emma's music - this ten-minute featurette explores the music behind Emma with a brief description of how one goes about creating a score that matches the mood of the drama (I'd say they did a great job, especially on that Emma-Knightley dance!), and how important this is as the score should complement and not detract from the show itself.
Emma's Mr. Woodhouse - fans of Michael Gambon (aka Dumbledore) will rejoice in this thirteen-minute featurette. This veteran actor is truly a great talent, and this interview covers his career from his early beginnings in the craft until today. It's more of a special focus on Gambon, not so much on his role in Emma, but it is a nice touch nevertheless.
I did wish they had a director's commentary (I guess we'll have to wait for a special edition release for that, and spend more money!), and other cast interviews, sigh...but I'm happy to have the drama itself on DVD so that I can enjoy repeat viewings, and have an Emma adaptations marathon (the 1972 BBC adaptation, Kate Beckinsale's A&E adaptation, and of course, Paltrow and Jeremy Northam's pairing in the movie version). Enjoy!

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Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a story which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.

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