Showing posts with label joseph fiennes. Show all posts
Showing posts with label joseph fiennes. Show all posts

10/24/2011

Shakespeare in Love (Miramax Collector's Series) (1999) Review

Shakespeare in Love (Miramax Collector's Series) (1999)
Average Reviews:

(More customer reviews)
Shakespeare in Love is a film for anyone who loves art and literature
with a passion. Aside from being a beautiful love story, the film
itself is a "love letter" to the arts. I can only describe
it as a "golden" film, because that's what I think of when I
picture scenes from the movie...pure gold. I love Shakespeare, and
the brilliant screenplay manages to make a flesh and blood person out
of such an enigmatic historical figure - it may not be real, but it's
a lot of fun nonetheless. The acting is superb - Gwyneth Paltrow is
glorious, Judi Dench is fabulous, Geoffrey Rush is hilarious, and
Joseph Fiennes is the hottest thing to come along since his older
brother! I love the ending especially - Twelfth Night is my favorite
Shakespearean play, and the last line just speaks volumes: "For
she will be my heroine for all time, and her name will be Viola."
Perhaps the best thing about the film is the way it blends comedy and
tragedy together in such a bittersweet way.
One final note: I too
was surprised that this film won Best Picture, because I also loved
Saving Private Ryan. Both films were cinematic masterpieces of very
different kinds, and both were equally worthy. I'm glad the Academy
shook things up a little.bfounded while the final credits rolled. Marc
Norman and Tom Stoppard must have loved their subject matter,
researched the period with zeal as well as having the ability to
create a moving romantic drama.

The whole thing was created
out of the barest glimmer of fact concerning Shakespeare's life. It
focuses on the gap between his marriage in London as a young man and
his eventual return to London as a successful playwright. The theory
states that "suffering is the mother of creativity", so
Young William must have had a great deal of hardship indeed. Hence,
the opportunity for a wonderful movie to be made.

A handsome
young Shakespeare is introduced to us during a black period of
writer's block. He is portrayed as any other writer we could imagine;
poor, horny, suffering from professional jealousy and not particularly
respectable. He's over-committed to two theatres and selling vaporware
for all he's worth. Poorly named vaporware at that, "Romeo and
Ethyl the Pirate's Daughter".

But fate has more in store
for this hopeful scribbler than even he would dream. Enter stage left,
the love of his life, in the guise of an actor, shyly auditioning for
a part in his new play. (Shades of Blackadder here). He is immediately
taken by this youthfull stage strutter because of a seeming preference
for Bill's work over that of the leading playwright of the day,
Christopher Marlowe.

This interest takes him to the actor's
home, where Tomas Kent transforms himself into Viola De Lesseps the
refined daughter of a wealthy merchant. This magic act is only
possible because of the artful protection offered by Viola's nurse and
part time confidant, played by Imelda Staunton. And as with Clarke
Kent, no one can penetrate the cunning disguise of Mr Thomas Kent,
except for a friendly ferryman. And it is this very ferryman that puts
William on the right path in his pursuit of the lady Viola.And so we get the privilege of watching William Shakespeare give
birth to the Famous Romeo and Juliet as a counterpoint to his torrid
and dangerous affair with a woman betrothed to Lord Wessex; one of the
most influential and powerful men in the city. The ups and downs, ins
and outs of this relationship, and its eventual end, are all
delightful to watch as well as being grist for the mill of
Shakespeare's future plays.

For anyone that has even a passing
familiarity with the Bard's work or just likes a good romance, take
the time to enjoy this special movie. In fact, take a few times
because it gets better with every viewing.


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Triumphant winner of 7 Academy Awards(R) -- including Best Picture -- this witty, sexy smash features Oscar(R)-winning Best Actress Gwyneth Paltrow (SLIDING DOORS, THE ROYAL TENENBAUMS) and an amazing cast that includes Academy Award-winners Judi Dench (Best Supporting Actress), Geoffrey Rush (Best Actor -- SHINE), and Ben Affleck (GOOD WILL HUNTING, PEARL HARBOR). When Will Shakespeare (Joseph Fiennes -- ELIZABETH) needs passionate inspiration to break a bad case of writer's block, a secret romance with the beautiful Lady Viola (Paltrow) starts the words flowing like never before! There are just two things he'll have to learn about his new love: not only is she promised to marry someone else, but she's successfully impersonating a man in order to play the lead in Will's latest production! A truly can't-miss motion picture event with outstanding critical acclaim to match its impressive collection of major awards -- everyone will love this funny behind-the-scenes look at the writing of the greatest love story ever told!

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10/01/2011

The Plays of William Shakespeare - King Richard II (1983) Review

The Plays of William Shakespeare - King Richard II (1983)
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This made-for-television (or possibly video, I'm not sure) production starts off, if you're watching it on DVD, with several knocks against it, as the blurb on the box claims, with rather dubious accuracy, not only that the production is staged as seen in the sixteenth century (not true, it's indoors and there are women in it), but that unlike most filmed Shakespeare it does not feature "unfamiliar English accents." Despite these harbingers of doom I tried to give it a fair shake, and indeed occasionally director William Woodman makes some clever choices, but this is a dull and uninspired effort. In the title role, David Birney gives perhaps the most uncharismatic performance since David Gwillim donned the royal arms and whined at his soldiers to storm a cheap plywood Harfleur in the BBC Henry V; he plows through his speeches rather flatly and spends the whole production with either an arrogant smirk or what I think is supposed to be an anguished smirk. Paul Shenar fares slightly, but not a whole lot, better as a brooding but excessively pasty and sweaty Bolingbroke; the supporting cast ranges from unmemorable to wretched (and frequently causes utterance of the phrase "hey, what have I seen that guy in?"). Don't bother unless you're madly obsessive about Richard II like I am. In fact, if you're madly obsessive about Richard II, you *especially* ought not to watch this production.

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