Showing posts with label merchant of venice. Show all posts
Showing posts with label merchant of venice. Show all posts

10/01/2011

The Plays of William Shakespeare - King Richard II (1983) Review

The Plays of William Shakespeare - King Richard II (1983)
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This made-for-television (or possibly video, I'm not sure) production starts off, if you're watching it on DVD, with several knocks against it, as the blurb on the box claims, with rather dubious accuracy, not only that the production is staged as seen in the sixteenth century (not true, it's indoors and there are women in it), but that unlike most filmed Shakespeare it does not feature "unfamiliar English accents." Despite these harbingers of doom I tried to give it a fair shake, and indeed occasionally director William Woodman makes some clever choices, but this is a dull and uninspired effort. In the title role, David Birney gives perhaps the most uncharismatic performance since David Gwillim donned the royal arms and whined at his soldiers to storm a cheap plywood Harfleur in the BBC Henry V; he plows through his speeches rather flatly and spends the whole production with either an arrogant smirk or what I think is supposed to be an anguished smirk. Paul Shenar fares slightly, but not a whole lot, better as a brooding but excessively pasty and sweaty Bolingbroke; the supporting cast ranges from unmemorable to wretched (and frequently causes utterance of the phrase "hey, what have I seen that guy in?"). Don't bother unless you're madly obsessive about Richard II like I am. In fact, if you're madly obsessive about Richard II, you *especially* ought not to watch this production.

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9/18/2011

The Merchant of Venice / Trevor Nunn, Royal National Theatre (2004) Review

The Merchant of Venice / Trevor Nunn, Royal National Theatre (2004)
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If you are a fan of The Merchant of Venice but were disappointed by Al Pacino's Shylock this DVD may be for you. Henry Goodman brings a grounded and passionate honesty to the role that Pacino sorely lacked. Although, I was not impressed by David Bamber as Antonio (boring) or Derbhle Crotty as Portia (lacking any real substance; Raymond Coulthard as the Prince of Arragon is historical and steals his scene. The show worked better on stage than it does as a filmed version but it is still well worth a viewing.

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William Shakespeare's controversial classic comes to bristling life in this riveting production from theater legend Trevor Nunn. Relocated to Europe between the two world wars, the story follows the misadventures of young heiress Portia, who must don the disguise of a male lawyer to save the life of her love, and the financially obsessed Shylock (Notting Hill's Henry Goodman), determined to literally collect a pound of flesh in court. Trevor Nunn directed the landmark revival of Rodgers & Hammerstein's Oklahoma! with Hugh Jackman as well as groundbreaking versions of Nicholas Nickleby, Othello, and Porgy & Bess. Originally presented to tremendous acclaim at the Royal National Theatre in June, 1999. Awards include: Olivier Awards - Best Actor (Henry Goodman) / Critics' Circle Theatre Awards - Best Actor (Henry Goodman)

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