Showing posts with label judi dench. Show all posts
Showing posts with label judi dench. Show all posts

1/14/2012

Macbeth / McKellen, Dench, Royal Shakespeare Company (1978) Review

Macbeth / McKellen, Dench, Royal Shakespeare Company  (1978)
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This production highlights the Christian v. pagan elements, and in other ways deals in opposites (men's v. women's perceptions, solid v. spirit worlds, etc.), but without beating you over the head with it. The witch scenes are amazing--the production borrows from Irish "bog people" imagery with the witches' stick puppets representing Macbeth's visions, with a little borrowing from Carlos Castaneda's peyote trips, and maybe the minimal "circle" staging of Equus. Minimal props and furniture; the actors carry it all the way, brilliantly. I can't imagine anyone doing a better, visceral, more committed job with Macbeth and Lady Macbeth than McKellan and Dench. It could sell huge--for a Shakespeare film--if only it wasn't probably too obviously a taped stage production (it doesn't try to be otherwise). A couple of turtlenecks among the costumes betray the 70's-era staging, but otherwise the costuming is great and doesn't date the production. If you a) are a fan of Ian McKellan and/or Judi Dench and b) appreciate great Shakespeare performances and want to be "in the know" on what's considered the definitive Macbeth staging of the past couple decades, this is the one.

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11/30/2011

Acting Shakespeare (1982) Review

Acting Shakespeare (1982)
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I saw this video in my high school British Lit. class in 1986 and was mesmerized. I was not a particular fan of Shakespeare at the time, was in fact one of those kids who found Shakespeare mostly boring and irrelevant, but this turned me on to all that Shakespeare can be and why he has remained popular for so long. I have been a huge fan of Ian McKellan ever since; he is superb in this. I have been looking for this video for years, checking McKellan's website, ebay and everywhere I could think of, so I was so excited when I googled the title today, and found it on Amazon! I cannot recommend McKellan's _Acting Shakespeare_ highly enough. It remains, in my memory, the best theatre -- Shakespeare or otherwise -- that I have ever seen. It is just Ian McKellan on a bare stage, no props or costumes as far as I remember, performing monologues from several Shakespearian plays and commenting on the plays and characters and how he approaches them. The simplicity is perhaps part of what makes this so beautifully done.As it hasn't been released yet, I cannot comment on the technical quality of the sound or video. My hope is that the reason they took so long to release it is because they were picky about getting the audio and video quality right. Anyway, it is superb.

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A masterful tour de force from "one of the most distinguished performers of his generation" (The New York Times).
Alone on stage, without props or costumes, Ian McKellen performs some of Shakespeare's most striking monologues and offers his own personal anecdotes about life in the theater. From Henry VI to Macbeth, McKellen demonstrates the incredible universality of Shakespeare's plays with wit and humor – skillfully revealing the actor behind the writer in this celebrated one-man show.
Produced by Andrew Susskind and presented at the CBS Broadcast Center in New York City.
Also includes an 8-page booklet with reflections by Ian McKellen.

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10/30/2011

Cranford (2007) Review

Cranford (2007)
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I ordered this from Amazon UK to be able to view this prior to its release date. I was not disappointed! Sadly, I had to watch it by myself because my husband didn't think he'd like it. He would have been wrong, by the way. It was exquisite in every way.
I watched it over 2 nights. It's a 5 hour miniseries and it is broken up into five 1 hour-long episodes.
The first 3 hours were very very good. Excellent, even. But the last 2 hours were absolutely perfect.
In Cranford, we meet many of its residents with most of the focus on 2 spinster sisters and their surrounding friends and relatives. Everyone is kind here and look out for their neighbors and generally want to live correctly and do the right thing. Their village has been like this for ages and the citizens have all known eachother since birth. It is an idyllic place and a happy place. They welcome new residents, too, with every bit of friendliness.
Cranford has existed in the same way for years, even though times are changing. A railroad may come through the town and most residents are against this type of change. For with the positive changes-- such as information, goods, and knowledge, there would also be negative changes-- more transients, less safety, etc.
The intertwined story lines here involve the two sisters, class distinctions, entitlements and expectations, a very funny love triangle, and accepting change and modernity.
One of the best stories involves the young son of a poacher (one who kills animals on others' land). The manager of the aristocrat's large estate takes the young boy under his wing and wants to teach him to read and write. The aristocratic Lady finds out and believes that those of this underclass should not attempt to learn skills outside their "class". Maybe worse, the boy's father finds out of the boy's desire to read and also disapproves. We find out later that the Lady isn't cold-hearted. On the contrary. She's kind-hearted and full of pain, yet it's difficult for her to recognize the times are changing and that some of her ways must change, too.
When a new handsome doctor moves to town, he immediately falls for Sophy. Sophy returns his admiration, yet so do 2 others who misunderstand his general kindness for more romantic intentions. This culminates in expected confusion, but the outcome is happy at the end.
Those watching Cranford from the beginning may take it to be an old-fashioned chick-flick. It's really not, though. It does focus on the women of Cranford more than the men, but the stories depicted cross gender lines. Change-- industrialization-- is the antagonist here, along with fear of change. However, as new medical practices save several lives, and a member of the trade class saves a member of the Upper class, it's also obvious that change, by itself, isn't bad. It can be positive for everyone involved.
This is a fantastic series. The only disappointment was that it was only five hours! I definitely could have watched another few episodes with the same interest these five held. Beautifully acted, filmed, and scored. The entire film was thoroughly enjoyable.


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The BBC drama series adapted from Elizabeth Gaskell's classic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change… For spinsters Deborah Jenkyns, the arbiter of correctness in Cranford, and Matty, her demurring sister, the town is a hub of intrigue - a handsome new doctor Frank Harrison from London has arrived; a retired Captain and his daughters have moved in to a house opposite and the preparations for Lady Ludlows garden party are underway. Everyone - from charming rogue Dr Marshland to mean Mrs Jamieson and her lap dog talks, and is talked about, behind closed doors. The town also has its secrets which it slowly reveals: Mattys encounter with an old flame at the garden party; Lady Ludlows gardener, Mr Carter, teaching a gypsy lad to read and write; the wild expectations of the May Day celebrations and - news that shakes the town when it is revealed - a railway line from Manchester is coming to Cranford.

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10/25/2011

Midsummer Night's Dream (1968) Review

Midsummer Night's Dream  (1968)
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It's first of all, Midsummer Night's Dream, always a winner. But also, this film is full of some magnificent stars when they were young.. Diana Rigg -- if she were all ya got, that would be enough. However, you get Ian Holm, who was the android in the first Aliens movie and also in Branagh's Henry V, and many other wonderful shows. Then, a young Dame Judi Dench.. a great performance and she's nearly nude to boot!!
And if you're a fan of the british comedy Keeping Up Appearances, you get a treat of watching a young Clive Swift (Richard in KUA).
This is fun, campy, and well deserving to be a keeper. Someone complained about the quality.. yes, this transfer of film to video has a couple of old-age problems, but they are way too few to notice by the discriminating eye.

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10/24/2011

Shakespeare in Love (Miramax Collector's Series) (1999) Review

Shakespeare in Love (Miramax Collector's Series) (1999)
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Shakespeare in Love is a film for anyone who loves art and literature
with a passion. Aside from being a beautiful love story, the film
itself is a "love letter" to the arts. I can only describe
it as a "golden" film, because that's what I think of when I
picture scenes from the movie...pure gold. I love Shakespeare, and
the brilliant screenplay manages to make a flesh and blood person out
of such an enigmatic historical figure - it may not be real, but it's
a lot of fun nonetheless. The acting is superb - Gwyneth Paltrow is
glorious, Judi Dench is fabulous, Geoffrey Rush is hilarious, and
Joseph Fiennes is the hottest thing to come along since his older
brother! I love the ending especially - Twelfth Night is my favorite
Shakespearean play, and the last line just speaks volumes: "For
she will be my heroine for all time, and her name will be Viola."
Perhaps the best thing about the film is the way it blends comedy and
tragedy together in such a bittersweet way.
One final note: I too
was surprised that this film won Best Picture, because I also loved
Saving Private Ryan. Both films were cinematic masterpieces of very
different kinds, and both were equally worthy. I'm glad the Academy
shook things up a little.bfounded while the final credits rolled. Marc
Norman and Tom Stoppard must have loved their subject matter,
researched the period with zeal as well as having the ability to
create a moving romantic drama.

The whole thing was created
out of the barest glimmer of fact concerning Shakespeare's life. It
focuses on the gap between his marriage in London as a young man and
his eventual return to London as a successful playwright. The theory
states that "suffering is the mother of creativity", so
Young William must have had a great deal of hardship indeed. Hence,
the opportunity for a wonderful movie to be made.

A handsome
young Shakespeare is introduced to us during a black period of
writer's block. He is portrayed as any other writer we could imagine;
poor, horny, suffering from professional jealousy and not particularly
respectable. He's over-committed to two theatres and selling vaporware
for all he's worth. Poorly named vaporware at that, "Romeo and
Ethyl the Pirate's Daughter".

But fate has more in store
for this hopeful scribbler than even he would dream. Enter stage left,
the love of his life, in the guise of an actor, shyly auditioning for
a part in his new play. (Shades of Blackadder here). He is immediately
taken by this youthfull stage strutter because of a seeming preference
for Bill's work over that of the leading playwright of the day,
Christopher Marlowe.

This interest takes him to the actor's
home, where Tomas Kent transforms himself into Viola De Lesseps the
refined daughter of a wealthy merchant. This magic act is only
possible because of the artful protection offered by Viola's nurse and
part time confidant, played by Imelda Staunton. And as with Clarke
Kent, no one can penetrate the cunning disguise of Mr Thomas Kent,
except for a friendly ferryman. And it is this very ferryman that puts
William on the right path in his pursuit of the lady Viola.And so we get the privilege of watching William Shakespeare give
birth to the Famous Romeo and Juliet as a counterpoint to his torrid
and dangerous affair with a woman betrothed to Lord Wessex; one of the
most influential and powerful men in the city. The ups and downs, ins
and outs of this relationship, and its eventual end, are all
delightful to watch as well as being grist for the mill of
Shakespeare's future plays.

For anyone that has even a passing
familiarity with the Bard's work or just likes a good romance, take
the time to enjoy this special movie. In fact, take a few times
because it gets better with every viewing.


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Triumphant winner of 7 Academy Awards(R) -- including Best Picture -- this witty, sexy smash features Oscar(R)-winning Best Actress Gwyneth Paltrow (SLIDING DOORS, THE ROYAL TENENBAUMS) and an amazing cast that includes Academy Award-winners Judi Dench (Best Supporting Actress), Geoffrey Rush (Best Actor -- SHINE), and Ben Affleck (GOOD WILL HUNTING, PEARL HARBOR). When Will Shakespeare (Joseph Fiennes -- ELIZABETH) needs passionate inspiration to break a bad case of writer's block, a secret romance with the beautiful Lady Viola (Paltrow) starts the words flowing like never before! There are just two things he'll have to learn about his new love: not only is she promised to marry someone else, but she's successfully impersonating a man in order to play the lead in Will's latest production! A truly can't-miss motion picture event with outstanding critical acclaim to match its impressive collection of major awards -- everyone will love this funny behind-the-scenes look at the writing of the greatest love story ever told!

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10/09/2011

Playing Shakespeare (1982) Review

Playing Shakespeare (1982)
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The actual DVD set is being reviewed. I didn't see the book or TV in 1984.
This series of 9 episodes (Or should we call them "instructions" in Shakespeare acting?) seem like they were shot yesterday. They are timeless. What, if anything is staged? What is entirely impromptu? It's hard to say, nay, impossible. It's that well done. The wealth within this educational, academic experience is difficult to quickly review, but we'll give it a go.
"Playing SHAKESPEARE" is the DVD presentation of acting workshops, done like a play rehearsal underway, shot in 1982, led by John Barton, who is himself entertaining, plus an encyclopedia on Shakespearean acting. He directed over 50 plays by the (RSC) Royal Shakespeare Company. A Cambridge professor. His main interest in this series is teaching toward the marriage of the Elizabethan acting tradition and modern times or style. It is instruction dedicated to the actor--but it is of interest to so many more.
Through detailed Shakespeare direction, Barton has provided a series that will delight all lovers of the celebrated playwright. Additionally it will encourage the viewer who is newly attempting appreciation of Shakespeare and his works. Novice Shakespearean audiences will want for more, want for a complete play to view.
Much of the success of this series is the famous & talented actors being instructed. The top of the U.K. entertainers, both within the RSC and out. The BONUS FEATURES of this DVD set includes several of their bios and RSC credits. Some, not all as there are over 20, are:
Peggy Ashcorft, 1907-1991, having at some time performed near all Shakespeare's female roles.
Judi Dench, UK Superstar, fantastic in "As Time Goes By"
Ben Kingsley, "Gandhi" and "Schindler's List" to name but 2
Ian McKellan, "The Lord of the Rings" fans will remember
Patrick Stewart, would you believe "Star Trek: The Next Generation"
David Sachet, "Poirot", need more be said--yes--"The Way We Live Now"
Shakespeare wrote, "Our revels now are ended." Nay, Nay.
Here's the list of Episodes (Learning bits)
1 THE TWO TRADITIONS . . . . . . .2 USING THE VERSE
3 LANGUAGE AND CHARACTER . . . . .4 EXPLORING A CHARACTER
5 SET SPEECHES AND SOLILOQUIES . .6 IRONY AND AMBIGUITY
7 PASSION AND COOLNESS . . . . . .8 REHEARSING THE TEXT
9 POETRY AND HIDDEN POETRY
Each is a to-die-for opportunity for the student or the follower of Shakespeare. Not a full play or dramatic film, but an academic experience set in a working studio using excerpts.
In #3 language and words are discussed like Shakespeare's double syllable use of the word Ti-ime. And his often capitalization of the word, even when it's not the beginning word in the sentence. By watching another fine educational DVD series, "The Adventure of English", one can learn Shakespeare invented over 2000 words.
___Also in this segment, John Barton is coaxed into performing a bit of Shakespeare, which he does twice again during episode 9.
___#4 is outstanding when Shylock (The Merchant of Venice) is performed by Suchet (who is Jewish) and Stewart. Both have played the role in RSC under Barton's direction. The 3 demonstrate how Shakespeare characters can be played in different ways, all being good. Suchet also suggests to view this play, not as anti-Semitic, but without the 20th century Holocaust prejudice.
Other bonus extras include a trailer for "Slings & Arrows" and the much valuable SUBTITLES, recommended to be used by all, to catch the full value of the Shakespeare words.
This DVD set makes me thirst for a Shakespeare play--a Shakespearean Sundae.
If you are a William Shakespeare lover--BUY.
If you are an actor, or student of theatre--BUY.
If you are curious of those often talked about plays--BUY.
More elaboration on this would take as long as the 400+ minutes of the set. Instead, in Shakespeare's own words: "So to him we leave it."


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PLAYING SHAKESPEARE - DVD Movie

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9/20/2011

Shakespeare's An Age of Kings (Richard II / Henry IV / Henry V / Henry VI / Richard III) (1960) Review

Shakespeare's An Age of Kings (Richard II / Henry IV / Henry V / Henry VI / Richard III) (1960)
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By any standard I can think of this series stands out in memory as the finest television treatment of Shakespeare that exists. If for nothing else the performances of Connery as Hotspur, Hardy as Hal and Harry in Henry V, and Richard Daneman as Richard III are worth owning this. Robert Hardy's St. Crispin's Day speech rivals Olivier's and Brannagh's, Daneman's Richard III also rivals Olivier's and the great Stratford performance of Antony Sher. At no time in his long career did Sean Connery ever exceed his incomparable interpretation of Hotspur. I have wished for, prayed for, hoped for an opportunity to see this again, and NOW! Thanks to all the gods of drama.

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8/21/2011

Cranford: Return to Cranford (2010) Review

Cranford: Return to Cranford (2010)
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I was able to watch this follow-up to Cranford thanks to a particular website and I promptly pre-ordered the DVD as I loved "Cranford" and its host of interesting and eccentric characters (and yes, I am a period drama fan, especially of BBC productions). This is actually a 2-part special that is not only inspired by the original Cranford, but also two other stories by author Elizabeth Gaskell, i.e. "The Moorland Cottage", and also "The Cage at Cranford", see Three Tales of Cranford: Cranford, The Cage at Cranford, and The Moorland Cottage. Besides the familiar and beloved cast of the original Cranford such as Miss Matty (Dame Judi Dench), Miss Pole (Imelda Staunton), Mrs Forrester (Julia McKenzie), Miss Tomkinson (Deborah Findlay), etc. several new characters are introduced, such as Lady Glenmire (played by Celia Imrie), and the conjuror Signor Brunoni(Tim Curry).
The first part is set in summer 1844 - it has been two years since dear Miss Matty (Dame Judi Dench in another luminous portrayal) lost her beloved sister Deborah, and a year since Sophy Hutton married Dr Harrison (these two characters are no longer in this show). Miss Matty seems content with the presence of her brother Peter (Nicholas Le Prevost) who is home from India, and helps look after Tilly, the baby of her maid Martha and carpenter Jem Hearne. The continuity from the original Cranford is seen in the railway project which still looms menacingly over the town. Things are also made more exciting with the arrival of Mr. Buxton, a wealthy widower who lives with his ward Erminia (Michelle Dockery) and his son William (Tom Hiddleston who is quite the eye candy). Life in Cranford is always full of surprises and when Lady Ludlow's long absent son Septimus (Rory Kinnear) arrives, things take unexpected turns, precipitated by a tragedy in the family. The old tensions are there - especially between those that are against the railroad project and those ,like Captain Brown and young William who feel that modernization is essential to Cranford's long-term survival. Miss Matty, in her usual subtle fashion, gets involved in some of these village proceedings, with some rather startling results.
The second part is set later in the year 1844, October up till Christmas - Miss Matty and her friends are predictably excited at the visit of Lady Glenmire (Celia Imrie) but when Mrs Jamieson (Barbara Flynn) feels no one amongst her peers is of suitably high rank to meet her, she and Lady Glenmire get snubbed by Matty and company and it is left to Lady Glenmire to set things right in a most memorable way. Matty also faces some challenges that involves a falling out amongst her circle of friends,a serious romance between William and a young woman deemed unsuitable by his father (which has Matty pondering the wisdom of her 'involvement' in bringing the pair together), and more tragedy on the horizon, affecting the citizens of Cranford.The magic of the original is still evident and this follow-up (of sorts - it's not strictly a sequel though some story arcs from the first Cranford get developed here) is still charming and engrossing. A fair note of warning, this particular installment in the Cranford franchise is much more subdued than the original and there's quite a fair bit of tragedy - there's death (involving a couple of familiar characters who were also in the original), grief, tension, family drama, imperiled friendships, the age-old battle between those opposed to change and those who embrace the challenges of modernization,etc., but there's also romance, lighthearted moments and even a bit of magic!The comic and the tragic are seamlessly blended into the story, resulting in an immensely satisfying viewing experience. I loved it though I can understand how this particular follow-up might disappoint purists who loved the original and how well it adhered to Gaskell's novel. As for the production qualities - they are excellent. The cinematography is gorgeous, capturing the beauty of the village surroundings as well as the period details, and the score complements the story perfectly. I wish I could be so lucky as to live in a place like Cranford!

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Welcome to Cranford, where all changes and all remains the same. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realised in the birth of Tilly, daughter of her maid Martha and carpenter Jem. The shadow of the railway still looms but, to the relief of Matty and the Amazons, the line has been halted five miles outside of Cranford because of Lady Ludlow's refusal to sell her land. Elsewhere Miss Matty's friend Mr Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty decides to introduce them to Peggy Bell, a young woman who lives in an isolated cottage with her mother and domineering brother, Edward, in the hope of building friendships. But, when tragedy strikes, she comes to believe that she has opened Pandora's box and fears Cranford will never recover.

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7/03/2011

The Elizabeth Gaskell Collection (Wives and Daughters / Cranford / North and South) (2008) Review

The Elizabeth Gaskell Collection (Wives and Daughters / Cranford / North and South) (2008)
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"North & South" alone is reason enough to buy this dvd collection. This coupled with two other period drama powerhouses "Wives & Daughters" and "Cranford" makes this a collection that any period drama/classics/romance fan should be without. These dramas by author Elizabeth Gaskell represent the finest that BBC drama has to offer.
** "North & South" is the spectacular adaptation of the novel that centers on John Thornton (who represents the industrial north) and Margaret Hale (who represents the idyllic, agricultural south). Theirs is a war of words, cultures and personalities as Margaret Hale (Daniela Denby Ashe) and her family struggle to adapt to life in the dirty, noisy, mill town of Milton after a carefree, comfortable life in the southern town of Helstone. There her family meets manufacturer John Thornton (played by the unforgettable Richard Armitage) and his family and it is dislike-at-first-sight for Margaret. She finds Mr. Thornton a rough, proud and haughty man who treats his employees with disdain. Mr. Thornton, however, is instantly smitten with the outspoken and fearless Margaret. But as Margaret gradually learns to appreciate Mr. Thornton, events take place that threaten to divide them from each other forever.
** "Wives and Daughters" is the story of young Molly Gibson (Justine Waddell) and her widowed father (Bill Paterson). Molly lives a carefree life, until her father remarries and brings home his new wife, Hyacinth (Francesca Annis). She and her lovely daughter Cynthia (Keeley Hawes) bring change and sometimes chaos to the Gibson's lives and Molly finds herself in competition with Cynthia for the affections of Roger Hamley (Anthony Howell), the son of the local squire (Michael Gambon). We soon find that all is not as it seems and long-kept secrets are unearthed which threaten the love lives and reputations of both Molly and Cynthia.
** The splendid "Cranford" starring a bevy of British acting greats led by Judi Dench, Michael Gambon, Eileen Atkins, Francesca Annis and Imelda Staunton. The story centers around the locals in the sleepy town of Cranford, where everyone makes it their business to know everything about their neighbors. Their lives are turned topsy turvy when a handsome young doctor (Simon Woods) with new ideas arrives and rumors of the railroad threaten to destroy their idyllic town. This is truly an ensemble cast, as all stories intermingle and each character makes an impact of the lives of others in the town. Judi Dench and Eileen Atkins play the Jenkyns sisters; Lisa Dillon play their cousin Mary Smith; Deborah Findlay and Selena Griffiths play the Tomkinson sisters; Imelda Staunton is the quirky and nosy Miss Pole; Barbara Flynn is the elegant Mrs. Jamieson; Julia Sawalha is the quiet spinster Jessie Brown and Jim Carter is her outspoken father; Francesca Annis plays the haughty and aristocratic Lady Ludlow; Greg Wise plays her cousin Sir Charles Maulver; Phillip Glenister plays Lady Ludlow's land agent, Mr. Carter; and Alex Etel is a young man that Mr. Carter takes on.
What sets these apart from other costume dramas is the consistency of the acting, the high production values, the compelling stories, and memorable characters. I dare you not to feel John Thornton's pain as he says "Look back at me" as he watches Margaret climb up the carriage on her way back to London, or Harry Gregson's pain as he says goodbye to a beloved mentor, or the thrill as Roger Hamley sees Molly's transformation at the Cumnor's ball. These are wonderful stories that you will want to watch over and over, which make this dvd collection an absolute gem.

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