Showing posts with label julie andrews. Show all posts
Showing posts with label julie andrews. Show all posts

2/29/2012

Hey Mr. Producer: The Musical World of Cameron Mackintosh (2006) Review

Hey Mr. Producer: The Musical World of Cameron Mackintosh (2006)
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"My Fair Lady", "Oliver", "Les Miserables", "Phantom of the Opera", "Cats", "Miss Saigon" all packed in one DVDs. My favourites include Jonathan Price as Professor Higgins singing "I've grown accustomed to her face, "You've got to Pick a Pocket or Two" from Oliver, "send in the clowns" by Judi Dench, "Oh! What a beautiful morning" from Oklahoma and the lovely melodies from Les Miserables. Though the performances were dated back in 1998, the star studded performances made a lasting impression nevertheless. The songs were enchanting melodies but it's the presence of the singers and the great chorus that maded this DVD truly special. And the line up of seven songs from "Les Miserables" highlighted the great work of Cameron Mackintosh. A wonderful treat.

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Item Name: Hey Mr. Producer!: The Musical World of Cameron Mackintosh; Studio:Well Go Asia

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12/27/2011

Broadway's Lost Treasures III - The Best of the Tony Awards Review

Broadway's Lost Treasures III - The Best of the Tony Awards
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As thankful as I am to see any footage of Broadway performers released, the Broadway Lost Treasures series is really -- it must be said -- a botched opportunity. There is little rhyme or reason in how the clips are chosen and assembled. The performances are good, bad and everything in between, and this latest installment has one of the weakest selections yet.
First, I wish that the lip-synched numbers would just be omitted altogether -- to me, they don't qualify as a performance. So don't get your hopes up for Gwen Verdon's "Whatever Lola Wants" (unless you only care about the dancing) or Angela Lansbury's "Everything's Coming Up Roses." They both fall in this category.
Now, let's move on to the highlights of this DVD:
The best segments are those that give glimpses of golden-age musicals not captured on film and unlikely to appear on stage again.
It's great to see Jerry Orbach doing a song from Burt Bacharach's "Promises, Promises." Although it's a bad night vocally for him, the energy is there. The segment from "The Happy Time" is definitely one of the disc's highlights, with Robert Goulet attractive and charming. And the number from the largely forgotten "How Now, Dow Jones" is very enjoyable too.
In addition, three titans of Broadway's peak years are captured -- well after their own peaks, but better late than never.
Ethel Merman is absolutely wonderful in a truncated medley -- amazingly, about 42 years after her stage debut. In the bit from "Call Me Madam," Merman essentially uses her co-star, Larry Blyden, as a stage prop, to hilarious effect. And the "Gypsy" number is both electrifying and moving. That's Broadway, folks, with a capital M. The crime is that the medley was very crudely cut for this DVD -- according to Broadway expert Ken Mandelbaum, three songs were removed. That's close to unforgivable.
Alfred Drake, in a number from "Kiss Me Kate," is also quite good, although the last note is a little rough.
And Julie Andrews is beautiful and luminous, if a bit cautious vocally, in her medley from "My Fair Lady" and "Camelot."
Also worthwhile are Chita Rivera, exhibiting tremendous career-comeback talent in "Kiss of the Spider Woman," and Zero Mostel mugging his way (as usual) through "A Funny Thing Happened on the Way to the Forum."
With a few exceptions, the rest of the disc is expendable. But buy it for the above alone. Hopefully, it will encourage others with rights to historical footage of Broadway performers to release DVDs of their own treasures (e.g., more from the Ed Sullivan show) and do a better job of it.

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Broadway royalty and Tony-winners Tommy Tune, Carol Channing, Robert Goulet, and Harvey Fierstein are your hosts for this third compilation of great musical performances from the archives of the Tony Award® broadcasts. Legendary stars from legendary shows strut their stuff in 23 performances that have become part of Broadway history.

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12/12/2011

Victor/Victoria (1982) Review

Victor/Victoria (1982)
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In the age of "Moulin Rouge" audiences would do far better by rediscovering this musical comedy gem, starring the incomparable Julie Andrews, Robert Preston, Leslie Ann Warren and James Garner. Rarely has Hollywood captured the essence of great music with outstanding performances as it has in "Victor/Victoria." There are literally a dozen or so scenes that will leave you hysterical, as in gasping-for-breath hysterical, something many films aspire to, but few ever deliver on. But more than funny, this is a poignant, character driven film where every principal is allowed to shine.
Andrews permanently sheds her "Sound of Music" virginal skin in the title role, embodying the man-pretenting-to-be-a-woman-pretending-to-be-a-man part in a way noone has ever done before or since. Of course, the audience is in on the joke, but it never becomes tired or anything less than fresh. Robert Preston is the antithesis of his former "Music Man" personna, a gay-Paree emcee who discover's Victor's startling 8-octave vocal range and turns him/her into the rage of Paris. These two performances, along with Leslie Ann Warren's unforgettable floosy - all three Oscar-nominated - are drop dead fabulous. These are actors at the very height of their form....funny, passionate, real and endearing. The musical highlights are truly phenomenal, certainly better than other "best loved" musicals like "Singing In the Rain" or "An American In Paris." Andrews scores on "Le Jazz Hot" and shows an indelible comic flair few people knew she was capable of in the legendary cafeteria sequence, which literally had the audience I viewed this with ROLLING in the aisles. It's a movie where even the insects - cockroaches in this case - are memorable. But more so, its also a lesson in what Hollywood USED to do so well in its tradition of movie musicals....and what its forgotten to do over the past two decades since Victor/Victoria was released. In a nutshell, Hollywood forgot that the power of song and music is their ability to HUMANIZE a character and progress the plot, but also lend depth and color to the principals. For me, "Victor/Victoria" IS Hollywood's last great musical, and certainly one of the most visually stunning, fully realized films of our time. This ranks far and away as Blake Edward's crowning masterpiece - high above SOB or the Pink Panther flicks. And the supporting performances are some of the best ever caqptured. Just try and forget Warren's cooing to James Garner ("pooookie....I'm horny) or Alex Karras' gay gangster falling in love with Preston. From roaches to royalty, "Victor/Victoria" is quite simply one of the best films of the 80's or any other decade.
I am anxiously awaiting its release on DVD, and secretly hoping that the currently available Broadway show version silently goes away as it cannot hold a candle to the film. Rent it, buy it, LOVE IT.

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A woman singer masquerades as a man impersonating a woman in Paris, circa 1934. This brings her success in her professional life but complicates her personal life.Genre: MusicalsRating: PGRelease Date: 4-JUN-2002Media Type: DVD

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