Showing posts with label dvd musical. Show all posts
Showing posts with label dvd musical. Show all posts

4/22/2012

Jekyll & Hyde - The Musical (Widescreen Edition) Review

Jekyll and Hyde - The Musical (Widescreen Edition)
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I'm suspecting that there are two types of people who are approaching this DVD, a filmed version of the stage production of "Jekyll & Hyde". One, someone familiar with the show--perhaps saw it and liked it or has the soundtrack--and wants to check out this variation. Or two, someone discovering it anew. It tempts me to write two reviews because while I love "Jekyll & Hyde", it's slightly unfortunate that this is the production most people will get a chance to judge.
So let me preface this by saying that I really am a fan of this show. Some people consider "Jekyll" sort of a "Phantom-lite". I, myself, have never been the biggest supporter of "Phantom of the Opera". It's fine, full of bombast, but hardly the revolutionary experience that people give it credit for. "Jekyll" does play to similar themes, but has a stronger overall soundtrack. Instead of a couple of showstoppers like "Phantom", "Jekyll" is filled with memorable power ballads. Not the most complicated show musically, it is very accessible. And when you have great singers, these simpler and emotionally charged songs become pop opera and quite moving.
So, without hesitation, I recommend the original Broadway Cast recording!!! Robert Cuccioli, Linda Eder and Christiane Noll are superb. You couldn't hope for better.
But here's the problem with this DVD, it's not this great cast--NO, the star is David Hasselhoff. So you see my problem, don't you? Look, I'm not going to be unkind--it's an easy target. Let's just say this. If you're a fan of the show, he doesn't completely ruin it. And it's not like there are any other versions to add to your collections. If you are new to the show, I'm still recommending it provisionally. I wish there were another option. If you like the show, though--and I think you will--please rush over and buy the 1997 Cast recording. Treat yourself to how "Jekyll & Hyde" should really sound.KGHarris, 10/06.

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3/06/2012

Lewis Carroll's Alice in Wonderland (Broadway Theatre Archive) (1983) Review

Lewis Carroll's Alice in Wonderland (Broadway Theatre Archive) (1983)
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Fantastic television performance of the Eva LeGallienne adaptation of Lewis Carroll's ALICE IN WONDERLAND, featuring the 1982 Broadway revival staging by director Kirk Browning. Richard Addinsell's lovely score highlights the production with fine performances all around, headed by Kate Burton who gives Alice a sassy, modern sensibility. LeGallienne's version (which premiered in 1933 and was first revived in 1947) throws the stories and characters of "Wonderland" and "Looking Glass" together, creating a veritable kaleidoscope of colour and whimsy.
The cast is truly impressive including - Colleen Dewhurst's manic and imposing Red Queen; the befuddled White Queen of Maureen Stapleton; Nathan Lane plays the waterlogged Mouse as a tango-dancing lothario; Kaye Ballard as the baby-beating Duchess; Geoffrey Holder as a sinuous, seductive Cheshire Cat; and Donald O'Connor as the soft-shoe Mock Turtle.
Perhaps most poignant is Richard Burton, playing the melancholy White Knight. His scene with real-life daughter Kate is very touching, and his performance of the White Knight's bittersweet "A-Sittin' on a Gate", one of the truly great songs in Addinsell's score, is a highpoint of the whole production. The actual story of Alice is bookended by a nervous young actress about to star in her very first leading role. The saga of Alice herself provides a nice counterpoint as Lewis Carroll's heroine also must face her fears if she can ever return home.
Truly a production to savour and a rare treat for all theatre and Lewis Carroll admirers.

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From the elaborate Broadway revival of the 1932 Eva Le Gallienne/Florida Friebus production comes a whimsical retelling of the Lewis Carroll classic. In director Kirk Browning's enchanting adaptation, Alice's adventure in the land of fantasy is presented within a contemporary framework. An all-star ensemble cast--including Richard Burton and his daughter Kate--makes this a stellar version of a truly timeless tale and a great theatre treat for young and old alike.

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3/04/2012

The Making of "Miss Saigon" (2006) Review

The Making of Miss Saigon (2006)
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As some of the reviewers below have pointed out, this DVD is primarly about the auditions for Miss Saigon, and in that sense it is merely a "tease" for those of us craving to see the actual musical on DVD. And while it is exciting to see Lea Salonga audtion and be selected for the lead role, it is overall a very disappointing DVD because of what it is not. I cannot understand why Miss Saigon, one of the greatest musicals ever, has never been filmed for DVD release. Perhaps if the recent DVD release of the musical Chess (another fantastic musical) with Josh Groban is successful, someone will release this outstanding musical for the enjoyment of generations to come.

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2/29/2012

Hey Mr. Producer: The Musical World of Cameron Mackintosh (2006) Review

Hey Mr. Producer: The Musical World of Cameron Mackintosh (2006)
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"My Fair Lady", "Oliver", "Les Miserables", "Phantom of the Opera", "Cats", "Miss Saigon" all packed in one DVDs. My favourites include Jonathan Price as Professor Higgins singing "I've grown accustomed to her face, "You've got to Pick a Pocket or Two" from Oliver, "send in the clowns" by Judi Dench, "Oh! What a beautiful morning" from Oklahoma and the lovely melodies from Les Miserables. Though the performances were dated back in 1998, the star studded performances made a lasting impression nevertheless. The songs were enchanting melodies but it's the presence of the singers and the great chorus that maded this DVD truly special. And the line up of seven songs from "Les Miserables" highlighted the great work of Cameron Mackintosh. A wonderful treat.

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Item Name: Hey Mr. Producer!: The Musical World of Cameron Mackintosh; Studio:Well Go Asia

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2/08/2012

Lucky Me (1954) Review

Lucky Me (1954)
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Even though when Doris Day marched into Jack Warner's office to protest the script of "Lucky Me", little did she know that her fans would love this picture and cherish it for decades.
I can understand her concern. She had just come off the great success of "Calamity Jane" which had been an Oscar winner and Day had had a tremendous hit record with "Secret Love".
After being convinced that she should do the picture, she decided to give her performance 110% even though she was in ill health. And, what a performance it is! With able support from Phil Silvers, Nancy Walker, Martha Hyer and Eddie Foy, Jr. and a terrific co-star in Robert Cummings, she was delightful as "Candy Williams" a stranded-in-Florida showgirl with dreams of Broadway stardom.
Miss Day performed , or was involved in all of the musical numbers in the film, most notably, "Love You Dearly", "Bluebells of Broadway", "I Speak to the Stars" (a Day record hit) and the showstopping, "I Wanna Sing Like an Angel".
Phil Silvers was "Sgt. Bilko" and Nancy Walker was "Ida Morgenstern" and Eddie Foy, Jr. was "Hindsey" from "Pajama Game". In short, they were playing their most famous roles.
Doris Day's opening number was a true star performance. Only she could get away with singing her head off, bouncing down the Miama streets singing "The Supersitition Song". Truly great.
The film moves along nicely and has no lags, thanks to the director, Jack Donahue, who kept things bouncy. The color is bright and the actors work well together.
See this one and don't forget the popcorn.

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The star of a third-rate theatrical troupe in Miami catches the attention of a Broadway songwriter.

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12/12/2011

Victor/Victoria (1982) Review

Victor/Victoria (1982)
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In the age of "Moulin Rouge" audiences would do far better by rediscovering this musical comedy gem, starring the incomparable Julie Andrews, Robert Preston, Leslie Ann Warren and James Garner. Rarely has Hollywood captured the essence of great music with outstanding performances as it has in "Victor/Victoria." There are literally a dozen or so scenes that will leave you hysterical, as in gasping-for-breath hysterical, something many films aspire to, but few ever deliver on. But more than funny, this is a poignant, character driven film where every principal is allowed to shine.
Andrews permanently sheds her "Sound of Music" virginal skin in the title role, embodying the man-pretenting-to-be-a-woman-pretending-to-be-a-man part in a way noone has ever done before or since. Of course, the audience is in on the joke, but it never becomes tired or anything less than fresh. Robert Preston is the antithesis of his former "Music Man" personna, a gay-Paree emcee who discover's Victor's startling 8-octave vocal range and turns him/her into the rage of Paris. These two performances, along with Leslie Ann Warren's unforgettable floosy - all three Oscar-nominated - are drop dead fabulous. These are actors at the very height of their form....funny, passionate, real and endearing. The musical highlights are truly phenomenal, certainly better than other "best loved" musicals like "Singing In the Rain" or "An American In Paris." Andrews scores on "Le Jazz Hot" and shows an indelible comic flair few people knew she was capable of in the legendary cafeteria sequence, which literally had the audience I viewed this with ROLLING in the aisles. It's a movie where even the insects - cockroaches in this case - are memorable. But more so, its also a lesson in what Hollywood USED to do so well in its tradition of movie musicals....and what its forgotten to do over the past two decades since Victor/Victoria was released. In a nutshell, Hollywood forgot that the power of song and music is their ability to HUMANIZE a character and progress the plot, but also lend depth and color to the principals. For me, "Victor/Victoria" IS Hollywood's last great musical, and certainly one of the most visually stunning, fully realized films of our time. This ranks far and away as Blake Edward's crowning masterpiece - high above SOB or the Pink Panther flicks. And the supporting performances are some of the best ever caqptured. Just try and forget Warren's cooing to James Garner ("pooookie....I'm horny) or Alex Karras' gay gangster falling in love with Preston. From roaches to royalty, "Victor/Victoria" is quite simply one of the best films of the 80's or any other decade.
I am anxiously awaiting its release on DVD, and secretly hoping that the currently available Broadway show version silently goes away as it cannot hold a candle to the film. Rent it, buy it, LOVE IT.

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A woman singer masquerades as a man impersonating a woman in Paris, circa 1934. This brings her success in her professional life but complicates her personal life.Genre: MusicalsRating: PGRelease Date: 4-JUN-2002Media Type: DVD

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11/28/2011

That's Singing: Best of Broadway Review

That's Singing: Best of Broadway
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This taping absolutely blew me away! I originally bought it for the single purpose of seeing Barry Bostwick perform "Summer Loving" (instead of the talentless Travolta) after hearing the recording of the orginal "Grease!" cast. What an incredible find. As someone who is in love with musical theatre-I consider this film a treasure! To see such talented performers reviving the roles that they created is a once in a life time oportunity caught here for generations to fall in love with. You are treated to Broadway's Grand Dame Ethel Merman singing 2 of her timeless classics, Nell Carter bringing character and energy to Cole Porter music, Barry Bostwick and Carol Demas proving once and for all who the real Danny and Sandy were, Stephen Nathan and David Haskell tackling probably one of the most challenging duets ever-from "Godspell", the enigmatic Chita Rivera dancing to "The Shriners' Ballet" as well as singing and hoofing to "Little One New York",multi-talented Jerry Orback singing "Try to Remember" and the show-stopping "Lullaby of Broadway", and Ray Walston, gleefully reminising "The Good Ol' Days". Any self-respecting Broadway and/or musical theatre fan should own this taping. It gives the audience a glipmse back to a time when it took pure talent to make in on the Great White Way!!

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11/03/2011

Cats - The Musical (Ultimate Edition) (1998) Review

Cats - The Musical (Ultimate Edition) (1998)
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The `Cats' DVD is a cinematic record of the Andrew Lloyd Webber stage musical as performed on the London stage in, I believe, 1998 starring Elaine Paige in the `lead' role of Grizabella, although the only aspect of her role which warrants calling it the starring role is the fact that this character sings the `show-stopper' song, `Memory' which, if you are to believe writer / director Kevin Smith's bit in `Jersey Girl', has become a real Broadway cliché. The show is the most truly `ensemble' performance I can think of. Few characters stand out for more than the length of a single piece, yet practically all characters are on stage for over 50% of the two-hour performance. Aside from Paige, the only character / actor who is remotely familiar to me is John Mills who is on for but two scenes and who is more of a prop than a character.
I make a strong point of the fact that this is a recording of a stage performance rather than a conversion of the play to a more realistic environment. This conversion is done for most Broadway plays turned into movies, especially for big musicals such as `Oklahoma', `The Sound of Music', `My Fair Lady', and `Chicago'. But this conversion is not always successful. That is, the very big realistic setting is not always an enhancement. My best evidence for this is the film done of `The Fantasticks' with a cast including such high powered talent as Joel Gray and others. As someone how has seen the play done on the live stage three times with three different interpretations, including a performance by the New York City cast, I can say that the movie failed to breath any life into the classic minimalist staging it gets in intimate little theaters. The movie was simply not as good as the live performance. This is clearly not the case with this DVD record. It gives us the stage fantasy that needs practically no embellishment with a real ally or cinematic whiz-bang.
Like `The Fantasticks', I have seen `Cats' on the New York stage sitting in a mezzanine seat about 4 rows from the back of the Winter Garden theatre. And, while there is something about a live performance that simply cannot be recorded, I will say that this DVD (and VCR) recording is quite as good a record as you can get.
My most important criteria for evaluating a movie on DVD or VCR is whether or not the work wears well after the second or third or fourth viewing. For example, `Chicago' was fun to watch once, but I have no burning desire to watch it again. On the other hand, `Singin' in the Rain' I can watch about once a year and still find the time well spent. I will say with great conviction that I can watch this recording of `Cats' once a year and enjoy every minute spend with the experience, because I have done so over the last few years. The performance and its record are so durable that my second most important criteria for a DVD, a good commentary track, becomes unnecessary. And, the commentary track is basically a waste of time for a musical anyway, especially a musical based on famous poems written 65 years ago by the most notable poet, T. S. Eliot in `Old Possum's Book of Practical Cats'.
The play has the thinnest of plots based on a once a year selection of one Jellicle cat to ascend into some state of grace, presumably at the conclusion of their legendary nine (9) lives. The only other plot twist involves the kidnapping of the head cat, Old Deuteronomy, thereby preventing this feline apotheosis from being carried out.
This accounts for four or five out of the nineteen numbers. All the rest are based directly on fourteen out of the fifteen poems in Eliot's little book.
One may think that this work has but a single hit song and, therefore, the remaining musical numbers are second rate. This is certainly not the case. I find myself tapping my toe to all numbers, with especial pleasure coming from `Jellicle Cats', `Mungojerrie and Rumpleteaser', and `The Pekes and the Pollicles'. These are much more like stories in song than a simple ballad with easily remembered refrain.
Very highly recommended for anyone with a taste for musicals and worth a try for anyone who likes fantasy.


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11/02/2011

Jesus Christ Superstar (2001) Review

Jesus Christ Superstar (2001)
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Filmed at Pinewood Studios, this production has sparse sets with scaffolding that serves for nearly every scene, and has the feel of a stage performance; it has been updated to an indeterminate era, but definitely a time one wouldn't want to live in. There are Nazi-like authority figures, punky gun-toting youth, and the walls are covered in graffiti. The colors are provided by the lighting, and are usually in either a monocromatic dark blue or yellow-orange.
Inevitably, many people will compare this to the 1973 Norman Jewison film, which is a pity, as they are so vastly different. This is much more somber, and the final scenes are wrenching.
Glenn Carter is astounding as Jesus, vocally exceptional in what must be a difficult part to sing, and looking like an Albrecht Durer painting. His Gethsemane ("I Only Want to Say") is superb, and worth the price of this film alone.
Jerome Pradon is also excellent as Judas, and Fred Johanson's Pilate is marvelous, though the entire cast is good, both as actors and singers.
It is interesting in this film how skillfully the evil in a character is portrayed in the song and dance numbers, by Herod (who is so well played by Rik Mayall), and Judas.
One feels the exhaustion and horror of Jesus' last days palpably in this film. The drama of the scourging is a magnificent piece of staging, and powerful; it is a visual punch to the gut, and the crucifixion scene is brilliantly done and moves me to tears every time I see it.
Not an easy film to watch, but well worth the purchase, as it gets better with each viewing.

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A brand-new production of the Andrew Lloyd Webber/Tim Rice classic musical, "Jesus Christ Superstar" tells the story of the last seven days in the life of Jesus. It describes his entry into Jerusalem, the enmity that his preaching and his popularity causes among the Jewish religious leaders, his betrayal by Judas, mocking contempt of Herod, and the trial in front of Pontius Pilate, who despite his sympathy towards Jesus as a person, bows to the demands of Caiaphas, the Chief Priest, and has him crucified.

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10/12/2011

Les Miserables: The 10th Anniversary Dream Cast in Concert at London's Royal Albert Hall (1995) Review

Les Miserables: The 10th Anniversary Dream Cast in Concert at London's Royal Albert Hall (1995)
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This new edition of the Les Miserables 10th Anniversary Concert (taped in 1995 at the Royal Albert Hall in London) is a welcome new edition for any person who found the original concert enjoyable and thrilling. The 2-DVD set comes in a good quality hard case with new artwork. The performances continue to be mostly excellent and one really does not miss the staging too much. There are several new positive additions to this edition. First is the wide-screen presentation of the concert. It was painfully obvious at certain points during the original release (especially the bigger numbers) that you were missing some of the singers on the sides. The new wide-screen presentation opens up the experience so you can watch the concert as it was originally taped. The second positive aspect of this issue is that the whole concert is on one side of one disk, which makes it much more convenient to watch. The third is the inclusion of the "Stage By Stage" Documentary from the late 80s tracking the recording of the Complete Symphonic Recording as a supplement on the second disk. Finally, for those who want to, you can follow along with new (optional) on-screen lyrics.
However, this edition is not without its disappointments. The first and by far the biggest disappointment is how it's only presented in stereo and not Dolby Digital 5.1 or better. Not having a digital audio option in 2008 is ridiculous and I would have greatly put up with changing disks if it meant having a better quality performance. The second disappointment is the deletion of parts of the concert previously available, which include part of "Little People" and the speeches by the creative talent behind the show at the end of the concert before the encore. Even if space was limited on the first disk, these deletions could have easily been put on the second disk as supplementary material.
So, while the concert itself continues to be quite enjoyable and there are some new additions that makes it a must have for any Les Miserable fan, there are some basic disappointments that keep this edition from being perfect.



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A performance of Les Miserables by the Royal Philharmonic Orchestra at the Royal Albert Hall, for a 10th Anniversary Concert celebration.

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10/11/2011

Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999) Review

Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999)
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The 1999 London production of "Oklahoma!", directed by Trevor Nunn with choreography by Susan Stroman, was the first major departure ever from the original Joshua Logan-Agnes De Mille production of 1943. It was a gamble that paid off big, for the performance recorded for posterity on this DVD is absolutely brilliant--funny, riveting, and deeply poignant. The dancing is astonishing, and the beloved Rodgers & Hammerstein songs have never sounded so good. Nunn and Stroman know how to stage each number for maximum dramatic effect, so that the songs come across less as songs than as dramatic monologues in music--which is, of course, exactly what Rodgers & Hammerstein wanted.The cast of this version is so wonderful that it is impossible to talk about them in anything but superlatives. (I might make a slight, regretful exception for Vicki Simon as Ado Annie, who is merely very good whereas everyone else is spectacular.) As Will Parker, Jimmy Johnston--an endearing if improbable cross between Will Rogers, Russ Tamblyn and Jack Black--barrels through his big number, "Kansas City," with infectious glee and astounding athleticism, including a dandy exhibition of trick roping. Some reviewers have pointed out that Peter Polycarpou's accent as Ali Hakim is shaky, but there's no quibbling with his singing or his comic timing; in appearance and talent, he reminds me more than a little of Tony Shalhoub. Maureen Lipman is a perfect Aunt Eller, tough as an old birch tree, plain-spoken and drily witty as she dispenses tough love to the residents of Claremore, Okla. Josefina Gabrielle is an earthier Laurey than we're used to, but she's a good singer and an exquisite dancer, and she makes Laurey's confused longings as painful as a punch in the gut. The real acting honors, however, must be divided between the romantic rivals--Hugh Jackman as Curly and Shuler Hensley as Jud. This production launched Jackman's international career, and no wonder--from the first few bars of "Oh, What a Beautiful Morning," you can't take your eyes off him. He is visually perfect as Curly, he dances well and sings beautifully, and--above all--he exudes charisma from every pore. Hensley combines a rich, operatic baritone with a brooding, menacing stage presence; he makes Jud a classic monster, evoking both pity and terror. His solo number, detailing both his pitiful loneliness and his doomed love for Laurey, is one of the most riveting pieces of dramatic singing I've ever seen or heard.

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8/31/2011

South Pacific: In Concert From Carnegie Hall (2006) Review

South Pacific: In Concert From Carnegie Hall (2006)
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What superlatives are left to describe this concert? This is a truly exhilirating, incandescent performance filled with an all too rare quality, passion. The New York Times review described it best as "near complete rapture." For those who belittle the idea of Reba McEntire in a Broadway musical, take a look at this first before passing unjustified comments. It doesn't matter if she's a country singer, an opera singer or a rap singer, or if she is older than what Nellie Forbush should be. Anyone who can perform with this level of passion and conviction deserves unstinting praise. What a pity it was a one-night only performance. At least we have this DVD as a permanent keepsake. Brian Stokes Mitchell is in equally fine form as Emile de Becque, the French plantation owner, who deservedly brings the house down (and the concert itself to an almost minute-long standstill) with his moving rendition of "This Nearly Was Mine." It may only be a concert performance, without costumes or sets, but it puts many fully staged musicals to shame. All the supporting cast are equally commendable. My one tiny criticism is that the voice coach should have taught the children to sing "Dites Moi" with a more "neutral" accent. The children are supposed to be French Polynesian, children of "a cultured Frenchman." However, they sound more American than Nellie Forbush.
The picture quality on this DVD is absolutely gorgeous. When you consider that it was practically a last minute decision to film the concert at all, the camera crew, sound crew and all the technicians involved did a truly remarkable job. One of the finest live performance recordings I've had the pleasure to watch. The picture is presented in its original 1.78:1 widescreen (enhanced for widescreen TV) with razor sharp images, vibrant, natural colors & perfect black levels. Two soundtracks are provided, one in 2.0 Dolby Stereo and the other in 5.1 Dolby Surround. Rich, sumptuous sound throughout. This is a performace to treasure for years to come. Already I've watched it through thrice, two occasions back-to-back. It always has me singing and whistling along from start to finish. Guaranteed to raise a smile on even the dreariest day. A deliriously joyful DVD. There are no extras but I don't begrudge the lack one bit. This will be my favorite DVD for many months to come.

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Broadway, like everyone, loves Reba McEntire. The redheaded Oklahoma firebrand took on the one-night-only concert role of Nellie Forbush on June 9, 2005-the role Mary Martin immortalized in the 1949 Rodgers & Hammerstein classic South Pacific-and the rialto's toughest critics, led by The New York Times' Ben Brantley, instantly surrendered. "Open-voiced and open-faced, she was born to play Nellie," Brantley wrote of the Carnegie Hall benefit performance, adding that the entire production was performed "in a state of nearly unconditional rapture. It was one of those nights when cynicism didn't stand a chance." Happily that enchanted evening can be shared with fans everywhere when "SOUTH PACIFIC" IN CONCERT FROM CARNEGIE HALL comes to DVD. Completing the luxury casting are Broadway and Hollywood icons Brian Stokes Mitchell and Alec Baldwin, as, respectively, French planter Emile de Becque and wise guy sailor Luther Billis. The performance also aired on Thirteen/WNE! T New York's GREAT PERFORMANCES on PBS in April/May.

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