Showing posts with label broadway musical. Show all posts
Showing posts with label broadway musical. Show all posts

4/22/2012

Jekyll & Hyde - The Musical (Widescreen Edition) Review

Jekyll and Hyde - The Musical (Widescreen Edition)
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I'm suspecting that there are two types of people who are approaching this DVD, a filmed version of the stage production of "Jekyll & Hyde". One, someone familiar with the show--perhaps saw it and liked it or has the soundtrack--and wants to check out this variation. Or two, someone discovering it anew. It tempts me to write two reviews because while I love "Jekyll & Hyde", it's slightly unfortunate that this is the production most people will get a chance to judge.
So let me preface this by saying that I really am a fan of this show. Some people consider "Jekyll" sort of a "Phantom-lite". I, myself, have never been the biggest supporter of "Phantom of the Opera". It's fine, full of bombast, but hardly the revolutionary experience that people give it credit for. "Jekyll" does play to similar themes, but has a stronger overall soundtrack. Instead of a couple of showstoppers like "Phantom", "Jekyll" is filled with memorable power ballads. Not the most complicated show musically, it is very accessible. And when you have great singers, these simpler and emotionally charged songs become pop opera and quite moving.
So, without hesitation, I recommend the original Broadway Cast recording!!! Robert Cuccioli, Linda Eder and Christiane Noll are superb. You couldn't hope for better.
But here's the problem with this DVD, it's not this great cast--NO, the star is David Hasselhoff. So you see my problem, don't you? Look, I'm not going to be unkind--it's an easy target. Let's just say this. If you're a fan of the show, he doesn't completely ruin it. And it's not like there are any other versions to add to your collections. If you are new to the show, I'm still recommending it provisionally. I wish there were another option. If you like the show, though--and I think you will--please rush over and buy the 1997 Cast recording. Treat yourself to how "Jekyll & Hyde" should really sound.KGHarris, 10/06.

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4/03/2012

Leonard Bernstein's Candide (Great Performances) (2005) Review

Leonard Bernstein's Candide (Great Performances) (2005)
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This is a splendid performance of Candide. But before you go any further, you should realise that this is a concert performance, not a full scale operatic staging of the work. That said, the singing is glorious and the acting, despite this being a concert performance is outstanding. It is driven to milk all the comic elements out of the play. It all works delightfully. It is so brimful of joie de vivre, it leaves you smiling and humming all day. I must disagree with a previous reviewer who said, Bernstein wouldn't be amused. This is precisely what he would have wanted to achieve.
Sir Thomas Allen is superb as Dr. Pangloss who doubles as the narrator of the concert. Paul Groves and Patti LuPone are both excellent. But the star of this Candide is surely the lovely Kristin Chenoweth as Cunegonde, who in addition to having a magnificient voice shows that she is a natural comedienne and actress. This recording of Candide immediately goes to the top of the list. Now, if only we could have Bernstein's own production of Candide recorded live at the Barbican Theatre in London. That recording under the Deutsche Grammophon label is yet to appear on DVD.
I should comment on the camerawork which received criticism from a previous reviewer. It is a mark of the electric quality of this bravura performance that most viewers don't even notice the occasionally almost amateurish shakiness of the camera. The cameraman was shaky at times and faces occasionally went in and out of focus but a large part of what I initially attributed to poor camerawork was in fact artificially introduced motion artifacts. This is a problem with the DVD encoding and not the camera. These cause apparent jumps in the picture. But this is present only in DVD players with low end video processors. Switching to a better DVD player or processor solves the problem.
The DVD by Image Entertainment is in 1.78:1 widescreen (anamorphic enhancement). Picture quality is very good, clear, sharp and with rich natural colors. The picture is flawless provided you play it on a good DVD player. It comes with 3 audio tracks, DTS 5.1, Dolby Surround 5.1 and Dolby Stereo. Excellent immersive sound. It would have been good if they had included an uncompressed PCM track as well but I suppose that's asking a bit much. All in all, an outstanding concert and one to be forever treasured.Technical note: As noted above I noticed a strange problem with this particular DVD. It seems to play quite flawlessly on certain systems, yet throw up irritating problems on others. On one set-up I noticed numerous motion artifacts and lots of combing issues. Motion appears jerky and horizontal scan lines appear whenever fast movements occur or rapid scene changes take place. I'm not quite sure why they should be there but I attibute it to faulty encoding or improper flagging. No other DVD exhibits these errors on this particular system. I believe what one of the previous reviewers complained about could be due to this. The problem goes away when switching to an alternate system with a better deinterlacer / video processor. However that does not absolve Image Entertainment from responsibility for producing a sub-standard DVD which requires high end equipment to compensate for its deficiencies.
P.S. Bernstein's Candide can be interpreted in many ways. Some approach it as serious opera, others as light operetta, still others as a Broadway musical or even farce. Liking or disliking a particular production is very subjective. If you adhere to Bernstein's final vision of this work, enshrined in his by now legendary Barbican performance (Final, revised edition, first premiered 1988 by Scottish Opera and later performed with the LSO at the Barbican in 1989 with high powered opera stars singing all the roles), then you will tend to view this more as Opera and consequently your attitude to any performance that detracts from that operatic image (like this one) will be very negative. But you must remember that for many years, and for most Americans, Candide was considered a Broadway musical and at most a comic operetta. The two contrasting visions are equally valid and are a testament to Bernstein's genius and Candide's status as a true masterpiece.

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Leonard Bernstein's brilliant comic operetta comes to dazzling new life under theguidance of director Lonny Price (A Class Act). Based on the classic Voltaire tale of an innocent young man's journey through a life filled with colorful characters and unexpected life lessons, this tune-filled frolic features Tony Award©-winners Patti LuPone and Kristin Chenoweth heading a dazzling cast with Paul Groves, Stanford Olsen, Sir Thomas Allen and the Westminster Symphonic Choir. The impeccable score (with lyrics by luminaries including Lillian Hellman, Dorothy Parker, Stephen Sondheim, Richard Wilbur and John La Touche) includes a host of delightful songs such as "Life Is Happiness Indeed," "It Must Be So," "You Were Dead, You Know" and "Make Our Garden Grow." Now enjoy this all-new production of a musical comedy favorite with Broadway's top stars!

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3/21/2012

Broadway's Lost Treasures Collection (Broadway's Lost Treasures 1-3 & The Best of the Tony Awards - The Plays) (2006) Review

Broadway's Lost Treasures Collection (Broadway's Lost Treasures 1-3 and The Best of the Tony Awards - The Plays) (2006)
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We should be thankful for what we get on this DVD, so by all means, get it. By doing so, hopefully you'll encourage similar Broadway DVDs to be released in the future. (By the way, also consider getting "The Best of Broadway Musicals: Original Cast Performances from the Ed Sullivan Show," which captures some great 1950s-1960s performances.)
However, I have to agree with those who say this set is lopsided, even considering that the producers didn't have the rights to release other footage from the Tonys.
The saddest thing about some of the footage is that, while it claims to capture "sung" performances, in fact a few of the numbers are lip-synched. These include two of the numbers that I was most looking forward to seeing: Angela Lansbury in Sweeney Todd and Robert Preston in The Music Man. While it's great to see these performers in action, the lip-synching makes it an artificial experience.
But enough caveats. These aside, there's still plenty to enjoy.
The great John Raitt sings a definitive "Hey There" from The Pajama Game a couple of decades after its original run. He sounds just as exciting as ever. The song is shortened, but again, let's be thankful for what we have. And there's also a scene from 42nd Street with pre-"Law and Order" Jerry Orbach singing his heart out.
Some of the most enjoyable segments are in the DVD's "bonus extras" section. For example, in what seems the oldest segment on the DVD, the utterly charming Barbara Harris performs a number from The Apple Tree, a 1960s musical that is now essentially forgotten by all but fervent show fans. And to watch those ever-young old troopers Mickey Rooney and Ann Miller singing and dancing in Sugar Babies is a joy.
So, tap your way to Amazon's checkout and get this DVD in your hands ASAP!

Click Here to see more reviews about: Broadway's Lost Treasures Collection (Broadway's Lost Treasures 1-3 & The Best of the Tony Awards - The Plays) (2006)

A comprehensive collection of great performances captured on film as part of the annual Tony Award® broadcasts. Broadway royalty and Tony® winners, including Lauren Bacall, Bebe Neuwirth, Robert Goulet, and Harvey Fierstein, serve as hosts and share their own Broadway and Tony® memories. Produced as PBS specials, Broadway's Lost Treasures I, II, & III feature legendary stars-including Patti LuPone, Nell Carter, Jerry Orbach, Gwen Verdon, Ethel Merman, Kristin Chenoweth, Angela Lansbury, Joel Grey, and many more-performing musical numbers from legendary shows-including Anything Goes, Man of La Mancha, Guys and Dolls, Ain't Misbehavin', Chicago, Fosse, Miss Saigon, Crazy for You, and many many more. The Best of the Tony® Awards–The Plays features acting greats, such as James Earl Jones, Maggie Smith, Annette Benning, Kevin Kline, and Morgan Freeman, performing key scenes from 19 celebrated plays, including The Great White Hope, The Heidi Chronicles, Fences, Hamlet, and Long Day's Journey Into Night. For theatre lovers, it doesn't get any better than this!

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3/04/2012

Who's Dancin' Now? (2001) Review

Who's Dancin' Now (2001)
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Jacques D'Amboise demonstrates the difference between a teacher and a mentor. A teacher gives information, a mentor literally reaches into a child's life and lifts him/her to a higher plane. In this video, it's great to watch Jacques coach average kids into above-average performance, and provoke them into seeing greatness in themselves, and his technique has obvious application in all fields, not just artistic or physical. This video is superb for not only profiling an accomplished mentor like Jacques, but for showing us the incredible power of dance to unchain a child's imagination, and boost their self esteem.

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2/29/2012

Hey Mr. Producer: The Musical World of Cameron Mackintosh (2006) Review

Hey Mr. Producer: The Musical World of Cameron Mackintosh (2006)
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"My Fair Lady", "Oliver", "Les Miserables", "Phantom of the Opera", "Cats", "Miss Saigon" all packed in one DVDs. My favourites include Jonathan Price as Professor Higgins singing "I've grown accustomed to her face, "You've got to Pick a Pocket or Two" from Oliver, "send in the clowns" by Judi Dench, "Oh! What a beautiful morning" from Oklahoma and the lovely melodies from Les Miserables. Though the performances were dated back in 1998, the star studded performances made a lasting impression nevertheless. The songs were enchanting melodies but it's the presence of the singers and the great chorus that maded this DVD truly special. And the line up of seven songs from "Les Miserables" highlighted the great work of Cameron Mackintosh. A wonderful treat.

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Item Name: Hey Mr. Producer!: The Musical World of Cameron Mackintosh; Studio:Well Go Asia

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2/13/2012

Life After Tomorrow (2008) Review

Life After Tomorrow (2008)
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Life After Tomorrow is a documentary about what happens in life after your dreams come true. The film reunites cast members who played orphans in the Broadway production of Annie. Via interviews with high-profile "annies" like Sarah Jessica Parker, viewers get a glimpse of life inside the dream-nights at Studio 54 when you're ten, life on the road with tutors who got high, stage mothers who had affairs with stage fathers and subsequent abortions, and worst of all, growth spurts which predicated your removal from the show. As one cast member in the film remarks, "the younger ones are coming to take your place and you're 12."
This isn't a US Weekly type of documentary. There are no child star "smash-ups" here-no stories of "annies" robbing liquor marts for drug money because they weren't able to readjust to life after stardom. The tragedy here is subtle and understated. Many of these women admit to being forced off stage and continuing life with the nagging hope in their heart that they would get back to Broadway. Life happens to these actresses-they become financial planners, mothers and annoying stage mothers, but some of them are obviously stuck somewhere else-not in tomorrow, but yesterday-when they were singing and dancing in Annie. Some of them haven't self-actualized which is unpleasant to see in someone who is turning 40. Others have adjusted OK. It's interesting, but it's also a hard-knock life when you peak at 10.

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The award winning Life After Tomorrow, a film by Julie Stevens and Gil Cates, Jr., reunites more than 40 women who played orphans in the original Broadway production of Annie and reveals the highs and lows of their experiences as child actresses in a cultural phenomenon. Once the curtain came down, many found it could be a hard-knock-life, fraught with out-of-control stage mothers, separation anxiety, and worst of all, pubescent growth spurts that could find the moppets being replaced by smaller, younger editions just waiting in the wings. As one cast member in the film remarks, The younger ones are coming to take your place and you're 12. It's not like you are getting downsized at 50...you're 12!. While their lives moved on, the impact of the experience remains. Features behind-the-curtain footage from the original Broadway production and performances with the re-united orphans.

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11/28/2011

That's Singing: Best of Broadway Review

That's Singing: Best of Broadway
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This taping absolutely blew me away! I originally bought it for the single purpose of seeing Barry Bostwick perform "Summer Loving" (instead of the talentless Travolta) after hearing the recording of the orginal "Grease!" cast. What an incredible find. As someone who is in love with musical theatre-I consider this film a treasure! To see such talented performers reviving the roles that they created is a once in a life time oportunity caught here for generations to fall in love with. You are treated to Broadway's Grand Dame Ethel Merman singing 2 of her timeless classics, Nell Carter bringing character and energy to Cole Porter music, Barry Bostwick and Carol Demas proving once and for all who the real Danny and Sandy were, Stephen Nathan and David Haskell tackling probably one of the most challenging duets ever-from "Godspell", the enigmatic Chita Rivera dancing to "The Shriners' Ballet" as well as singing and hoofing to "Little One New York",multi-talented Jerry Orback singing "Try to Remember" and the show-stopping "Lullaby of Broadway", and Ray Walston, gleefully reminising "The Good Ol' Days". Any self-respecting Broadway and/or musical theatre fan should own this taping. It gives the audience a glipmse back to a time when it took pure talent to make in on the Great White Way!!

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11/02/2011

Jesus Christ Superstar (2001) Review

Jesus Christ Superstar (2001)
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Filmed at Pinewood Studios, this production has sparse sets with scaffolding that serves for nearly every scene, and has the feel of a stage performance; it has been updated to an indeterminate era, but definitely a time one wouldn't want to live in. There are Nazi-like authority figures, punky gun-toting youth, and the walls are covered in graffiti. The colors are provided by the lighting, and are usually in either a monocromatic dark blue or yellow-orange.
Inevitably, many people will compare this to the 1973 Norman Jewison film, which is a pity, as they are so vastly different. This is much more somber, and the final scenes are wrenching.
Glenn Carter is astounding as Jesus, vocally exceptional in what must be a difficult part to sing, and looking like an Albrecht Durer painting. His Gethsemane ("I Only Want to Say") is superb, and worth the price of this film alone.
Jerome Pradon is also excellent as Judas, and Fred Johanson's Pilate is marvelous, though the entire cast is good, both as actors and singers.
It is interesting in this film how skillfully the evil in a character is portrayed in the song and dance numbers, by Herod (who is so well played by Rik Mayall), and Judas.
One feels the exhaustion and horror of Jesus' last days palpably in this film. The drama of the scourging is a magnificent piece of staging, and powerful; it is a visual punch to the gut, and the crucifixion scene is brilliantly done and moves me to tears every time I see it.
Not an easy film to watch, but well worth the purchase, as it gets better with each viewing.

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A brand-new production of the Andrew Lloyd Webber/Tim Rice classic musical, "Jesus Christ Superstar" tells the story of the last seven days in the life of Jesus. It describes his entry into Jerusalem, the enmity that his preaching and his popularity causes among the Jewish religious leaders, his betrayal by Judas, mocking contempt of Herod, and the trial in front of Pontius Pilate, who despite his sympathy towards Jesus as a person, bows to the demands of Caiaphas, the Chief Priest, and has him crucified.

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10/17/2011

Camelot (Broadway Version) (1982) Review

Camelot (Broadway Version) (1982)
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In 1982, this television production of Lerner and Loewe's musical was considered by many critics to be the finest stage-to-TV transfer of a live Broadway performance. Now, 25 years later, it still is. The folks at HBO joined with the producers of the Broadway revival and videotaped the show with loving care, and their love is evident in every frame. The visual presentation and sound quality were light years ahead of most other such offerings, and it was shot and edited to perfection.
I saw this revival onstage, then on HBO, and it is something to see. Richard Harris and Meg Bussert were just right together, and the supporting cast was excellent as well. The sets, costumes, and lighting added to the beauty of the evening. And nothing can top the sheer emotion of the story--it is one of the most powerful musicals ever written. If you've never seen CAMELOT, or if you're only familiar with the 1967 film version (also starring Harris), don't miss this stunning production. Thanks, Acorn Media, for releasing it on DVD at last!

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Experience Camelot's "one brief, shining moment" as Lerner and Loewe envisioned it-live on a Broadway stage. Working at the top of his talent, Richard Harris heads an all-star cast in one of Broadway's wittiest, most literate musicals, filled with memorable tunes. Recorded at New York's historic Winter Garden Theatre in 1982, this production captures all the immediacy and intimacy of a live performance viewed from the best seat in the house. Idealistic King Arthur longs to create a perfectly principled kingdom, but sees his dream undone by a tragic love triangle involving Queen Guenevere (Meg Bussert) and his best friend Lancelot (Richard Muenz). In this thoroughly engaging Tony®-nominated production, the medieval monarch's vision-a place where "violence is not strength, and compassion is not weakness"-speaks to our time and for all time.Recommended for family viewing by the National Education Association DVD SPECIAL FEATURES INCLUDE original Broadway PLAYBILL® (DVD-ROM) and bios of Lerner & Loewe and Richard Harris.

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8/25/2011

Passing Strange (2010) Review

Passing Strange (2010)
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I also saw the show on Broadway in 2008 and absolutely loved it. I was excited to hear that Spike Lee had filmed the last performance on Broadway and that it was planned for a DVD release. However, I was skeptical - the show was so high energy and engaging; I didn't know if it would translate to the small screen.
I saw the film at SXSW 2009 and thought that Lee did an excellent job at capturing the energy and emotion of the show. There were times when I was dancing in my seat - the same points where I was dancing in my seat at the Belasco. You may not have heard of this show, but I encourage you to get the DVD and see for yourself - it's really good. It'll be well-worth the cost of the DVD.

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