Showing posts with label magic carpet ride. Show all posts
Showing posts with label magic carpet ride. Show all posts

5/31/2012

Faerie Tale Theatre - Princess and the Pea (1984) Review

Faerie Tale Theatre - Princess and the Pea  (1984)
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THE PRINCESS AND THE PEA is one of the all-time great FAERIE TALE THEATRE episodes. Featuring a talented cast and brilliant costumes and sets, it's totally adorable.
Prince Richard (Tom Conti) leads a boring and eventless life under the thumb of his controlling mother Queen Veronica (Beatrice Straight). Until, one stormy night, in whirls the vivacious Princess Alecia (Liza Minnelli). But is she really a princess? Queen Veronica is skeptical, so employs a method to test her royalty: she places a tiny pea under 20 mattresses and quilts. If Alecia can feel the pea it will prove beyond any doubt her royal blood.
Will Alecia pass the test? And if she does, will she choose to marry Richard? You'll find out in THE PRINCESS AND THE PEA. Co-starring Jane Alden and Nancy Allen.

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5/29/2012

Kiss Me Kate (Broadway Revival - PBS Great Performances) (2003) Review

Kiss Me Kate (Broadway Revival - PBS Great Performances)  (2003)
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`Kiss Me Kate', Winner of 5 Tony Awards, 6 Drama Desk Awards and 4 Outer Critics Awards including Best Musical Revival, is a wonderful production with breathtaking performances from a stellar cast including Brent Barrett and Rachel York. What I want to clear up is the criticism of the DVD. I have to disagree with everything negative said - the sound is fine and a pleasant balance of orchestra and vocal with a crisp clarity.
Secondly, the DVD is widescreen and captures a lot of the onstage `business'. Indeed the cameras do follow the main action, but never misses anything. It has been filmed by people who both appreciate the performance, the art and the intention of Michael Blakemore. Since he directed it and then adapted `Kiss Me Kate' for television, surely he of all people knows what needs to be filmed?
Always, the performance has an `on stage' feel and I urge you to ignore the exaggerated views of others here. Sound is good, video is good, DVD menu is good and I guarantee that you'll be as enthusiastic about the DVD as I was today after watching it. Maybe the others need to appreciate that this is a stage `adaptation' as stated on the DVD case.

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The first Broadway revival in nearly 50 years of the musical comedymasterpiece by composer Cole Porter and book writers Sam and Bella Spewack not onlyenchanted critics and delighted audiences, but went on to triumph as one of the biggestprize winners of the 2000 season. Taking its inspiration from Shakespeare, this hilarious romp recounts the backstage and on-stage antics of two feuding romances during an out-of-town tryout for a musical adaptation of The Taming of the Shrew. Sparkling with 18 classic Cole Porter songs including "Another Op'nin', Another Show," "Wunderbar," "So in Love," "Always True to You in My Fashion," "Too Darn Hot," and "Brush Up Your Shakespeare" this is Broadway musical comedy at its irresistible best. Directed by Michael Blakemore, this Tony winner for "Best Revival" stars Brent Barrett, Rachel York (Victor/Victoria), Nancy Anderson and Michael Berresse as the squabbling couples whose offstage disputes entangle them with a pair of song-and-dance gangsters and a pompous U.S. army general.

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5/28/2012

Faerie Tale Theatre - The Nightingale (1982) Review

Faerie Tale Theatre - The Nightingale  (1982)
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THE NIGHTINGALE is one of the all-time greatest episodes of FAERIE TALE THEATRE, featuring great performances, expert direction by Ivan Passer and a heartbreaking musical score.
The Emperor of Cathay (Mick Jagger) lives in a porcelain palace with his courtiers completely cut off from his people. When he hears about a magical bird called the Nightingale and it's exquisite song, he demands an audience with it. The Kitchen Maid (Barbara Hershey) swiftly leads the Prime Minister (Edward James Olmos) to the bird. When the Nightingale sings for the Emperor, it immediately gladdens his heart and giving nature.
But when a mechanical version of the Nightingale is given to the Emperor, he quickly dismisses the real bird. Now ill and close to death, the Emperor needs the love and companionship of the real Nightingale more than ever...
Featuring strong performances all around. Co-starring Bud Cort as the Master of Imperial Music. Look closely and you'll spot Anjelica Huston and Jerry Hall as the fairies Primrose and Pansy.
Highly-recommended

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5/25/2012

Faerie Tale Theatre - Thumbelina (1982) Review

Faerie Tale Theatre - Thumbelina (1982)
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"Thumbelina" is a fantastic retelling of the classic Hans Christian Andersen fairy tale, "Little Thumb".
Produced in 1983 (and released the following year), as part of Shelley Duvall's charming live-action "Faerie Tale Theatre", the narrative is told with good humour, imagination, and a great sense of fun. The magnificent cast adds much colour and warmth to the proceedings. In particular, Carrie Fisher, in the title role, delivers a captivating performance. She makes an extremely attractive heroine, not to mention one who's "more than just another pretty face". She's an absolute delight, adding her unique qualities to the role. Not only is she pint-sized in real life (although not quite as tiny as a thumb!), she has a lovely, deep voice that is quite at odds with her diminutive stature. When she sings, it is a beautiful and rewarding experience. Indeed, she sings with "an angel's voice". (This is also a highlight for any Carrie Fisher fan, as she began her career as a singer, and yet she only sings briefly in "Hannah and Her Sisters", 1986, and in the Walt Disney live-action comedy, "Sunday Drive", also released in 1986.)
Carrie Fisher is supported by equally delightful character actors. The late Burgess Meredith is in top form as Mr Mole, the second would-be husband of Thumbelina. Likewise, William Katt makes a very positive impression as the Prince of the Flower Angels.
This wonderful fairy tale is further enhanced by excellent production values, including great music, atmospheric sets, and good costumes and creatures like Mother Toad, her hapless son, Herman, the Fieldmouse, and the Swallow.
The script faithfully follows the original story, although the gender of the Fieldmouse has been changed, making for a more convincing friendship with Mr Mole to exist, as well as creating a heartfelt guardianship of Thumbelina along strictly platonic lines.
This well-written and perceptive tale ("I'm always the bride, but never the bridesmaid") makes for enchanting family entertainment. "Thumbelina" delivers a great message, too, but above all, it's storytelling at it's most memorable.
I applaud executive producer Shelley Duvall, and all involved, for giving such a wonderful gift. It's up there with Jim Henson's equally engaging "Storyteller" anthology series, produced in the late 1980s, and the "The Doll", an Emmy Award winning episode of "Amazing Stories" (of the same era).
For me, it's an extra special treat because Carrie Fisher became much more than just Princess Leia with this performance. Besides, she continues to melt me every time she smiles as the Ultimate Flower Angel! Let's hope that this "Faerie Tale Theatre" production, along with my other favourites like "Beauty and the Beast", are re-released soon. Preservation on DVD for future generations is highly recommended.

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5/22/2012

The Taming of the Shrew (Broadway Theatre Archive) (1976) Review

The Taming of the Shrew (Broadway Theatre Archive)  (1976)
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Riveting high energy interpretation of one of Shakespeare's more problematic comedies. The director's decision to present this somewhat sexist comedy as an over-the-top commedia dell'ate production was brilliant. Patruchio's use of physical violence to tame his headstrong finacee is somehow made tolerable because all the relationships in this play are embued with violence. And like characters in a Roadrunner cartoon, victims bounce back with vigor and always manage to give as good as they get. The troupe is incredibly in sync with one another, highly athletic, and incredibly gifted at reciting their iambic pentameter flawlessly while being twirled overhead or kicked in the groin. It really has to be seen to be believed. And who knew Marc Singer, the Beastmaster, could act?! In the end, he brings a subtlety to his part that leaves you wondering who's taming whom?
Harold Clurmann's interview with the director is a nice DVD extra.

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5/19/2012

Nicholas Nickleby (2002) Review

Nicholas Nickleby  (2002)
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Charles Dickens- love him or hate him, you must admit that there was never anyone like him. His books are full of social critiques, melodramatic romances, characters so eccentric that they border on crazy and of course jaw dropping coincidences. The books are also wildly entertaining.
There has been a revival of Dickens lately in the form of TV mini-series and Nicholas Nickleby is the latest. The title character has just lost his father in death and now, in his late teens, he must find a way to support and protect his sweet sister Kate and somewhat silly mother. Their only relative is their uncle, the greedy and cold Ralph Nickleby.
Ralph gets Nicholas a job as a teacher in Yorkshire and Kate a job assisting a dressmaker. Here is where the main problems of the story come into play. Both Kate and Nicholas have the same problems, they are too good looking and talented. That may seem like no problem but they have no money and their equals in station are jealous of them. Also, they have to fend off unwelcome advances at every turn. The young actors playing Kate and Nicholas manage to make their characters good without being saccarine, a challenge to say the least.
The Yorkshire school where Nicholas is sent is a horror, the boys are abused particularly the silent waif Smike. Nicholas befriends Smike and then protects him from a beating. Forced to escape with Smike, Nicholas is disowned by his uncle for being ungrateful. He is told that if he sees his sister and mother again, Ralph will throw them into the street. Nicholas agrees to leave but swears vengeance if Kate or his mother suffer in any way at Ralph's hands.
This is pretty much how the movie goes, more and more problems come up and the characters escape by the skin of their teeth. The rivalry between Nicholas and Ralph is very well acted and one of the highlights of this miniseries.
Dickens purists will doubtlessly complain about the many cuts that had to be made due to time constraints but they were needed for the film to run smoothly. All in all, this is a very good adaptation that does not modernize the tale too much. (This has been a problem in far too many adaptions of the classics, over-modernization)
There are abductions, rescues, duels, chases, forced marriages, and one BIG suprise ending. (no Dickens novel is complete without a murder/attempted murder, a suicide and a suprise ending)
If you are looking for an old fashioned soaper, this is it. I could not reccommend it for children since some of the abuses at the school are rather disturbing. However, this is how things were in the worse schools in Dickens's time and it is rather an eye-opener. I would say in American ratings, this movie ranges from a PG to a PG-13 so parents will have to make their decisions accordingly.

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A commence, brutal and passionate take of greed and love in Victorian England. A top-notch cast of veteran actors and rising young newcomers shines in a lavish new British production of the Charles Dickens classic. The hero, a penniless young gentleman, struggles to make his way in the world and protect his mother and sister, meeting up with the worst and best of humanity along the way. Charles Dance (The Jewel in the Crown) stars as Ralph Nickleby, with James D'Arcy (Rebel Heart) as Nicholas and Sophia Myles (Mansfield Park) as his beautiful sister, Kate. Other standouts include Lee Ingleby (Ever After) as Smike, Nicholas' faithful companion, and Dominic West (28 Days) as the lecherous Sir Mulberry Hawk.

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5/13/2012

Rime of Ancient Mariner (1975) Review

Rime of Ancient Mariner  (1975)
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Recently, a friend and I were discussing educational and ethical influences when we were growing up in the 1950's versus today.She mentioned Samuel Taylor Coleridge, who, in 1798, wrote The Rime of The Ancient Mariner. Both of us had been required to recite parts of the epic poem in high school and in English Literature courses in college. My friend said, "Its messages even might be called metaphysical within today's context."
We tried reciting it and only remembered bits and pieces. (I have problems remembering Dr. Seuss.)I said I'd get two copies of the poem so each could read it. That was easy enough, but I was extremely surprised to find it had been made into a film. We looked forward to watching the film to see how it had been interpreted. After all, The Rime of the Ancient Mariner isn't exactly light reading. After each had read the poem, we watched the film together.
We considered the film a remarkable achievement, especially considering it was made in the 1970's, before computers, before the so-called "Ken Burns effect," and before special effects too often began compensating for a lack of substance. Particularly noteworthy are the 19th and 20th century illustrations culled from "lesser known artists," such as Willy Pogany, the early Hollywood designer.
The film is narrated by Sir Michael Redgrave, whom had taught the poem when he was a schoolmaster, adding a tone of authority and credibility in remaining true to the poem.
Its mastery is in the layers of subtle messages, conveyed without "instructing," or becoming an oppressive and obvious morality tale. We found it such a refreshing change from today's 'in your face' and 'clobber them over the head' mentality. Most of today's morality messages in film are two-dimensional: extreme violence, murder and mayhem mark the bad. The bad are really, really, bad, and good are super heroes.It is as if human character lacked any nuance. The Rime of The Ancient Mariner is a celebration of the individual, of character, of an appreciation for celebrating all the richness life has to offer, within the larger context of humanity, i.e., man's capacity to give to others.
Proud of ourselves for having found this "unknown" gem, we then learned it had won the top award in its category five out of six times at "name" international film festivals. Another surprise was learning the film's director, Raul daSilva, is a recognized authority on early animation, and authored six award winning books about film.
This film's message is just as relevant today, if not more so, than when Coleridge penned the original epic poem and when Raul daSilva translated it to film. If I still was teaching high school, which I did for five years, I'd grab this one and show it to all my students. There's a level of richness here that naturally leads to discussion about the big and important issues all of us face, whether in 1798, 1978, or today--in fact, as long as humanity has a spiritual component.
Highly recommended.


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Samuel Taylor Coleridge's epic poem is brought to life with an evocative mix of animated and real images which givethis famous poem an exciting new dimension.This visuallyremarkable cinematic work is narrated by Sir Michael Redgrave, who gives an inspired reading of this literary classic. The program is presented in two parts.Part One is a biography of Samuel Taylor Coleridge from his orphaned childhood, through his vain attempts at being a dashing blade in 18th Century London. It also traces his tragic encounter with opium, his brief, ill conceived flight into the army and how his friendship with William and Dorothy Wordsworth inspired him to write "The Rime of the Ancient Mariner. Part Two is a unique visualization of Coleridge's evocative poem that takes us on a strange and lonely voyage where time and space are as limitless as the imagination.

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5/07/2012

Upstairs Downstairs - The Complete First Season (1974) Review

Upstairs Downstairs - The Complete First Season (1974)
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This British series is in a "class" by itself. It's characters are unforgettable, the acting inspired and the backdrop evocative - Edwardian England from 1904 into the 1930s. The story evolves around the aristocractic Bellamy family "Upstairs" and their servants "Downstairs," but it is not a soap opera. It is as genuine, real and honest as any period production, or for that matter, any production, that I have ever seen. The characters grapple with the same struggles that we continue to confront in mordern-day America: love, loss, coming of age, morality, prejudice, death, economics, social responsibility, freedom and the search for life's ultimate meaning - concluding with the horrendous effects of a World War and its devastating aftermath. This unflinching look at history as well as a truly timeless, engaging saga is not to be missed. I genuinely rejoice that such a remarkable treasure is finally available on DVD. Originally broadcast on PBS's Masterpiece Theatre.

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Follow the "upstairs" dwellers, the Bellamys, and their "downstairs" servants through one of television's most loved and lauded series of all time. This collector's set includes the entire first season, all 13 episodes, of the multi-award winning series. Catch a first glimpse of 165 Eaton Place and be enchanted with the saga that captures the essence of life and love in Edwardian England.

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5/03/2012

Faerie Tale Theatre - The Emperor's New Clothes (1985) Review

Faerie Tale Theatre - The Emperor's New Clothes (1985)
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THE EMPEROR'S NEW CLOTHES is an altogether fine entry in the FAERIE TALE THEATRE series.
Alan Arkin and Art Carney stars as the con-artists who fool a vain and ruthless Emperor (Dick Shawn) into believing that they can create the most exquisite of clothes that are invisible to those who are foolish or unworthy. Legendary British songstress Georgia Brown co-stars as a wise innkeeper.


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Mark Twain Tonight (1967) Review

Mark Twain Tonight  (1967)
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Having seen Hal Holbrook perform live in Mark Twain Tonight, I was delighted to aquire the DVD of his 1967 television broadcast performance. I have long believed, and this DVD confirms that Mark Twain Tonight is easily one of the greatest treasures of the American stage in the last half of the 20th Century. That Mr. Holbrook has performed Mark Twain every year since 1954, in over 2000 shows, is nothing short of miraculous. This 90 minute performance brings the wisdom, humor and humanity of one of the most morally insightful men of the 19th century to life. His words continue to be as hilarious, poignant and relevent in the 21st century as they were in his own time.

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5/01/2012

Faerie Tale Theatre - Rapunzel (1983) Review

Faerie Tale Theatre - Rapunzel  (1983)
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Shelley Duvall, creator and producer of the FAERIE TALE THEATRE series, takes centre stage in the lead role of RAPUNZEL, one of the best entries in the series.
Gena Rowlands is deliciously evil as the jealous old witch who takes the young girl from her parents and imprisons her in an impossibly tall tower in the middle of an enchanted forest.
Jeff Bridges is great as the dashing Prince who charms Rapunzel and plans to elope with her. Their scenes together are very beautiful, and their chemistry is evident for all to see.
Shelley Duvall and Jeff Bridges also portray Rapunzel's parents at the beginning of the tale, which is a nice touch.
Filled with dazzling costumes and an intelligent script, RAPUNZEL is worth a look, as are all the other great FAERIE TALE THEATRE's.


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4/23/2012

Faerie Tale Theatre - Cinderella (1985) Review

Faerie Tale Theatre - Cinderella  (1985)
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As an avid reader of fairy tales and a collector of Cinderella and Cinderella spin-off movies, I must say this one has won its place as my all-time favorite. Matthew Broderick and Jennifer Beals make the perfect on-screen couple, and Jean Stapleton is absolutely hilarious as a sort of "countrified" fairy godmother. This movie goes beyond a childhood tale and provides entertainment that everyone can enjoy, regardless of age. It's about time this wonderful movie was put on DVD. If you like this one, you might try some of the other Fairy Tale Theatre movies, as they all incorporate humorous twists to traditional fairy tales. I especially enjoyed watching The Dancing Princesses, but what can I say, I still enjoy Cinderella the best. Also, if you enjoy Matthew Broderick's performance, you might like seeing him in Ladyhawke, where he puts in an absolutely hilarious performance as a pickpocket named Mouse. Jean Stapleton also plays in Fairy Tale Theatre's Jack and the Beanstalk as the giant's wife. Her performance in that movie is almost as good as her performance in Cinderella, and the movie is well worth watching. And finally, if you enjoy humorous versions of fairy tales, I recommend another video: Into the Woods. It is a blending of fairy tales in a two-part stage play, but the Cinderella and Little Red Riding Hood scenes are hilarious.

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4/11/2012

Kidnapped (1960) Review

Kidnapped  (1960)
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Originally released in 1960, filmed 10 years after Disney's "Treasure Island" (Both are based on books written by Robert Louis Stevenson). This is a grittier more realistic film than Treasure Island, not as flamboyant. Coincidentally, Disney Director Robert Stevenson wrote the screenplay based on the novel but he is not related to the original writer.
Set in 18th centurey Scotland, it features James MacArthur who made 5 other films for Disney as a young man, and later moved on to "Hawaii 5-O". The film starts with a plot of a young man finding out he has an estate after his father dies, and when he goes to reclaim it his uncle tries to cheat him out of it. There is a famous scene where the uncle tries to kill the young man by sending up a tower in the dark... with missing stairs. Peter Finch is the Hero that takes him under his wing. They have to battle their way off a ship as cutthroat sailors try to murder them. The movie draws you in, as it is very realistic and loaded with period atmosphere, costumes, sets, and weapons. The British are chasing the Scottish Highlanders all over the countryside which is loaded with friends and traitors, and so they can trust no one. There are many character actors that add to the richness of the film. This film is a rollicking good time, and has intrigue, adventure, and mystery as well. Swordfights and gun battles galore! There are numerous authentic Scottish actors and accents, as it was filmed on location in Scotland. While Disney films that were made in Europe were criticized for being "too Americanized" they loved this film and praised both it's authenticity to the original book.
The color is beautiful on this nice clean print. This film is not for the smallest kids as it does have some scary scenes and some violence. (But keep in mind that the film still takes a strong stand against killing and drinking/gambling. Nice moral lessons without being preachy. The stars fight because they have too, and truly regret having to participate in violence to defend themselves).

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Robert Louis Stevenson's exciting saga of a young man's quest for his rightful inheritance bursts upon the screen in this faithful Disney adaptation. Award-winning actor Peter Finch stars as the daring rebel, Alan Breck, who joins forces with young David Balfour (James MacArthur) to do battle with scurvy sea dogs and ruthless Redcoats. A strong supporting cast features the memorable screen debut of Peter O'Toole. Filmed in the majestic Scottish Highlands, Disney's KIDNAPPED, with its swordplay, storms at sea, and heroic bravery, is a classic adventure of epic proportions!

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3/26/2012

Nicholas Nickleby (2006) Review

Nicholas Nickleby (2006)
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I have viewed four versions of this Dickens classic and find the BBC set starring Havers to be the most consistantly satisfying. The oldest version is processed from a print too damaged to produce a satisfactory result from the audio or visual standpoint. The stage version by the Royal Shakespeare group has many wonderful things about it but I miss the visual images of the architecure and countryside which are so much a part of the author's world. The recent version staring Dallimore is short on Dickensian humor and the heavy handed music score does too much to sink the performance.
Unlike another reviewer, I do not find Havers too old for the role of Nicholas. He is supposed to be 19 and many 19 year olds look much older than Nigel does. The best things about this BBC version are the wonderful views of the countryside and the look of the houses and towns.
The music is minimal but with Dicken's contant scene shifts I don't find that I miss it. The actors are true to the reputation of British television actors. Mostly trained on the stage, they are dependably wonderful. One might choose other actors in other versions as being one's favorites for this or that role, but overall this seems to be the choice for a good basic rendering of this classic.

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3/22/2012

The Mayor of Casterbridge (1978) Review

The Mayor of Casterbridge  (1978)
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Ah yes, remember the Golden Sundays when Masterpiece Theatre actually gave us masterpieces? When I reviewed the recent release of the 1967 "Forsyte Saga," I mentioned that its immense popularity here in the States led to the creation of Masterpiece Theatre and that the very first series seen thereon, "The First Churchills," was due to appear on Acorn Media DVDs soon. Well, the 1987 "The Mayor of Casterbridge" (AMP 6110) has come first. And thank you yet again, Acorn Media.
This is the wonderful 7-part series with Alan Bates as the ill-starred Michael Henchard, who in a drunken fit sells his wife and their baby daughter to a seaman and then sees her again years later when he is a wealthy merchant and the Mayor of Casterbridge. From that moment on, nothing he does, no decision he makes, seems to come out right. It has been too long since I read the Thomas Hardy novel, but I do remember this scenario being quite faithful to its source.
As with most of the older Masterpiece Theatre series, the acting is topnotch, the scenery gorgeous, the costumes and props absolutely authentic, and the dialogue intelligent and true to the novel. It has been suggested that British actors are so versatile because they work for years in repertory playing all sorts of minor roles before taking on major ones. Bates is just about perfect as the irascible main character--but we have the only major problem here: much of what he says is very hard to understand since he speaks in a quite authentic regional accent and slurs and whispers his lines far too often.
Anne Stallybrass as his long-suffering wife Susan might be recalled as Henry VIII's third and best beloved wife from that series; while Janet Maw plays the almost too good to be true daughter Elizabeth-Jane without falling once into cliché. In fact, even the smallest roles are absolutely believable, so that the evil Jopp (played by Ronald Lacey, the evil Nazi with the burned hand in "Raiders of the Lost Ark") is not just your stock villain but a credible human who thinks he knows how to survive. Henchard's most unwilling "rival," Donald Farfrae, is played most sympathetically by Jack Galloway. Probably the second most complex character of them all is the "woman with a past," Lucetta Templeman, played by Anna Massey.
A really important character, however, is the town of Casterbridge itself and its many inhabitants. But they all exist in a Hardy universe, which is hostile at its best to the innocent and guilty alike. The interest here is how the character of Henchard simply makes things worse. Fascinating watching.

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Cyrano de Bergerac (Broadway Theatre Archive) Review

Cyrano de Bergerac (Broadway Theatre Archive)
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I actually saw this version on TV back in the '70's and, at that time, I was astounded by Donat's performance. He is so natural, so believable, and so grand. Cyrano de Bergerac is my favorite play, and the director and actors have captured the beautiful spirit of Rostand's work. I have taught this play in high schools over the years and used other fine film versions as part of the class, but I always wished I could find a copy of the Donat version. Now I have. It was worth waiting for.

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3/15/2012

Cyrano De Bergerac (translation by Anthony Burgess) (1985) Review

Cyrano De Bergerac (translation by Anthony Burgess)  (1985)
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This video is based on the Royal Shakespeare Company's stage production of Cyrano that ran in London, New York and Washington DC 1983-1985. I saw the London and New York productions each several times, and, as phenomenal as they were, the video is in many ways better, if only because this version is more permanent.
I love this play. I've seen many renditions and adaptations of Cyrano over the years, and this one is by far the best I've seen. I'm a huge fan of Sir Derek Jacobi's work, and this rendition of Cyrano showcases his work at its pinnacle. Sinead Cusack is glorious in this production as the love-struck Roxane, John Carlisle is just dark enough as DeGuiche, Pete Postlethwaite is over the top as Cyrano's sidekick, Rageneau, Tom Mannion intelligently provides a beautiful and downright stupid-sounding Christian. The rest of the cast is equally fine (there just isn't time enough to list them all: sorry, Cast, you're all terrific). But of course this show is about Cyrano and Sir Derek keeps him and his large but not obscene proboscis in the center of the viewer's attention from Cyrano's first chandelier-swinging entrance to his bittersweet death in the nunnery yard.
If you can find it, get this video, watch it and drool. Why the distribution company let it go OP is beyond me.

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