Showing posts with label puccini. Show all posts
Showing posts with label puccini. Show all posts

4/03/2012

Puccini - La Boheme / Pavarotti, Scotto, Niska, Wixell, Plishka, Levine, Metropolitan Opera (1977) Review

Puccini - La Boheme / Pavarotti, Scotto, Niska, Wixell, Plishka, Levine, Metropolitan Opera (1977)
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La Boheme is certainly one of the top three performed Operas worldwide, along with Carmen and Aida. It is not my favorite Puccini Opera; that distinction goes to Manon Lescaut which, as opera critic Irving Kolodin so perfectly phrased it, is "the most of the promise, with the least cost of the fulfillment." I don't begrudge Puccini his popularity: his music is often beautiful, the emotions direct and heartfelt. His librettos seem designed to tug the heartstrings in a plebian grab for popularity, like a television show tested by a focus group. But that's OK. So when I see a production of any of Puccini's most popular operas, I tend to concentrate on sound: the beauty of the instrumental music, the vocal qualities of the singers. I usually ignore the plot. A misguided fear of being manipulated by a master? Probably. I'm weird that way!
So when I say I loved this DVD of La Boheme, that I was engrossed by the drama as well as the music, then it must be something special. The Met usually mounts traditional productions. When they stray from that conservative path, the audience tends to get ornery. This Boheme is a classic production: no "artistic license" shifting the action to the surface of Mars with a cast of farm animals and an orchestra of kazoos! I like a traditional Boheme, the way Puccini envisioned it. The emotions are less over-the-top, the drama more organic. The libretto is direct, even simple. That simplicity is the source of this production's excellence.
Produced live on 15 March 1977 and the inaugural telecast of the PBS "Live at the Met" series, the DVD transfer effectively reduces many of the artifacts inherent to a 30 year old taped program. The image is still a little fuzzier than we're now used to, but not enough to drive you screaming up the wall. The DTS 5.1 sound is clear and full. As for the singing, both Pavarotti as Rodolfo and Renata Scotto as Mimi are at their absolute peak!
This Boheme features a sublimely sung Rodolfo. All of the things Pavarotti was famous for are in evidence here: crystalline tone, perfect diction, fluidity of vocal quality. And this younger, svelter Pavarotti actually acts! I was moved by his performance in a part he obviously identifies with. As for Scotto, a leading soprano at the Met for two decades, her singing is lovely, with a limpid quality that heightens the emotionalism of her superb acting. The excellent cast includes Maralin Niska as Musetta and Ingvar Wixell as Marcello.
James Levine had come into his own as a Conductor around this time. He offers a nearly perfect rendition of this verdant score. The Met Orchestra, obviously on the rise as one of the world's great ensembles, sounds wonderful. Watching them hang on Levine's every gesture, turning on a dime as they negotiate every twist and turn of this score, is one of the pleasures unique to the DVD format. As for the production design by Fabrizio Melano, it is simple and direct. It just looks right!
I don't know if my atitude towards Puccini as a dramatist will ever change. But productions like this one, saved for posterity, are a clue as to why audiences adored Puccini in the first place. Before time and popularity seemed to cheapen the drama until it resembled a High School production of Cats. I love Puccini just like everyone does, of course. It's just that every now and again I need to be reminded why I love him. I strongly recommend this superb DVD. It's the jolt you need to get you in touch with your inner Rodolfo and Mimi.
Mike Birman

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Item Name: Puccini - La Boheme / Pavarotti, Scotto, Niska, Wixell, Plishka, Levine, Metropolitan Opera; Studio:Deutsche Grammophon

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12/04/2011

The Turandot Project (2002) Review

The Turandot Project (2002)
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Although "Turandot" was always my mother's favorite Puccini opera and, as a result, I grew up listening to it, I never quite understood it as I understood the other "simpler" works like Butterfly and Tosca (my personal favorite). But when I saw "The Turandot Project" on the Sundance channel this morning, all of a sudden everything became clear and I rushed to the computer to find the DVD.
While the production itself is spectacular (300 extras, 50 ballet dancers, a contortionist from the Beijing Opera, and 300 soldiers from the local Chinese Army garrison), the documentary of what was involved in making the production actually happen is fascinating. I counted at least four languages (English, Italian, and Mandarin for most, but let's not forget the Viennese sound director with his own Mandarin/German translator) and a nearly unlimited number of egos.
At the end of the documentary, while we hear Puccini's gorgeous music, the film cuts between the the actual production and the earlier shots of the various problems and rehearsals. I swear, watching that, I got actual goosebumps.
In all, the production is the culmination of an astonishing effort dedicated towards one goal: the production of Puccini's masterpiece in its perfect setting, the Forbidden City. The production is a triumph of human dedication and cooperation and makes you think that maybe, in the end, there's hope for us all.

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In 1997, Oscar-winning documentarian Allan Miller (THE BOLERO, FROM MAO TO MOZART) embarked on a film project with renowned conductor Zubin Mehta and celebrated Chinese film director Zhang Yimou (RAISE THE RED LANTERN, HOUSE OF THE FLYING DAGGERS) as they joined forces in a production of Puccini's opera Turandot in Florence. Before the year was out, an extraordinary opportunity arose: to stage Turandot in its original setting in the Forbidden City of Beijing. The outdoor production was an undertaking on an epic scale--including the expansion of the site with the construction of huge new sets, the creation of breathtaking hand-sewn Ming Dynasty costumes and the adding of hundreds of soldiers and local extras, to lend a lavish authenticity to the staging. A fascinating chronicle of an unprecedented cross-cultural collaboration, THE TURANDOT PROJECT combines the pageantry of this opulent opera production with a spectacular cinematic portrait of the struggles and triumphs of Zubin Mehta and Zhang Yimou to mount their production in this most historic venue of China.

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