Showing posts with label china. Show all posts
Showing posts with label china. Show all posts

5/28/2012

Faerie Tale Theatre - The Nightingale (1982) Review

Faerie Tale Theatre - The Nightingale  (1982)
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THE NIGHTINGALE is one of the all-time greatest episodes of FAERIE TALE THEATRE, featuring great performances, expert direction by Ivan Passer and a heartbreaking musical score.
The Emperor of Cathay (Mick Jagger) lives in a porcelain palace with his courtiers completely cut off from his people. When he hears about a magical bird called the Nightingale and it's exquisite song, he demands an audience with it. The Kitchen Maid (Barbara Hershey) swiftly leads the Prime Minister (Edward James Olmos) to the bird. When the Nightingale sings for the Emperor, it immediately gladdens his heart and giving nature.
But when a mechanical version of the Nightingale is given to the Emperor, he quickly dismisses the real bird. Now ill and close to death, the Emperor needs the love and companionship of the real Nightingale more than ever...
Featuring strong performances all around. Co-starring Bud Cort as the Master of Imperial Music. Look closely and you'll spot Anjelica Huston and Jerry Hall as the fairies Primrose and Pansy.
Highly-recommended

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2/02/2012

The Year of the Dragon (Broadway Theatre Archive) (1975) Review

The Year of the Dragon (Broadway Theatre Archive) (1975)
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This is a dynamic, excellently acted filmed version of one of Frank Chin's greatest plays. The explosive interaction of a family of Chinese-Americans set against the explosive background of Chinese New Year celebrations makes for great drama. The actors really rise to the occasion, particularly George Takei, whose performance is a tense, volatile bundle of energy - always threatening to go over the edge- but with a reserved and collective melancholy that is truly compelling. The tension between the good Chinese-American who keeps quiet, plays the fool, and knows his place and the revolutionary spirit of the young is etched in Takei's face. He is a walking contradiction, and filled with turmoil. This inner struggle culminates in a devastating climax. Takei's performance is like watching a nerve being shredded and is very powerful. It helps raise this play (which gives voice to feelings held quiet for too long) above the ordinary.

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12/05/2011

Black Belt Theatre, Vol. 9: Snuff Bottle Connection Review

Black Belt Theatre, Vol. 9: Snuff Bottle Connection
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Snuff bottle connection , aka Secret Rivals 3 in South Africa was always one of my favourite karate movies of the late 70's.However the DVD transfer does no justice to this movie.Who ever did the transfer to DVD needs to see an optician as almost half the movie is out of frame and this really spoils everything.Well if you prepared to watch it like that,I feel the company should drop the price to about $4.99 maximum.Do yourself a favour buy Invincible Armour instead.A classic in its true form.

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12/04/2011

The Turandot Project (2002) Review

The Turandot Project (2002)
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Although "Turandot" was always my mother's favorite Puccini opera and, as a result, I grew up listening to it, I never quite understood it as I understood the other "simpler" works like Butterfly and Tosca (my personal favorite). But when I saw "The Turandot Project" on the Sundance channel this morning, all of a sudden everything became clear and I rushed to the computer to find the DVD.
While the production itself is spectacular (300 extras, 50 ballet dancers, a contortionist from the Beijing Opera, and 300 soldiers from the local Chinese Army garrison), the documentary of what was involved in making the production actually happen is fascinating. I counted at least four languages (English, Italian, and Mandarin for most, but let's not forget the Viennese sound director with his own Mandarin/German translator) and a nearly unlimited number of egos.
At the end of the documentary, while we hear Puccini's gorgeous music, the film cuts between the the actual production and the earlier shots of the various problems and rehearsals. I swear, watching that, I got actual goosebumps.
In all, the production is the culmination of an astonishing effort dedicated towards one goal: the production of Puccini's masterpiece in its perfect setting, the Forbidden City. The production is a triumph of human dedication and cooperation and makes you think that maybe, in the end, there's hope for us all.

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In 1997, Oscar-winning documentarian Allan Miller (THE BOLERO, FROM MAO TO MOZART) embarked on a film project with renowned conductor Zubin Mehta and celebrated Chinese film director Zhang Yimou (RAISE THE RED LANTERN, HOUSE OF THE FLYING DAGGERS) as they joined forces in a production of Puccini's opera Turandot in Florence. Before the year was out, an extraordinary opportunity arose: to stage Turandot in its original setting in the Forbidden City of Beijing. The outdoor production was an undertaking on an epic scale--including the expansion of the site with the construction of huge new sets, the creation of breathtaking hand-sewn Ming Dynasty costumes and the adding of hundreds of soldiers and local extras, to lend a lavish authenticity to the staging. A fascinating chronicle of an unprecedented cross-cultural collaboration, THE TURANDOT PROJECT combines the pageantry of this opulent opera production with a spectacular cinematic portrait of the struggles and triumphs of Zubin Mehta and Zhang Yimou to mount their production in this most historic venue of China.

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11/12/2011

Luigi Pirandello's The Rules of the Game (Broadway Theatre Archive) (1975) Review

Luigi Pirandello's The Rules of the Game (Broadway Theatre Archive)  (1975)
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Pirandello's "The Rules of the Game," which has nothing to do with the Renoir film of the same title, is a relatively minor entry in the Pirandello canon but it's still an intriguing and effective play.
This TV production, originally presented on PBS's Theater in America series, was based on a stage production by the Phoenix Repertory Company that played on Broadway in 1974. (And how sad is it that it's been so long since PBS has had anything like the Theater in America series?)
The main characters are Silia (Joan van Ark), who is having a long-term affair with Guido (David Dukes), while remaining obsessed with her estranged husband, Leone (John McMartin) As part of their separation agreement (this being Italy and there being no possibility of divorce), Leone must visit Silia every evening for a half-hour.
Leone has decided that the best way to win what he refers to as "the game" is to drain himself of all painful emotions and to give in without argument to what others request of him. By continually agreeing to all of Silia's requests, including when she requested a separation, he frustrates her will, which is why she remains obsessed with him.
The play has a couple of plot twists that are fairly predictable, but what makes it a pleasure is Pirandello's language, which comes through effectively even in translation. (The William Murray translation is used.) And Pirandello provides dramatic situations that give good actors a lot to work with.
As Leone, John McMartin is particularly fascinating, finding ways to make Leone seem somewhat passive while subtly (and sometimes not so subtly) tormenting Silia and Guido. That fine actor David Dukes (who died far too young) provides an excellent foil for McMartin. They play their scenes beautifully.
Joan van Ark, who had been a late replacement for Mary Ure in the stage production, doesn't inhabit Silia's mix of sensuality, sadism, and neediness as fully as she might, but she's generally sound and sometimes more than that.
The supporting cast (including Charles Kimbrough, perhaps best known as Jim Dial on "Murphy Brown," in a fairly important supporting role, and Glenn Close, listed prominently on the DVD case, in a tiny role) is excellent, though it's a little strange that while most of the cast speak in more-or-less standard American stage speech, a couple seem to be trying to sound vaguely Italian.
The play was a cut a bit to fit into a 90-minute TV time slot, but the cutting was done skillfully. I question how McMartin was directed to play the final moments (going way beyond what is suggested in the script), but this DVD is an excellent way to experience this rarely seen Pirandello play. And except perhaps for those final moments, McMartin gives a superb and fascinating performance.

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11/05/2011

Five Deadly Venoms (1999) Review

Five Deadly Venoms (1999)
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Shaw Brothers Movie Studios director, Chang Cheh's 1978 tour-de-force Kung Fu extravaganza. This film set the stage for nearly 20+ more movies starring the 'Venoms' to follow in an attempt to quench the world-wide thirst of fans of this, the first 'Venoms' movie. Long out of print and only found in the possession of private Kung-Fu film collectors, the current commercially available VHS of 'The 5 Deadly Venoms' by EPI, is struck from a good quality master print, and is uncut and formatted in LBX (letterbox), which is a real treat to Kung Fu movie fans. The story centers around the last student of the dying master of 'The Poison Clan', who is sent out to find the last 5 secret members of the clan, all of whom have trained in a special 'Poison' technique. Some of the clan members have gone bad, and the student must locate and destroy them with the help of good members, if he can find them! The script, acting, choreography, costumes, and sets are fantastic. This film combines bare-chested Kung-Fu supermen back-flipping through the air while weilding exotic Chinese weapons and performing unbelievable feats of physical strength, skill, and speed, with a twisting plot of deceit, revenge, and corruption; all against a fantastic & deadly 14th century backround. The 5 Deadly Venoms stars Kuo Chui (Lizard), Sun Chien (Scorpion), Lo Meng (Toad), Wei Pai (Snake), Lu Feng (Centipede), and Chiang Sheng as 'Yan Tieh', the last disciple of the Poison Clan master. A 'Must Have' for any Kung Fu movie fan as The 5 Deadly Venoms is truely an all time classic.

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The dying master of the powerful Poison Clan dispatches his last pupil on a crucial mission. Worried that the skills he has taught are being used to evil ends, he orders the Yan Tieh to trace a retired colleague and warn him that the fortune he amassed from the clan activities is under threat from five of his former pupils. Each an expert in his own lethal combat style, the five comprise a truly invincible force. Yan must discover the whereabouts and true identities of these deadly masked warriors and decide which, if any, can be trusted.

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10/03/2011

Zalmen or the Madness of God (Broadway Theatre Archive) (1975) Review

Zalmen or the Madness of God (Broadway Theatre Archive)  (1975)
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Most familiar with the works of Elie Wiesel will think of his memorable semi-autobiographical novels, his two-volume memoir or his long and unflagging effort to bring the issue of human rights--not only Jewish human rights--before the eyes of the world. Here, we see a different Wiesel, even different than the man who stood up to Ronald Reagan when he urged him (unsuccessfully) not to visit Bitburg. it is not so much that his theme--the plight of oppressed Jews-- is unfamiliar. Rather, it is how it is revealed. Not only is it a play, and brilliantly cast, but, as some may remember from its appearance many years ago on PBS, it focuses us on post-World War II history, the struggle of Jews in freshly post-Stalinist Russia. Joseph Wiseman is the old Rabbi of the town who has nearly given up hope of ever seeing his people breath the brisk air of freedom, and, at the same time, grieving for his spiritually wayward daughter, while he and his neighbors and congregants alike cow-tow to the local officials who gently strong-arm them to behave and shut up. Richard Bauer, as the synagogue beadle, and crazy like a fox, tries to lift Wiseman out of his spiritual malaise and speak out. There is great humanity here, and--please--it is not just for a Jewish audience, much like, I would argue, is the case with most of the Wiesel canon. Watch this and be changed.

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9/12/2011

Emperor of the Seas (Discovery HD Theater) (2008) Review

Emperor of the Seas (Discovery HD Theater)  (2008)
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The Emperor of the Seas video is what I have found to be a rare account of the ancient Chinese Treasure Fleet. The video was enlightening entertainment not only suitable viewing but cultural and history knowledge expanding for the entire family.
Western ancient historians have, in my judgment, neglect the ancient Chinese influence on culture and human ancient history. The account of the Treasure Fleet is very well done in this film and raises new historic questions in my mind.
The possible historic parallels between the ancient Chinese Treasure Fleet and the modern day (1968-1972) United States Apollo fleet that travelled to the moon is what drew me into this aspect of Chinese history. Nonetheless, for whatever reason I was drawn to the DVD Blue-ray, I am very pleased to know have the knowledge of it.
AGAIN, this is a MUST for any DVD Library of the 21st Century. I highly recommend it.

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