Showing posts with label bbc murder mysteries. Show all posts
Showing posts with label bbc murder mysteries. Show all posts

6/03/2012

Mother Love (1989) Review

Mother Love (1989)
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Maybe I am romanticizing this Mystery (or was it Masterpiece Theatre) presentation, but a lot of other people still talk about it. IN FACT, a dear friend of mine was talking about Mother Love and remembering Diana Rigg's wonderfully chilling performance. I want a copy for me, but I really want to get him a copy. If you ever saw I Claudius and shuddered at Livila's knack for poisoning people's bodies, you will enjoy Mother Love. If you marveled at Nancy Marchand's noteworthy performance in the first season of the Sopranos at Toni's mother, you will enjoy Mother Love. What showers were to Psycho, marzipan is to Mother Love. It is an interesting thriller and psychological profile. The rest of the cast and the whole production is worthy of Rigg's main character. The world deserves to get goosebumps from watching this miniseries from BBC or Thames or whoever made this happen.

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5/15/2012

The Road from Coorain (2003) Review

The Road from Coorain  (2003)
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I think this is a wonderful adaptation of a wonderful novel. The acting is superb. The cinematography exquisite. Juliet Stevenson and Tim Guinee are extraordinary. It is well worth your time.

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4/15/2012

Inspector Lewis Series 1 (2006) Review

Inspector Lewis Series 1 (2006)
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2008's "Inspector Lewis I" features Kevin Whately as Detective Inspector Robbie Lewis, formerly of the Inspector Morse series, now on his own with the Thames Valley police force in a highly enjoyable three part initial series.
Inspector Lewis is paired with young Detective Sergeant James Hathaway (Laurence Fox), working a series of murder cases in and around Oxford University. One case, "Whom The Gods Would Destroy", concerns an almost forgotten student secret society, whose members start dying in an unnatural fashion. As his logical suspects continue to die, Inspector Lewis must play off the surviving members against each other to find the path to a surprising killer. Another case, "Old School Ties", involves a convict turned author who is invited to speak at the Oxford Student Union and ends up murdered, along with one of the students. The suspects include a collection of rather selfish and heartless students, an ex-SAS soldier, and a former love interest of Inspector Lewis. A third case, "Expiation", presents Lewis with the equally unappetizing challenges of two suspicious suicides and a public speaking opportunity.
The cases are presented in a deliberately paced manner, as Inspector Lewis and Sergeant Hathaway get the clues at the same rate as the audience. Lewis and Hathaway methodically eliminate suspects; there are no magical solutions and sometimes the bad guys seem to get there first. Lewis is the crusty, intuitive, and old-fashioned cop; Sergeant Hathaway is the stoic and dutiful subordinate. Some of the fun comes when the cases involve some arcane piece of literature or theology, or the use of modern information technology, on which subjects the well-educated Hathaway is only too eager to help his boss. Lewis must also interact with a female chief inspector not wedded to the old boys network or ways of solving cases. The format nicely mixes suspense, humanity, and humor, and avoids insulting the audience with easy and obvious solutions to the mysteries.
"Inspector Lewis I" is highly recommended to fans of Masterpiece Mystery Theater as a fresh and interesting spinoff from an old favorite.

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4/10/2012

Heat of the Sun Boxed Set (Private Lives / Hide in Plain Sight / The Sport of Kings) (1999) Review

Heat of the Sun Boxed Set (Private Lives / Hide in Plain Sight / The Sport of Kings) (1999)
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I first saw this on PBS's Mystery series a couple of years ago and loved it. I was able to tape two of the episodes on a repeat, but I'm holding out hope (most likely in vain) for a DVD release. And Diana Rigg's introductions on the Mystery version add lots of background and period information about some of the real people some of the characters resemble. I assume that this comentary is not included on the VHS release (?).
Police Superintendent Albert Tyburn has left England and Scotland Yard for the East African colony of Kenya. He left under a cloud and rumours about why have followed him all the way to Nairobi. He's to head up the newly created Criminal Investigations unit that pompous snob and windbag Police Commissioner Burkitt feels is entirely unnecessary. For Tyburn, "crime is crime" and people are people and his determination to treat the natives with respect along with his refusal to show his "betters" proper deference is a continual irritant to his often lofty suspects. He's also constantly irritating his superior, Burkitt who loathes Tyburn and tells him "you're not one of us and you never will be" - for which Tyburn is eternally grateful! Trevor Eve is fantastic as Tyburn - smart, sexy, wry and sardonic he has no qualms about being unpopular as long as the criminals pay.
Then there's aviatrix Emma Fitzgerald (played by the terrific Susannah Harker) an independent woman on the fringe of "polite society" who pilots her own plane for safaris and supply runs. She and Tyburn meet when her sister is murdered in episode one. Their mutual respect and friendship evolves into one of the most understated (but sweet) romances I've ever seen!
Great, tight stories, an authentic period atmosphere and wonderful supporting characters in Dr Mueller, Inspector Valentine, Corporal Karendi, Governor Rex Willoughby, decadent party-boy Chico DeVille and the sleazy and villainous Max Van der Vuerst all add up to intelligent and enjoyable viewing. Highly recommended!

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A tangled web of blackmail, murder, passion, and more awaits former Scotland Yard detective Albert Tyburn (Trevor Eve from The Politician's Wife) when he arrives in Nairobi. He has been sent to head up a new criminal investigation unit under the command of pompous local police commissioner Ronald Burkitt (Michael Byrne). In these three mysteries: Private Lives, Hide in Plain Sight and The Sport of Kings, Tyburn uses his cunning, courage and headstrong policing style to battle arson, drug-dealing, murder and the creeping colonialism of Kenya's hedonistic expatriate community. Special DVD features include: link to the Mystery! Web site; scene selections; and closed captions.On three DVD5 discs.Region coding: All regions.Audio: Dolby stereo.Screen format: Letterboxed.

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4/07/2012

Foyle's War - The German Woman (2003) Review

Foyle's War - The German Woman (2003)
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PBS's ExxonMobil Masterpiece Theatre introduces Foyle's War; a four-episode murder-mystery series set in historic Hastings, England (i.e. The Battle of Hastings) at the onset of World War II. This is a much welcome installment for PBS Mystery! devotees as corporate sponsors have, unfortunately, been few-and-far-between in recent years. Detective Chief Superintendent Christopher Foyle is perfectly portrayed by Michael Kitchen, a Masterpiece Theatre alumnus, and he lends an easy-going charm and compassion to the serious and determined Foyle, who calmly tracks down the assorted murderers.
"The German Woman" starts the series off with a flourish (and two murders). It boasts an enviable cast of redoubtable British actors (Edward Fox, Robert Hardy, David Horovitch, Dominic Mafham, Rosamund Pike, etc...) and contains wonderful production values, so that the period atmosphere of English village life is fully evoked. The plot concerns the murder of the German wife of a wealthy Englishman and, despite powerful anti-German sentiments, Foyle focuses on treating the case as he would any other murder inquiry -- by rooting out the murderer and bringing them to justice. This is Foyle's strength and his Achilles' heel. As Foyle is so intent on justice, his superiors will not release him from his civic duties -- much to his chagrin. Foyle would rather be supporting the war effort by fighting in the front lines. To complicate matters, Foyle's son, Andrew, has signed up with the RAF as a pilot. Foyle's world is quickly unfurling through events that he cannot control, yet, ironically, he must maintain control in his district -- else chaos ensues. This intelligent and thoughtful series, and especially this premier episode, is highly recommended for viewers who enjoy a well-crafted mystery. In addition, they will be transported back to an incredibly dangerous and courageous time in world history by this realistically produced series.

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4/06/2012

The Sally Lockhart Mysteries - Shadow in the North (2008) Review

The Sally Lockhart Mysteries - Shadow in the North (2008)
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I am sure that this is great but having seen the BBC version versus the PBS version, let me just say that the very critical scene of Fred proposing and her accepting is not in the PBS version. It isn't like you saw anything bad. But you did get to see Fred and Sally having a romantic moment, when she confesses that she didn't realize she is more with him than without. I refuse to buy this version.

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4/01/2012

A Touch of Frost - Season 1 Review

A Touch of Frost - Season 1
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A Touch of Frost is an outstanding British mystery series, and it is high time it was released on DVD. This set contains the entire first series--three 100-minute episodes entitled "Care and Protection", "Not with Kindness", and "Conclusions." At the time of writing, series two is also available (for preordering), and I only hope that the video company will see fit to release the entire series.

David Jason (Only Fools and Horses, The Darling Buds of May, Open All Hours, Micawber), who personally is one of my favourite British actors, stars as Jack Frost, a dedicated, single-minded detective inspector with a nose for ferretting out criminals. Frost is a bit like a dog with a bone when he sets his mind on something, and he doesn't worry too much about letting little things like rules, procedures, tactfulness, or even legality get in the way of finding out the truth--if he can get away with it, that is. This is a man whose loathing for the criminal element--for those who hurt or destroy the lives of others--verges on the personal. At the very least, his dedication to duty is more than just a job for him, it's his whole life--his raison d'etre. Certainly, his personal life suffers greatly from his dedication--indeed obsession--with his work.
The series opens with Frost's wife on her deathbed. Even in such a situation (perhaps, indeed, because of it--for Frost does not handle personal tragedy well), he is unable to spend the time at his wife's side that is expected. While this may sound rather morbid and depressing, I must emphasize that overall the series is not. Certainly, the crimes that are committed are serious and tragic, but like the Inspector Morse series (a series with which this one compares well), the episodes are punctuated by quite a healthy dose of humour, and like Morse it is primarily character humour. In other words, it arises out of the idiosyncrasies in the inspector's character, which become more apparent as we become more familiar with the character. In Frost's case, apart from his questionable tactics, he's extremely disorderly, and his dedication to his work is matched only by his loathing for paperwork--a trait which often has him at odds with his punctilious boss, Superintendent Mullett. Indeed, Frost is perennially ducking into doorways or skipping out of the office in attempts to avoid the unwelcome confrontations. One thing Frost does not have, unlike Inspector Morse, is a regular "Sergeant Lewis" in tow; rather, he has a different sergeant assigned to him for almost every episode.
One aspect which, in my opinion, makes A Touch of Frost such a good series is the powerful punch of irony that usually occurs at the end of each episode. Often one can really sympathise with the killer or at the very least understand his or her motivation. Sometimes we find that it's one trifling incident--someone in the wrong place at the wrong time--or a petty misunderstanding that sets the wheels in motion for a tragic outcome. Often it seems that the bringing of the criminal to justice is the greatest injustice.
In conclusion, this is a well-acted and an extremely well-written mystery series--one with quite hard-hitting stories, thus making the comic relief all the more welcome. It is a series which I recommend very highly to fans of British mysteries in particular--if you enjoy shows like Inspector Morse, for example, or have enjoyed PBS's erstwhile Mystery! series, I'm sure you'll enjoy this one. I would, however, go so far as to recommend this series to anyone looking for a superior quality mystery series, British or otherwise. Personally, I've always wondered why it was never made a part of PBS's Mystery! series, for it was certainly worthy of inclusion.

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The Inspector Lynley Mysteries - Series 6 (2007) Review

The Inspector Lynley Mysteries - Series 6 (2007)
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I mentioned when writing about season five that this delicately etched and excellently acted series on PBS's "Mystery" was my favorite. It still is. I truly believe it is the finest show on television. Nathaniel Parker's Inspector Thomas Lynley and Sharon Small's Barbara Havers are eagerly awaited with passion each season by this viewer like nothing else on television.
Based on Elizabeth George's characters, the BBC show has grown and matured into something really special. The mysteries are always well-written and the lead characters have been allowed to let life and what each brings to the table change both themselves and how they view each other. Parker and Small are a fabulous duo who balance each other out.
The dashing Lynley was originally paired with Havers because it was taken for granted he would not be distracted by her in a romantic way. But the two quickly found there was more to each other than their reputations, and proved a great team. They also became quite close, their deep friendship and affection for each other rarely dwelled upon but always there beneath the surface.
Havers has given the dashing Lynley depth and complexity while he has given her a softer appearance over time. Small really looked terrific in season five with her hair down. Though some griped it was a deviation from the books, it is this intelligent lack of stagnation which has kept things fresh.
Season five ended tragically as Lynley's world changed in the blink of an eye when his beloved Helen was killed. One of the most poignant moments of the series found Havers sitting with Lynley after her funeral to make the world wait a few moments. It is intelligent and very real moments such as that which make this show tower head and shoulders above everything else out there.
It is for that reason that a massive campaign is being waged to persuade the BBC to continue to produce the show so that PBS fans in America can enjoy these richly mature and intelligent mysteries. The carefully nuanced performances of Nathaniel Parker and Sharon Small as Lynley and Havers would be harder to live without than Lynley's beloved Bristol.
Until that happens, we can at least enjoy the two episodes here on season six. In "Limbo," first aired in Australia, the remains of Lynley's godson are discovered twelve years after he was reported missing. Lynley becomes deeply involved with the deceased's sister and will become the prime suspect in a second murder. In "Know Thine Enemy" one young schoolgirl kills herself to escape captivity and Lynley and Havers try to find another before tragedy strikes twice.
The Inspector Lynley series is smart and atmospheric, Debbie Wiseman's opening music setting the tone for each intriguing installment. Fans cherish this show and hopefully this won't be the last we see of our favorite detectives.

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3/21/2012

Agatha Christie's Marple: Series 2 (2006) Review

Agatha Christie's Marple: Series 2 (2006)
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Sleeping Murder seems to refer mostly to what was done to the original book. Obviously considering Christie's mysteries too mannerly, the scriptwriters invented a troupe of actors who sleep around with each other, then changed the step-sister in the plot to a real sister so some incest could be added; by the time the heroine breaks off her engagement to her fiance, it is a mild denoument, but at least consistent.
In By the Pricking of My Thumbs, Miss Marple is injected into a plot where she is totally unncessary; and rather than the happy, intelligent couple we know from Christie's books, we are presented with Tommy as a bumbling, insensitive beaurocrat and Tuppence as a depressed boozer (with some unexpected company, since the local clergyman is also an alcoholic, of course).
The Moving Finger is much better in plot alignment, even though it opens showing the hero writhing in bed with various women (thankfully, only one at a time). But here the costume production details were messed up pretty badly: the (very) busty governess is about to explode from the low-cut cocktail dress she is wearing early in the morning as she oversees her young charges (in which any sudden movement would certainly have added graphically to their education); and when the hero's sister is shown seated at a formal dinner party eating with her gloves on, I laughed aloud; who made this episode, 21st century Americans?
All of this is a real shame, since a lot of thought and money obviously went into the period detail, and the acting is top-notch; but the representation of 1950's behavior is so unrealistic that it counteracts all the effort put into the visualization of the small towns and their surroundings. I've added an additional star from my earlier review, since the producers really did apparently try to give us 1952 England; but the production was forced to be so post-modern friendly, that they lost the originality and reality that would have made these episodes much better editions.
Had they considered a series focusing Miss Marple's sophisticated nephew, with new story lines, it might have been fascinating; but trying to hang onto some thin thread of the original plots, while taking all the chracters from 2006 and putting them into period settings, was not a convincing combination.

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As seen on the PBS Mystery! series Four all-new, full-length mysteries bring you a Miss Marple like no other. Geraldine McEwan (Vanity Fair, The Magdalene Sisters) returns as the spinster sleuth, as shrewd and sagacious as ever. Breathing new life into Agatha Christie's novels, these intricately plotted and thoroughly engaging whodunits feature the richly detailed settings, lush cinematography, and imaginative screenplays that won Series 1 overwhelming critical acclaim and an Emmy® nomination. McEwan imbues Miss Marple with a kindly sparkle and sly wit that prove "irresistible," raves TV Guide. "Not your mother's Miss Marple," says the Associated Press. Sterling supporting casts that include Anthony Andrews, Michael Brandon, James D'Arcy, Geraldine Chaplin, Timothy Dalton, Frances de la Tour, Sophia Myles, Ken Russell, and Greta Scacchi further enrich this 21st century celebration of Agatha Christie's most beloved heroine.

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3/12/2012

Foyle's War: Set 1 (The German Woman / The White Feather / A Lesson In Murder / Eagle Day) (2003) Review

Foyle's War: Set 1 (The German Woman / The White Feather / A Lesson In Murder / Eagle Day) (2003)
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Perhaps it's my affection for England - a love that makes my wife roll her eyes - that causes me to have a higher regard for BBC and ITV small screen productions than those of America, which seem so crass in comparison. So many of the former seem uncommonly funny, intelligent, or both. FOYLE'S WAR is an uncommonly intelligent detective drama, a period piece set on England's south coast in 1940. And, to keep the record straight, my wife's dedication to this series is at least as pronounced as mine, if not more so.

Michael Kitchen is Detective Inspector Christopher Foyle, who's ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the Women's Royal Army Corps enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector recently returned to home front duty after being wounded with the Army during the disastrous British invasion of Norway.

In Series One,the murders occur in contexts that include sexual harassment, anti-semitism, police brutality, local jingoism, sabotage, and conscientious objection - all set against a backdrop of Luftwaffe bombing raids and the fear of imminent amphibious invasion by the German Wehrmacht.

The character of Foyle - intelligent, perceptive, reserved, compassionate, wounded by his wife's recent death, worried for his son's safety - epitomizes the phrase "still waters run deep." The viewer embarks into each episode wondering what new layer of Foyle's persona will be revealed. (Not to give too much away, but I've just seen the first episode of Series Two, which gives evidence of an old and tragic love affair involving Foyle and a now-married gentlewoman.) And the evolution of the relationship between Foyle and the occasionally cheeky Sam is one of the major delights of the miniseries as the latter proves she's smart, intuitive, and potentially more useful than just a lowly chauffeur.

The various murders investigated by the trio are never straightforward, but involve clever plot twists and hidden motives, the solutions to which silently gestate in the Inspector's mind before being revealed at the end of the story, much like the Sherlock Holmes mysteries of old.

There are, of course, uneven moments to Series One which allow for only four stars. I trust, as the show matures, that it will only get better. The areas that need no improvement are the period costuming, props and sets, all of which are superbly done and a delight to an Anglophile.


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FOYLE'S WAR SET 1 - DVD Movie

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3/10/2012

Prime Suspect: Series 1 (1991) Review

Prime Suspect: Series 1 (1991)
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Helen Mirren stars as Chief Inspector Jane Tennison in this dramatic BBC miniseries.
A serial killer is at large, and Tennison inherits the mantle of investigating the lead suspect. While certain elements of the story are largely predictable, there is also an unexpected element of surprise with the way the tale unfolds. Mirren adds a definitive credibility to the vulnerable character of Tennison, struggling for any reasonable work/life balance, and she proves to be the most interesting sleuth to come out of England since Sherlock Holmes.
Time Magazine voted this, in its initial airing, the second most important television event of the year ... right behind Johnny Carson's farewell show. A must viewing for serious fans of mystery genre.

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Oscar® Winner Helen Mirren is Detective Jane Tennison, "perhaps the greatest role and performance of a female police detective, ever" (San Francisco Chronicle), in a series that won more than 20 major international awards and raised the bar for police dramas.
In the opening series, DCI Tennison seizes the opportunity to head a murder investigation -- something she should have done long ago, had she not been passed over by her male superiors time and again. With a suspect already identified and her own team openly hostile, she uncovers errors and conflicting facts that point to a cover-up within the force. Is this a single murder or the latest act of a serial killer? Tennison refuses to back off the investigation.
Guest stars include Tom Wilkinson (Michael Clayton, In the Bedroom, Ralph Fiennes (The English Patient, Schindler's List), and Zoë Wanamaker (Poirot).

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2/22/2012

Wallander: Sidetracked / Firewall / One Step Behind (2009) Review

Wallander: Sidetracked / Firewall / One Step Behind (2009)
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The Kurt Wallander novels, authored by Henning Mankell, are quite popular in Europe but rather less well known in the US. "Wallander-Series I" brings to television and DVD the dramatization of three of the novels. Wallander, portrayed by veteran and gifted Irish actor Kenneth Branagh, is a detective on the police force of the gritty seaside town of Ystad in Sweden. He is a borderline physical and psychological burnout case, who has lost his sense of detachment from his cases and takes everything far too personally. At the same time, he is a brillant sleuth with an ability to make intuitive connections between seemingly unrelated cases. Assisted by his staff and supported by a faithful daughter, he manfully plugs away at some rather unorthodox cases.
"Sidetracked" opens with a brilliantly staged scene in which Wallander fails to prevent a young woman from self-immolation in a sunlit field of flowers. He is also beset by a series of murders in the local art business, and by the health issues of his estranged father. Only Wallander can see the connections, which lead to a deadly sex ring and a surprising killer.
"Firewall" opens with the seemingly senseless murder of a taxi driver by two young women. As other bodies start to pile up, Wallander picks at a strange statement by one of the two young women, who escapes from police custody and then is herself horribly murdered. Wallander's persistance leads him to an unorthodox terrorist plot, and a betrayal by a friend.
"One Step Behind" involves Wallander in the deaths of several young persons who were connected with a midsummer's eve celebration. Additional deaths lead Wallander into a wider case in which the police seem constantly one step behind the killer or killers.
This series was filmed in Sweden, which makes for some beautiful location shooting. The sets are contrasted with some grim social rot in Swedish society, as exemplified by the gritty portrayal of Ystad society. Wallander's crew, all British actors, provide low-key support to Branagh's haggard and unshaven lead detective. His personal suffering over each case and over a personal life seemingly in shambles, imparts a gray tone to the stories that may be unsettling to some viewers. However, the stories are intricately plotted and thrillingly concluded; Branagh carries the day in a fascinating portrayal. This series is very highly recommended to fans of PBS Masterpiece Mystery looking for something different in a police procedural.

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Kenneth Branagh plays Swedish detective Kurt Wallander in three new crime dramas based on the best-selling books by Henning Mankell, an international publishing phenomenon with over 25 million copies sold worldwide. Sidetracked, Firewall, and One Step Behind follow Inspector Kurt Wallander - a disillusioned everyman - as he struggles against a rising tide of violence in the seemingly sleepy backwaters in and around Ystad in beautiful southern Sweden. Baffling crimes and apparently motiveless murders lead to surprising and shocking discoveries in these Swedish noir thrillers.

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2/07/2012

Foyle's War - Set 3 (2003) Review

Foyle's War - Set 3 (2003)
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Series 3 of the excellent series Foyle's war was first telecast in the U.S. on PBS on 11, 18, 25 Sep. and 3 Oct. 2005 and was released on DVD on 1 Nov. 2005. However, watching the DVDs of all series is preferable if one wants to see the unexpurgated episodes. Here are the first telecast dates for series 1-4 of Foyle's war:
series 1: telecast UK Oct.-Nov. 2002, US in Feb. 2003 (on Masterpiece theater, with Russell Baker introducing)
series 2: telecast UK Nov.-Dec. 2003, US in July-Aug. 2004 (on Mystery)
series 3: telecast UK Oct.-Nov. 2004, US in Sep.-Oct. 2005 (on Mystery)
series 4: was filmed in spring 2005 and will be telecast in 2006
The PBS broadcasts in the US are edited for a 90-minute period, which includes the Mystery (or Masterpiece theater) opening-closing sequences, between-program promos, etc. This means that each episode is really only 85 minutes long at best. Region 1 DVDs (U.S., Canada), in contrast, are about 100 minutes per episode, as are the region 2 DVDs (Europe--see www.amazon.co.uk): specific values for the 4 episodes on series 2 are (for region 1) 98.5, 97.9, 98.3, 98.3 minutes. Thus in the U.S. for the proper, more nuanced episode watching Foyle's war on DVD is essential and preferable to viewing it on PBS.
Note: In a 28 Sep. 2004 interview with creator-writer Anthony Horowitz, he was asked: "Do you realise that the show is edited to pieces when it's shown on Public Broadcasting Service (PBS) in the states?" Horowitz replied: "Yes we're very sorry about that. It's not something I'd choose to do. It's American networking. I'd advise all American fans to get their hands on the English DVDs to see them in full." I note here that American fans need only get the *American* DVDs to see the episodes in full. Also, if you first watch the shortened PBS telecast, you may later wonder about some lengthier scenes when you watch the DVDs.

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The international hit mystery series continues with four stories set in 1941, as World War II rages over Europe. Michael Kitchen (Out of Africa) stars as detective Christopher Foyle, whose loyalties are put to the test as his investigations uncover unpleasant truths that powerful people would rather keep hidden. Grounded in historical fact and filmed in London and the southern counties of England, Foyle's War opens a unique window on a significant time and place. As seen on PBS. Also starring Anthony Howell, Honeysuckle Weeks, Julian Ovenden, and featuring Corin Redgrave, Bill Paterson, Stella Gonet, Samuel West, Angela Thorne, and James Wilby. THE MYSTERIES:
THE FRENCH DROP-Investigating a suspicious death, Foyle gets caught up in the rivalry between the established spy agency MI5 and the newly created SOE (Special Operations Executive).
ENEMY FIRE-Sabotage, murder, and adultery at a pioneering RAF hospital brings Foyle face to face with the devastating physical and emotional consequences of war.
THEY FOUGHT IN THE FIELDS-A murdered farmer and the crash landing of a German plane present a confusing case, especially as spring is in the air and even Foyle is not immune to a whiff of romance.
A WAR OF NERVES-An unexploded bomb at a busy shipyard leads to a startling discovery in a complex story of greed and politics. DVD SPECIAL FEATURES INCLUDE behind-the-scenes documentary with interviews and exclusive "making-of" footage, production notes, and cast filmographies.

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2/04/2012

Inspector Lewis Complete Set: Pilot, Series 1 & 2 Review

Inspector Lewis Complete Set: Pilot, Series 1 and 2
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I absolutely love this show! I am one of perhaps a dozen people on the planet who enjoyed watching 'Inspector Morse' more for the character of Sergeant Lewis than for Morse. I am angered, however, by the shameful way 'Lewis' is treated by PBS.
Have you ever watched an episode and wondered 'How did Hathaway know about that film deal?' or 'Why are they suspecting so-and-so all of a sudden?'; not to mention some incongruous, apparently midday, wardrobe changes? I'll tell you why this happens: these DVDs do NOT have the complete version of the episodes; PBS has done a hatchet job on them. They cut even more scenes from the versions they air on Masterpiece Mystery.
The only complete versions are those on the ITV DVDs which you'll need a region-free DVD player to watch. On the bright side, you can get the ITV versions of the pilot and series 1 through 3 (12 episodes) and a Behind-the-Scenes bonus disc for about the same price as incomplete versions of the pilot and series 1 and 2 (11 episodes - what PBS calls series 1-2 includes all the series 1 and 2 episodes and three series 3 episodes; excluding only the episode 'Counter Culture Blues' from series 3. Don't ask me why.). Oh, and the British DVDs have subtitles, too.
American license-holders: Stop giving us an inferior product for an increased price!!

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12/21/2011

The House of Eliott - Complete Collection Review

The House of Eliott - Complete Collection
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I absolutely loved the entire series of The House of Elliot. I'm an all American who really enjoyed this British BBC series. Anyone who loves the 1920's, it's history, will be sure to like the two sister characters trying to succeed in the fashion world of high couture. Their small but lovely gem of a business is really quite inspiring. I loved how smart, how strong, yet vulnerable at times these two women are. Every episode is like looking through a glossy Vogue magazine, but with a good story. You can't help but become fond of the working class cloth beaders, seamstresses, and cutter who all work for The House of Elliot. There is something here for everyone. There is no vulgarity here, not to say that everyone is behaving well. Yes, there are hints and gossip of risque behavior. We watch the occasional love story develop and unfold within some of the characters. I'd be totally comfortable having my 11 year old daughter watching this with me. Why can't they make more of this great stuff!

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In stylish 1920s London, two beautiful sisters struggle to the top of the fashion world From the creators of Upstairs, Downstairs (Jean Marsh, Eileen Atkins) comes an addictive drama series set in the era of flappers and suffragettes. Louise Lombard (Hidalgo, CSI) and Stella Gonet (Nicholas Nickleby) star as Evangeline and Beatrice Eliott, sisters born into wealth and privilege who must support themselves after their profligate father dies and leaves them penniless. They have no education or training, just a passion for fashion design. As suitors try to woo them and scoundrels try to trip them up, they make independent, exciting lives for themselves and the women they employ in their house of haute couture. Seen on A&E, PBS, and BBC America. Winner of top awards for costume design, including an Emmy® and a BAFTA. DVD SPECIAL FEATURES INCLUDE an exclusive interview with Louise Lombard, production notes, 1920s fashion background, photo gallery, and cast filmographies.

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10/29/2011

Foyle's War: Set Two (2003) Review

Foyle's War: Set Two (2003)
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I'd previously rated Series 1 of FOYLE'S WAR at four stars. I'm happy to report, after finishing the Series 2 discs, that the ongoing British telly miniseries has graduated to five stars. It's superb, and I'm desolate that I must wait until 2005 for the release of Series 3 that's airing now in the UK. (Of course, if I move to England ... Nah, the wife would never go for it.)
Michael Kitchen is Detective Chief Superintendent Christopher Foyle, who's been ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son Andrew (Julian Ovenden) is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the army's Auxiliary Territorial Service enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector returned to home front duty after being wounded during the disastrous British invasion of Norway.
The delight to be found in the four episodes of Series 2 is the underlying complexity of each plot, the tip of which is a murder being investigated by Foyle and Milner. Yet, even as the layers of the onion are peeled away, the viewer is still surprised at the intricacy of the solution, most of which is unraveled in the depths of Foyle's mind and revealed to the audience at the end, and which has ramifications that ripple far beyond the simple presence of a local corpse.
As in Series 1, the storylines of 2 encompass so much more than a tawdry homicide or two: homosexuality in the RAF, collaboration between British Big Business and the Nazis, black market commerce in luxury food and petrol, and skullduggery by Franklin Roosevelt's personal emissary sent to negotiate the Lend Lease.
My personal favorite episode is number four, "Funk Hole", wherein Foyle is relieved of his duties after being reported as having expressed seditious and defeatist statements while cowering in a London air raid shelter during a Luftwaffe bombing attack. The labyrinthine explanation for that was totally unexpected. Moreover, it looks like Sam and Andrew are to be an "item" - surely to be continued in Series 3. Indeed, at one point when Sam accompanies Andrew to a showing of "Gone With the Wind", we see her out of uniform, dressed in civvies, and with a smashing hairdo. Blimey, what a bird!
FOYLE'S WAR is sumptuously fleshed out with period costumes, automobiles, hairstyles, and commercial brand names. This is first class, period entertainment. Would that American TV was so good.


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The critically acclaimed PBS series that weaves mystery with real historical events returns with four stories set in September and October 1940. Winner of the Audience Award at the British Academy of Film and Television Arts in 2003, the series stars Michael Kitchen (Proof of Life) as quietly enigmatic detective Christopher Foyle whose territory on the south coast of England is rocked by the chaos and danger of World War II. Also starring Anthony Howell, Honeysuckle Weeks, Julian Ovenden, and featuring Nicholas Farrell, Alan Howard, Corin Redgrave, and Amanda Root. The Mysteries: Fifty Ships--Foyle's determined investigation of a body on a deserted beach puts at risk the donation of American Aid and the crucial start of Lend-Lease in the war. Among the Few--Pilots and their girlfriends live fast and die young in a story of greed and passion where Foyle finds appearances are deceptive. War Games--Divided loyalties lead to revenge and murder when a businessman puts profits before principles in a secret pact with the Nazis. The Funk Hole--Foyle finds himself accused of a serious offense, which complicates his hunt for a ruthless murderer at a sinister hotel. DVD SPECIAL FEATURES INCLUDE an exclusive interview with Anthony Howell and Honeysuckle Weeks, production notes, cast filmographies, and photo gallery. "Brilliantly explores the moral gray areas of war"-San Francisco Chronicle "For mystery fans, Foyle is a must-see" -The Houston Chronicle "A series to be relished" -Radio Times

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9/08/2011

Sally Lockhart Mysteries - Ruby In the Smoke (Masterpiece Theatre) (2007) Review

Sally Lockhart Mysteries - Ruby In the Smoke (Masterpiece Theatre) (2007)
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I happened to catch the TV promotion for this before it aired and decided to watch partly because it had Billie Piper in it. I like British period detective dramas anyway and I wanted to see if she was good at something other than "Rose Tyler" from Dr. Who. I thought the story was pretty good, and the look of just about everything was wonderful- almost like being there.
Unlike the first review and at least the first comment I believe Ms. Piper did a good job. I found very little to complain about in this movie, it was a bit rushed towards the finish- 96 minutes would've been better than 86- and I think Sally's photographer friend's work tent was much too light (not dark enough inside it), that's about it.
If more are made in the series I'll watch and buy them.

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