We'll Meet Again Review

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(More customer reviews)Compelling war drama about a USA Air Base in England. Struggling B-17 crews find solace among British ladies. The Yank's money is appreciated but not always their ways with alcohol and women. This is a story of the small village of Market Wetherby and it's war-weary locals, and how they cope with the new arrivals, American bomber soldiers who freshly join the war, and expect to win overnight.
The British TV has always been excellent in period television series, war dramatizations, and this is no exception. War nostalgia. It is surpurb, with added interest of half a cast of Americans joining British actors. Brits have the preserved buildings to pull off a period series. They use that to advantage. Beautiful 1943 scenery, costumes, props. This show was actually filmed in the 80s but because of the historical setting, it is a timeless DVD set; classic. Perfect for those with war interest, awesome for those interested in what it was like living in a country waiting to be invaded by Hitler's army. It is something of a cousin series to the more recent homeland war drama of "Foyles War" (a must for all British Drama fans) and "Enemy at the Door" (also good).
WE'LL MEET AGAIN cleverly mixes in actual bomber air strip and bombing raid footage. But much of the action takes place in the village homes and the local pub. Dr. Helen Dereham (by Susannah York) and Maj. Jim Kiley (Michael Shannon) are only two that show the extraordinary work that war leaders had to complete, as well as the struggles romantically of working so closely in life/death living. There's is not the only romance. Plenty of hardship and lives lost. Very believable, although I'm too young to know first-hand, being a Baby Boomer.
The series ends well; but with a potential for another season, which, alas, never came. This set has no subtitles or CC. It's box warning of partial nudity refers to one breast exposed for 3 seconds.
My wife and I both enjoyed this, both sorry there were no additional episodes after the 13 provided in this set.
Episode details (each about 53 min.):
1 ALL DAY AND EVERY DAY-Market Wetherby, Suffolk, April 1943. American Air Force arrives in England ungraciously.
2 HANDS ACROSS THE SEA-Cocky American crews fail to perform well in the air & on the local ground.
3 THE MILK RUN-Letty's Uncle Sid arrives with contraband booze while she falls for a Yank on a 'milk run'-safe mission.
4 ONE STEP FORWARD,TWO STEPS BACK-Some romance buds but overall relations remain tense.
5 THE BIG ONE-Market Wetherby & the American Base find some agreeable relationships. 'The Big One' mission heads over Germany.
6 UP THE SMOKE-Some Yanks get London R&R while Dr. Dereham ponders her feelings between her injured husband & US Maj Kylie.
7 FIGHTING MEN-2 men in English woman's lives seems to become a minor epidemic, plus secrets are found out.
8 A WING AND A PRAYER-Yank marries a local just prior to a dangerous raid.
9 YOU'LL NEVER KNOW-2 Brit wives contemplate continued relations with Yanks. 3 sec. of female nudity.
10 OLD ENOUGH TO FIGHT-Maj Kiley halts his romantic relationship causing poor results at work.
11 ONE DAY AT A TIME-Maj Kiley gets more active in the air & personally as death touches others lives.
12 EXCEPTIONAL CIRCUMSTANCES-Dr. Dereham adds more bedside time to her manner dealing with Maj Kiley's injuries.
13 THE END OF THE BEGINNING-It's love & war and time to choose permanent sides on romance issues.

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The Road from Coorain (2003) Review

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(More customer reviews)I think this is a wonderful adaptation of a wonderful novel. The acting is superb. The cinematography exquisite. Juliet Stevenson and Tim Guinee are extraordinary. It is well worth your time.

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Lost for Words: Masterpiece Theatre (1999) Review

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(More customer reviews)There are very few films which I would call exceptional, but this 1999 British gem is without a doubt one of them. It is based on author Deric Longden's story of his relationship with his independent, determined, spunky mother and of his coming to terms with her increasing disability after she suffers a stroke, and it stars two wonderful British actors. Pete Postlethwaite (Sharpe's Obediah, Brassed Off) puts in a first-rate performance as Deric, a caring son trying to do his best by his mum. Mrs. Longden is a real treasure (she's such a character!), and she's portrayed splendidly by the late Dame Thora Hird (Summer Wine's Edie Pegden, In Loving Memory), who tragically passed away in 2003 a few days after suffering a stroke herself. She was 91.
This may sound like the basis for a melodramatic, weepy film (as indeed I feared it was going to be before I saw it). Certainly, the subject is one which could so easily have been maudlin and depressing (as most Hollywood renditions would have been), but it is actually anything but. The Brits are wonderfully adept at handling touchy subjects (like death and disability) and are not afraid to infuse them with humour. The result is an endearing, heart-warming, upbeat film which, despite its subject matter (or perhaps because of it), celebrates a life. You will be wiping away the odd tear, certainly, but that spark of humour manages to be maintained--right to the end. Indeed, it's the juxtaposition of such monumentally serious issues with subtly comical (or at the very least endearing) moments that make those moments all the more humorous (not to mention welcome).
The film is only 75 minutes or so in length, but there is more quality packed into that short time span than most films could even hope to achieve in 2 or 3 hours. Personally, I found it to be so immensely satisfying that, having watched it on television, I immediately sought it out on video. It really is that good a film and one which I recommend extremely highly--indeed unconditionally--to anyone looking for a thoroughly enjoyable, clean film of exceptional quality that is consummately acted. Indeed, what more can one ask!

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World War II: The Home Front (Monsignor Renard / Total War) Review

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(More customer reviews)This dvd gives the impression that its a two disk set of John Thaw in a world war two movie. He is shown in a priest's habit next to a German soldier. In fact its two different dvd's one is Monsignor Renaud and the other is wartime black and white newsreels. Nowhere in the description does it mention Monsignor Renard. I already own this dvd and now I have two. Amazon says if you blow up the front of the box you will see in small print Monsignor Renard is mentioned. I don't know anyone who blows up the front of a dvd before buying.

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The Golden Bowl (1972) (3pc) (1973) Review

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(More customer reviews)Henry James' last novel, "The Golden Bowl," is a long work in which very little overt action occurs. The plot is basically as follows. After a long and intense love affair is over between a penniless Prince Amerigo and the beautiful Charlotte, they meet again just as he is ready to marry the American millionairess Maggie Verver. Maggie and her father Adam are very close knit; and as marriage will not seem to separate them for long, Charlotte gets Adam to propose. And so begins one of the most interesting menage a quatre in fiction.Published in 1904, the theme of adultery had to be handled with kid gloves; and this is where James is a master. When in 1972 it was dramatized and taped for the BBC (and then over here as a "Masterpiece Theater" presentation), the subtlety and ambiguity of the original had to be retained. So now that it has been made available by Acorn Media as a boxed set, we do not get to see as much as bare leg, let alone what some of the recent film versions would have offered by way of nudity. Indeed by never showing any of the amorous goings on between Amerigo and Charlotte, one can even begin to wonder if Maggie's suspicions--so long in being aroused--are actually justified.To replace the omniscient narrator of the novel, this adaptation gives us the urbane Bob Assingham (Cyril Cusack) who starts and ends each episode looking into the camera and telling us the story as he knows it. But what he knows is only what his wife Fanny (Kathleen Byron) tells him has happened. Of course, one might wonder, then, how he could know every word of dialogue that took place in Fanny's absence--but let us not quibble over technicalities.As the narrator tells us right off, this is a story not of what was said but of what was not said. At no time in the 6 episodes that make up this taped version does any character say what is really important until Maggie (Jill Townsend) finally confronts her husband and winds up simply stalemated. "No one must know" is the motto of the times and of the class of people with whom we are dealing.The acting is superb. Barry Morse (whom you might remember was the remorseless policeman pursuing The Fugitive many years ago on television) is a sympathetic Mr. Verver, too good to suspect the truth or to show he knows it when he finally does. Daniel Massey's Prince shows just the right balance between continental mores and those of the uptight upperclasses of England and America. Jill Townsend looks just fragile enough while she suffers immensely without batting an eyelash except for two moments of release during the 270 minutes of this dramatization.Gayle Hunnicut gives us a Charlotte who is not evil, who suffers ultimately more than any of the others, but who is simply in love and will not compromise. Kathleen Byron's Fanny never is reduced to caricature. Feeling responsible for introducing Maggie to the Prince, she tries to make amends by interfering and then lying about what she thinks. I am sure many of us can relate to her motivation and she emerges as a more sympathetic character, in a way, than do any of the others. And Cyril Cusack is just a joy, both as narrator and as something of a Richard Bucket to his socially motivated wife. I have to leave to my betters to find how closely this follows the original novel; but on its own terms this Acorn Media release is compelling drama and quite a treat for those who would appreciate some intelligent "adult treatment of adult themes" without the adolescent soft porn which that phrase usually implies. The three tapes hold two episodes each and are neatly boxed. Just the sort of thing you will want to see once a year to clear the mind and perhaps see yourself more objectively afterward.

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In his last great novel, Henry James crafted perhaps his richest study of manners and morals.A wealthy American collector and his daughter innocently marry a pair of former lovers who are disposed to continue their intrigue.The fate of the four turns on a beautiful but flawed object-the golden bowl. This classic BBC adaptation takes viewers into the great dwellings of turn-of-the-century England and the lives of Henry James' richly drawn characters.Cyril Cusack (My Left Foot) performs the role of narrator to droll perfection.Also starring Daniel Massey (In the Name of the Father), Gayle Hunnicutt (A Woman of Substance), and Jill Townsend (Poldark).

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Poldark, Series 1 (2010) Review

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(More customer reviews)I challenge anyone to watch this series and not be moved, amused, intrigued, and glued to the screen. Faithful retellings of Winston Graham's unforgettable characters, coupled with a setting that makes me feel as though I am in Cornwall in reality, make this production of POLDARK an absolutely unmissable story. I chanced upon the series years ago (I wish PBS would rerun it) and had the forethought to tape some, but not all, of the episodes. The quality of my tapes, however, is not exceptional, and I've been hoping the DVD would come along.
Robin Ellis as Ross Poldark, Angharad Rees as Demelza, Jill Townsend as Elizabeth, Ralph Bates as Warleggan, and others make this fully-fledged epic of Cornish history and the people who made that history come alive in a story at once part soap opera, part action adventure, and all wonderful. Demelza is fiery, vulnerable, intense, steadfast in her love for Ross; Ross is headstrong, volatile, proud, but highly intelligent; Warleggan is everyone's imagined perfect villain, who actually had promise at one time but now is eaten away by jealousy. Jud Paynter, played with wicked, hilarious understanding by Paul Curran, was one of the most memorable side characters in the production; he has me laughing on the floor at nearly every appearance. The interweaving of all the lives in this tale - Ross, a member of landed gentry who has the odd trait many of the overlords don't - compassion for the working class - is so intricately done that it is hard to believe they aren't the actual characters. The accents are just right (it is almost worthy of a college course to try to unravel what Jud is saying sometimes) and the heartfelt performances by everyone in the cast are amazing. This series is at the top of my list of BBC productions, and instilled a need in me to absorb every book in the series as well (many times by now). I felt almost related to the people onscreen.
If you enjoy English period histories, superbly acted and staged, I cannot recommend anything higher than this series. I am looking forward to it coming on DVD. Even dated, it rings true and fresh. Now I want to go to Cornwall.

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As seen on Masterpiece Theatre "Romantic adventure, complete with raging ambition, terrible betrayals, frustrated loves, daring deeds, and a marvelously dashing hero" —The New York TimesHailed as a British Gone with the Wind, Poldark created a sensation on PBS's Masterpiece Theatre with its dashing, romantic hero and his infamous exploits. Based on the novels by Winston Graham, this classic miniseries demonstrates the enduring appeal of a gripping storyline and unforgettable characters.Returning to Cornwall after the American Revolution, Capt. Ross Poldark (Robin Ellis, The Good Soldier) finds his life at home has fallen apart. His estate is in disarray. His former flame, Elizabeth (Jill Townsend, Cimarron Strip), is engaged to his cousin. And his family's copper mines have become targets for the Poldarks' bitter rivals. Duels, smuggling, and attempted murders unfold as Ross strives to resurrect his fortunes and find true love. This spellbinding saga dramatizes the deep rifts in British society on the brink of industrialization, played out against the rocky, ruggedly beautiful Cornish coast. 16 episodes; approx. 821 min.; 4:3 full screen; color; British drama; not rated; SDH subtitles

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Between the Lions - Pecos Bill Cleans Up the West Review

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(More customer reviews)As seen on public television Pecos Bill Cleans Up The West collects three episodes from the educational, Emmy award-winning children's series "Between the Lions": "Pecos Bill Cleans Up the West", in which a storybook tornado makes a terrible mess in the library, "Lionel's Great Escape Trick" in which Lionel ties himself up with ropes and tries to escape without using magic words, and "Touching the Moon", in which Leona won't let her family sleep because she wishes for a queen to touch the moon. Catchy songs, adorable feline puppets, and a magical world in which letters sing, words come alive, and characters pop off the pages abound in this delightful DVD that combines entertainment and a curriculum of key reading skills. Special DVD features include downloadable activities and reader tips, a "Leading the way to Literacy" bonus video, a downloadable activity guide in English and Spanish, and much more. A highly recommended addition to DVD libraries for beginning readers. 90 minutes, color.


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Prime Suspect: Series 1 (1991) Review

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(More customer reviews)Helen Mirren stars as Chief Inspector Jane Tennison in this dramatic BBC miniseries.
A serial killer is at large, and Tennison inherits the mantle of investigating the lead suspect. While certain elements of the story are largely predictable, there is also an unexpected element of surprise with the way the tale unfolds. Mirren adds a definitive credibility to the vulnerable character of Tennison, struggling for any reasonable work/life balance, and she proves to be the most interesting sleuth to come out of England since Sherlock Holmes.
Time Magazine voted this, in its initial airing, the second most important television event of the year ... right behind Johnny Carson's farewell show. A must viewing for serious fans of mystery genre.

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Oscar® Winner Helen Mirren is Detective Jane Tennison, "perhaps the greatest role and performance of a female police detective, ever" (San Francisco Chronicle), in a series that won more than 20 major international awards and raised the bar for police dramas.
In the opening series, DCI Tennison seizes the opportunity to head a murder investigation -- something she should have done long ago, had she not been passed over by her male superiors time and again. With a suspect already identified and her own team openly hostile, she uncovers errors and conflicting facts that point to a cover-up within the force. Is this a single murder or the latest act of a serial killer? Tennison refuses to back off the investigation.
Guest stars include Tom Wilkinson (Michael Clayton, In the Bedroom, Ralph Fiennes (The English Patient, Schindler's List), and Zoë Wanamaker (Poirot).

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Danger UXB Box Set (Volumes 1-5) (1981) Review

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(More customer reviews)The setting is England, 1940. A young, newly-commissioned officer arrives at his headquarters. Whatever he may be expecting, it is not to find out that his first appointment is heading up a bomb disposal unit. It is an assignment in which the life expectancy is ten weeks, and the disposal men die at a rate of one per day. When Lieutenant Brian Ash (played superbly by Anthony Andrews (Brideshead Revisited)) realizes that there has been no mistake and that, with no previous knowledge, training or understanding of bombs or bomb defusal, he is to take charge of one of the units, the look on his face is worth a thousand words. I for one certainly felt a shiver go down my spine. You see, as the officer in charge, it will be Ash's duty to physically disable the bombs. The rest of the unit--the sappers, as they're called--are there to do the digging and wood-framing around the bombs so that the officer in charge can access them and so that they can be lifted out and carted away for detonation once they're disarmed.
Produced and written (for the most part) by John Hawkesworth, who is most famous for having brought us both Upstairs Downstairs and The Duchess of Duke Street, Danger UXB is a 1979 production and is an absolutely superb period drama--every bit as good as his two better-known offerings and sure to be enjoyed by those who've enjoyed either of those series. This series, which consists of thirteen 50-minute episodes, revolves around Ash and his unit as they fight the neverending battle of getting rid of unexploded bombs. The Germans actually used to drop bombs that were designed to remain intact upon impact, often until such time as they were tampered with or until a certain amount of time had passed. The British were initially unprepared for such a tactic, and with no instruction manuals, they had little choice but to learn about the types of bombs and how best to defuse them through observation and experimentation and with the aid of a lot of luck. To make matters worse, the Germans kept redesigning the bombs in order to thwart the efforts of the defusers. As a point of interest, over 20,000 UXBs were moved by disposal units during the war.
DVD extras: A 45-minute "History Channel" documentary (an American production) about modern-day bomb disposal units which includes interviews with the men who do the job wherein they share their experiences and reasons for choosing such a high-risk occupation. One nice thing about this DVD set is that the four discs come in extra-skinny cases (half as thick as the usual cases), which makes it much more compact for storage!
In conclusion, this is an intelligently written, superbly acted British suspense-drama (indeed, the suspense is almost unbearable at times!), and the information about the types of bombs and how they work is accurate and informative--so informative that when the series was broadcast in England, a viewer apparently realized that one of his child's toys was in fact a butterfly bomb! This is a series which will of course be of immense interest to fans of the war genre, but the appeal is broad enough that I would highly recommend it to fans of period productions in general or to anyone looking for a good suspense drama. Personally, I debated getting it, as I don't really care for war shows, but I'm glad I took a chance on it, as it's as much about relationships and individuals as it is about the dramatic and suspenseful war-time jobs the men do. With a little of something for everyone, this was a show that both the men and the women in our family thoroughly enjoyed.
Extremely highly recommended!


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Flambards Collection Set Review

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(More customer reviews)Have you ever encountered a TV series which, from the first episode on, became an irreplaceable part of your identity, moving you in ways impossible to describe but felt profoundly? FLAMBARDS was that beautiful a series. Set in the years surrounding the First World War, the story depicts how Christina, a young orphan sent to live with her cousins and uncle at a decaying country estate, Flambards, comes of age amid the conflicts, passions, loyalties, and tragedies which follow from her new life. Her uncle Russell, wheelchair-bound for life due to a fox-hunting accident, compounds his misfortune through heavy drinking by the fireplace, and takes his sole pleasure in life from the vicarious adventures in the hunting field which his rugged son Mark shares with him. They are callous to their servants, and cannot understand anyone who does not share their absorption in the world of hunting, hounds, and endless leisure. Mark's brother William could not be more different. Gentle, sympathetic to the servants and the plight of their class, and passionately devoted to the design, building and flying of planes, he too is injured while engaging in the one sport he hates - fox-hunting - and must now walk with a limp. Christina, in her late teens like William, prefers his gentle company, yet thrills to the excitement of the fox-hunt. And she soon learns that her ample inheritance, due when she is twenty-one, has been earmarked for the restoration of Flambards - and that she is to marry Mark, who, among other brutalities, has provoked the firing of Violet, the kitchen maid, after making her pregnant!The rest of the series portrays the growing attraction of Christina and William, their escape from Flambards into the world of the early aviators, and the disruptions in their new life resulting from the epic slaughter of the First World War. Everything in this series is just right: the casting of Christine McKenna and Alan Parna by as Christina and William, the stirring footage of restored early airplanes in glorious flight (set to the haunting background music of David Fanshawe, itself worth the eleven-and-a-half hours you'll spend loving this series), the tenderness of the scenes where William and Christina discover their love for each other, the portrayal of a bygone age of English social life help make FLAMBARDS a series with something for everybody. But what lifts this series into the realm of the extraordinary for me is its unaffected embodiment of human goodness and innocence, of nobility and the heroic, and of how these qualities can move us still, in a time when we need them more than ever.I've seen dozens of TV shows since I first caught episode 6, "Cold Light of Day," on PBS during a collegiate summer vacation almost twenty years ago. None have found their way as close to my heart as FLAMBARDS. I hope you agree. And I wish you the very best. END

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Masterpiece Theatre: Painted Lady (1998) Review

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(More customer reviews)if you like helen mirren you will love this movie, since it was expressly written for her by allan cubitt. there are art forgeries and theft, there is great music, gay characters and situations, and a good sampling of gangsters and the chaos they bring upon a group of people who are attempting for the first time to live an "ordinary, quiet life". And there is murder and deep personal loss. it shows that in even well meaning situations the price for breathing is very high indeed. this is what every mystery writer should aspire to, and again our british cousins show us how it is done.

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Love for Lydia (1979) Review

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(More customer reviews)From September 23 to December 9 in 1979, watchers of Masterpiece Theatre were all excited over a dramatization of H.E. Bates' jazz-age novel, "Love for Lydia." The title character, played flawlessly by Mel Martin, was an utterly self-centered young girl, who was brought to live with two aged aunts (Rachel Kempson and Beatrix Lehmann) and their parasitic brother (a great characterization by Michael Aldridge). She wanted only to have men cater to her every whim ("I will hate you if you don't") and enjoy herself to the fullest.
For several evenings, I have been watching the DVD release of this 13-part series, now available from Acorn Media in a boxed set of 4 discs (AMP-8648) with a running time of 650 minutes. So vivid were the characters that my wife and I fell into a disagreement as to how likable several of them were. (I voted that some man would have done her a favor by telling her to get stuffed--as one of them finally does but too politely; my spouse thought she was a very sad character who deserved pity.) Such was the quality of the acting.
There is little plot but a good deal of character interaction. A would-be writer Edward Richardson (played by Christopher Blake) is a sullen creature, always misunderstanding motives, is jealously in love with Lydia and cannot see how much he is loved by the farm girl Nancy (Sherrie Hewson, looking very much like Shelley Winters in "A Place in the Sun"). Her brother Tom (Peter Davison) and Richardson's best friend Alex (Jeremy Irons) are drawn to Lydia, as is the seemingly anti-social but actually terribly shy taxi-driver Blackie (Ralph Arliss). Her enjoyment of being vied for leads to the death of one of them, possibly another by indirection, and her own bout with near death towards the end.
Mel Martin was quoted as saying, "She was an innocent, untutored in the ways of the world [and] behaved instinctively." I have yet to read the book to see how closely it follows the novel, but the scriptwriter, Julian Bond, pointed out that given 13 episodes, he had 50 minutes to devote to every 17 pages of the original. (In the Penguin paperback, the novel runs 301 pages, making that 23 pages per episode.) So there is lots of time for lingering on the English countryside, the 1920s dresses, the dances and music, and most of all the complex characters.
Grab this one as soon as you can and hold "Lydia" parties to see and discuss it all with your friends.

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LOVE FOR LYDIA - DVD Movie

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The Duchess of Duke Street - Series 2 (1979) Review

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(More customer reviews)Excellent chance to watch again a programme that truley shows the 2 tier system of victorian england.It is remarkable the indifference shown to those consisdered to be in the poorer classes and how they were manipluted,but with Louisa Trotter there was a difference,she plays the game to her on benefit,but never dening her past.Inter woven in these video's is a remarkable love story that if it were to happen to day,the ending would have been very different.Louisa Trotter is an example of what makes a hotel/cafe/restaurant a sucess,it is not just the product,but the charactor behind it that makes the difference. I have watched this several times and the attention to detail is excellent,even down to the cooking style that is true Victorian. Enjoy,perfect for a rainy afternoon.

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Mrs. Trotter, born Louisa Leyton, has already proven that she can take whatever life dishes out and remain in a class all her own. Having made her reputation as the best cook in London and proprietress of the city's most elegant and discreet hotel, Louisa now faces even bigger challenges. When World War I breaks out, she opens the Bentinck's doors to soldiers but never cashes their checks. Driven almost to ruin and facing unbearable loss, she survives to usher in the giddy post-war age. Based on the true story of Rosa Lewis, a culinary genius and owner of London's venerable Cavendish Hotel, this acclaimed BBC series dramatizes the life of an indomitable woman in stories full of humor and heart. Created by John Hawkesworth (Upstairs, Downstairs) and starring Gemma Jones (Bridget Jones's Diary, Sense and Sensibility) as Louisa, and Christopher Cazenove (A Knight's Tale, TV's Dynasty) as Charlie, the dashing love of her life. As seen on Masterpiece Theatre.

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American Experience - Eugene O'Neill: A Documentary Film Review

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(More customer reviews)Anyone can make a documentary. It's become quite formulaic. You start with a story you want to tell, have a narrator anchor your tale, illustrate with moving images or still images over which you move, layer music and sound effects to create a mood, and add a healthy dose of "talking heads" to gain intimacy and credibility.
Put together Muhammad Ali, Lloyd Price, Zaire, "Rumble in the Jungle," and George Plimpton, and you get Leon Gast's ninety-minute "When We Were Kings." Put together Babe Ruth, Billy Crystal, Ebbets Field, "Take Me Out to the Ballgame," and Bob Costas, and you get Ken Burns' eighteen-and-a-half-hour "Baseball."
Anyone could have made a documentary on Eugene O'Neill. Of course it helps to have a big brother, who plucks you from the Columbia University campus to help him fight nine episodes of "The Civil War." It helps to have already made a highly acclaimed documentary of your own on the Big Apple. It helps to have enlisted the venerable Arthur and Barbara Gelb, who know more about your subject than you can ever hope to know. It helps to have a bit of luck - to have your hand slapped by a PBS executive for stretching a two hour documentary into three, and then being told that your next project on Eugene O'Neill, which you had planned on running four hours, WILL come in at two - or more precisely, 112 minutes. And it helps to be a genius.
On Monday evening, January 23rd, some 150 invited guests filled the MGM Screening Room at 6th Avenue and 55th Street in New York City. They previewed the American Experience PBS documentary "Eugene O'Neill," which will premier on Monday, March 27, 2006. They previewed the genius of Ric Burns.
"What does it cost to be an artist? What did it cost to be Eugene O'Neill?" director Lloyd Richards asks in the opening moments of the film. "It cost Eugene O'Neill a mother, a father, a happy marriage, children. It cost the many wives that he tried to have because he didn't know how."
Burns uses Richards and his other "talking heads" to seamlessly tell his story. "When I interview them, I sit across from them and look them in the eye," Burns related at his Steeplechase office, several days after the screening. "If you don't look them in the eye, they lose interest, and you've lost them."

Burns didn't lose playwright Tony Kushner, who movingly remarks in the film, "In O'Neill, there's this absolute, sort of God-ordained mission, which is to keep searching, even if in the process he discovers that there is no God. It's a terrifying sort of mandate, but it also I think should be the mandate of all artists, and in a way, of all people." Narrator Christopher Plummer provides the anchor for playwrights Kushner and John Guare, directors Richards, Sidney Lumet and Robert Brustein, and O'Neill scholars Edward Shaughnessy and the Gelbs. They all respond to Burns' deft technique, and are transformed from "talking heads" into eloquent orators. Burns uses these heads to speak words about O'Neill. He uses a second set of heads to speak O'Neill's words. Al Pacino, Zoe Caldwell, Christopher Plummer, Robert Sean Leonard, and others strategically speak dialogue from O'Neill's plays. They "speak" O'Neill's words, as opposed to performing them, and tell Burns' story in much the same way that the playwrights and the directors and the scholars tell it. It's a brilliant juxtaposition that helps Burns keep his story moving at a cohesive, break-neck pace.
Burns starts his story in 1937, when O'Neill moves into Tao House, his California hillside home. Burns uses this point in time as a fulcrum to look backward and relate O'Neill's break with his family, and then look forward, as O'Neill reclaims his family and, as his reputation declines and illness threatens to silence him forever, wrenches from himself three of the greatest plays ever written by an American.
Burns' story could have been told over four hours, or even eighteen-and-a-half. The Gelbs would have had no problem providing the necessary substrate. But that hand-slapping PBS executive fortuitously forced them to cut and cut and cut their story to 112 minutes. Integrated with Brian Keane's magical score, a perfectly accessible tale was crafted that can be easily consumed in one sitting.
The 150 invited guests in the MGM Screening Room already knew most, if not all of Burns' story. It wasn't necessary to give the likes of Ted Mann and Ben Brantley a history lesson on O'Neill. Had Burns' documentary served only to educate, it would have been just another formulaic example of its genre. But, it did much more than educate. It forced those gathered on January 23rd to feel what it cost to be an artist, and it forced many of them to shed a tear for O'Neill and for others they had known who had paid that price. Those assembled felt the tragedy and the genius of Eugene O'Neill. And they felt the genius of Ric Burns.

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The Last Enemy (2008) Review

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(More customer reviews)An intriguing thriller based on the fear that government can and eventually will endorse a 24/7/365 total approach to control and 'right think' a populace ala Orwell's Big Brother.
As London has become the de facto standard in regards to CCT video, advances in heuristic computer modeling via known association, and biometric recognition software - 'Enemy' drops a brilliant computer engineer into this coming world via the mysterious death of his estranged brother, a well-known and respected field aid worker helping the less fortunates of the world. A brother that may have stumbled into an international cover-up of a possible global pandemic.
Equally terrifying and powerful, this stark well-made BBC production (a standard that we in the US should strive for IMO) has already been added to my library.

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THE MOSCOW CIRCUS: Animals Under The Big Top (2008) Review

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(More customer reviews)This is an excellent DVD for children (all ages) and adults. Fast moving and fascinating. Simply amazing.

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A treasure of Russian culture for over 200 years, the Moscow Circus has been the pride of their homeland, elevating their unique art to a status alongside Ballet and Opera.This special DVD, The Moscow Circus: Animals Under the Big Top, continues the ascension, and lets you Step Right Up to awe-inspiring acts of daring, humor and non-stop entertainment. Watch as animal trainers, acrobats and exotic animals from land and sea create a Russian Circus that mesmerizes millions with their breathtaking, eye-catching spectacle, truly more like a traditional performing art.While each of the artists in the Circus is the best at their respective craft, together these performers form a thrilling, vibrant whole. The Moscow Circus carries on the centuries old tradition in splendid style and embraces the feats of daring, fantasy, and imagination that have long enthralled audiences across the world.Featuring 2 Programs on 1 DVD, witness the Wild Animals Tamers & Cossack Horse Riders as they thrive on the danger of face-to-face confrontation, mastering the instincts of some of nature's most savage and beautiful beasts. Marvel at the imperial elephants, enchanting seals and fierce and stealthy leopards as they all bow to the will of their trainers in acts that range from hilarious to astounding. Moscow Circus: Animals Under The Big Top not only will reveal a fascinating Russian cultural export, but will enchant your whole family with the dazzling artistry of the unparalleled Moscow Circus.Program # 1 - Dancing Bears & More Circus Acts includes:Dancing Bears, Cossack Horse Trick, Solo Camel Act, Six Camel Acts, Snake Act, Jugglers with Bears, Goat & Dog on Ice, Doves and Eagles, and the Dancing Bears Finale.Program # 2 - Animals Under the Big Top Circus Acts:Monkeys and Ponies, Elephant Act, Seals, Chicken / Goose Act, Monkeys on Ice, Leopards and Horses, and a Dog Act.DVD Bonus Features:About the Moscow CircusDolby Stereo AudioDigitally Re-Mastered Audio & VideoInstant Access to the PerformancesDVD Recommendations

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Oliver Twist (2009) Review

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(More customer reviews)This version of Oliver twist was not a bad film, in fact it was quite good. It should not be compared to Polanski's film or the 1968 film. It should be compared to David Lean's excellent film with Sir Alec Guinness. Many previous films including the 1968 film and polanski's omit an important character in Oliver's half brother "Monks" or Edward as he is called here. Yes in the book Monks was a major villain who employed Fagin to corrupt Oliver, And in this film Monks is a well portrayed villain who threatens everyone he meets and tried to seduce his cousin. True, in the book he does not seduce his cousin but he does everything else. Timothy Spall's Fagin is quite good and shows that poverty has corrupted his soul. To show him as a proper jew honors the true nature of a very complex character of which Dickens only shows one side to Fagan. No this production is not a word for word literal telling of Oliver Twist but it opens up old characters and shows that evil has many faces. It is not a perfect film and sometimes the soundtrack was annoying but it was overall a good production and worth watching.

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This gripping tale of Charles Dickens's classic remains faithful to the spirit of the novel while delivering a modern, thrilling, tragic and occasionally comic edge. Oliver is born into poverty and misfortune - the son of an unmarried mother, who dies shortly after his birth. He is soon delivered to the workhouse, where the cruel Mr. Bumble oversees children tormented by starvation and suffering. When Oliver dares to ask for more gruel, he finds himself cast out and forced to make his own way in the world. Running away to London, Oliver meets the Artful Dodger and his gang, as well as the beautiful Nancy, and gets the first warm welcome of his life - but he is soon to discover that this kindness requires its own type of payment. As Oliver is drawn deeper into the dark and murky underworld, he remains unaware that the kind Mr. Brownlow is searching for him, while others - the brutal criminal Bill Sykes, the manipulative Fagin and the mysterious Mr. Monks - are vying to ruin and destroy his life.

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