42nd Street Forever, Vol. 5: Alamo Drafthouse Cinema (2009) Review

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(More customer reviews)4.6 stars
The first review here makes me realize how good we have it with the Alamo (actually Alamos; there's a bunch in town now). We've been watching random collections of clips just like this before most every showing of any movie since the original Alamo on 4th was crankin' in the 90s, and I've just always taken it for granted and assumed that every town has a rep theatre that does stuff like this.
I guess not! For that we can say thanks to the Alamo founders, Tim and Carrie League, and all the film freaks who put these things together. They done good, and continue to do it.
This collection really shows off the endless amount of cinematic cheese that has surfaced from the primoridal b-movie auteur muck and then disappeared over the decades. And believe it, there's lots more stuff like this in the Alamo vaults! I've seen some reeeeally obscure stuff in the previews, and with luck there'll be another Alamo dvd (or three) in this series.
Sex! Murder!! Mayhem!!! Coming soon to a drive-in near you...

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Man for All Seasons (1988) Review

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(More customer reviews)I love this story, as a fragment of history (such as we know of it), as a dramatic work by a fine playwright and in both extant film productions. The 1966 film directed by Zinnemann is a wonderful filmic reworking of the play with some noble acting and art direction. It retains the essence of the story whilst changing 'operatically' the angle, rather like Milos Forman has done with Peter Schaffer's "Amadeus". Heston's TV film, on the other hand, sticks rather more closely to the play, in both script and format and succeeds equally well. This isn't a 'remake'; rather, it is a new approach in its own right. Both films are valid additions to the canon. Heston was, indeed, a great actor who was more than equal to this task; all too often he has been the target of 'casting snobs'. Finally, the late Roy Kinnear's contribution as the 'Common Man' (a part not featured as such in the 1966 film, Colin Blakely as More's servant, Matthew being the closest comparable) is a little gem!

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