Showing posts with label gay. Show all posts
Showing posts with label gay. Show all posts

3/18/2012

Naked Boys Singing Review

Naked Boys Singing
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I viewed this film today at the Out Takes Dallas Film Festival this evening at the Magnolia Theater. The movie was very entertaining and received a big applause from the audience at the end. The cinematography was well-done and also tastefully done. It was truly an amazing experience to view this film and I recommend it to others who would enjoy a film version of an off-Broadway production with attractive and talented naked young men. I'm hoping an HD-DVD version will be available soon!

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Invite ten gorgeous, talented and intelligent naked men into your living room with this filmed adaptation of the hilarious and risqué Off-Broadway play Naked Boys Singing! This long-running musical review sparkles with seventeen memorable tunes and vibrant dance numbers you ll enjoy over and over again. You ll get a charge from Gratuitous Nudity, Perky Little Porn Star and The Naked Maid, all performed entirely in the nude. Brought to you by the producers of Latter Days and Adam & Steve, this electrifying filmed performance brims with excitement, fervor and sexy boys you won t forget.

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2/24/2012

Dame Edna's Neighbourhood Watch (1998) Review

Dame Edna's Neighbourhood Watch (1998)
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Dame Edna's neighbourhood watch is well worth the money. It's one of the most imaginative TV shows you'll ever see. Her wit is at top form here. You'll laugh and laugh and cry for more when it's finished. Why in the world this show was never brought to the US I'll never know. Dame Edna's humor must be just too sophisticated for a wide US audience. You have to listen closely and be really sharp to get all the inside jokes. This tape will become one of your favorites. Buy it will confidence that your money will be well spent!

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Is nothing too private or too sacred? "Welcome to the dame show that's a game show." With her familiar greeting of "Welcome, possums!!," Dame Edna uses her purple possum picker to find three contestants from an all-female audience. Unbeknownst to the three, a camera crew is poised in front of one of their homes, ready to invade her bedrooms and bathrooms, her drawers and cabinets. Dame Edna's camera crew peeps into every nook and cranny accompanied, of course, by her biting and witty commentary. Embarrassing? You bet!

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1/09/2012

Ashura Review

Ashura
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I love this film, and i love Kabuki theatre as well. Its an old japanese tell about love and the end of the world. The cool thing is this story was originally made as a play and the main character in this movie is a traditional Kabuki theatre actor. He even plays the same character in the theatre. This guy brings a warm element of Kabuki in this movie and i cannot stress it enough.
You will love this movie. The graphics arent too cheesy and the beauty of some of backdrops will stick in your mind. Even the music adds to the film and gives it a soul.
You will not be disappointed. It may be graphic for the young ones as it has sex and violence. id give it more than 5 stars as if i could but i cant!
you wont be disappointed a must have for Japanese culture, play\theatre, and mythology enthusiasts .

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12/29/2011

As Is (1986) Review

As Is  (1986)
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Although Larry Kramer's The Normal Heart is listed as the first Broadway production about AIDS, William M Hoffman's As Is was produced on Broadway the same year and won the 1995 Desk Drama Award for best new play and an Obie for Distinguished Playwriting. But whilst The Normal Heart is, to date, yet to be filmed (a version to be directed by Barbra Streisand was aborted after a public falling out between Streisand and Kramer), As Is was made for TV. In his introduction to OutFront, a collection of contemporary gay and lesbian plays, Don Shewer claims that As Is is the best play written about AIDS yet, since it looks at the disease from a social and personal point of view (as opposed to Kramer's political part self-serving autobiography, part jeremiad), and unlike Kramer's unrelenting despondence, Hoffman insists that where there is life, there is hope. The theatrical origins of the play are still in evidence in this cable production, from Colleen Dewhurst's opening and closing one-take monologues to camera as a hospice worker, and the shorthand dialogue style that Hoffman often employs. Director Michael Lindsay-Hogg seems so terrified of the Masterpiece Theatre brand of filmed play that he misguidedly utilises staccato editing and pseudo-documentary confessions, which only make the dialogue seem more theatrical. And the level at which he pitches the score by Peter Matz doesn't help. The studio sets also reveal how underpopulated (and presumably underbudgeted) the project is, and when we get a street scene it's like a breath of air. However with all this said, it is the eloquence of Hoffman's text that rises above the director's misteps. The depth of the play comes from the observed detail of gay lifestyle. The premise is that Rich has returned to his ex-lover Saul after being diagnosed with AIDS, and this returning allows for both a re-examination of the relationship and also the climate that made gay men so susceptible to the virus (though we do see a woman in Rich's therapy group who has been infected by her IV drug-user husband). Adapting his own play, Hoffman has made minor cuts and lost a hotline sequence that I didn't like anyway. In spite of the blackness of the subject matter, he easily interjects humour. The bar scenes are particularly funny in their self-consciousness, and we get the gallows humour of the gay men. Jonathan Hadary originated the role of Saul on stage and here he is magnificent. It's the kind of performance that an actor can easily be defined by, with subtleties and emotion concealed under the guise of a stereotype. Robert Carradine's Rich is less assured. Perhaps these kind of martyr roles are impossible to play, or perhaps it is that the carers of those facing death have the meatier parts since they get to stay. Plus Saul is the one to explain the title. Carradine's face is too much a reminder of his relatives, he isn't believable as a gay man, and his rage seems constricted. Saul's big reaction to Rich's "selfishness" in hospital seems therefore unprovoked. The staging of a fall in the hospital is also reminiscent of the final scene in Camille, which I would like to think is intentional, though I have my doubts. My favourite scene is the one where Rich's shamed brother visits him. The expectation of gay moral superiority is not met and we are touched by the brother's efforts to empathise with someone he realises he does not want to lose. Joanna Miles as Rich's actress friend is warm but has little to do except introduce him to her cousin Chet, (gorgeous Doug Annear) who will break up the relationship, though Hoffman gives short shift to explaining Chet's fate. Lindsay-Hogg lingers on Miles' farewell to Rich in hospital, in the same way he pauses after more than once we are told how gay men have abandoned their infected partners, making a cinematic judgment. Thankfully Dewhurst's appearances let us hear her throaty chuckle.

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11/05/2011

Flynn (1994) Review

Flynn (1994)
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Can't believe I didn't heed the warning of the other reviewer. This movie has no merit. Very depressing and very unpleasant. Waste of time and money. An embarrassment for Errol Flynn and has no artistic merit at all. Save your money for something worth it.

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10/10/2011

Trick (1999) Review

Trick (1999)
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What do you get when you mix an aspiring musician working as an office temp with a hot go-go boy? The answer is "Trick" a charming movie that proves that looks aren't everything. Christian Campbell (brother of Neve) stars as Gabriel, a composer of showtunes who meets the man of his fantasies dancing atop a counter at a gay club in New York. J.P. Pitoc, who plays Mark, is the go-go boy with a body to die for who finds himself and Gabriel trying to locate a place where they can fool around. Due to several mishaps, both men get to know each other's interests and friends, and eventually they discover each other's inner beauty. Pitoc is probably the best looking actor I have seen on film in recent years and his torso inspired me to work out even more. He provided enough eye candy for everyone. Campbell is great as Gabriel, however the two scene stealers in this are Clinton Leupp who plays the bitchy drag queen that confronts Gabriel about Mark's past and Tori Spelling, who plays Gabriel's best friend. Personally, seeing that her father had no role in producing this film gave Ms. Spelling more credibility that she was casted in this film for her talent and not because of neptotism (e.g. "House of Yes"). An excellent soundtrack of dance music will keep you in the mood, and the interesting characters in this film will give those who have never stepped into a gay/lesbian club circuit an idea of what goes on after the sun sets. Except for a kiss between the two main characters and a brief encounter beneath a piano, there are hartdly any references to gay sex. I encourage anyone to watch this film in what I consider a gay version of the "Pick Up Artist".

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What do drag queens aspiring sex therapists and tori spelling have in common? theyre part of a madcap night out in manhattan for two frustrated guys that are desperate to find a place any place. Special features: widescreen version original theatrical trailer and cast and crew filmographies.Studio: New Line Home VideoRelease Date: 05/30/2000Starring: Christian Campbell Clinton LeuppRun time: 90 minutesRating: RDirector: Jim Fall

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9/11/2011

All About My Mother (1999) Review

All About My Mother (1999)
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"Todo Sobre Mi Madre," or "All About My Mother," revolves around the life of an organ transplant coordinator, Manuela, who was briefly shown in one of Almodovar's most recent movie "The Flower of My Secret". After the death of her only child, Manuela sets off from Madrid to Barcelona to find both his father and the traveling troupe who performs "A Streetcar Named Desire," throughout Spain.
Argentinian actress Cecilia Roth is both excellent and convincing as Manuela. Her performance for an actress not from Spain is original, since most of Almodovar's leading startlets are Spaniards. Marisa Paredes as Huma, a fading starlet, reminded me of her performance in "High Heels," wher she played a similar character. However the two emerging standouts in this film are Antonia San Juan as Manuela's drag-queen friend (fact: although she looks like a man, San Juan is actually a woman) and the beautiful Penelope Cruz, who plays a HIV-positive pregnant nun (only Almodovar can bring us such characters). Cruz, who radiates natural beauty and style has become Spain hottest export to Hollywood since Antonio Banderas. Keep an eye out for her in the near future.
The visual arrangement of colors, patterns, and clothes brings the film so much beauty it is unbearable not to watch and adore it. Almodovar's camera illusions, especially watching a grieving Manuela run to her injured son, Esteban, after he is struck by a car (the camera looks like if the victim is watching his mother run in the rain) and the trick of watching Esteban write in his journal (we see his pencil move through a glass that is supposed to be his pad) is amazing. Only the pure genius that Almodovar is could have thought of this.
This happens to be Almdovar's best film in the past 10 years. Truly, if you are an artist, an admirer of Spanish culture, or just love art films, then this film will fascinate you. A true gem in the evolution of Spanish cinema.

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8/22/2011

Camp (2003) Review

Camp (2003)
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It's movies like 'Camp' that remind me what I love most about movies. It doesn't preach an agenda and doesn't make me feel like a fool for feeling sentimental. It has a little bit of cynicism but a lot of great music. There are no drugs, no guns, no car chases and no fake breasts. What 'Camp' does, and does very well, is tell a story. Simply and completely. 'Camp' took me into a world I was both familiar and stranger to, and made me feel better for taking the journey. While there will be little chance the film will find the same kind of mainstream hit 'Chicago' or 'Moulin Rouge' became, 'Camp' should become a favorite with discerning movie musical fans and help re-usher in this dormant too long genre.
While summer camp often means nature trips, cookouts and wacky hijinks to most young people, Camp Ovation in upstate New York caters to those who are more artistically inclined. Over the two months campers attend, they will put on a new show every other week, be it drama, musical or something more avant-garde, going through the process of auditioning, creating their own sets and costumes, rehearsing and presenting a new show for an audience, then beginning anew the next day. Many of the kids at Camp Ovation are outsiders within their own worlds. Ellen (Joanna Chilcoat) is reduced to begging her older brother in order to have a date to her junior prom, while Michael (Robin DeJesus) gets beaten up at his prom for daring to arrive in drag. Fritzi (Anna Kendrick) is so starved for any attention, she spends her entire year waiting for camp so she can be the 'assistant' to Ovation's number one drama diva, Jill (Alana Allen). Our first clue things will be different this summer arrives in the form of Vlad (Daniel Letterle). He's cute, talented and seemingly the only straight male in the entire teenage camp populace. Ellen, Michael and Jill will all fall for Vlad, even if he has no idea who Stephen Sondheim is. Each year, Camp Ovation has one artist in residence to help run the shows and inspire the nascent talent. This year's guest director is Bert Hanley (Don Dixon), a once promising writer who had been the toast of Broadway with his first musical, but never delivered a follow-up show. The story follows these kids as they deal with each other over the course of the summer. Hearts are broken, lifelong friendships are created, and there's that one ambitious actress who makes Eve Harrington look undemonstrative.
From the opening credits, in which the company performs the rousing, gospel-esque 'How Shall I See You Through My Tears' to the end, when they dance through their own rendition of 'The Want of a Nail,' it is this group of talented youngsters who make the movie come alive. For while most of the cast are cinema neophytes, they have a warmth and energy which make them feel familiar and comfortable. The film feels almost like a documentary, for what little over-acting does appear is saved for the sequences of the stage performances. And it is these stage performances that are the best part of "Camp." These kids are simply amazing, their voices powerful and seductive!
Residing somewhere between 'Meatballs' and 'Fame,' 'Camp' is the brainchild of actor turned writer Todd Graff, who based the story on his own experiences at the Stagedoor Manor camp (where the film was shot) as a youngster in the 1970s, where he was a camper and later a counselor during his teen years.
Making his directorial debut here, Graff has assembled a first rate team around him, ensuring the film's success as a work of art. Oscar winning composer Michael Gore, Tony winning choreographer Jerry Mitchell, 'Rent' musical director Tim Weil and 'Hedwig and the Angry Inch' composer and lyricist Stephen Trask have all infused their individual talents together to create an extraordinary cinematic experience. I cannot stress how incredible I think this film is. It's everything "Fame" SHOULD HAVE been. 'Camp' gets an A+ for effort and an A+ for execution. Bravo!

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An extremely talented young cast shines in this "energetic musical romp" (Los Angeles Times)about a drama camp where the outcasts of today hone their skills to become the stars of tomorrow. Packed with romance, laughs and "genuine showstopping musical numbers" (The Washington Post), Camp is a "Blast of exuberant fun" (Rolling Stone)!Every summer, talented kids with big voices and even bigger dreams flock to Camp Ovation. But this year, a sexy new guy, Vlad (DanielLetterle), is not only stealing the show he's stealing the heart of every girl he encounters. And as the biggest day of camp approaches, the young performers must overcome backstabbing, unrequited love and Vlad's unpredictable libido to pull off the greatest show of their careers!

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8/17/2011

Service (2008) Review

Service (2008)
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I like Brillante Mendoza films because of their realism. His films pull back the curtain on a side of the Philippines that most would not want the world to see.
I remember watching a news story from the Philippines last year about police raiding a theater such as the one depicted in this story. The setting for the movie is an old movie house that has seen better days.
The owner is on the verge of bankruptcy and the once large movie house (that is the setting for this story) is deteriorating. The only thing keeping the place open is the owner's ability to borrow money.
The main customers are gays and call boys who use the theater for anonymous sexual rendevous.


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