Showing posts with label musical theatre. Show all posts
Showing posts with label musical theatre. Show all posts

4/03/2012

Leonard Bernstein's Candide (Great Performances) (2005) Review

Leonard Bernstein's Candide (Great Performances) (2005)
Average Reviews:

(More customer reviews)
This is a splendid performance of Candide. But before you go any further, you should realise that this is a concert performance, not a full scale operatic staging of the work. That said, the singing is glorious and the acting, despite this being a concert performance is outstanding. It is driven to milk all the comic elements out of the play. It all works delightfully. It is so brimful of joie de vivre, it leaves you smiling and humming all day. I must disagree with a previous reviewer who said, Bernstein wouldn't be amused. This is precisely what he would have wanted to achieve.
Sir Thomas Allen is superb as Dr. Pangloss who doubles as the narrator of the concert. Paul Groves and Patti LuPone are both excellent. But the star of this Candide is surely the lovely Kristin Chenoweth as Cunegonde, who in addition to having a magnificient voice shows that she is a natural comedienne and actress. This recording of Candide immediately goes to the top of the list. Now, if only we could have Bernstein's own production of Candide recorded live at the Barbican Theatre in London. That recording under the Deutsche Grammophon label is yet to appear on DVD.
I should comment on the camerawork which received criticism from a previous reviewer. It is a mark of the electric quality of this bravura performance that most viewers don't even notice the occasionally almost amateurish shakiness of the camera. The cameraman was shaky at times and faces occasionally went in and out of focus but a large part of what I initially attributed to poor camerawork was in fact artificially introduced motion artifacts. This is a problem with the DVD encoding and not the camera. These cause apparent jumps in the picture. But this is present only in DVD players with low end video processors. Switching to a better DVD player or processor solves the problem.
The DVD by Image Entertainment is in 1.78:1 widescreen (anamorphic enhancement). Picture quality is very good, clear, sharp and with rich natural colors. The picture is flawless provided you play it on a good DVD player. It comes with 3 audio tracks, DTS 5.1, Dolby Surround 5.1 and Dolby Stereo. Excellent immersive sound. It would have been good if they had included an uncompressed PCM track as well but I suppose that's asking a bit much. All in all, an outstanding concert and one to be forever treasured.Technical note: As noted above I noticed a strange problem with this particular DVD. It seems to play quite flawlessly on certain systems, yet throw up irritating problems on others. On one set-up I noticed numerous motion artifacts and lots of combing issues. Motion appears jerky and horizontal scan lines appear whenever fast movements occur or rapid scene changes take place. I'm not quite sure why they should be there but I attibute it to faulty encoding or improper flagging. No other DVD exhibits these errors on this particular system. I believe what one of the previous reviewers complained about could be due to this. The problem goes away when switching to an alternate system with a better deinterlacer / video processor. However that does not absolve Image Entertainment from responsibility for producing a sub-standard DVD which requires high end equipment to compensate for its deficiencies.
P.S. Bernstein's Candide can be interpreted in many ways. Some approach it as serious opera, others as light operetta, still others as a Broadway musical or even farce. Liking or disliking a particular production is very subjective. If you adhere to Bernstein's final vision of this work, enshrined in his by now legendary Barbican performance (Final, revised edition, first premiered 1988 by Scottish Opera and later performed with the LSO at the Barbican in 1989 with high powered opera stars singing all the roles), then you will tend to view this more as Opera and consequently your attitude to any performance that detracts from that operatic image (like this one) will be very negative. But you must remember that for many years, and for most Americans, Candide was considered a Broadway musical and at most a comic operetta. The two contrasting visions are equally valid and are a testament to Bernstein's genius and Candide's status as a true masterpiece.

Click Here to see more reviews about: Leonard Bernstein's Candide (Great Performances) (2005)

Leonard Bernstein's brilliant comic operetta comes to dazzling new life under theguidance of director Lonny Price (A Class Act). Based on the classic Voltaire tale of an innocent young man's journey through a life filled with colorful characters and unexpected life lessons, this tune-filled frolic features Tony Award©-winners Patti LuPone and Kristin Chenoweth heading a dazzling cast with Paul Groves, Stanford Olsen, Sir Thomas Allen and the Westminster Symphonic Choir. The impeccable score (with lyrics by luminaries including Lillian Hellman, Dorothy Parker, Stephen Sondheim, Richard Wilbur and John La Touche) includes a host of delightful songs such as "Life Is Happiness Indeed," "It Must Be So," "You Were Dead, You Know" and "Make Our Garden Grow." Now enjoy this all-new production of a musical comedy favorite with Broadway's top stars!

Buy NowGet 10% OFF

Click here for more information about Leonard Bernstein's Candide (Great Performances) (2005)

Read More...

3/21/2012

Broadway's Lost Treasures Collection (Broadway's Lost Treasures 1-3 & The Best of the Tony Awards - The Plays) (2006) Review

Broadway's Lost Treasures Collection (Broadway's Lost Treasures 1-3 and The Best of the Tony Awards - The Plays) (2006)
Average Reviews:

(More customer reviews)
We should be thankful for what we get on this DVD, so by all means, get it. By doing so, hopefully you'll encourage similar Broadway DVDs to be released in the future. (By the way, also consider getting "The Best of Broadway Musicals: Original Cast Performances from the Ed Sullivan Show," which captures some great 1950s-1960s performances.)
However, I have to agree with those who say this set is lopsided, even considering that the producers didn't have the rights to release other footage from the Tonys.
The saddest thing about some of the footage is that, while it claims to capture "sung" performances, in fact a few of the numbers are lip-synched. These include two of the numbers that I was most looking forward to seeing: Angela Lansbury in Sweeney Todd and Robert Preston in The Music Man. While it's great to see these performers in action, the lip-synching makes it an artificial experience.
But enough caveats. These aside, there's still plenty to enjoy.
The great John Raitt sings a definitive "Hey There" from The Pajama Game a couple of decades after its original run. He sounds just as exciting as ever. The song is shortened, but again, let's be thankful for what we have. And there's also a scene from 42nd Street with pre-"Law and Order" Jerry Orbach singing his heart out.
Some of the most enjoyable segments are in the DVD's "bonus extras" section. For example, in what seems the oldest segment on the DVD, the utterly charming Barbara Harris performs a number from The Apple Tree, a 1960s musical that is now essentially forgotten by all but fervent show fans. And to watch those ever-young old troopers Mickey Rooney and Ann Miller singing and dancing in Sugar Babies is a joy.
So, tap your way to Amazon's checkout and get this DVD in your hands ASAP!

Click Here to see more reviews about: Broadway's Lost Treasures Collection (Broadway's Lost Treasures 1-3 & The Best of the Tony Awards - The Plays) (2006)

A comprehensive collection of great performances captured on film as part of the annual Tony Award® broadcasts. Broadway royalty and Tony® winners, including Lauren Bacall, Bebe Neuwirth, Robert Goulet, and Harvey Fierstein, serve as hosts and share their own Broadway and Tony® memories. Produced as PBS specials, Broadway's Lost Treasures I, II, & III feature legendary stars-including Patti LuPone, Nell Carter, Jerry Orbach, Gwen Verdon, Ethel Merman, Kristin Chenoweth, Angela Lansbury, Joel Grey, and many more-performing musical numbers from legendary shows-including Anything Goes, Man of La Mancha, Guys and Dolls, Ain't Misbehavin', Chicago, Fosse, Miss Saigon, Crazy for You, and many many more. The Best of the Tony® Awards–The Plays features acting greats, such as James Earl Jones, Maggie Smith, Annette Benning, Kevin Kline, and Morgan Freeman, performing key scenes from 19 celebrated plays, including The Great White Hope, The Heidi Chronicles, Fences, Hamlet, and Long Day's Journey Into Night. For theatre lovers, it doesn't get any better than this!

Buy Now

Click here for more information about Broadway's Lost Treasures Collection (Broadway's Lost Treasures 1-3 & The Best of the Tony Awards - The Plays) (2006)

Read More...

3/19/2012

Original Cast Album - Company (1970) Review

Original Cast Album - Company (1970)
Average Reviews:

(More customer reviews)
What a great idea: record the cast album for Stephen Sondheim's "Company" live, as it were--no overdubs, no artificial mixdown. What a great idea: get a documentary crew to record the record session. The filmmaker caught 15-and-a-half hours of bleary-eyed cast members giving their all for a tough record producer and an even tougher composer/lyricist. (It had to be one marathon session because it would be too expensive to assemble all those singers and musicians for multiple sessions.) This is a great documentary that shows how hard it all is. If you've only seen her on the incipid show "Alice," you'll have no idea how talented Beth Howland is till you see her in "Getting Married Today." Donna McKechnie, Susan Browning, and Pamela Myers spoof Rogers and Hart (and not the Andrew Sisters as everyone seems to think) with verve in "You Could Drive a Person Crazy," which also finds Sondheim at his most clever. Charles Kimbrough would go on to do Murphy Brown and Barbara Barrie would briefly be in Barney Miller, and both shine here as effortless, "natural" actors. Star Dean Jones is perfect as the slightly dopey Bobby, even if some of his singing will make you wince. What's perhaps most remarkable is that the numbers that sound so fresh and improvisational actually took 8, 10, 15 takes. Especially "The Ladies Who Lunch." Elaine Stritch's famous song was the last number they recorded. By the time they were ready, it was after four in the morning and everyone was exhausted. Stritch tries, but after about eight takes it's clear she's not going to make it that night. With everyone getting punchy, they decide to record her music track separately, bringing her back the next day to knock the song out of the park.
The DVD has a commentary track, as Stritch, Hal Prince and the filmmaker reminisce about the session 30 years later. There's also a strange feature where one of the songs not covered in the doc can be listened to over B&W stills from the theatrical production. This didn't do anything for me, but there's no harm in having it there, either.
So this is a very good documentary. But it could have been even better. Two of the most complex and interesting songs, the opening number and "Side By Side/What Would We Do Without You," are barely covered in the film. I really wanted to see how they pulled off these extraordinarily complex numbers with the complete cast "live," but the documentary doesn't show it. Too bad. A 90 minute documentary with this material would hae been so much better than a 60 minute documentary without. It's probably true the 60 minute limit was imposed by ABC, which originally aired the documentary, but I'd be surprised if the filmmaker didn't save material that could have been added back for this DVD.
Still, this is worth owning, if a little pricey for a 53 minute CD (not 58, as advertised on the case). In some ways this musical is a classic, and in others it's incredibly (and amusingly) dated. Both qualities just make it all the more wonderful.

Click Here to see more reviews about: Original Cast Album - Company (1970)

Called a "monumental achievement" by the Los Angeles Times, Company is the extraordinary documentary capturing the explosive recording session for Stephen Sondheim's landmark musical.On May 3, 1970, just a few days after its triumphant Broadway opening,

Buy Now

Click here for more information about Original Cast Album - Company (1970)

Read More...

2/05/2012

Sweeney Todd in Concert (2001) Review

Sweeney Todd in Concert (2001)
Average Reviews:

(More customer reviews)
As one who has been associated with the creators of "Sweeney" on other productions and as a champion of the original production, one still has to admit to the plot problems at the end of the original's second act. This new production effortlessly aviods those traps on the way to the most focused performance of "Sweeney" yet. Featuring two former Sweeneys (Geoarge Hearn as Sweeney and Timothy Nolen as a wonderfully re-conceived Judge Turpin), Patti LuPone making the role of Mrs. Lovett totally her own (no easy proposition with the spectre of Angela Lansbury always nearby) and a wonderfuly talented supporting cast, Director Lonny Price guides this production effortlessly to it's grizzly end. Featuring amazingly thoughtful camerawork which actually advances the plot as opposed to observing it, one gets to know the characters as readily as if this were a fully staged production. Then again--maybe "less" really is "more" in this case. The San Francisco Symphony under Rob Fisher is impeccable. If you value musical theater, if you value Steve Sondheim's supreme contribution to the genre, you must own this version. But go first class---own them all!

Click Here to see more reviews about: Sweeney Todd in Concert (2001)

This delicious production of Stephen Sondheim's "Sweeney Todd: The Demon Barber of Fleet Street," a musical thriller of revenge and romance set in Victorian England, features Broadway diva Patti LuPone as Mrs. Lovett and veteran stage actor George Hearn in the title role. Premiering in 1979, the legendary "Sweeney Todd"--winner of nine New York Drama Critics Circle Awards and eight Tony Awards--is recorded with the San Francisco Symphony as conducted by Rob Fisher. Now a major motion picture directed by Tim Burton and starring Johnny Depp! Opens in theaters December 21, 2007

Buy NowGet 10% OFF

Click here for more information about Sweeney Todd in Concert (2001)

Read More...

11/27/2011

Wendy Wassertein's Kiss, Kiss, Dahlings / Terrence McNally's The Last Mile (1992) Review

Wendy Wassertein's Kiss, Kiss, Dahlings / Terrence McNally's The Last Mile (1992)
Average Reviews:

(More customer reviews)
This show was broadcast in 1992 for the 20th anniversary of "Great Performances."
Hard to believe, but the DVD contains two plays, each only about 15 minutes long. With this much brevity, it won't surprise you to hear that neither play outstays its welcome.
The first, "Kiss, Kiss, Dahlings," is divided into three short acts. The three actresses (Blythe Danner, Cynthia Nixon and Nancy Marchand) play three generations of stage actresses in three different time periods. This is a love letter to the theater from the late Wendy Wasserstein, and light fare.
The second is about a nervous opera soprano about to make her debut at the Met in "Tosca." Written by Terrence McNally, this is the better piece. It stars the incandescent Bernadette Peters, who is astonishingly vulnerable at times.
Opera fans will get a couple of big laughs from the inside jokes McNally weaves in, but even non-opera folks can enjoy it. A relatively restrained Nathan Lane, a relatively unrestrained Paul Sorvino and a very funny Bill Irwin also register in their roles.
All that said, I'm not sure it's worth buying the DVD for only 30 minutes of drama. Perhaps rent it first and then determine if it's something you'll want to view again and again.

Click Here to see more reviews about: Wendy Wassertein's Kiss, Kiss, Dahlings / Terrence McNally's The Last Mile (1992)



Buy NowGet 40% OFF

Click here for more information about Wendy Wassertein's Kiss, Kiss, Dahlings / Terrence McNally's The Last Mile (1992)

Read More...

10/17/2011

Camelot (Broadway Version) (1982) Review

Camelot (Broadway Version) (1982)
Average Reviews:

(More customer reviews)
In 1982, this television production of Lerner and Loewe's musical was considered by many critics to be the finest stage-to-TV transfer of a live Broadway performance. Now, 25 years later, it still is. The folks at HBO joined with the producers of the Broadway revival and videotaped the show with loving care, and their love is evident in every frame. The visual presentation and sound quality were light years ahead of most other such offerings, and it was shot and edited to perfection.
I saw this revival onstage, then on HBO, and it is something to see. Richard Harris and Meg Bussert were just right together, and the supporting cast was excellent as well. The sets, costumes, and lighting added to the beauty of the evening. And nothing can top the sheer emotion of the story--it is one of the most powerful musicals ever written. If you've never seen CAMELOT, or if you're only familiar with the 1967 film version (also starring Harris), don't miss this stunning production. Thanks, Acorn Media, for releasing it on DVD at last!

Click Here to see more reviews about: Camelot (Broadway Version) (1982)

Experience Camelot's "one brief, shining moment" as Lerner and Loewe envisioned it-live on a Broadway stage. Working at the top of his talent, Richard Harris heads an all-star cast in one of Broadway's wittiest, most literate musicals, filled with memorable tunes. Recorded at New York's historic Winter Garden Theatre in 1982, this production captures all the immediacy and intimacy of a live performance viewed from the best seat in the house. Idealistic King Arthur longs to create a perfectly principled kingdom, but sees his dream undone by a tragic love triangle involving Queen Guenevere (Meg Bussert) and his best friend Lancelot (Richard Muenz). In this thoroughly engaging Tony®-nominated production, the medieval monarch's vision-a place where "violence is not strength, and compassion is not weakness"-speaks to our time and for all time.Recommended for family viewing by the National Education Association DVD SPECIAL FEATURES INCLUDE original Broadway PLAYBILL® (DVD-ROM) and bios of Lerner & Loewe and Richard Harris.

Buy NowGet 25% OFF

Click here for more information about Camelot (Broadway Version) (1982)

Read More...

10/11/2011

Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999) Review

Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999)
Average Reviews:

(More customer reviews)
The 1999 London production of "Oklahoma!", directed by Trevor Nunn with choreography by Susan Stroman, was the first major departure ever from the original Joshua Logan-Agnes De Mille production of 1943. It was a gamble that paid off big, for the performance recorded for posterity on this DVD is absolutely brilliant--funny, riveting, and deeply poignant. The dancing is astonishing, and the beloved Rodgers & Hammerstein songs have never sounded so good. Nunn and Stroman know how to stage each number for maximum dramatic effect, so that the songs come across less as songs than as dramatic monologues in music--which is, of course, exactly what Rodgers & Hammerstein wanted.The cast of this version is so wonderful that it is impossible to talk about them in anything but superlatives. (I might make a slight, regretful exception for Vicki Simon as Ado Annie, who is merely very good whereas everyone else is spectacular.) As Will Parker, Jimmy Johnston--an endearing if improbable cross between Will Rogers, Russ Tamblyn and Jack Black--barrels through his big number, "Kansas City," with infectious glee and astounding athleticism, including a dandy exhibition of trick roping. Some reviewers have pointed out that Peter Polycarpou's accent as Ali Hakim is shaky, but there's no quibbling with his singing or his comic timing; in appearance and talent, he reminds me more than a little of Tony Shalhoub. Maureen Lipman is a perfect Aunt Eller, tough as an old birch tree, plain-spoken and drily witty as she dispenses tough love to the residents of Claremore, Okla. Josefina Gabrielle is an earthier Laurey than we're used to, but she's a good singer and an exquisite dancer, and she makes Laurey's confused longings as painful as a punch in the gut. The real acting honors, however, must be divided between the romantic rivals--Hugh Jackman as Curly and Shuler Hensley as Jud. This production launched Jackman's international career, and no wonder--from the first few bars of "Oh, What a Beautiful Morning," you can't take your eyes off him. He is visually perfect as Curly, he dances well and sings beautifully, and--above all--he exudes charisma from every pore. Hensley combines a rich, operatic baritone with a brooding, menacing stage presence; he makes Jud a classic monster, evoking both pity and terror. His solo number, detailing both his pitiful loneliness and his doomed love for Laurey, is one of the most riveting pieces of dramatic singing I've ever seen or heard.

Click Here to see more reviews about: Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999)

OKLAHOMA - DVD Movie

Buy NowGet 12% OFF

Click here for more information about Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999)

Read More...

9/22/2011

Broadway - The American Musical (PBS Series) (2004) Review

Broadway - The American Musical (PBS Series) (2004)
Average Reviews:

(More customer reviews)
Soup to nuts, the folks over at PBS pulled it off. They've condensed the history of the American Broadway musical into six hours, and it feels about right.
Yes yes yes, there will be hordes of folks who quibble that their "all-time most important" musical didn't make it, but that's missing the point.
You will feel as if you have a serious grasp of the development of the American musical after seeing this film. Period. Mission accomplished.
The first segments of the documentary, hosted by the ageless Julie Andrews, begin with Flo Ziegfeld, and the "Follies". One thing that hasn't been mentioned (yet) is the nice concomitant history lesson you get regarding New York, Times Square and American popular culture while absorbing this mini-series. The influence of opera (or more properly, operetta), vaudeville and minstrel shows are made abundantly clear, and are fascinating to someone like me who really had no exposure to this sort of material.
As we reach mid-century, more and more of the people talked ABOUT in the film are actually alive...and the shows discussed are ridiculously familiar to even the most "uneducated" viewer. Song after song reveals their source...standards that originated on Broadway that have become part of our cultural language.
Artistic ambition grows by leaps and bounds...from the musical "revue" to musical "comedy" to a dramatic "book" musical. Storytelling techniques through song and staging develop as fast as the geniuses on the stage, behind the stage and under the stage can think...
Some of the creators, like Sondheim, are expert at analysis and insight. They provide some great "talking head" moments about musicals that aren't theirs! By and large, the critics they used for the documentary come across as enthusiastic, overwhelmingly knowledgeable, incisive, playful...I thought as a group they were terrific, without any hint of elitism, snobbery or any number of other "stereotypes" one may have about a "New York Broadway critic."
My first audible gasp came at the end of episode five, when they play that "I Love NY" commercial from the late 70's. I remember seeing that as a kid, but the only thing that had any effect on me was the presence of Brooke Shields at the end of it.
People like Mandy Patinkin, Patti Lupone, Angela Lansbury, those "Cats" creatures and yes, I think that's Patrick Swayze in "Grease" mode...what a riot!
The most affecting portion, for me, is the last episode, for that encompasses most of my personal Broadway experience. I imagine that whatever era you feel the most affinity towards will have the same effect.
Spending 6-10 minutes per musical or producer seems criminal, until you simply appreciate the tidbits for what they are. They're like little gems. Fragments of shows that you yearn to see ALL of...
...so let me editorialize for a second.
All musicals should be filmed once with their original casts, if only for posterity. I own "Sunday In The Park With George" and "Sweeney Todd", two exemplary musicals (covered here) and nice DVD's to own. What I wouldn't give for an "Evita" (not covered here) with Lupone and Patinkin, or the original cast of "Rent". There. Editorial done.
Speaking of "Rent", the final fifteen to twenty minutes of the movie are an emotional tidal wave. Seeing Jonathan Larson's last day of work on video...watching him make his last milk shake at the Moondance Diner...and then finding out he dies right before previews, is not heartbreaking, it's heart-shattering.
That segment leads into the piece on 9/11. Somber and a little creepy, as you've seen almost six hours of the busiest intersections on Earth suddenly empty, a modern ghost town.
The filmmakers then pull off a terrific stunt. They show the post 9/11 commercial encouraging people to come back to NY. It echoes the one from over two decades prior, yet is defiant, proud and yes, a little inspiring.
A quick cut to "Hairspray", specifically to the finale which may be the single most energetic song to ever grace the boards, and then summing it all up with "Wicked", a musical I coincidentally just saw three weeks ago (and loved), made for an amazing viewing experience and I could not recommend this any more highly.
Now, for those of you who DO own this, my copy is plagued by a jittery video (with pristine audio) across all three discs. No one else has mentioned this, so perhaps my case is isolated...
One last request: please watch the rehearsal "bonus" footage with Idina Menzel and Kristin Chenoweth, working on their song from Wicked called, "For Good." Watching and listening to these two outstanding singers tentatively creating these performances, intercut with footage from the final result, sent shivers up my spine.

Click Here to see more reviews about: Broadway - The American Musical (PBS Series) (2004)



Buy Now

Click here for more information about Broadway - The American Musical (PBS Series) (2004)

Read More...

8/31/2011

South Pacific: In Concert From Carnegie Hall (2006) Review

South Pacific: In Concert From Carnegie Hall (2006)
Average Reviews:

(More customer reviews)
What superlatives are left to describe this concert? This is a truly exhilirating, incandescent performance filled with an all too rare quality, passion. The New York Times review described it best as "near complete rapture." For those who belittle the idea of Reba McEntire in a Broadway musical, take a look at this first before passing unjustified comments. It doesn't matter if she's a country singer, an opera singer or a rap singer, or if she is older than what Nellie Forbush should be. Anyone who can perform with this level of passion and conviction deserves unstinting praise. What a pity it was a one-night only performance. At least we have this DVD as a permanent keepsake. Brian Stokes Mitchell is in equally fine form as Emile de Becque, the French plantation owner, who deservedly brings the house down (and the concert itself to an almost minute-long standstill) with his moving rendition of "This Nearly Was Mine." It may only be a concert performance, without costumes or sets, but it puts many fully staged musicals to shame. All the supporting cast are equally commendable. My one tiny criticism is that the voice coach should have taught the children to sing "Dites Moi" with a more "neutral" accent. The children are supposed to be French Polynesian, children of "a cultured Frenchman." However, they sound more American than Nellie Forbush.
The picture quality on this DVD is absolutely gorgeous. When you consider that it was practically a last minute decision to film the concert at all, the camera crew, sound crew and all the technicians involved did a truly remarkable job. One of the finest live performance recordings I've had the pleasure to watch. The picture is presented in its original 1.78:1 widescreen (enhanced for widescreen TV) with razor sharp images, vibrant, natural colors & perfect black levels. Two soundtracks are provided, one in 2.0 Dolby Stereo and the other in 5.1 Dolby Surround. Rich, sumptuous sound throughout. This is a performace to treasure for years to come. Already I've watched it through thrice, two occasions back-to-back. It always has me singing and whistling along from start to finish. Guaranteed to raise a smile on even the dreariest day. A deliriously joyful DVD. There are no extras but I don't begrudge the lack one bit. This will be my favorite DVD for many months to come.

Click Here to see more reviews about: South Pacific: In Concert From Carnegie Hall (2006)

Broadway, like everyone, loves Reba McEntire. The redheaded Oklahoma firebrand took on the one-night-only concert role of Nellie Forbush on June 9, 2005-the role Mary Martin immortalized in the 1949 Rodgers & Hammerstein classic South Pacific-and the rialto's toughest critics, led by The New York Times' Ben Brantley, instantly surrendered. "Open-voiced and open-faced, she was born to play Nellie," Brantley wrote of the Carnegie Hall benefit performance, adding that the entire production was performed "in a state of nearly unconditional rapture. It was one of those nights when cynicism didn't stand a chance." Happily that enchanted evening can be shared with fans everywhere when "SOUTH PACIFIC" IN CONCERT FROM CARNEGIE HALL comes to DVD. Completing the luxury casting are Broadway and Hollywood icons Brian Stokes Mitchell and Alec Baldwin, as, respectively, French planter Emile de Becque and wise guy sailor Luther Billis. The performance also aired on Thirteen/WNE! T New York's GREAT PERFORMANCES on PBS in April/May.

Buy NowGet 5% OFF

Click here for more information about South Pacific: In Concert From Carnegie Hall (2006)

Read More...

8/22/2011

Camp (2003) Review

Camp (2003)
Average Reviews:

(More customer reviews)
It's movies like 'Camp' that remind me what I love most about movies. It doesn't preach an agenda and doesn't make me feel like a fool for feeling sentimental. It has a little bit of cynicism but a lot of great music. There are no drugs, no guns, no car chases and no fake breasts. What 'Camp' does, and does very well, is tell a story. Simply and completely. 'Camp' took me into a world I was both familiar and stranger to, and made me feel better for taking the journey. While there will be little chance the film will find the same kind of mainstream hit 'Chicago' or 'Moulin Rouge' became, 'Camp' should become a favorite with discerning movie musical fans and help re-usher in this dormant too long genre.
While summer camp often means nature trips, cookouts and wacky hijinks to most young people, Camp Ovation in upstate New York caters to those who are more artistically inclined. Over the two months campers attend, they will put on a new show every other week, be it drama, musical or something more avant-garde, going through the process of auditioning, creating their own sets and costumes, rehearsing and presenting a new show for an audience, then beginning anew the next day. Many of the kids at Camp Ovation are outsiders within their own worlds. Ellen (Joanna Chilcoat) is reduced to begging her older brother in order to have a date to her junior prom, while Michael (Robin DeJesus) gets beaten up at his prom for daring to arrive in drag. Fritzi (Anna Kendrick) is so starved for any attention, she spends her entire year waiting for camp so she can be the 'assistant' to Ovation's number one drama diva, Jill (Alana Allen). Our first clue things will be different this summer arrives in the form of Vlad (Daniel Letterle). He's cute, talented and seemingly the only straight male in the entire teenage camp populace. Ellen, Michael and Jill will all fall for Vlad, even if he has no idea who Stephen Sondheim is. Each year, Camp Ovation has one artist in residence to help run the shows and inspire the nascent talent. This year's guest director is Bert Hanley (Don Dixon), a once promising writer who had been the toast of Broadway with his first musical, but never delivered a follow-up show. The story follows these kids as they deal with each other over the course of the summer. Hearts are broken, lifelong friendships are created, and there's that one ambitious actress who makes Eve Harrington look undemonstrative.
From the opening credits, in which the company performs the rousing, gospel-esque 'How Shall I See You Through My Tears' to the end, when they dance through their own rendition of 'The Want of a Nail,' it is this group of talented youngsters who make the movie come alive. For while most of the cast are cinema neophytes, they have a warmth and energy which make them feel familiar and comfortable. The film feels almost like a documentary, for what little over-acting does appear is saved for the sequences of the stage performances. And it is these stage performances that are the best part of "Camp." These kids are simply amazing, their voices powerful and seductive!
Residing somewhere between 'Meatballs' and 'Fame,' 'Camp' is the brainchild of actor turned writer Todd Graff, who based the story on his own experiences at the Stagedoor Manor camp (where the film was shot) as a youngster in the 1970s, where he was a camper and later a counselor during his teen years.
Making his directorial debut here, Graff has assembled a first rate team around him, ensuring the film's success as a work of art. Oscar winning composer Michael Gore, Tony winning choreographer Jerry Mitchell, 'Rent' musical director Tim Weil and 'Hedwig and the Angry Inch' composer and lyricist Stephen Trask have all infused their individual talents together to create an extraordinary cinematic experience. I cannot stress how incredible I think this film is. It's everything "Fame" SHOULD HAVE been. 'Camp' gets an A+ for effort and an A+ for execution. Bravo!

Click Here to see more reviews about: Camp (2003)

An extremely talented young cast shines in this "energetic musical romp" (Los Angeles Times)about a drama camp where the outcasts of today hone their skills to become the stars of tomorrow. Packed with romance, laughs and "genuine showstopping musical numbers" (The Washington Post), Camp is a "Blast of exuberant fun" (Rolling Stone)!Every summer, talented kids with big voices and even bigger dreams flock to Camp Ovation. But this year, a sexy new guy, Vlad (DanielLetterle), is not only stealing the show he's stealing the heart of every girl he encounters. And as the biggest day of camp approaches, the young performers must overcome backstabbing, unrequited love and Vlad's unpredictable libido to pull off the greatest show of their careers!

Buy NowGet 60% OFF

Click here for more information about Camp (2003)

Read More...