Twelfth Night (ATV British television production) (2008) Review

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(More customer reviews)I've been waiting for years for a DVD release of this fine staging of Shakespeare's gender-bending comedy. I first saw this production on A&E cable in the 1980s and enjoyed it tremendously.
Joan Plowright is, by far, my favorite Viola/Cesario. She's convincing in both roles (and, compared to many other Violas, you can believe she might pass as a teenage boy). Plowright is equally impressive in the final act, which requires her to add still more subtleties to her performance.
In the broader comedy roles, it's hard to beat a production that includes Alec Guinness, Ralph Richardson and Tommy Steele. (Steele's manic persona, which is not for all tastes, serves him very well here as Feste.)
The outstanding script adaptation abridges the play to about 100 minutes. The decision to reverse the order of scenes 1 and 2 was ingenious: it makes for a more dramatic opening and allows a type of exposition that television can do well but which could not have been done easily on Shakespeare's stage.
The video itself is slightly grainy (presumably a function of its age), and some minor glitches in the quad tape were not corrected. But these are trifles, and the DVD is very enjoyable.
Be aware that this is a stage-like television production: a play produced on videotape. If you want something more cinematic, Trevor Nunn's 1996 film version is very good.

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Martha Graham Dance on Film: The Criterion Collection Review

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(More customer reviews)This DVD was absolutely outstanding for me (unfamiliar with modern dance) and exceeded my wife's expectations (very knowledgeable and familiar with modern dance). The reasons for this very positive impression were: Martha herself narrates and explains the whole DVD, the film producer also provides insights into Martha's life and personality, and original dancers performing the original productions.
Very enjoyable either as an expert or as a beginner.

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Lord Mountbatten - The Last Viceroy (2006) Review

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(More customer reviews)This is a splendid 6 part mini-series centering around the end of British rule in India and Lord Mountbatten's role in it. It's a superb production which successfully evokes the splendour of the last days of the British Raj followed by the turmoil and bloodbath of post-independence India. The splendour was deliberate. Mountbatten was adamant that the British would not just slink away. He saw what a monumental occasion this was. As he summed up in a private toast with his wife, this was about "the birth of India and the death of the British Empire."
The series covers the year immediately preceeding Independence and the year after, effectively Mountbatten's tenure on the sub-continent, as the last Viceroy and then the first Governor-General of India (1946-1948). There is an excellent all-round cast, even with non-Indians playing the major roles - Ian Richardson painted brown as Nehru and a similarly tanned Vladek Sheybal, a Pole by birth, as his arch nemesis Jinnah. History is decidedly seen from the British, or more precisely Mountbatten's, perspective. He and Nehru were close, his wife and Nehru closer still. That intimacy is alluded to very pointedly here. The villain of the piece, as the Amazon reviewer has stated, is clearly Muhammad Ali Jinnah, head of the Muslim League and the founder of Pakistan. Jinnah was someone Mountbatten couldn't get close to and didn't trust and he is portrayed here as a slithery snake who schemed and slimed his way towards the painful partition of India and the forced migration of some 14 million people, plus the deaths of up to a million Hindus and Muslims who had to flee to "their" side of the border - ethnic cleansing the likes of which dwarf that seen during the more recent Balkans conflict.
Such was their friendship that Nehru extended a personal invitation for Mountbatten to stay on as the First Governor-General of independant India. Jinnah on his part immediately installed himself as Governor-General of Pakistan. The series paints Jinnah as the instigator and behind-the-scenes manipulator of the Kashmir conflict which sparked off 2 full scale wars and remains unresolved to this day.
The series devotes equal time to both pre and post Independence India, the first 3 episodes revolving around the negotiations with the various factions (Hindus, Muslims, Sikhs and the Princely States) preceeding Independence, and the last 3 episodes chronicling the bloodbath that followed partition and the short-lived Dominion of India with Mountbatten as Governor-General before it achieved full republic status in 1950. The series ends with Mountbatten's farewell to India in 1948, including Nehru's touching farewell speech in which he makes plain his love for Lady Mountbatten and his final toast, "We will remember you... forever." As a reward for the successful transition to Indian independence, Mountbatten was finally granted an Earldom. He was made 1st Earl Mountbatten of Burma, a title that was passed on to his eldest daughter upon his death in 1979. This was also in recompense for his having renounced his royal titles (he was the grandson of Queen Victoria and he was born Prince Louis of Battenberg) at the request of the Royal Family during the anti-German hysteria of the First World War.
Mention should also be made of the score written by John Scott, especially of the stirring opening theme which is very reminiscent of Elgar's Pomp and Circumstance Marches (the Fourth March in particular), which capture in music the splendour that was once the British Empire.
What a shame that this series has been released by Acorn Media. Acorn has a checkered history with regards to DVD quality, their transfers of newer productions looking pretty good but with older series fairing rather poorly. Unfortunately Mountbatten falls into the latter category. Your heart sinks at the opening credits, as the blurry looking Union Jack flutters under the orange glow of the setting sun. It looks like a mediocre VHS tape recording. The picture is soft and blurry, the colours which should have been resplendent (the brilliant crimsons of the Imperial troops, the lush greenery of the countryside) all look drab, dingy and lifeless. Quality improves slightly as the film progresses but not by much. Thankfully the later episodes do improve quite a bit especially at the end. By and large it's a disappointing transfer. It's hard to believe that this production actually dates from 1985. There are 1960s sitcoms that look in better shape than this. One can only hope that another company buys the rights to this series and gives it the proper restoration and remastering that it deserves.

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A great grandson of Queen Victoria, nephew of the Tsar, and cousin of the Prince of Wales, Lord Louis Mountbatten had proven his mettle as Supreme Allied Commander in Southeast Asia during World War II. But his toughest mission came after the war, when British Prime Minister Attlee tapped Mountbatten to oversee India's transition to self-rule. This Emmy®-winning Masterpiece Theatre classic portrays the human drama behind the history. As blood runs in the streets, Mountbatten (Nicol Williamson) becomes the go-between for the charismatic leaders at the heart of the struggle: the Congress Party's Pandit Nehru (Ian Richardson) and Sardar Patel (A.K. Hangal), the Muslim League's Ali Jinnah (Vladek Sheybal), and the father of independent India, Mahatma Gandhi (Sam Dastor). The task is daunting, but the blue-blooded Englishman and his compassionate wife (Janet Suzman) soldier on, ending 200 years of British rule in India.

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Lucky Me (1954) Review

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(More customer reviews)Even though when Doris Day marched into Jack Warner's office to protest the script of "Lucky Me", little did she know that her fans would love this picture and cherish it for decades.
I can understand her concern. She had just come off the great success of "Calamity Jane" which had been an Oscar winner and Day had had a tremendous hit record with "Secret Love".
After being convinced that she should do the picture, she decided to give her performance 110% even though she was in ill health. And, what a performance it is! With able support from Phil Silvers, Nancy Walker, Martha Hyer and Eddie Foy, Jr. and a terrific co-star in Robert Cummings, she was delightful as "Candy Williams" a stranded-in-Florida showgirl with dreams of Broadway stardom.
Miss Day performed , or was involved in all of the musical numbers in the film, most notably, "Love You Dearly", "Bluebells of Broadway", "I Speak to the Stars" (a Day record hit) and the showstopping, "I Wanna Sing Like an Angel".
Phil Silvers was "Sgt. Bilko" and Nancy Walker was "Ida Morgenstern" and Eddie Foy, Jr. was "Hindsey" from "Pajama Game". In short, they were playing their most famous roles.
Doris Day's opening number was a true star performance. Only she could get away with singing her head off, bouncing down the Miama streets singing "The Supersitition Song". Truly great.
The film moves along nicely and has no lags, thanks to the director, Jack Donahue, who kept things bouncy. The color is bright and the actors work well together.
See this one and don't forget the popcorn.

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The star of a third-rate theatrical troupe in Miami catches the attention of a Broadway songwriter.

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The Belle of Amherst Review

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(More customer reviews)This astonishing video performance of Julie Harris' one-woman show about poetess Emily Dickinson's life and work is a true tour-de-force. Ms. Harris' range of expression both physically and vocally evokes Emily Dickinson so precisely that one can hardly imagine that she ever looked or sounded any other way. The poems which are featured in this script are so deftly and subtly interwoven that the entire presentation feels seamless and eminently REAL. I am a Theatre Arts/Speech teacher at a small High School in Virginia, and my students are perpetually astonished at the humor and relevance of a video made more than twenty years ago - usually, they want to tune out anything "old". This is a rich and sumptuous piece of living literature with a tremendously broad appeal - not just Dickinson's poetry, but her unique life is showcased in this privileged interview. This is EXACTLY the kind of "living literature" that we need most in our homes and in our schools - by bringing authors and works of note to life, we can perpetuate the essential reverence for the power of the written word which has perenially distinguished our culture. Please don't let the relatively high price of this product deter you - it is an investment which will repay itself many times over!

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S.O.S. Titanic (1979) Review

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(More customer reviews)"S.O.S Titanic", originally an ABC TV-movie from 1979, is not a prefect telling of the Titanic story but ranks far better than any other Titanic drama save "A Night To Remember" (and it is light years better than Cameron's putrid work!). The only problem is that this DVD gives us the edited version that was released theatrically in Europe and which runs more than 40 minutes shorter than what American TV audiences saw.At a three hour running time on TV, "S.O.S Titanic" could afford to spotlight many of the intriuging characters and subplots associated with the Titanic, but with 40 minutes lost in this presentation we get a much more rushed look at things that seem very incomplete at times.Why Image Entertainment didn't try to get the original TV cut for release is beyond me.
There are some good performances in the presentation that haven't been topped in other productions. Ian Holm is particularly excellent as the often villainized J.Bruce Ismay, this time playing him more as a real three-dimensional figure. David Warner (who was sadly wasted 17 years later in a thankless one-dimensional role in Cameron's movie) is also the very embodiment of Lawrence Beesley, giving for the first and only time in a Titanic drama, the voice to the neglected Second Class perspective. Some Titanic buffs have objected to the not-quite romantic relationship he has with the fictional character played by Susan Saint James, but I had no problem with it because the purpose of her character was to give Beesley someone to talk to and express orally his observations about the Titanic that he would set down in his book after the sinking. All of the things they talk about are in fact taken directly from Beesley's book.
Pick it up if you're interested in completing your Titanic collection, but keep hoping that a cable channel will replay the full original version some day and tape that!

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Scaramouche (1952) Review

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(More customer reviews)What a great movie! Lesser known than many other great swashbucklers, "Scaramouche" is nonetheless a top-notch production in every way.
Stewart Granger stars as the quick-witted Andre Moreau, a charming drifter who after the murder of his best friend dedicates his life to the destruction of the murderer, the cold-blooded Marquis de Maynes (Mel Ferrer). Along the way he fights many duels, romances sweet Janet Leigh AND fiery Eleanor Parker, and has several close shaves.
"Scaramouche" features a solid script, beautiful sets, lush costumes and gorgeous cinematography. The cast is excellent, with Mel Ferrer in particular giving shading and nuance to the role of the villain. The last 20 minutes of the film feature a long, spectacular sword fight that is a must-see for fans of the genre. I highly recommend "Scaramouche" to any film buff and especially to those who love adventure films.
GRADE: A
(As a side note, I have also read the novel on which this movie is based, and I found it very entertaining. The movie differs from the book in several key areas, so if you have yet to read the novel, don't worry, the movie won't spoil it for you.)

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Scaramouche is the secret identity of a hero fighting for independence in the French Revolution.Genre: Feature Film-Action/AdventureRating: NRRelease Date: 1-JUL-2003Media Type: DVD

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The Producers (Special Edition) (1968) Review

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This is it! The source, THE PRODUCERS, the 1968 release with screenplay and direction by Mel Brooks, juicy parts by Zero Mostel, Gene Wilder, Kenneth Mars and others, and a well-deserved reputation as one of the funniest movie comedies ever. Filmed on a pittance (less than $1 million, cheap even by Sixties standards), THE PRODUCERS almost died unrecognized until it became a cult hit in New York, L.A., Chicago and then, everywhere.
SPOILER GRAF: The plot is brilliantly diabolical: a corrupt Broadway producer (Zero Mostel) and his nebbishy accountant assistant (Gene Wilder) deliberately oversell a play with the design to create a flop and keep the proceeds. They hire the worst possible playwright, director, and choreographer and deliberately insult the drama critics. But the play is so hilariously awful it becomes awfully hilarious. The essence of 1960s camp: It's good because it's so bad.
It's hard to overstate just how good Mel Brooks' first movie is. The low budget forced a lot of outside shooting in New York City, and as a result the movie looks fresh, not cosmetized. The premise of a play about "Adolf and Eva in a gay romp at Berchtesgaden" was, if anything, more offensive just 23 years after the end of the Second World War than it is today. A big gamble on Brooks' part, but it played.
This edition is well worth the extra couple of dollars over the "movie only" version. It includes a second CD, apparently put together about the time of the 2001 Broadway musical, and contains stills, bios, and an engaging documentary about the film's making and reception. The last is especially fun since all the principals involved (except the late Zero Mostel) are alive and active and possessed of strong memories of that "kooky" classic-in-the-making.
The 2005 movie with Broadway vets Nathan Lane and Matthew Broderick is proving a disappointment to those who remember the original movie or the 2001 Broadway smash. The new movie took the Broadway book and set it in an imagined-and expensive--"indeterminate past" full of late 1950s cars and fashions. Unfortunately, what works on the stage doesn't always translate on film, and despite all the talent and money involved, the new movie comes across as stagey, self-absorbed and at times a bit labored. And LONG: half again as long as this original, which clocks in right at an hour and a half.
The verdict: All versions of THE PRODUCERS are funny, but the 1968 movie is the one to start with. Enjoy it now at a great price.

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Mel Brooks's directorial debut remains both a career high point and a classic show business farce. Hinging on a crafty plot premise, which in turn unleashes a joyously insane onstage spoof, "The Producers" is powered by a clutch of over-the-top performances, capped by the odd couple pairing of the late Zero Mostel and Gene Wilder, making his screen debut.\nMostel is Max Bialystock, a gone-to-seed Broadway producer who spends his days wheedling checks from his "investors," elderly women for whom Bialystock is only too willing to provide company.When wide-eyed auditor Leo Bloom (Wilder) comes to check the books, he unwittingly inspires the wild-eyed Max to hatch a sure-fire plan: sell 25,000 percent of his next show, produce a deliberate flop, then abscond with the proceeds. Unfortunately for the producers (but fortunately for us), their candidate for failure is "Springtime for Hitler", a Brooksian conceit that envisions what Goebbels might have accomplished with a little help from Busby Berkeley.\nTruly startling during its original 1968 release, "The Producers" does show signs of age in some peripheral scenes that make merry at the expense of gays and women. But the show's nifty cast (notably including the late Dick Shawn as LSD, the space cadet that snags the musical's title role, and Kenneth Mars as the helmeted playwright) clicks throughout, and the sight of Mostel fleecing his marks is irresistibly funny. Add Wilder's literally hysterical Bloom, and it's easy to understand the film's exalted status among late-'60s comedies. "--Sam Sutherland"

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Doctor Faustus (1968) Review

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(More customer reviews)This 1960's film featuring typical sets from the period does rather well with Marlowe's original play of the tragic decision made by a German professor to sell his soul in exchange for 4 and 20 years of self gratification. As in the original play, it is a very erudite work and features players from Oxford University as well as Burton at the height of his powers and his famous love for Elizabeth Taylor projected here in the role of Helen of Troy. A wonderful and haunting score in the opening credits and throughout the movie adds to the flavor of this intellectual delight. (The score is available on CD if you know where to look) This movie is DEEP. VERY DEEP! With lines such as "Settle thy studies Faustus, and begin to sound the depth of that thou wilt profess" Have a Latin dictionary nearby and don't let your attention wander! This movie is best seen at about 1:30AM, which is when it was usually shown on television! All kidding aside this is an interesting work and well worth your investment and time. Burton was a #1 box office draw in this era and Dr. Faustus will demonstrate why.

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The legend of Doctor Faustus is the immortal tale of a German conjurer who sells his soul to the devil in exchange for a life of adventure and excitement. Richard Burton stars as the aging scholar who makes a deal with the devil for youth, knowledge, and a dazzling mistress. Taylor plays the spellbinding seductress who seals Faustus' fate. Stars Academy Award® nominee Richard Burton and Academy Award® winner Elizabeth Taylor.

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This Property Is Condemned (1966) Review

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(More customer reviews)How could a movie fanatic go wrong with this one? Sidney Pollack directing, with Francis Ford Coppola helping out with the adaptation of a Tennessee Williams play? A great cast , with especially memorable performances from Natalie Wood, Kate Reid and Mary Badham (as younger sister, Willie Starr)? Roberts Redford and Blake and Charles Bronson thrown in for lagniappe? Sounds like great gumbo to me.
Natalie Wood is absolutely alluring in this one. She and Redford, who also teamed together in the memorable INSIDE DAISY CLOVER, did indeed appear to have a lot of screen chemistry. He is the cynical company man who appears like the Grim Reaper in a small, shabby, depression-era southern town, carrying pink slips with him, instead of a scythe. The role has a lot of resonance now, what with all the corporate downsizing currently going on. Needless to say, the townfolk don't much cotton to Mr Owen Legate, with his fancy suit and self-assured ways.
With a couple notable exceptions. Tom boyish Willie Starr is taken by him right away and the minute her big sister Alma sets eyes on him, she's putty. Wood's expression in that initial glance is part of film history.
Owen further antagonizes the townfolk because they see that Alma has taken a shine to an outsider. Alma's been something of a tramp up this point, givining it up to varying degrees to most of the men in the town. Several of them, including an old geezer with an invilid wife, have been fantazising about further adventures with Alma. And Alma's mother is upset with Owen, because she sees that he is going to take away her gravy train. Hazel Starr is one of Williams' great eccentric female characters, and perhaps his most unctuous (though Amanda Wingfield, in THE GLASS MENAGERIE, is no prize, either. Kate Reid is perfect in the role. This, to me is her most memorable performance, followed closely by her title role in AND MISS REARDON DRINKS A LITTLE, which unfortunatley appears to be impossible to find. It's hard to believe she never won an Oscar or a Tony.
This was only the second feature film that Pollock directed. He of course went on to great things with such films as THEY SHOOT HORSES DON'T THEY and TOOTSIE. He and Cinematographer James Wong Howe do a great job of capturing small southern town lethargy, as well as 30's New Orleans ambience. The print, unfortunately, could definitely use a full restoration. It's faded noticeably over time. The film certainly warrants the extra work. Yet time cannot wither Natalie Wood. She's still one of the most lovely women a camera ever made love to. This film definitely belongs near the top of the list for screen adaptations of Williams' plays.
BEK

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All Passion Spent (2006) Review

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(More customer reviews)Lady Slane (Wendy Hiller) spent all her life being an et ux. She enjoyed being the wife of the viceroy, a mother, and a leader of charities. However when her husband died she finally, against her children's wishes, had time to contemplate her life, what it could have been and what it will be.
She moves into a smaller house that she had seen 30 years before. Now she strikes up a friend ship with people as the house owner, the craftsman repairing the house and others.
Unknown to her is a friend of one of her sons, who knew her 60 years ago in India. He reliving the time and she realizing that they both had great depth that was not required of them at the time, form a unique friendship.
We get the privilege of watching Lady Slane make her discoveries and the reaction to this by the family. Of particular interest is her great grand daughter is now on the cusp of making the same life choice that Lady Slane succumbed to.
Based on the novel by Vita Sackville-West, "All Passion Spent" we see a lot of Vita's real life parallels. The screen adaptation is by Peter Buckman. This film has that BBC quality.


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