Showing posts with label victorian romance. Show all posts
Showing posts with label victorian romance. Show all posts

5/29/2012

Broken Glass: Masterpiece Theatre (1996) Review

Broken Glass: Masterpiece Theatre  (1996)
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This Mobil Masterpiece Theater production of an adapatation of Arthur Miller's play is a gripping look at both the dilemma of being Jewish in pre-war America, as well as a fascinating look at how fear can, literally, cripple a life.
The story revolves around a married Jewish couple, the Gellburgs, in Brooklyn in 1938. Mrs. Gellburg suddenly finds herself unable to move her legs, and becomes the patient of Dr. Hyman, played powerfully by Mandy Patinkin. Mr. Gellburg, in a way, also becomes the patient of Dr. Hyman as Mrs. Gellburg's diagnosis is revealed to be hysterical paralysis -- i.e., it's all in her head.
What Dr. Hyman is left to uncover about the Gellburgs, including both the extremely personal -- their marriage and their identity as Jews -- and the extremely impersonal -- the beginning of the torture and slaughter of Jews in Germany -- teaches great lessons about the choices we make in our lives; when to give in, when to stand up and say, "Enough." Fear can be either a force for change, or an excuse to avoid the inevitable pains of life.
I highly recommend this serious and thought-provoking drama; it provides much food for thought for people of any age or situation.

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2/26/2012

The Woman in White (1998) Review

The Woman in White (1998)
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I find it unusual that the reviews of this movie are so skewed at the very ends of the continuum of great to horrible. Whenever this happens, I am tempted to see the movie and judge for myself. That is what I suggest to viewers here. I have both read the book and seen the movie, and I, unusually it seems, like both. I obviously do not require pedantic faithfulness to the book in order to have a resulting good story.
It would take a lengthy mini-series to present this story as Wilkie Collins wrote it, and it is a magnificent book, in conception as well as in execution. It is written from the perspective of several characters in the book, and the differing viewpoints and their presentations are remarkably well done by Collins. The Moonstone may be the more popular of the two books, but Collins himself recognized the literary grandeur of The Woman in White, noting his authorship of it, not of The Moonstone, on his tombstone.
It would be immensely difficult, in my opinion, and probably would cost too much, to bring the book faithfully to the movie or television screen. This version is as good as we are likely to see, and, again in my opinion, this is a good version. If one has not read the book, and, as a practical matter, I think most viewers will not have, one will find this a compelling story, well told and uniformly well acted. Why should not those who have not read the book become familiar with Collins and this story and be entertained by it -- even if it is not entirely, or even largely, faith to the book? After all, there are many books that are not faithfully brought to production, but that does not necessarily mean that the story, as revised to fit time and pecuniary restraints of production, will not be entertaining. This story is.
So try it for yourself, even if you have read the book, and judge for yourself. Whenever I see such emotionally negative reviews, and when they are so intensely stated, resulting in so obviously distorted a view of the subject movie, I wonder if there is a reason, such as a somewhat narrow and tiresome attempt at display of learning (e.g., the reviewer, among few others sufficiently erudite, knows that this movie is quite different from the book), that accounts for the negativism, with no thought being given to the entertainment value of the movie, which should be the primary criterion of review.

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Set in the late 19th century, this adaptation of Wilkie Collins' mystery thriller is a slowly unraveling nightmare that reveals a dark world of powerful and dangerous men.A young drawing master, Mr. Hartright (Andrew Lincoln), is hired by the fretful Mr. Fairlie (Ian Richardson) to teach his two nieces, Marian (Tara Fitzgerald) and Laura (Justine Waddell). On his way to their house, Hartright is startled by a mysterious encounter with a ghostly woman dressed in white.When he meets Fairlie's nieces, he is struck by Laura's resemblance to the woman in white, and tells Marian and Laura of the ethereal woman. Determined to learn all they can about the woman in white, the girls find themselves drawn into a vortex of secrets, crime and treacherous involvement with the fascinating, but sinister, Count Fosco (Simon Callow).

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8/18/2011

Masterpiece Theatre: The Bronte Collection (1944) Review

Masterpiece Theatre: The Bronte Collection (1944)
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I already have the inital 2006 version of Jane Eyre with no extras so thought I could justify another purchase to get the commentary and star interviews. The truth is I wanted to see and hear more of Toby Stephens. Anyway, the interviews were quite good. The lead actors, director and writer all gave very interesting insights into their ideas for character and motivation. There is also running commentary on the first and fourth sections of the movie with all kinds of background info about locations, actor struggles, weather, you name it. Very entertaining except for the fact that my copy has the sound slightly out of synch for the movie running behind the commentary. I haven't watched Wuthering Heights yet but am disturbed by the other reviewer's remark of a rape by Heathcliff. Bottom line: extras or no extras, this is a GREAT movie with enough passion and heart to please anyone looking for a timeless story well told. The best version of Jane Eyre ever and Toby Stephens as Mr. Rochester is sublime.

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8/13/2011

The Moonstone (1972) Review

The Moonstone (1972)
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What a pleasure to see the original production of Collins' The Moonstone at last! The recent version was good, but this one seemed far more satisfying. I've always been a sucker for John Welsh, who was splendid as the detective. I've always been a Robin Ellis fan, so his presence was a bonus. The production held up well for its 30-odd years. I would recommend this production to those who love great British drama.

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A priceless exotic jewel disappears, sending the beautiful young woman who inherited it into turmoil as misfortune follows misfortune. Stolen from a Hindu shrine by a plundering ancestor, the jewel dazzles Rachel Verinder when she receives it on her 18th birthday. But its disappearance robs her of something she values even more. In a twisting plot that unfolds with dramatic surprises, the solution to this Victorian mystery requires the services of London detective Sergeant Cuff, whose incisive investigative work is matched only by his love of roses. Based on the 1868 novel by Wilkie Collins and starring Robin Ellis (Poldark), John Welsh (The Duchess of Duke Street), and Basil Dignam (The Pallisers). As seen on Masterpiece Theatre.

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6/25/2011

The Buccaneers (1995) Review

The Buccaneers (1995)
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My sister and I adore this mini-series which was shown in Masterpiece Theater many years ago. Anyone who enjoys turn-of-the-century films such as The Age of Innocence, House of Mirth, The Golden Bowl, A Room With A View and Howard's End or stories of the Astors and Vanderbilts will find themselves enraptured with this tale of 4 beautiful American women who find themselves being courted by sons of the British nobility.
In the center of the story are Nan (Carla Gugino) and Virginia St. George (Alison Eliott), and their friends Conchita Closson (Mira Sorvino) and Lizzy Elmsworth (Rya Kihlstedt) - four young women living in turn-of-the-century America, when social status and wealth were the most important considerations in a woman's life (these were the days of the Astors and Vanderbilts, after all). Early in the story we find Conchita married to Lord Marable and begins her new life with the English nobility. Spurned in Newport and New York social circles because they are considered "new money," Nan, Virginia and Lizzy travel to England to visit Conchita and hopefully try their luck there. With the help of 2 enterprising older women, they soon become the toast of the town and are courted by many handsome, wealthy young men. Virginia and Lizzy vie for the attentions of Lord Seadown (Mark Tandy) who is not quite what he seems. Nan is pursued by the humble but ambitious Guy Thwaite (Greg Wise from "Sense and Sensibility") and the wealthy and reserved Julius, the Duke of Trevenick (James Frain).
The mini-series offers beautiful scenery and costumes, great acting from members of the cast (including veterans Cherie Lunghi, Jenny Agutter, Michael Kitchen and Rosemary Leach) and a thoroughly engaging story. I loved the fantastic mansions, palaces and castles in Newport and England alike and the wonderful intertwining of the American and British sensibilities in the plot. It has "one foot in America and another foot in England," as Masterpiece Theater narrator Russell Baker aptly explains. I highly recommend this to anyone who enjoys top-notch romance/drama!

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Deemed nouveau riche and shunned by elitist New York society, sisters Nan and Virginia St. George, along with their friends Lizzy Elmsworth and Conchita Closson (Academy Award winner Mira Sorvino), try their luck in London. The girls' New World spontaneity and impertinence constitute nothing less than a social invasion of Old World society and they soon find themselves courted by a coterie of fascinated admirers. But as the old and new worlds come to clash, something has to give.

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