Showing posts with label cult classic. Show all posts
Showing posts with label cult classic. Show all posts

5/30/2012

Girls Town (1959) Review

Girls Town  (1959)
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Was this bad-girls-in-reform-school flick made in an attempt to cash in on the Academy Award-winning "Boys' Town" or did the studio just happen to have a few dozen nun's habits in their wardrobe department? Tubby, dewlapped crooner Mel Torme frames busty bottle-blonde bombshell bad-girl Silver Morgan (Mamie Van Doren, the poor man's Jane Mansfield) for the over-a-cliff murder of her attempted rapist in this manipulative, cloying 1959 teen-sploitation flick. The cops don't have a thing on Silver but the dead punk's dad commands the usual White Male Reality political pull, sending her to a convent-slash-reform-school "Girls' Town" chock-full-o' tough-as-nails nuns, teen gangs played by 35-year old actors, an "Ave Maria"-singing Paul Anka, a no-hands drag race ending in the usual expected laughably "tragic" result, the Platters, badly-choreographed catfights consistently broken up by beefy security nuns, way too much embarrassingly fake teen slang, and Charlie Chaplin, Jr. (?) Watch out for Silver's creepy reform-school pal Seraphina, a spooky obsessive fan stalking a vaguely stupefied young Paul Anka; look carefully in the drive-in scene to spot the reflections of the director and camera crew in the windows of the cars. "The Sound of Music" this ain't. If you're like me, you saw this given the "Mystery Science Theater 3000" treatment, and were all the better for it...it's even funnier that way, and at least *intentionally* funny.

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4/10/2012

Santa Claus Conquers The Martians Review

Santa Claus Conquers The Martians
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This special season is an ideal time to contemplate what may be the biggest holiday bomb in cinematic history, SANTA CLAUS CONQUERS THE MARTIANS (1964).
It's a kiddie adventure story that's remembered (if at all) as the screen debut of Pia Zadora. Shot on a ten-cent budget in abandoned aircraft hanger on Long Island, Santa and the Martians is a perennial favorite on almost every Worst Movie list.
Is it as bad as its hype? Absolutely! Would I suggest you check it out to see for yourself if this one's as awful as they say? Hey, why not? It's good for a few laughs, some unintended of course.
The film's memorably terrible chorus number, "Hooray For Santy Claus" was written by accordionist Milton DeLugg. His polka "Hoop Dee Doo" was popular on TV game shows. DeLugg is most famous for producing Buddy Holly's "Rave On" and most infamous for the song in this movie. He wrote the original theme to THE NEWLYWED GAME and was musical director of Chuck Barris' legendary Gong Show (whenever a contestant won on this program, DeLugg's "Hoop Dee Doo" was played).
But back to the film in question. Here's my favorite bit of dialogue from SANTA CLAUS CONQUERS THE MARTIANS:
Hargo: What's soft and round and you put it on a stick and you toast it in a fire, and it's green?
Kimar: I don't know what?
Hargo: A Martian mellow.

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4/02/2012

Madmen of Mandoras/The Devil's Hand (1956) Review

Madmen of Mandoras/The Devil's Hand (1956)
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"They Saved Hitler's Brain" is a cinematic travesty made over a decade or so by two different sets of people, starring two different sets of actors. What could possibly go wrong? The basis for the film is the very short 1963 feature "The Madmen of Mandoras", which was apparently shot years earlier and shelved for a while. In the late 1960s (1968 seems the most agreed upon date), some television brain trust wanted to broadcast "The Madmen of Mandoras", but it was too short to fit in a traditional movie time slot. They hired some film school students to shoot additional wraparound footage to boost the running time. The result is one of the most jarring viewing experiences in cinema history, and ranks up there with the very best of Ed Wood or Ray Dennis Steckler for enjoyable camp viewing.
The film opens with the newly shot footage of a smarmy male and a voluptuous female CID agent arguing and engaging in possibly the worst banter in film history. The acting and writing will both make you cringe; the good news is you frequently can't hear what's being said over the loud background music. It seems that the CID is investigating the death of a scientist who was working of the G-Gas project. The dead scientist knew of the antidote, and they discover that Dr. John Coleman, another brilliant scientist, has been kidnapped and taken to the South American country of Mandoras.
The G-Gas plot sort of devolves into a "Wild, Wild World of Batwoman" pursuit of evildoers, with the movie going on to feature crazy Nazis planning to take over the world, Hitler's head in a jar (who the cast refers to as "Mr. H") yelling orders in German, a brain dead kidnapping and murder subplot, lots of stock footage, a supremely annoying and pathetic romance subplot, ridiculously inept car chases, doublecrosses, gunplay, explosions, a fire, and Hitler's head melting. Everything is here but the kitchen sink, and that may be here too, just too grainy and out of focus to see.
For someone who adores nonsensical B-movies, "They Saved Hitler's Brain" is a film to marvel at, and I particularly recommend it as a double feature with "The Thing With Two Heads".

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Madmen of Mandoras (1963 74 mins.)Less than an hour after famed American neurobiologist John Coleman addresses a conference on the deadliest nerve gas ever developed he vanishes. Meanwhile on a small island called Mandoras in the Caribbean a group of fanatics from Nazi Germany have developed their own deadly nerve gas and intend to use it to take over the en of the world. The group carried out a secret experiment after WWII to give eternal life to the brain of Adolf Hitler. In the meantime the professor's daughter and his son-in-law in possession of a clue find their way to Mandoras. Can they find her father and stop these madmen before they take over the world? Now released under it's original film title this new edition has been mastered from the original negative and it has never looked so good!The Devil's Hand (1962 71 mins.)Rick Turner is haunted by strange dreams of a beautiful woman. When he and his fiancvisit a local doll shop he is surprised to encounter a doll that looks just like the woman that haunts him. He is also surprised to discover that not only does the owner of the shop have a doll that looks like his mystery woman but there is also a doll that looks just like his fianc . He soon finds himself involved with a satanic cult and the life of his fiancis slowly fading.System Requirements:Run Time:145 minsFormat: DVD MOVIE Genre:HORROR Rating:NR UPC:787364718894

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2/05/2012

Danger: Diabolik (1968) Review

Danger: Diabolik (1968)
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Once upon a time films were made with low budgets and heaps of imagination, and this is one of them. Though given a whopping $3M by the ego-maniac Dino de Laurentis (King Kong the atrocious remake) the genius Mario Bava brought this 60s beauty in at $400K. Even converted into today's hard currency it would be hard to conceive of a modern day director either struggling out of bed for such a miniscule sum, or ever bringing a film in under budget. Instead Bava treats the eye and the mind to a dazzling psychedelic modernist fantasy.
There seems to be a common notion that many directors of the past were somehow more stupid than the giant intellects of the cinema of today and that they had no comprehension of what they were doing. Bava knew exactly what he was making with this movie version of a popular European comic and that was to make a film that was fun.
Pitted against a world of old stilted politics, bumbling police and chalk-stripe-suited Mafia villains Diabolik, a cool ultra-thief with an underground lair to be envied by Dr No and every other evil genius, outwits his pursuers time and time again with a manic laugh, a delicious girl-friend and his 'n' hers Jaguar E-Types.
This film is a two-hour trip; the score is superb and the images have a vivid organic feel unachievable with today's over-processed CGI FX. If you love the visuals of Barbarella you'll love this. Bava, though, has a more cynical view of the world and in one scene presents us with a nightclub where villains ply the "innocent" hippies with drugs making them dance in hysterically funny ways that is just as an incisive critique of that era as it would be of some rave scenes today. Some things just don't change.
Sure if you want to adopt the brave stance of the post-modernist and assume the sophisticated position of The One Who Laughs At Bad Old Films then you'll get some kind of kick out of this. But you won't get anything like the kick you will by just relaxing into the brilliantly-lit mad world of Mario Bava where nothing is quite what it appears and baddies win - almost.

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The suave, psychedelic-era thief called Diabolik (Law) can't get enough of life's good - or glittery - things. Not when there are currency shipments to steal from under the noses of snooty government officials and priceless jewels to lift from the boudoirs of the superrich. The elusive scoundrel finds plenty of ways to live up to his name in this tongue-in-cheek, live-action caper inspired by Europe's popular Diabolic comics. He clambers up walls, zaps a press conference with Exhilaration Gas, smacks a confession out of a crime lord while freefalling with him from an airplane, and pulls off the heist of a twenty-ton gold ingot.

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2/04/2012

The Starlite Drive-In Theater: Pom Pom Girls/The Van (1977) Review

The Starlite Drive-In Theater: Pom Pom Girls/The Van (1977)
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"The Pom-Pom Girls" can be summed up simply: Plenty of cute girls, not enough 'pom-poms', if you get my drift.
I could identify with 'The Van' a little better, since, growing up in the 70's, I clearly remember the van craze. It never caught on here on the east coast as much as it did in California, but I still recall lots of guys going full tilt into "van-o-mania".
If you're looking for 70's vintage T&A, you've got the wrong films with this 2-pack. There are only 3 scenes of nudity in "The Pom-Pom Girls" and they're very tame. The story line, although lame, gets us from begining to end, and that's about the best that can be said for it. It was quite interesting to see Robert Carradine, who later came into his own in "Revenge of the Nerds", in what had to be one of his very first roles.
"The Van" is a little better. At least the story is somewhat more believable, and the film's featured hottie, Connie Lisa Marie as 'Sally', gets a couple of nice extended scenes to show off her charms. First, while washing her car in a soaking wet tank top, then later when she hooks up with the movie's hero, a hapless red-headed dork named Bobby. That was one of the problems with "The Van"....the lead character Bobby, played by Stan Getz (aka Stuart Goetz), is a bit of a goofball and just not someone you could sympathize with or root for.

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1/11/2012

Theatre of Blood (1973) Review

Theatre of Blood (1973)
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As incredibly good as this movie is, one must give pause before attempting to review it; after all, Vincent Price plays an actor who murders the critics who panned his performances and cost him the acting award he felt he deserved. I find it something of a relief to have nothing at all negative to say about this unusual, almost brilliant movie. This is essentially a slasher film, but it differs markedly from its modern counterparts by injecting the story with intelligence, culture, and actual feeling. Vincent Price plays Edward Lionheart, a Shakespearean actor who deigns to perform no dramas not penned by the Bard. There is no better actor, he truly believes, than himself, and thus he is slowly crushed by the stream of bad reviews the local critics hurl down upon his performance in one play after another. After facing humiliation at an annual awards banquet, he takes his own life-or at least so everyone thought at the time, despite the fact that his body was never found. Two years later, a literary critic dies mysteriously on the ides of March of multiple stab wounds. Then a second critic is killed and his body dragged through the streets behind a horse. As more critics die, it begins to become clear, even to the rather ineffectual police, that the murders are all patterned on the death scenes of Shakespearean dramas. After the fourth murder, where the culprit deviates from the script of The Merchant of Venice by literally taking a pound of flesh from the victim, the de facto leader of the critics knows that Lionheart is the murderer because "only he would have the temerity to rewrite Shakespeare." The deaths here range from the somewhat comical to the ludicrously horrid to the deliciously gruesome, with a few nice touches of 1973-style blood thrown in for good measure. Each murder is of course accentuated by a vainglorious dramatic performance by Lionheart. This imbues the movie with both maudlin comedy as well as academic pretentiousness. At the very end, even more unexpected emotions bubble up in the viewer, a phenomenon manifesting itself through a combination of Price's perfectly over-the-top acting and a wonderfully evocative soundtrack.
One actually gets something of a lesson in Shakespeare in this film. Lionheart doesn't base his revenge killings on Shakespeare's most famous plays-instead, he draws on several that I and probably many others are not intimately familiar with-yet the magic he breathes into each scene makes one anxious to delve into the Bard's original plays themselves. In total, the following Shakespearean plays serve as the basis of the murders: Julius Caesar, Troilus and Cressida, Cymbeline, The Merchant of Venice, Richard the Third, Romeo and Juliet, Othello, Henry the Sixth, part 1, Titus Andronicus, and King Lear. A little Hamlet is also thrown in for good measure. I must say that the cast is a great complement to the storyline, although even the lovely Diana Rigg of Avengers fame pales in the shadow of Price's mesmerizing aura as he brings to life a character seemingly written especially for him. Who else could have played such a convincing Shakespearean actor and ingeniously mad killer simultaneously? I must admit it is somewhat strange to watch Rigg play the role of Lionheart's fiercely loyal daughter, though, and I daresay that many Rigg devotees such as myself may not even recognize her when she first appears.
Theater of Blood is truly one of Vincent Price's most memorable performances. His ability to morph into and truly become different Shakespearean characters is superb, and the range of emotions he is able to express is pretty powerful, especially in the closing moments of the film. A couple of the killings are somewhat farcical, but most of them are rather ingenious and fascinating. Just wait until you see Price playing the role of a bushy-headed hairdresser. The best killing, without a doubt, involves a surgical gown, a scalpel, and a handsaw-I'll let you figure out what Lionheart does with these items. The idea for this movie may not be wholly original, but Theater of Blood works magnificently, and the combined talents of Price and Rigg make this a classic that really should find a home in the collection of all horror movie buffs.

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11/22/2011

The Rocky Horror Tribute Show - Richard O'Brien, Royal Court Theatre (2008) Review

The Rocky Horror Tribute Show - Richard O'Brien, Royal Court Theatre (2008)
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I bought this as a gift after searching for items hits for Anthony Stewart Head for a Buffy Fanatic (who also loves RHPS) and we found this show to be extremely entertaining. We were surprised by the format at first, but everyone who showed up for the Tribute show did a great job with their songs, dialogue and actions. We recommend this for anyone who loves Rocky!

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The Rocky Horror Show was born at the Royal Court's tiny Theatre Upstairs on June 16, 1973, and went on to become an international stage smash hit and a major motion picture. Now, Rocky Horror Company and The Royal Court Theatre present this historic program, Richard O'Brien's Rocky Horror Tribute Show.In 2006, Richard O'Brien, who wrote the book, music and lyrics, rewrote the narration for the show and a cast of performers was put together from previous stars of the show and other amazing performers, including Richard O'Brien, Patricia Quinn, Little Nell and Rayner Bourton, on stage for the first time in 33 years, back where it all began. They are joined by one of the best Franks ever, Anthony Head, as well as original Transylvanians from the Rocky Horror Picture Show. This is a must-have DVD for all Rocky Horror fans!STARRING: Richard O'Brien, Anthony Head, Michael BallSINGERS: Patricia Quinn, Adrian Edmondson, Sophie Lawrence, Kraig Thornber, Toyah Wilcox, Amy Field, Anthony Head, Gary Amers, Ben Richards, Joanne Farrell, Stephen Gately, Julian Littman, Michael Ball, Little NellNARRATORS: Richard O'Brien, Tony Slattery, Robin Cousins, Rayner Bourton, Steve Pemberton, Christopher Biggins, Jamie TheakstonMusic & Lyrics Richard O'BrienDirected for the stage by Christopher LuscombeProducer Simon FlindDirector: Robin LoughROCKY HORROR TRIBUTE SHOW SONG LIST:Science Fiction: Usherette (Patricia Quinn)Damn it, Janet: Brad (Adrian Edmondson), Janet (Sophie Lawrence) Over at the Frankenstein Place: Brad (Adrian Edmondson), Janet (Sophie Lawrence), Riff Raff (Kraig Thornber) Time Warp: Riff Raff (Kraig Thornber), Columbia (Amy Field), Magenta (Toyah Wilcox) Sweet Transvestite: Frank, (Anthony Head), Brad (Adrian Edmondson), Magenta (Toyah Wilcox), Columbia, (Amy Field), Riff Raff (KraigThornber) The Sword of Damocles: Rocky (Gary Amers) Hot Patootie Bless My Soul: Eddie (Ben Richards) Touch-a touch-a touch me: Janet (Jo Farrell), Magenta (Toyah Wilcox), Columbia (Amy Field) Once in a While: Brad (Stephen Gately) Eddie's Teddy: Dr Scott (Julian Littman), Frank (Anthony Head), Columbia (Amy Field) Planet Schmanet: Frank (Anthony Head), Janet (Jo Farrell) Floor Show: Columbia (Amy Field), Rocky (Gary Amers), Brad (Adrian Edmondson), Janet (Jo Farrell), Frank (Michael Ball), Dr Scott (Julian Littman), Magenta (Toyah Wilcox), Riff Raff (Kraig Thornber) I m Going Home: Frank (Michael Ball) Super Heroes: Brad (Adrian Edmondson), Janet (Jo Farrell) Time Warp reprise: Full company with Richard O'Brien, Little Nell, Patricia Campbell

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10/07/2011

The Rocky Horror Picture Show (35th Anniversary Edition) (1975) Review

The Rocky Horror Picture Show (35th Anniversary Edition)  (1975)
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I loved going to "Rocky Horror" when I was in college, but watching on home video just wasn't the same. I'm probably committing heresy but there's a reason why this sci-fi, horror, B-movie satire, rock musical didn't really make it big until theaters started showing it as a midnight movie and fans started attending in costume and talking back to the screen. The 25th anniversary DVD, with several audience participation options, really is the next best thing to being there.
For the uninitiated, "Rocky Horror" tells the story of two clean-cut American youths, uptight Brad Majors (Barry Bostwick of "Spin City") and Janet Weiss (Susan Sarandon of "Dead Man Walking") whose car breaks down on a dark, deserted road in the middle of a storm--the classic beginning to many horror movies--and who seek help at a nearby castle. Castles, as Rocky fans know, don't have phones! What this castle has instead is a cross-dressing mad scientist Frank-N-Furter Tim Curry, in perhaps his finest performance), two very creepy servants, Riff-Raff (Richard O'Brien, who wrote the musical) and Magenta (Patricia Quinn), and various other hangers-on, including lovers Columbia (Little Nell) and biker Eddie (Meat Loaf). Brad and Janet walk in on a party celebrating the creation of Frank-N-Furter's muscle-bound boy-toy "Rocky." Bed-hopping chaos soon ensues, until the servants reveal their true identities and take control.
Punctuating this wacky plot are some of the wildest rock-musical songs ever written. In addition to the classic "Time Warp," there's O'Brien's salute to cult-classic B-movies, "Science Fiction Double Feature," Meat Loaf's "Hot Patootie," and Sarandon ode to sexual self-discovery, "Toucha Toucha Touch Me!"
So much for the "Rocky virgin" portion of the review... What makes the DVD so exceptional is the chance to experience "Rocky Horror" at home nearly like you would in the theater. The DVD has the option of turning on the audience screen comments as well as another option for viewing members of the Rocky Horror Fan Club performing select scenes before returning to the main movie. For those less familiar with audience participation, the DVD can prompt when to throw toast, toilet paper, rice, etc., light a match, put your newspaper on your head, etc.
The second disc contains fascinating interviews with cast members, where fans can find out about their reaction to starring in this cult classic. Meat Loaf's description of not realizing what "Rocky Horror" was going to be about and running out of the theater when Tim Curry entered wearing fishnet stockings, spiked heels, a merry widow, and a leather jacket and singing "Sweet Transvestite" is hysterical. Patricia Quinn talks about how her fondness for the opening song, "Science Fiction Double Feature" made her want to take the role even though she hadn't read the rest of the script. What? Don't remember Quinn singing that number? In the stage versions she did, but the song got reassigned in the film version--and Quinn makes her feelings about that QUITE clear. Sarandon makes the interesting observation that "Rocky Horror" probably kept a lot of art house theaters in business over the years, since they could count on good revenue from the midnight movie, even if the latest regular-hours offering flopped. In Bostwick's interview, however, the actor sounds a bit like William Shatner giving his anti-Trekkie diatribe on "Saturday Night Live."
The only disappointments on the DVD are that the outtakes really aren't that interesting and actor bios aren't provided. I would have liked to see what else the "minor" cast members did after Rocky, but that information is limited to a few lines in the companion booklet. Also, some of the audience-participation comments are nearly impossible to understand because fans are talking over each other. But then that's part of the modern-day theater experience. Even Sarandon noted in her interview that talking back to the screen has gone from the more unison catechism approach to a loud free-for-all.
What seemed so risqué and shocking a few decades ago seems much more innocent today, but it was great when it all began and it's still great! If you've never ventured into the theater to experience "Rocky Horror," this is the best way to experience it at home.

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Fasten your garter belt and come up to the lab and see what's on theslab!It's The Rocky Horror Picture Show Special Edition, a screaminglyfunny, sinfully twisted salute to sci-fi, horror, B-movies and rockmusic, all rolled into one deliciously decadent morsel.And now there'seven more to make you shiver with antici...pation:two additionalmusical numbers, "Once In A While" and "Superheroes", never seentheatrically or available on video!The madcap, musical mayhem beginswhen rain-soaked Brad and Janet take refuge in the castle of Dr.Frank-N-Furter, a transvestite mad scientist from outer space who isabout to unveil his greatest creation - and have a bit of fun with hisreluctant guests!Join Tim Curry, Barry Bostwick, Susan Sarandon androck star Meat Loaf in the most popular cult classic of all time.

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9/07/2011

Starlite Drive-In Theater: A Dusk Til Dawn Marathon Review

Starlite Drive-In Theater: A Dusk Til Dawn Marathon
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Not a bad set to own if you like crappy movies in a weird sort of way (Like MST3K does). I found the movie "The Van" by far the best one of the lot, and "Van Nuys Blvd" to be second best. "Pom Pom Girls" would be good if they showed more "Pom Pom Girls" and less John Carradine. After those 3 though, most were very forgettable unless you want a nostalgic trip looking at old products and signs of the 50's, 60's & 70's. One nice surprise though were the cartoons and snack bar ads before the movie. Definitely was a plus. A bit of trivia, on "Hustler Squad", the one real dish of the movie (Anna) was a former Miss Finland in 1974 and runner up in Miss Universe. Watch the movie with the volume off unless you want to hear some really awful sound effects.

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8/28/2011

Starlite Drive-In Theater: Van Nuys Blvd./Little Laura & Big John Review

Starlite Drive-In Theater: Van Nuys Blvd./Little Laura and Big John
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Van Nuys Blvd is classic Crown International. The basic plot, Bobby gets bored with his life in a small town. Sure he's got a cute girlfriend and a mobile home. He wants more. He sees a news report about kids cruising Van Nuys Blvd. He gets in his van and heads out to LA for fun. He shows up at a drive in burger joint with his beat up van and still gets lucky with the ladies. It's amazing. And so plotless that it's like watching a documentary about SoCal culture in the 70s. I can't get enough of this film.
The same can't be said about Little Laura. it has a great cast and yet is very annoying. it wants to be an artsy version of Bonnie and Clyde. But the crimes are mostly against viewers. Such is the fate of a double feature. Get worked up watching Van Nuys and get it on with your date during Little Laura.

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6/25/2011

Kentucky Fried Movie (1977) Review

Kentucky Fried Movie (1977)
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Ah... there's nothing quite like sitting back and spending an afternoon watching a series of sophomoric jokes, uproarious site gags, and ample naked breasts to make just make the time fly by. The team of Zucker/Abrahms(sp?), that wacky team that done brung (poor grammar is intentional here) you great films like "Airplane" first cut their teeth on a sketch comedy forum they called "The Kentucky Fried Theater". By having the audacity to go places that Saturday Night Live and their censors could only dream about, the Brothers Zucker and Jim Abrahms were able to create raunchy, racy, and hilarious sketchy comedy. In the late 1970's they finally made the big leap and took their `talents' the big screen with the cult hit "The Kentucky Fried Movie".
"...Movie" is a somewhat uneven compilation of sketch comedy that is crafted in the Monty Python mold. Don't let the uneven aspect deter you, though. When "Kentucky Fried Movie" hits its targets, it makes for some of the funniest and most titillating comedy on film. One of the raunchiest skits is a `promo' for an upcoming movie called "Catholic High School Girls in Trouble". The shameless display of naked females, graphic (but, humorous) sex, and crude humor make this sketch one of the all-time classics. Even people who have never seen "The Kentucky Fried Movie" know about this famous sketch. There are some other fairly inspired bits in this film, including another extremely raunchy skit called "Eyewitness News (Nudes?)" where a young couple gets quite amorous while watching the evening news. "Cleopatra Schwartz" which pairs a Hassidic rabbi with a Pam Grier-type as a crime fighting couple seems just plain wrong, but is just plain funny. Other skits like the `Feel-O-Rama' movie theater and `Big Jim Slade's love record' are quite funny.
However, the true crown jewel of this movie is an inspired spoof of the old Bruce Lee movies called "Fistful of Yen". By far the longest sketch, it also packs the most comedic punch per square inch. The Bruce Lee type character must break into an evil criminal mastermind's palace and rescue a damsel in distress. This mastermind has a secret weapon, a prosthetic arm that looks like it was made by Snap-On Tools. Nothing is spared in this set. Shots are taken ridiculously sexual names that are given to Asian characters in these movies; the easy duping of an `expert' bodyguard is spoofed; and, even Detroit is spared no punches. For me, the most hilarious aspect is the criminal mastermind's palace `alarm system'. When you see it, you will know what I mean. This one sketch, alone, makes the movie worthwhile. The shameless amount of raunchiness doesn't hurt, either. If you're curious about how the deranged minds that created "Airplane" got their start, or just enjoy a good film that seems to have been the inspiration for every sex comedy to come along since, then "The Kentucky Fried Movie" will be time well spent.

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From the director of Animal House and the creators ofAirplane and The Naked Gun comes the original madcap,most out-of-control spoof of all time. The one thatstarted it all!!The Kentucky Fried Movie!Featuring a cast of more than a few but less than alot, this insane collection of comedy skits includessuch now famous sketches as the Kung-Fu parody, "AFistful of Yen", and the legendary "Catholic SchoolGirls in Trouble."Enjoy the future of moviegoingwiththe "Feel-A-Round" theater experience.See notableandhighly respected actor Donald Sutherland as theclumsiest waiter in motion picutre history.Watchsuchcharacters as Cleopatra Schwartz and Big Jim Sladetickle your funny bone until it has to be removedsurgically!Directed by John Landis and written by Jim Abrahams,David Zucker, and Jerry Zucker, and featuringappearances by ex-James Bond George Lazenby and TheIncredible Hulk star Bill Bixby, The Kentucky FriedMovie is the cult classic you've been waiting for! It's a virtual guarantee (not an actual guarantee)thatyou will not find another film iwth as many side- splitting moments of pure unadulterated hilarity asTheKentucky Fried Movie.

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