4/03/2012

Cold Comfort Farm (1971) Review

Cold Comfort Farm  (1971)
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Flora Poste, is orphaned at the age of 19 and is left with 100 pounds a year -- barely enough to get by on. She accepts an invitation from the Starkadders rural British farm and encounters a gallery of colorful characters especially the family matriarch Ada Doom, who remains locked in her room, alluding to having spied something wicked in the past. This wonderfully produced, filmed and acted production is based on the Stella Gibbons 1932 literary novel and presented as a three volume miniseries first aired as part of the PBS "Masterpiece Theatre" series. Cold Comfort Farm would make a very popular addition to any community library video collection and is a "must" for Masterpiece Theatre fans and anyone else with an appreciation for British entertainment. VHS, 3 video boxed set, full color, 135 minutes.

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4/02/2012

DVD Spectacular (1998) Review

DVD Spectacular (1998)
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This is a DVD made for professionals that understand what they are doing. It comes with a 10 page booklet, and I mean a tiny tiny tiny booklet that gives very minimal details except for perhaps what tracks are on the disk.
This booklet is so bad that even sound engineers would be bummed out since it does not even provide the most minimal tech info as to vu levels to set, responses etc etc I mean even using a sound level meter I had no clue as to what I was looking for.
Another thing that bothered me, once I started any tracks or test I had to push EVERY button on my remote to get the thing to stop ....
The dvd also contains video tests and if little is said about the audio portion even less is said about the video. pretty colours and dots & squares though...
The ONLY thing this dvd does, and why at least it has 1 star, is allows you to check frequency responce from sub woofer to the highest tweeter and all the speaker channels for a 9 speaker setup ....
Dont waste you money unless you KNOW what you are doing

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King Lear (2004) Review

King Lear (2004)
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Now a celebrity, courtesy of Bilbo Baggins (the keepcase to this King Lear DVD bills him as "of the Lord of the Rings"), Ian Holm was a great actor long before he was Bilbo. On this DVD he delivers a Lear on a par with the twentieth century's greatest, including Olivier's. But the excellence of this version results not just from one bravura performance, but from an intelligently conceived approach to the play, seamlessly executed by a competent, superbly chosen cast. Of innovative productions there is no end, but what a rarity, and what a joy, when innovation comes across as deeply authentic, rooted in the text and the humanity of the play, as if the new take had always been there, concealed in the text, waiting for centuries to be discovered. One can argue whether Lear should be presented as a "psychological" drama of broken family relationships, and I have mixed feelings about the approach; but if, as our leading Shakespeare critic maintains, Shakespeare "invented" our understanding of human nature, then surely this approach should be tried. And it works to perfection here. Goneril and Regan, the "bad daughters," evolve into monsters of pure evil, but along the way we see, via some remarkable facial expressions that play particularly well on the small screen, flashes of the agonizing pain and hurt that their overbearing father has inflicted on them. This is true also of Cordelia, the "good" daughter; all these daughters are visibly tormented in the presence of their father, though Cordelia overcomes her past through love and forgiveness. What keeps this from being the greatest Lear on video is that the text is heavily abridged. Those who know the play will have trouble escaping the occasional feeling that they are trapped in a "60 Second Lear" from Tom Stoppard or the Reduced Shakespeare Company. The greatest of Shakespeare's lines remain, but how much greater they are when they emerge from his larger linguistic context. At points the cutting even confuses the plot. One gets no hint from this version that the "bedlam" Edgar is only feigning madness; for awhile you would think he's actually gone bonkers.

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Madmen of Mandoras/The Devil's Hand (1956) Review

Madmen of Mandoras/The Devil's Hand (1956)
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"They Saved Hitler's Brain" is a cinematic travesty made over a decade or so by two different sets of people, starring two different sets of actors. What could possibly go wrong? The basis for the film is the very short 1963 feature "The Madmen of Mandoras", which was apparently shot years earlier and shelved for a while. In the late 1960s (1968 seems the most agreed upon date), some television brain trust wanted to broadcast "The Madmen of Mandoras", but it was too short to fit in a traditional movie time slot. They hired some film school students to shoot additional wraparound footage to boost the running time. The result is one of the most jarring viewing experiences in cinema history, and ranks up there with the very best of Ed Wood or Ray Dennis Steckler for enjoyable camp viewing.
The film opens with the newly shot footage of a smarmy male and a voluptuous female CID agent arguing and engaging in possibly the worst banter in film history. The acting and writing will both make you cringe; the good news is you frequently can't hear what's being said over the loud background music. It seems that the CID is investigating the death of a scientist who was working of the G-Gas project. The dead scientist knew of the antidote, and they discover that Dr. John Coleman, another brilliant scientist, has been kidnapped and taken to the South American country of Mandoras.
The G-Gas plot sort of devolves into a "Wild, Wild World of Batwoman" pursuit of evildoers, with the movie going on to feature crazy Nazis planning to take over the world, Hitler's head in a jar (who the cast refers to as "Mr. H") yelling orders in German, a brain dead kidnapping and murder subplot, lots of stock footage, a supremely annoying and pathetic romance subplot, ridiculously inept car chases, doublecrosses, gunplay, explosions, a fire, and Hitler's head melting. Everything is here but the kitchen sink, and that may be here too, just too grainy and out of focus to see.
For someone who adores nonsensical B-movies, "They Saved Hitler's Brain" is a film to marvel at, and I particularly recommend it as a double feature with "The Thing With Two Heads".

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Madmen of Mandoras (1963 74 mins.)Less than an hour after famed American neurobiologist John Coleman addresses a conference on the deadliest nerve gas ever developed he vanishes. Meanwhile on a small island called Mandoras in the Caribbean a group of fanatics from Nazi Germany have developed their own deadly nerve gas and intend to use it to take over the en of the world. The group carried out a secret experiment after WWII to give eternal life to the brain of Adolf Hitler. In the meantime the professor's daughter and his son-in-law in possession of a clue find their way to Mandoras. Can they find her father and stop these madmen before they take over the world? Now released under it's original film title this new edition has been mastered from the original negative and it has never looked so good!The Devil's Hand (1962 71 mins.)Rick Turner is haunted by strange dreams of a beautiful woman. When he and his fiancvisit a local doll shop he is surprised to encounter a doll that looks just like the woman that haunts him. He is also surprised to discover that not only does the owner of the shop have a doll that looks like his mystery woman but there is also a doll that looks just like his fianc . He soon finds himself involved with a satanic cult and the life of his fiancis slowly fading.System Requirements:Run Time:145 minsFormat: DVD MOVIE Genre:HORROR Rating:NR UPC:787364718894

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4/01/2012

Lewis Black: Red, White & Screwed (2006) Review

Lewis Black: Red, White and Screwed (2006)
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We were crying with laughter and screaming at the TV. Not only do I recommend that you buy this DVD, I'm going to buy copies for my friends.
I haven't seen his other DVDs, so I can't comment on whether those are better. You'll have to rely on the other reviewers for that. But during my years living in Washington DC, I saw my share of comics at the Warner Theater and I can assure you, Lewis Black KILLS!!
Razor sharp, topical humor delivered with the kind of righteous anger that makes you leap off the couch and yell "YES!!" His comments on current events in America are spot-on and neither side of the political aisle escapes his withering assessment.
So gather some friends, open the libation of your choice, turn on the DVD and let the crying and screaming begin!



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Comedian/author/playwright/pundit Lewis Black stars in his second HBO solo special, an all-new hour of frenetic, take-no-prisoners stand-up comedy, taped before a live audience at the Warner Theatre in Washington, DC. Lewis Black: Red, White & Screwed features Black?s opinions and insights into such issues as the State of the Union, abortion, frozen embryos, defecation habits, fossils, bad language, FEMA and, of course, Dick Cheney?s aim. DVD Features:Extended takes:Extended Version, include 15 additional minutesFeaturette:Lewis Black Sounds off, Ride the Short Bus with Lewis Black, Lewis Black Buck Naked in D.C.Outtakes:"Why Lewis Black Shouldn't be a Doctor" - Outtakes from the filming of the on air promotional spotTV Spot:"Lewis Black Probes Uncle Sam" - promotional spot made for television


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A Touch of Frost - Season 1 Review

A Touch of Frost - Season 1
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A Touch of Frost is an outstanding British mystery series, and it is high time it was released on DVD. This set contains the entire first series--three 100-minute episodes entitled "Care and Protection", "Not with Kindness", and "Conclusions." At the time of writing, series two is also available (for preordering), and I only hope that the video company will see fit to release the entire series.

David Jason (Only Fools and Horses, The Darling Buds of May, Open All Hours, Micawber), who personally is one of my favourite British actors, stars as Jack Frost, a dedicated, single-minded detective inspector with a nose for ferretting out criminals. Frost is a bit like a dog with a bone when he sets his mind on something, and he doesn't worry too much about letting little things like rules, procedures, tactfulness, or even legality get in the way of finding out the truth--if he can get away with it, that is. This is a man whose loathing for the criminal element--for those who hurt or destroy the lives of others--verges on the personal. At the very least, his dedication to duty is more than just a job for him, it's his whole life--his raison d'etre. Certainly, his personal life suffers greatly from his dedication--indeed obsession--with his work.
The series opens with Frost's wife on her deathbed. Even in such a situation (perhaps, indeed, because of it--for Frost does not handle personal tragedy well), he is unable to spend the time at his wife's side that is expected. While this may sound rather morbid and depressing, I must emphasize that overall the series is not. Certainly, the crimes that are committed are serious and tragic, but like the Inspector Morse series (a series with which this one compares well), the episodes are punctuated by quite a healthy dose of humour, and like Morse it is primarily character humour. In other words, it arises out of the idiosyncrasies in the inspector's character, which become more apparent as we become more familiar with the character. In Frost's case, apart from his questionable tactics, he's extremely disorderly, and his dedication to his work is matched only by his loathing for paperwork--a trait which often has him at odds with his punctilious boss, Superintendent Mullett. Indeed, Frost is perennially ducking into doorways or skipping out of the office in attempts to avoid the unwelcome confrontations. One thing Frost does not have, unlike Inspector Morse, is a regular "Sergeant Lewis" in tow; rather, he has a different sergeant assigned to him for almost every episode.
One aspect which, in my opinion, makes A Touch of Frost such a good series is the powerful punch of irony that usually occurs at the end of each episode. Often one can really sympathise with the killer or at the very least understand his or her motivation. Sometimes we find that it's one trifling incident--someone in the wrong place at the wrong time--or a petty misunderstanding that sets the wheels in motion for a tragic outcome. Often it seems that the bringing of the criminal to justice is the greatest injustice.
In conclusion, this is a well-acted and an extremely well-written mystery series--one with quite hard-hitting stories, thus making the comic relief all the more welcome. It is a series which I recommend very highly to fans of British mysteries in particular--if you enjoy shows like Inspector Morse, for example, or have enjoyed PBS's erstwhile Mystery! series, I'm sure you'll enjoy this one. I would, however, go so far as to recommend this series to anyone looking for a superior quality mystery series, British or otherwise. Personally, I've always wondered why it was never made a part of PBS's Mystery! series, for it was certainly worthy of inclusion.

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The Inspector Lynley Mysteries - Series 6 (2007) Review

The Inspector Lynley Mysteries - Series 6 (2007)
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I mentioned when writing about season five that this delicately etched and excellently acted series on PBS's "Mystery" was my favorite. It still is. I truly believe it is the finest show on television. Nathaniel Parker's Inspector Thomas Lynley and Sharon Small's Barbara Havers are eagerly awaited with passion each season by this viewer like nothing else on television.
Based on Elizabeth George's characters, the BBC show has grown and matured into something really special. The mysteries are always well-written and the lead characters have been allowed to let life and what each brings to the table change both themselves and how they view each other. Parker and Small are a fabulous duo who balance each other out.
The dashing Lynley was originally paired with Havers because it was taken for granted he would not be distracted by her in a romantic way. But the two quickly found there was more to each other than their reputations, and proved a great team. They also became quite close, their deep friendship and affection for each other rarely dwelled upon but always there beneath the surface.
Havers has given the dashing Lynley depth and complexity while he has given her a softer appearance over time. Small really looked terrific in season five with her hair down. Though some griped it was a deviation from the books, it is this intelligent lack of stagnation which has kept things fresh.
Season five ended tragically as Lynley's world changed in the blink of an eye when his beloved Helen was killed. One of the most poignant moments of the series found Havers sitting with Lynley after her funeral to make the world wait a few moments. It is intelligent and very real moments such as that which make this show tower head and shoulders above everything else out there.
It is for that reason that a massive campaign is being waged to persuade the BBC to continue to produce the show so that PBS fans in America can enjoy these richly mature and intelligent mysteries. The carefully nuanced performances of Nathaniel Parker and Sharon Small as Lynley and Havers would be harder to live without than Lynley's beloved Bristol.
Until that happens, we can at least enjoy the two episodes here on season six. In "Limbo," first aired in Australia, the remains of Lynley's godson are discovered twelve years after he was reported missing. Lynley becomes deeply involved with the deceased's sister and will become the prime suspect in a second murder. In "Know Thine Enemy" one young schoolgirl kills herself to escape captivity and Lynley and Havers try to find another before tragedy strikes twice.
The Inspector Lynley series is smart and atmospheric, Debbie Wiseman's opening music setting the tone for each intriguing installment. Fans cherish this show and hopefully this won't be the last we see of our favorite detectives.

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